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Bright light. Bright light. Uh oh.

Blondie Plays Cupid (Frank R. Strayer, 1940)

Tarzan the Ape Man (John Derek, 1981)

Chance of a Lifetime (Bernard Miles, 1950)

Rude Boy (Jack Hazan & David Mingay, 1980)
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The Clash in concert.
Red Sonja (Richard Fleischer, 1985)

A Dog's Purpose (Lasse Hallström, 2017)

Bernadine (Henry Levin, 1957)
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Laila (George Schnéevoigt, 1929)
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Laila (Mona Mårtenson) and her trusty reindeer.
Priest (Scott Stewart, 2011)
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Summer with Monika (Ingmar Bergman, 1953)

The Racket (John Cromwell, 1951)

Zigeunerweisen (Seijun Suzuki, 1980)
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Professor Toshio Fujita and his friend’s surrogate wife (Naoko Otani) are only two of the characters caught up in a surrealistic ghost story.
Cave Explorers (Heinz Scheiderbauer, 1957)

Scarface (Howard Hawks, 1932)

A Letter for Evie (Jules Dassin, 1946)
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Paths of the Soul (Zhang Yang, 2015)


Tibetans make a 750-mile pilgrimage to the holy capital of Lasa in the winter – walking and constantly prostrating themselves along the way.
Three Coins in the Fountain (Jean Negulesco, 1954)

Malaya (Richard Thorpe, 1949)

I Was a Male War Bride (Howard Hawks, 1949)

Loving Vincent (Dorota Kobiela & Hugh Welchman, 2017)


Oil-painted animation brings many of Vincent Van Gogh’s most-famous paintings to life.
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Cat On A Hot Tin Roof



This film was made for me. Every scene and piece of dialogue engaging, full of humor, and poignant. I absolutely adored it and can't wait to see it again.

Murder On The Orient Express (2017)



Branagh and his character are worth the price of admission. Everything else is melba toast. This movie should not look this bad. Train and snow setting two things that are easy for me to love but made bland with the decision to use CGI too much for a film like this.

Certain Women



This one has stayed with me more than I expected. Really slow but shot beautifully and the characters stick. I am officially in love with Michelle Williams.

Justice League



Everything that is wrong with the genre in one film and I have seen it twice in three days.

Mudbound



Really good but I am having a hard time pinpointing why I don't think it's great. The story and characters are impossible not to engage with. Very well shot and very nice score. Jason Clarke should be in everything.

Ratcatcher



A perfect movie that is so unsettling I will probably never have the desire to watch it again. I will however recommend it as the best movie about poverty ever. I could certainly give a list of the scenes I love and why but that would be boring. However, I have to give a shout out to that head fake in the first sequence.
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[i]

Ratcatcher



A perfect movie that is so unsettling I will probably never have the desire to watch it again. I will however recommend it as the best movie about poverty ever. I could certainly give a list of the scenes I love and why but that would be boring. However, I have to give a shout out to that head fake in the first sequence.
Sean, you are my hero! Don't think i'm ruining anything by saying it has a strong chance of being my #1 for the Women Countdown, one of my favourite films. Definitely get the never watch it again thing but i've seen it three times and still love it.

Also glad you got something out of Certain Women even though i like it quite a bit more than you.



Sean, you are my hero! Don't think i'm ruining anything by saying it has a strong chance of being my #1 for the Women Countdown, one of my favourite films. Definitely get the never watch it again thing but i've seen it three times and still love it.

Also glad you got something out of Certain Women even though i like it quite a bit more than you.
I forgave it immediately but I have to ask how you feel about the balloon sequence? Felt like it was in the wrong film. The only misstep I can really point to though.



I forgave it immediately but I have to ask how you feel about the balloon sequence? Felt like it was in the wrong film. The only misstep I can really point to though.
Nah i'm with you, very weird scene in an otherwise realistic film. Guess it was to show that some childlike imagination/wonder was still present in these kids despite their grim situation coz it's obviously not supposed to be real, the one who does it is supposed to have imagined it which is why he brings it up again later. The worst thing is all the nonchalant handling of the rats, really turns my stomach.



Nah i'm with you, very weird scene in an otherwise realistic film. Guess it was to show that some childlike imagination/wonder was still present in these kids despite their grim situation coz it's obviously not supposed to be real, the one who does it is supposed to have imagined it which is why he brings it up again later. The worst thing is all the nonchalant handling of the rats, really turns my stomach.
I wonder if it would have worked better if it looked better.



I wonder if it would have worked better if it looked better.
haha yeah it looks ridiculous when the rat lands especially, it's supposed to be on an old tv or something though right? Am i imagining that, it's a very weird scene. It's not a big problem, despite the reality of what obviously actually happened to the rat it's kind of silly, the music is good and it's short.



haha yeah it looks ridiculous when the rat lands especially, it's supposed to be on an old tv or something though right? Am i imagining that, it's a very weird scene. It's not a big problem, despite the reality of what obviously actually happened to the rat it's kind of silly, the music is good and it's short.
Yeah, I guess so. The rats don't fit into that though. We have already spent too much time on it. I just had to bring it up.



Bright light. Bright light. Uh oh.

You Can't Fool Your Wife (Ray McCarey, 1940)
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Tharlo (Pema Tseden, 2016)

St. Martin’s Lane aka Sidewalks of London (Tim Whelan, 1938)

Hollywood Party (8 directors, 1934)


Crazy musical comedy with Jimmy Durante, Laurel & Hardy, the Three Stooges, tons of scantily-clad females and outrageous production numbers.
Dinner at Eight (George Cukor, 1933)

In the Shadow of Women (Philippe Garrel, 2015)

Roping Wild Bears (W. Earle Frank, 1934)

Justice League: The Flashpoint Paradox (Jay Oliva, 2013)
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The Flash brings Batman a letter from an alternative timeline.
The Wall (Doug Liman, 2017)

Every Emotion Costs (Darlene Naponse, 2010)

Dead or Alive 2: Birds (Takashi Miike, 2000)

Mudbound (Dee Rees, 2017)
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In a racist, post-WWII Mississippi town, two veterans (Garrett Hedlund & Jason Mitchell) bond over their war experiences.
The Iroquois Trail (Phil Karlson, 1950)
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Justice League: Crisis on Two Earths (Sam Liu & Lauren Montgomery, 2010)

The Shanghai Cobra (Phil Karlson, 1945)
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Super Dark Times (Kevin Phillips, 2017)


Four teenage “friends” in a weird, desolate 1990s New England town find something to do and then things get weirder.
SurvivorZ (Oliver Frank, 2017)
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Logan Lucky (Steven Soderbergh, 2017)
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We Were Dancing (Robert Z. Leonard, 1942)
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The Wizard of Oz (Victor Fleming & 4 others, 1939)


Pay no attention to that man behind the curtain!



Lady Bird (Greta Gerwig, 2017):

The Killing of a Sacred Deer (Yorgos Lanthimos, 2017):


Two great films. I thought Lady Bird was very funny and heartfelt. Killing of a Sacred Deer was an unnerving, captivating thriller. Both would be in my top 3 2017 releases I've seen.



1 Scarecrows (1988) (01/01/17) **
2 Curse of Chucky (2013) (07/01/17) ***1/2
3 Amsterdamned (1988) (12/01/17) **1/2 (NEW TO ME)
4 Rabid (1977) (14/01/17) *** (NEW TO ME)
5 Guardians of the Galaxy (2014) (15/01/17) ***1/2
6 Airplane! (1980) (15/01/17) ***1/2
7 Eyes of Crystal (2004) (19/01/17) ** (NEW TO ME)
8 Kingsman: The Secret Service (22/01/17) (2015) ***1/2
9 Time After Time (1979) (23/01/17) ***1/4
10 In A Valley of Violence (2016) (31/01/17) ***1/4 (NEW)
11 Spooks: The Greater Good (2015) (01/02/17) (NEW TO ME) ***1/4
12 Split (2017) (06/02/17) **1/2 (CINEMA NEW)
13 A Walk Among the Tombstones (2014) (11/02/17) ***1/4
14 Groundhog Day (1993) (16/02/17) ***1/4
15 Hopscotch (1980) (21/02/17) *** (NEW TO ME)
16 Batman (1989) (25/02/17) ***1/4
17 The Mask (1995) (26/02/17) ***
18 In Bruges (2007) (05/02/17) ****
19 Better Off Dead (1985) (12/03/17) ***1/2
20 Appointment with Death (1988) (18/03/17) *** (NEWISH TO ME)
21 Train to Busan (2016) (21/03/17) ***1/4 (NEW)
22 Before I Wake (2016) (21/03/17) *** (NEW)
23 Mission Impossible: Rogue Nation (2015) (26/03/17) ****
24 Beauty and the Beast (2017) (27/03/17) ***1/2 (CINEMA NEW)
25 Life (2017) (29/03/17) ***1/2 (CINEMA NEW)
26 Planes, Trains and Automobiles (1987) (02/04/17) ***1/4
27 Show Me Love (1998) (09/04/17) ****
28 The Burning (1981) (16/04/17) ***
29 Twins (1988) (16/04/17) ***1/4
30 Hush (2016) (17/04/17) ***1/2 (NEW)
31 Addams Family Values (1993) (23/04/17) ***1/4
32 Damien Omen II (1978) (24/04/17) ***1/2
33 Guardians of the Galaxy Vol. 2 (2017) (25/04/17) ***1/4 (CINEMA NEW)
34 Source Code (2011) (13/05/17) ***
35 Bad Words (2014) (15/05/17) ***1/2
36 John Wick 2 (2017) (22/05/17) **1/2 (CINEMA NEW)
37 The Man Who Knew Too Little (1997) (24/05/17) ***1/4
38 The Cabin in the Woods (2012) (31/05/17) ***1/2
39 Top Secret! (1984) (05/06/17) ***1/4
40 Jason X (2001) (09/06/17) ***
41 Logan (2017) (13/09/17) ***1/4 (NEW)
42 American Ultra (2015) (14/09/17) ***1/4 (NEW TO ME)
43 The Long Goodbye (1973) (16/06/17) *** (NEW TO ME)
44 A Cure For Wellness (2017) (20/06/17) ***1/2 (NEW)
45 Freddy Vs Jason (2003) (23/06/17) ***
46 Aftermath (2017) (28/06/17) ***1/4 (NEW)
47 Outbreak (1995) (30/6/07) ***
48 Not Another Happy Ending (2013) (07/07/17) ***1/4
49 REC (2007) (10/07/17) ***1/2
50 Scream 3 (2000) (14/07/17) ***1/2
51 A Christmas Horror Story (2015) (24/07/17) ***1/4
52 Death Line (1972) (31/07/17) ***1/2
53 Annabelle Creation (2017) (10/08/17) ***1/2 (CINEMA NEW)
54 Annabelle (2014) (17/08/17) ** (NEW TO ME)
55 Creepshow 2 (1987) (20/08/17) **1/2 (NEW TO ME)
56 The Circle (2017) (28/08/17) ***1/2 (NEW)
57 Popcorn (1991) (05/09/17) ***1/4
58 The Mummy (2017) (06/09/17) ** (NEW)
59 IT (2017) (07/09/17) ***1/2 (CINEMA NEW)
60 Ghostbusters (1984) (18/09/17) ****
61 Invasion of the Body Snatchers (1978) ***1/4
62 Psycho (1960) (01/10/17) ***1/4
63 Christmas Evil (1980) (04/10/17) **1/2 (NEW TO ME)
64 Lethal Weapon 3 (1992) (09/10/17) ***1/4
65 Happy Death Day (2017) (12/10/17) ***1/4 (CINEMA NEW)
66 Cult of Chucky (2017) (16/10/17) ** (NEW)
67 The Seven-Ups (1973) (19/10/17) *** (NEW TO ME)
68 Halloween IV: The Return of Michael Myers (1988) (28/10/17) ***1/4
69 Tremors (1990) (06/11/17) ***1/4
70 V For Vendetta (2006) (18/11/17) ***1/4



Welcome to the human race...
Murder on the Orient Express (Sidney Lumet, 1974) -


Decided to watch this ahead of potentially seeing the 2017 version - don't think I've ever experienced the story in any iteration, but I reckon this one went well enough. Immaculate art direction, an all-star cast, and a two-hour whodunit that moves at a remarkable clip.

Daughters of Darkness (Harry Kümel, 1971) -


I've watched a fair few 1970s horrors in recent months and they really can go from eye-scorching masterwork to slab of concentrated tedium at the drop of a hat. This ends up being much closer to the latter than the former as it tells the tale of a Countess Bathory type terrorising a pair of honeymooners, yielding very little of worth in the process.

The Death of Stalin (Armando Iannucci, 2017) -


This pitch-black satire about the bureaucratic absurdity of Soviet totalitarianism feels as much of a piece with Brazil as it does with In the Loop, showing in no uncertain terms how brutal and unforgiving these people and their actions can be underneath their farcical movements and vicious banter.

My Father Die (Sean Brosnan, 2016) -


As with Daughters of Darkness, this is an example of a type of movie that can flip so easily from enjoyable genre exercise to excruciating endurance test. This scuzzy-as-all-hell backwater revenge tale definitely falls into the latter half for me as it tries to mix high-falutin' Gothic meditations on vengeance with exploitational nastiness and just becomes a pain to watch.

Good Night, and Good Luck. (George Clooney, 2005) -


A generally solid biopic about newscaster Edward R. Murrow and his public opposition to the spread of McCarthyism. It's nothing too inventive on a fundamental level, but it's got good thematics regarding the nature of the free press and has a great lead performance by David Strathairn.

Victim (Basil Rearden, 1961) -


A thriller about blackmailers extorting gay men for their (still illegal at the time) proclivities and the closeted magistrate who works to take them down. It could be a bit more taut but it's still aged rather well not just for its pertinent exercise in progressivism but also because it delivers strong characterisation and dramatics.

Brigsby Bear (Dave McCary, 2017) -


While I'll concede that this does feature many a trope that has been perhaps over-saturated within modern indie dramedies, I do reckon that they are alchemised rather well within a story that could have become an obnoxious mess but instead becomes what I feel might well be the best feel-good film of 2017.

The Meyerowitz Stories (New and Selected) (Noah Baumbach, 2017) -


Extremely so-so, but there's a detectable craft at work that does make me want to watch and re-watch Baumbach's other works.

Blowup (Michelangelo Antonioni, 1966) -


Another one of those masterpieces where I don't have all that much to say about it other than that it was better than I remember. Now I want to re-watch The Passenger.

Permanent Vacation (Jim Jarmusch, 1980) -


Definitely one of those debuts that gives you a strong idea of what a filmmaker's all about but you can readily tell that it's all stuff that got refined really well in their best work, thus rendering the debut somewhat extraneous in the process. I didn't hate it, but I definitely don't feel much need to ever re-watch it.
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I really just want you all angry and confused the whole time.
Iro's Top 100 Movies v3.0



Sorry if I'm rude but I'm right


@Guaporense
@jal90
@Zotis
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Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.



You should note that he doesn't say "by the power of the cartoons" that is because he doesn't feel strong emotions emanating from western cartoons but only from east asian ones. This is a reflection of the different cultural attitudes of both cultures concerning animation and comics that leads to one culture to develop emotionally powerful animated narratives that induce into such type of child behavior.



“I was cured, all right!”
Good Time (2017)
(Ben and Joshua Safdie)


'Sense of urgency'. It's been a long time since I watched a film that in the end I was full of adrenaline and amazed by every single shot. This film has balls to really capture the low life thug! After COSMOPOLIS I was really looking to Rober Pattinson with another eyes. In this film the guy was really great. I really liked his performance. It's so good to see a film that doesn't follow the 'Hollywood main script' and go search his own soul. This film was a great exercice of frustration (in a good way). The mission of the main character goes mad and mad with time and in the end what's the meaning of all that running? I have so many friends that have gone to a way that lead them to a spiral of errors but in the end when I finally asked them "Why do you do that?" They used to say "Did what?". It's all normal after a while. Connie was duing the right thing right? Well, at least in his mind he was... One of my favorites of the year so far!

Black Mask (1996)
(Daniel Lee)


Imagine Jet Lee + Power Rangers. Yep, that's Black Mask. Unfortunately the film was pretty bad even comparing the film with Power Rangers. Daniel Lee doesn't see to know what he was doing during the action scenes. Such a waste of talent. Jet Lee was BIG back in the 90s. A damn shame Daniel Lee coudn't do a great thing with this formula.

O Matador - AKA The Killer (2017)
(Marcelo Galvão)


Now, this one was a big pile of s**t! First Netflix produced in my country, I was expecting at least something decent. Damn I was already disappointed with just the first five minutes. So predictable... The acting was bad, the direction was bad, the action and the violence was boring. So many plot holes... I really wanted to like this one. It's from my own country, and Brazil, at least lately are doing just forgettable movies. In the first shot you can predict the entire film. The only good thing was hear and see some real characters sometimes, like 'Maria Bonita' or 'Lampião'. Names that are rooted in the culture of my country. Well, who know next time?

Lola Rennt - AKA Run Lola Run (1998)
(Tom Tykwer)


The first 30 minutes of 'Lola Rennt' is one of the most great things that I've seen the whole year. Putting animation, with one incredible original soundtrack and of course, lots and lots of adrenaline. I was amazed, and thinking "Holy **** this will be amazing". A damn shame that after 30 minutes the film just get repetitive and more repetitive...and more repetitive and in the end the adrenaline was gone. If the film was 30 minutes long this would have been a masterpiece!

Brawl in Cell Block 99 (2017)
(S. Craig Zahler)


"Ok, so let's see this new film, I'm sure it will be a Shaky Cam festival (Vince Vaughn doing action? Come on...)" This was what I was thinking when I blindly watched this film. It was so good to be wrong. 40 minutes in and "Where's the prison?" S. Craig Zahler taked his time and contructed the bonds between the characters and when the action finally starts it's so damn good. Mr Vaughn gained my respect after this one. No fast cuts, no shaky cam, he was really there, acting (f**k you Matt Damon). The violence was the best of the year so far, I was really at the edge of my seat laughting and smiling at every single bone crushed. Just like Bone Tomahawk, S. Craig Zahler mix some genres and creates something diferent. His first film used western and horror. Now he mix Crime/Drama with Brutal Action. Surprise, surprise!

Ichi: The Killer (2001)(Takashi Miike)

The ultimate black comedy film of the century!
Rape, realistic violence, cartoonish violence, torture, boobs and many politically incorrect things. Takashi Miike doesn't give a ****. Well, at least he used to not give a damn ...


Blade of the Immortal
(2017)
(Takashi Miike)


Let me start saying that I'm a big fan of the manga and I was really excited to see that Miike was the director of this first live action adaptation. The manga was already adaptated for TV years ago but it was terrible... Now, this film... Oh no, it was good, or it was bad? I actually don't know exactly how I feel about it. I think I'm being to harsh with this film 'cause "It's different" or it's because it was so damn rushed! One thing I'm sure. Where the f**k is the swastika???

"The swastika is an ancient religious icon used in the Indian subcontinent, East Asia and Southeast Asia, where it has been and remains a sacred symbol of spiritual principles in Hinduism, Buddhism and Jainism." And them the nazis screwed with the symbol but that's not why it was used as a symbol for the main character. Manji used this exactly for the 'real' meaning of the thing. Miike of 10 years ago would have balls to use this in his films. Now he's a Mainstream bastard. I'm sure his next film will be "Transformers: Battle for Tokyo" Come on. It wasn't fun. The violence wasn't right. Some characters that are SOO great in the manga was so dumb in this adaptation. Even the violence was dumb down. Why the hell 3 stars them? Honestly I don't know...


Duel (1971) [S. Spielberg]


Onimasa: A Japanese Godfather (1982) [Hideo Gosha]}


O Homem do Ano - AKA The Man of the Year (2003) [José Henrique Fonseca]


Au Revoir les Enfants (1987) [Louis Malle]


Wind River (2017) [Taylor Sheridan]


Caché (2005) [Michael Haneke]


Island of Lost Souls (1932) [Erle C. Kenton]


Memoir of a Murderer (2017) [Won Shin-Yeon]


Sweet Virginia (2017) [Jamie M. Dagg]


Generation Um… (2012) [Mark Mann]


Vikram Vedha (2017) [Pushkar-Gayathri]


Children of Men (2006) [Alfonso Cuarón]


El abrazo de la serpiente (2015)
(Ciro Guerra)


When I watched "Z: The Lost City," I was so disappointed in all that stupid Amazon that they created for the film, with no cultural values, though the characters were on one of the most cultural landmarks in the world at the time. Indians who speak Spanish? Come on! f ** k you! This is an outrage to the history of my country! Still, the Colombian Ciro Guerra was able to recreate a rich, real Amazon with Indians who speak their real language, with natives who speak Portuguese and not Spanish (¬¬). Embrace of the Serpent is an incredible journey from the deep Amazonian forests down to the Amazon River. A rich cultural film, which respects all aspects, without choosing a side, the film really thrilled me by looking real, the choice of filming in black and white did so well! My only problem with the film was some scenes that could have been shorter, Ciro Guerra prolonged a lot of sequences. But that's nothing to take away the brilliance of this movie. Definitely a movie that I will rewatch many times during my life and I will show it to family and friends. A rich cultural film! Colombia made an incredible movie set in Amazon. Thing that Brazil never did!


In Hell (2003)
(Ringo Lam)


Best film of the duo: Ringo Lam + JCVD. This movie starts off so well, it holds up so well, as the character of Van Damme slowly indulges in the darkness that surrounds him, as he changes after surrendering to darkness. It's amazing how such a good movie can have such a cumbersome and bad ending. Too bad, it could have been much more ... But still a great entertainment with lots of action/violence and a lot of drama. If one day I could re-film a movie, that would be it, I would remake everything exactly as it was, except that ending!



Welcome to the human race...
In the Mouth of Madness (John Carpenter, 1994) -


Sometimes, you just got to maintain a brand, and it doesn't get more on-brand for me than Sam Neill chewing scenery in a Lovecraft pastiche directed by John Carpenter. Shame that this 4:3 DVD of mine doesn't do the widescreen cinematography justice, though.

Justice League (Zack Snyder, 2017) -


While I can understand and even somewhat appreciate this film's attempt to rehabilitate the DCEU's image, that still doesn't excuse its many technical and thematic shortcomings.

Masculine Feminine (Jean-Luc Godard, 1966) -


At best, it feels like a lesser version of La chinoise. At worst, it's an obnoxious exercise in romantic satire (or is that satirical romance?). Either way, I think I get more out of Godard's other works.

Pather Panchali (Satyajit Ray, 1955) -


Going to finally start checking out Ray's work and what better place to start than with the first part of the Apu trilogy? Atmospheric, bittersweet, and with an amazing Ravi Shankar score.

The Unvanquished (Satyajit Ray, 1956) -


Part 2 of "Apu" is a bit of a step down from Pather Panchali and definitely feels like the middle of a trilogy, but it still maintains enough of its predecessor's technical and emotional momentum to work on its own terms.

The Philosopher's Stone (Satyajit Ray, 1958) -


Ray crafts a passable low-fantasy satire about a recently-retrenched clerk who finds a stone capable of transmuting iron into gold and all the misadventures that ensue.

The Music Room (Satyajit Ray, 1958) -


Can't help but feel a little let down by this one despite its reputation as one of Ray's best. The first half feels like so much of a slog that when things pick up in the second half it seems like too little, too late. That dance number is truly magnificent, though.

Distant Voices, Still Lives (Terence Davies, 1992) -


A rather dull kitchen-sink drama that does have an interesting execution in how it strings together song after song after song to recreate the mid-century world of its working-class characters, but beyond that it doesn't have much to offer.

Badlands (Terrence Malick, 1973) -


Another "saw most (but not all) of it ages ago" viewing and it might well be my favourite outlaw-couple movie (though it doesn't have much competition in that regard). Will have to check to see if it deserves to be my favourite Malick, though.

Event Horizon (Paul W.S. Anderson, 1997) -


See what I wrote about In the Mouth of Madness and swap out "John Carpenter" for "Paul W.S. Anderson".



Pather Panchali (Satyajit Ray, 1955) -


Going to finally start checking out Ray's work and what better place to start than with the first part of the Apu trilogy? Atmospheric, bittersweet, and with an amazing Ravi Shankar score.
One of the best movies I've seen, for me an easy


The Unvanquished (Satyajit Ray, 1956) -


Part 2 of "Apu" is a bit of a step down from Pather Panchali and definitely feels like the middle of a trilogy, but it still maintains enough of its predecessor's technical and emotional momentum to work on its own terms.
Agreed, a step down but still excellent. I'll be curious to see what you think of part 3, the second best of the trilogy imo.


The Music Room (Satyajit Ray, 1958) -


Can't help but feel a little let down by this one despite its reputation as one of Ray's best. The first half feels like so much of a slog that when things pick up in the second half it seems like too little, too late. That dance number is truly magnificent, though.
Again, I agree.