The Thing used to be in my top 10 for a while. Though it fell out of my all-time favorites list since then, it still makes my short list of favorite horror movies. In addition to its immediate strengths (the claustrophobia, suspense, practical effects, Morricone's score), I also like how deceptively simple the film is. Of course, the ending is fun to speculate over, but beyond that, each viewing seems to reveal another layer of subtlety, with various camera movements, character motivations, or shots taking on far greater implications the more you rewatch it, getting a sense of the path the alien took on the base or various actions the characters took. With my most recent viewing, I noticed more insight about Blair which I didn't pick up on beforehand.
Really, it's subtle scenes like these which makes the film so smart and worthy of multiple viewings. I thought the 2011 prequel was alright, but it can't hold a candle to this film.
As for Vertigo, that film was #7 on my ballot, making it my favorite Hitchcock film. It has quite a bit more character depth than the other Hitchcock films I've seen and this is largely due to how layered Scottie is.
My updated ballot:
1. Stalker (#25)
2.
3.
4. The Tree of Life (#62)
5.
6. Persona (#45)
7. Vertigo (#19)
8. The Good, The Bad and the Ugly (#23)
9.
10. Come and See (#54)
11.
12. Andrei Rublev (#67)
13.
14.
15.
16.
17.
18. A Clockwork Orange (#32)
19.
20.
21.
22.
23.
24.
25.
WARNING: spoilers below
I think he knew he was infected for a while and, when he was initially locked in the shed, he wasn't an alien at that time. This was why he tied the noose in the shed as he was thinking of killing himself before turning, except the alien took control of him before he was able to do it (or, he did hang himself, but that didn't manage to kill the alien).
As for Vertigo, that film was #7 on my ballot, making it my favorite Hitchcock film. It has quite a bit more character depth than the other Hitchcock films I've seen and this is largely due to how layered Scottie is.
WARNING: spoilers below
First things first, this film isn't a simple romance. For instance, after Madeleine jumps into a river, Scottie's way of handling the situation is by bringing her to his house, undressing her, and leaving her in his bed without telling anybody else what happened (a doctor, a neighbor, or even Midge or Gavin, at the very least). The less time he spends with Midge and the more time he spends with Madeleine, the more clear it is that the movie is about the dangers of his obsession, which extends to his strange fixation on the bland Madeleine in place of the more lively Midge, his creepy behavior and demands with Judy, or the reveal that Gavin chose Scottie out of the likely hundreds of acquaintances he has as he knew that Scottie was the only person who his elaborate scheme could possibly depend on. In spite of what we learn about Judy later on, I think the most dangerous elements to Scottie's emotional damage is revealed in the final act of the film and, at that point, we're on Judy's side. Overall, I find this to be a really powerful and layered film which is definitely my favorite Hitchcock film. Glad to see it so high!
My updated ballot:
1. Stalker (#25)
2.
3.
4. The Tree of Life (#62)
5.
6. Persona (#45)
7. Vertigo (#19)
8. The Good, The Bad and the Ugly (#23)
9.
10. Come and See (#54)
11.
12. Andrei Rublev (#67)
13.
14.
15.
16.
17.
18. A Clockwork Orange (#32)
19.
20.
21.
22.
23.
24.
25.