So I am planning to graduate in May from the University of Colorado in Boulder. I have been pursuing a BA in Film Studies and a BFA in Creative writing. If all goes well, I should make it out by May.
I have decided, on top of my double-major work load, which is considerable, that I am going to attempt to graduate with Honors. This entails the writing of an honors thesis, which would require a significant amount of original research and analysis.
My application, abstract, and prospectus are not due until December 4th, but it is time I nailed out my topic so i can get a head start on research.
This thread, then, will exist as a discussion on my thesis as it develops, from conception to completion.
A few initial ideas:
So as you can see, I am not even close to nailing down one specific thesis, but I am on my way. Any thoughts?
I have decided, on top of my double-major work load, which is considerable, that I am going to attempt to graduate with Honors. This entails the writing of an honors thesis, which would require a significant amount of original research and analysis.
My application, abstract, and prospectus are not due until December 4th, but it is time I nailed out my topic so i can get a head start on research.
This thread, then, will exist as a discussion on my thesis as it develops, from conception to completion.
A few initial ideas:
- Cinema of New Zealand
I have always just assumed that this would be my paper topic, though i am not sure. My studies in NZ have given me a bit of a head start on this one, and i am still in touch with professors over there who could offer assistance.
- Japanese Animation
This could work as a thesis topic because i have already written several smaller papers on Japanese Animation. I think it would be a fascinating subject to research because of the incredible socio-political content of Japense Cinema. It is hard to find a national cinema which says so much about the country; Japan is the exception.
- Film Ethics
This idea has crossed my mind in the recent weeks after a discussion I had with a professor about V for Vendetta and the moral responsibilities of modern filmmakers. What is required of filmmakers? What kind of rules should they follow when shaping reality, (or fantasy)? Should there be a set of moral guidelines and responsibilities, or should film be free to do as it will?
So as you can see, I am not even close to nailing down one specific thesis, but I am on my way. Any thoughts?