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Marjorie Prime (2017)
Marjorie Prime is an unusual movie, and it is several layers deep. Billed as a sci-film, despite the story device of computerized hologram humanoids, it's really more of a family relationship drama which happens to be set in 2050, but yet feels like the present day.
There is no violence, no sex, no gutter language (with the exception of a poorly written "F" word used in the adverb form). Absent are any CGI effects or strange and mystical illusions.
We are exposed to development of a story which appears to be one thing, but then is later explained as another in a surprisingly natural way. What appears to be going on is not really going on. Nevertheless it's not an artsy film that insists upon being vague, nor does it keep the viewer hanging at the end. There is a conclusion.
The seasoned first rate cast includes the veteran Lois Smith, along with John Hamm, Geena Davis and Tim Robbins, who make an engaging and very believable couple. It was obvious that all the players were determined to rise to their finest work.
The writing and direction is by Michael Almereyda, whose articulate style is complimented by his pacing. I don't think I'd be a fan of his other films, but this one was satisfying in an odd but congenial way.
Marjorie Prime is another good example of the type of film which would qualify for the old Siskel & Ebert "A" rating (for adult themes). It's not likely that anyone younger than middle aged would relate to the film on more than a superficial level. It's not the type of film that one marvels at, but rather enjoys and is impressed by on a root level. For those who are willing to spend a little patience and wonderment, the picture is very captivating.
Doc's rating: 7/10
Last edited by GulfportDoc; 11-22-17 at 05:24 PM.