Rate The Last Movie You Saw

Tools    





27th Hall of Fame (REWATCH)

Apocalypse Now (1979) -
If I say its safe to surf this beach, Captain, then its safe to surf this beach! I mean, I'm not afraid to surf this place, I'll surf this whole ****ing place!



Where is this available?



Apologies, I PM'ed you!
__________________
My Favorite Films





The Tragedy of Macbeth (2021) - 6.5/10. In my quest to tick mark most of the Oscar favourites, I watched this over the weekend.



First of all, I didn't expect Shakespearean English to be used in the movie, I was a happy surprise. But then again, so lost touch with that type of English, I had to watch it with subtitles.


About the movie, the camera work and set design are great. The acting is great too. But still didn't feel satisfied. Cant beat Throne of Blood by any means. The movie felt too abrupt and short. Cant do Macbeth in under 105 minutes.


Danzel Washington might be in for an Oscar nod, but Frances might just get a nomination, her role was nothing special to win, compared to her last two entries.



Bright light. Bright light. Uh oh.

The Surprise Visit (Nick Lyon, 2022)
5/10
The Organization (Don Medford, 1971)
6.5/10
Photocopier (Wregas Bhanuteja, 2021)
5/10
F for Fake (Orson Welles, 1973)
6.5/10

Orson Welles performs his own cinematic sleight of hand in this somewhat repetitious but fascinating "documentary".
Two Weeks in Another Town (Vincente Minnelli, 1962)
6/10
Double Trouble (Christy Cabanne, 1915)
5/10
How I Fell in Love with a Gangster (Maciej Kawulski, 2022)
5.5/10
The Barefoot Contessa (Joseph L. Mankiewicz, 1954)
+ 6.5/10

Tragic fairy tale/cinematic satire centering on lonely Ava Gardner rising to stardom but never being fulfilled.
Hotel Transylvania: Transformania (Derek Drymon & Jennifer Kluska, 2022)
6/10
Anthony Adverse (Mervyn LeRoy, 1936)
6.5/10
Megaboa (Mario N. Bonassin, 2021)
- 4/10
The Man Who Never Was (Ronald Neame, 1956)
6.5/10

During WWII, British Intelligence, led by Lt. Cmdr. Clifton Webb, come up with a complicated plan to fool the Germans about their intended invasion of Sicily.
House of Numbers (Russell Rouse, 1957)
5.5/10
Frost/Nixon (Ron Howard, 2008)
7+/10
Mr. Fix-It (Allan Dwan, 1918)
5.5/10
The Novice (Lauren Hadaway, 2021)
- 6.5/10

Obsessive college freshman Isabelle Fuhrman trains to be the best rower on the novice [and later, the varsity] team.
What's Up, Tiger Lily? ([aided & abetted by] Woody Allen, 1966)
- 6.5/10
American Siege (Edward Drake, 2021)
5/10
Comets (Tamar Shavgulidze, 2019)
6/10
See for Me (Randall Okita, 2021)
- 6.5/10

Blind ex-championship skier/cat-sitter Skyler Davenport tries to survive a home invasion in the middle of nowhere with the help of new telephone friend Natalie Brown.
__________________
It's what you learn after you know it all that counts. - John Wooden
My IMDb page



I saw Two Weeks in Another Town and I have to agree with mark f it is only a 2and 1/2 popcorn movie.


But you gotta love the insane scene in the car as Cyd Charisse and Kirk Douglas are speeding down Roman streets missing wall after wall. Kirk is running from her and Cyd actually jumps into a speeding car by holding onto the side and scooting over as you would on a boat. She screaming and throwing herself around in the car, trying to get the keys out of the ignition as Kirk grits his teeth (as only KIrk can). It is so fake it is hilarious. YOU HAVE TO SEE IT!



Victim of The Night

Well, here's a movie I watched over and over again in my youth and absolutely loved it and assumed all the critics were wrong in having panned it back in the day because critics don't like fun.
I was wrong. The critics were right.
Which is not to say that there are no small joys to be had in this film, there are some, but they are often small and you often have to wade through a number of "did that whole scene exist just for that one joke - which wasn't actually funny?" scenes in order to get to them.
Also problematic is that the script just really isn't very good. It sets up our hero, Philo Beddoe (Clint Eastwood) as just a simple man who drives a truck, works on cars, drinks beer, lives with his brother and his mother - and his orangutan, Clyde...


- and earns side-money as a bareknuckle fighter, at which he excels.
From there a series of supporting characters are introduced to give Philo and Clyde something to do. Some, like Geoffrey Lewis as his brother, Orville, Beverly D'Angelo as Orville's new girlfriend, Echo (one of the weakest jokes in the movie is when everyone who hears her name says, "huh?", so she has to repeat it), Cholla, the head of an inept biker gang, an hilarious Ruth Gordon as Ma (who has most of the scenes that are actually, intentionally funny in the film), and, of course, Clyde, do actually work ok, though all of them needed better dialogue and more to do.
Others, like most of the members of the biker gang and particularly a pair of brutally unfunny, inept cops, are terribly written and nearly tank the film.
The two most interesting characters are Philo's new love-interest, Lynn Halsey Taylor, an aspiring country singer whose character is far, far too complex for this film, and Tank Murdock, a legendary, aging bareknuckle fighter who should have been set up a lot more thoroughly for the actually thoughtful (?!) climactic fight-scene to work.

This is an odd film. In all honesty, it's a bad film. But it's a bad film that didn't need to be bad. It has plenty of workable and even occasionally working elements that could have been woven together much more pleasingly but somehow the script fails to do so and nobody making the picture seemed to notice until it was too late. This is not unwatchable or anything, there's just a lot of weak scenes, weak humor, missed opportunities, and run-time padding (why did this movie need to be almost a full two hours when probably 100 minutes would have not only done it but would have tightened up this movies abundant slack quite a bit?).
The sequel, in my recollection, actually fixes some of the problems and is likely a better movie, I will let y'all know fairly soon.



Bright light. Bright light. Uh oh.
I saw Two Weeks in Another Town and I have to agree with mark f it is only a 2and 1/2 popcorn movie.


But you gotta love the insane scene in the car as Cyd Charisse and Kirk Douglas are speeding down Roman streets missing wall after wall. Kirk is running from her and Cyd actually jumps into a speeding car by holding onto the side and scooting over as you would on a boat. She screaming and throwing herself around in the car, trying to get the keys out of the ignition as Kirk grits his teeth (as only KIrk can). It is so fake it is hilarious. YOU HAVE TO SEE IT!
Here ya go.



Wild Bill (2011)

Good film with the under-used Charlie Creed-Miles starring as a man just released on parole getting to know his 2 sons again on a London Estate. Unfortunately his former rep puts him
(and his family) at the prey of old acquaintances. This could have been a Guy Ritchie rip-off but it has some genuinely touching, low-key, moments and the fight scene is really authentic.




Thursday Next's Avatar
I never could get the hang of Thursdays.
Licorice Pizza (2021)

I watched this knowing next to nothing about it. About half an hour in I realised it was supposed to be a comedy. Then it started reminding me of Punch Drunk Love, which I suppose makes sense and I realised that Anderson's idea of comedy and mine are very different.

This at times wants to be a quirky love story, but as one of the main characters is 15 and the other is 25 (or maybe older) when they meet, it is less quirky and more gross and uncomfortable.

The details of the time period are done with attention to detail, but it is such an ugly film to look at, and full of annoying sounds.The quirky bits are annoying too - like people running to show that they are quirky and having a good time in a Jules et Jim sort of way.

There is no real plot. Things happen. They start selling water beds. The film meanders and actors show up in 'amusing' cameos. There is very little sense of the passing of time. In the movie, that is. In the real world, the film goes on for over two hours and it feels like it.

Is it a new trend to let directors make overlong meandering plotless nostalgic movies of their teenage fantasies? This felt like Once Upon A Time in Hollywood all over again, only with less violence and feet.





Water and Power (Pat O'Neill, 1989)
though there's ones i personally like more this is probably the ultimate "i have this footage, let's see what i can make with this footage" type film. incredibly impressive all the way through.



Licorice Pizza (2021)

I watched this knowing next to nothing about it. About half an hour in I realised it was supposed to be a comedy. Then it started reminding me of Punch Drunk Love, which I suppose makes sense and I realised that Anderson's idea of comedy and mine are very different.

This at times wants to be a quirky love story, but as one of the main characters is 15 and the other is 25 (or maybe older) when they meet, it is less quirky and more gross and uncomfortable.

The details of the time period are done with attention to detail, but it is such an ugly film to look at, and full of annoying sounds.The quirky bits are annoying too - like people running to show that they are quirky and having a good time in a Jules et Jim sort of way.

There is no real plot. Things happen. They start selling water beds. The film meanders and actors show up in 'amusing' cameos. There is very little sense of the passing of time. In the movie, that is. In the real world, the film goes on for over two hours and it feels like it.

Is it a new trend to let directors make overlong meandering plotless nostalgic movies of their teenage fantasies? This felt like Once Upon A Time in Hollywood all over again, only with less violence and feet.


I think it was PT Anderson attempt at an Altman film and I do think he nailed it. The big thing Anderson did was cast a bunch of family members of celebrities and a number of inside jokes.



I forgot the opening line.

Fair use, https://en.wikipedia.org/w/index.php?curid=2298617

Le Samouraļ - (1967)

Watched Jean-Pierre Melville's classic film about hit-man for hire Jef Costello (Alain Delon) who lives a solitary life with meticulous precision and much forethought. The heat is on after the cops start to hone in on him, and the men behind his latest contract decide to put him out of business. Everything is honed down to the essentials here, which makes everything Melville wants you to see really stand out. Delon is cooler and more suave than anyone who played James Bond, and he plays his part here to absolute perfection. Jef Costello is a fascinating character - living in bare existence with a black-breasted finch who helps him out more than you'd ever anticipate. I have a feeling that as time goes on I'll be rating this film higher than I do now - but it's one that gave me a very enjoyable first viewing.

8/10

Foreign Language Countdown films seen : 72/100
__________________
Remember - everything has an ending except hope, and sausages - they have two.
We miss you Takoma

Latest Review : Le Circle Rouge (1970)



I also wasn't so much wondered by this movie. Actually, mostly of my friends who read the book were pleased. But for me it was like "Preview for the script of something legendary"- like you know - you see the main characters, understand their past and that's all - the real things they will get later.



I also wasn't so much wondered by this movie. Actually, mostly of my friends who read the book were pleased. But for me it was like "Preview for the script of something legendary"- like you know - you see the main characters, understand their past and that's all - the real things they will get later.



Victim of The Night

Fair use, https://en.wikipedia.org/w/index.php?curid=2298617

Le Samouraļ - (1967)

Watched Jean-Pierre Melville's classic film about hit-man for hire Jef Costello (Alain Delon) who lives a solitary life with meticulous precision and much forethought. The heat is on after the cops start to hone in on him, and the men behind his latest contract decide to put him out of business. Everything is honed down to the essentials here, which makes everything Melville wants you to see really stand out. Delon is cooler and more suave than anyone who played James Bond, and he plays his part here to absolute perfection. Jef Costello is a fascinating character - living in bare existence with a black-breasted finch who helps him out more than you'd ever anticipate. I have a feeling that as time goes on I'll be rating this film higher than I do now - but it's one that gave me a very enjoyable first viewing.

8/10

Foreign Language Countdown films seen : 72/100
This is one of the first movies that converted me from being a "huge movie fan" to sliding down the rabbit-hole of cinema. Maybe the first, I think I've often said it was the first.
About 15 years ago I bought Roger Ebert's original "The Great Movies" and decided to start reading about and watching the films therein and this was the first one I picked. And it absolutely changed the way I watched and felt about movies. It had been brewing for a long time but this just happened to be the event horizon.