I think the tricky part here is that, while Dog Star Man is not literally saying that something is better merely because its more experimental, it's impossible to read his posts without coming to the conclusion that he gives special preference and deference to more experimental films. Which is a perfectly valid personal preference, of course, but not one everyone shares. I think Prestige is responding primarily to that; Nolan and Arofonsky just happen to be decent microcosms for these purposes.
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Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'?
-Stan Brakhage
Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'?
-Stan Brakhage