I just had a weekend with arthouse movies together with a Swedish film director, who passed by Copenhagen, from the Berlinale, before going to Göteborg in Sweden. My favorite out of the bunch of movies we saw were Leos Carax' moving love story: The Lovers on the Bridge from 1991, but all of the 4 movies were good, each in its own way.
Sauvage (2018) by Camille Vidal-Naquet
Another picture which represents the wave of queer cinema of recent years. Sauvage, in its depiction of a young gay prostitute, is clearly setting new boundaries for what subject matter can be filmed. The ambiguities of the main character is reminiscent of Agnes Varda's hallmark film Vagabond from 1985. An interesting debut film, not without some disturbing scenes in the life of a young homeless prostitute, but the manuscript does not really justify a whole feature length film.
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Ex Libris: New York Public Library (2017) by Frederick Wiseman
This film only adresses a small target group of cinephiles, yet its running time underpins the visualisation of the institution which the New York Public Library is. Another film by Frederick Wiseman, which in a interesting way, shows the institution, both in terms of public events but all so quite interesting administrative meetings. Only for Wiseman fans.
The Lovers on the Bridge (1991) by Leos Carax
Another film that secures the legacy of Leos Carax auteurship. Im slowly going through all of his films, so far, with Holy Motors as my favourite, though its also his newest. Dennis Lavant makes so truly unique acting and he might be one of my favorite French actors. I would recommend this to people who love quirky indie movies, though this is more of an artsy French love movie
Fat Girl (2001) by Catherine Breillat
A rather depressing story about family dysfunction and sibling rivalry with an ending that reminds you of Haneke. A finely tuned psychological drama with a touch of horror. Recommendable if you are not over your winter depression.
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