8 Cameos/Minor Roles that Stole the Movie

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Neil Patrick Harris
Harold & Kumar Go to White Castle (2004)

Self-parody has never been more hilarious. Neil Patrick Harris (i.e. TV’s Doogie Howser) plays himself as an arrogant, foul-mouthed, sex-obsessed Hollywood ******* – and it works like a charm. “Harold & Kumar” is a gem of a subversive, drug comedy, but it is Harris’ performance that pushes the movie into instant underground classic. The scene where Harold and Kumar pick Harris up hitchhiking is truly masterful. When Harold asks how to get back to the highway, Harris spouts off: “Dude, I don’t even know where the **** I am right now. I was at this party earlier tonight and some guy hooked me up with this incredible X – next thing I know I’m being thrown out of a moving car. I’ve been tripping balls ever since.” Does it get any funnier than that? In fact, it does.




Will Ferrell
Starsky & Hutch (2004)

“Starsky & Hutch” was a disappointment. We’ve come to expect more from Owen Wilson and Ben Stiller (especially since the chemistry was so right between them in “Zoolander”). The shining, bright spot in this otherwise forgettable dud – is Will Ferrell’s uncredited performance as Big Earl – a homosexual convict. His telephone exchange with Vince Vaughn (as Reese Feldman) is laugh-out loud funny.
Big Earl: What are you wearing? Real quick, be honest.
Reese: What am I wearing? A silk flowered shirt and a vest. Why?
Big Earl: Oh, that’s gorgeous.
Reese: You sick son of a bitch!
Big Earl: Don’t hang up! Don’t hang up!
Ferrell doesn’t get enough screen time to save the film, but for those few moments you can forget about how bad the rest of the film is.




Bill Murray
Caddyshack (1980)
In an ensemble comedy filled with sparkling performances – Chevy Chase, Rodney Dangerfield, and Ted Knight are just a few – it was Bill Murray’s take on groundskeeper Carl Spackler that stole the movie. From his faux-masturbation scene while watching a group of blue-haired old women tee off to his biting into a chocolate bar everyone in the swimming pool thought was a floating turd, Murray chews up every scene he’s in. But his best line in the movie is when he tells Chase about being the caddy for the Dalai Lama in Tibet (“big hitter, the Lama”) that seals the deal.
Carl: “And I say, ‘Hey, Lama, hey, how about a little something, you know, for the effort, you know?’ And he says, "There won't be any money, but when you die, on your deathbed, you will receive total consciousness.’ So I got that going for me, which is nice.”






Bruce Campbell
Spiderman III (2007)

There are few actors who can chew up a scene like a rabid wolf hound better than B-Movie King Bruce Campbell. But he ratchets it up a notch in the latest Spiderman thriller as the Maitre d’ at a ritzy French restaurant. Campbell completely gobbles up all the other actors when he’s on the screen – irritatingly directing and then stopping a band of musicians from moving in on Peter Parker’s table so he can propose to his girlfriend. The over-the-top performance can be appreciated from this brief snippet of dialog done in a terrible French accent:
Maitre d’: Ah, here we are. Table for two, Pecker.
Parker: Parker!
Maitre d’: That is what I said, Pecker!




Wallace Shawn
The Princess Bride (1987)

“The Princess Bride” has gone into the pantheon of classic movies, but would the movie have made that grade without Wallace Shawn’s outstanding, scene-ravaging performance as the arrogant Sicilian genius Vizzini? It’s inconceivable! With lines like “I’ve hired you to help me start a war. It’s a prestigious line of work with a long and glorious tradition” delivered with an irritated lisp, Shawn’s characterization dominates a movie filled with lovable characters. The best scene in the movie is when “The Man in Black” has a showdown of wits with Vizzini about picking a goblet of wine – one of which has been poisoned. It ends with this memorial line: “You fool! You fell victim to one of the classic blunders! The most famous is never get involved in a land war in Asia, but only slightly less well-known is this: never go in against a Sicilian when death is on the line!” And then, Vizzini drops dead.




John Turturro
The Big Lebowski (1998)

There are lots of problems with the Cohen brother’s comedy, but John Turturro as Jesus Quintana – the anally charged Hispanic bowler (and convicted sex offender) – isn’t one of them. Turturro brings a savage intensity nearly every role, but he takes vicious delight to this role – wearing a tight, baby-blue jumpsuit (with a bulge the size of kielbasa) as he commands the bowling lanes. With a sneer and a thick Mexican accent (and a constant tugging at his nuts), Turturro delivers nuggets like this: “You ready to be ****ed, man? I see you rolled your way into the semis. Dios mio, man. Liam and me, we're going **** you up.” It’s too bad there isn’t more of him in the movie.




Will Ferrell
The Wedding Crashers (2005)

This movie belongs to Vince Vaughn, but Will Ferrell throws a coupe and takes over the last part of the movie with a vengeance. In an uncredited performance as Chaz Reinhold, the legendary wedding crasher (who happens to live with his mom), Ferrell has viewers squirming in their seats with his ugly, but hilarious portrayal as a desperate, pathetic loser who cruises funerals to pick-up women in the throes of mourning. You don’t know whether to laugh or cry and that’s the beauty and power of this performance. At one point, Ferrell screams to his mother: “Hey, mom! Can we get some meatloaf! Mom! The meat loaf! ****!” with spittle flying from his lips. And then he’ll fall into a dead calm and mutter things like: “Grief is nature's most powerful aphrodisiac.” Wow.




Bob Barker
Happy Gilmore (1996)

“The Price is Right” host delivers one of the funniest scenes ever in an Adam Sandler movie. Sandler plays a hockey player turned golfer with a hair-trigger temper. Paired with Barker for a charity golf tournament, the two get on each other’s nerves until a melee breaks out and the elderly Barker beats the living crap out of Sandler. The scene is so over the top that it catches the audience in mid-gasp as Barker breaks through his own stereotype. It ends with Barker straddling Sandler’s chest as he punches him in the face and growls: “Now, you've had enough... bitch!” It’s a show stopper and nothing in the rest of the movie even comes close to topping it.
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"You had a leak? You call what's goin' on around
here a leak? Boy, the last time there was a leak
like this, Noah built hisself a boat."


Wilford Brimley in Absence of Malice (1981)

Mr. Quaker Oats is in exactly one scene, the pivitol showdown late in the film when Paul Newman's character finally gets all the politicians, lawyers and reporters into one room and reveals that he has been playing all of them for suckers. Brimley is magnificent as the U.S. Assistant Attorney General who is amused by Newman's craftiness and finally lowers the boom, at least verbally, on all those who have been wronging him for their own pruposes. I only wish he and his character would have been around the current real Administration to deliver lines like, "We can't have people go around leaking stuff for their own reasons. It ain't legal. And worse than that, by God, it ain't right."

One very well written scene, but he embodies the character and brings him to full life in a matter of seconds on screen, and in doing so he steals the entire flick right out from under Paul Newman, Sally Field and all the rest of them.
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So many good movies, so little time.
Jack Nicholson in A Few Good Men

William Hurt in A History of Violence

Peter Lorre in The Maltese Falcon

Jack Palance in Shane

Orson Welles in The Third Man

W.C. Fields in David Copperfield
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The Hustler - Jackie Gleason



NOT ACTUALLY BANNED
Will Ferrell - Wedding Crashers
Bruce Campbell - Spider-Man 3
Donald Sutherland - JFK
John Turturro - The Big Lebowski
Waylon Payne - Walk the Line
Kristen Wiig - Knocked Up

I'll think of more later.



Registered User
Can't think of any cameos but a plethora of minor roles.
Best: Jean Hagen in 'Singing in the Rain' and Raymond Walburn in 'Christmas in July'.
So many others:
Mildred Natwick 'Barefoot in the Park', Akim Tamiroff 'the General died at Dawn, and 'For Whom the Bell Tolls', Edward Arnold 'You Can't Take it With You'. Oprah Winfrey ' the Color, Purple'. Kahn (I can't spell Madelein) 'Paper Moon'. Sterling Hollaway 'Professor Beware
Others who, maybe didn't steal the picture but gave noticeable performances in very small roles: Jack Oakie ;'the Great Dictator', Thelma Ritter 'A Letter to Three Wives', and ;All About Eve' Kay Medford 'the Busy Body',
Perennial picture stealers (Sometimes in small parts) were; Terry Thomas, Willie Best, Alastaire Sim, George Sanders, Elsa Lanchester,



Jack Nicholson in A Few Good Men
Peter Lorre in The Maltese Falcon
Orson Welles in The Third Man
I never really considered their roles Minor



Tim Roth in The cook, the thief, his wife and her lover.

Tilda Swinton in Constantine (this may just sound like a bit of slumming for her but it's actually my favorite of her performances thus far, and that is saying something. She plays a cynical and androgynous angel.)

Janeane Garofalo in The Minus Man. Maybe this wasn't such a minor role, not sure if it counts. It was certainly a pretty incredible supporting performance and her mixeture of openness and indecision were perfect for the overall tone of the movie.

I'll think of some more.



In Criss Cross (1949) a crime drama starring Burt Lancaster and Yvonne DeCarlo, there's a scene of a crowded nightclub dance floor with DeCarlo dancing with a young man. The guy turns where you can see his face and it's Tony Curtis (then known as James Curtis) in his first ever appearance onscreen. You can't call it a cameo because he was totally unknown and unbilled, and he's only in that one dance scene and then disappears. But what is amazing is the way the camera loves Curtis's face! You've got Lancaster on screen, you've got DeCarlo on screen, but Tony Curtis's face stands out like he's spotlighted. You can see in that one brief moment that here's a guy who is going to be a movie star!

You see something of the same thing in a couple of scenes in Somebody Up There Like's Me, the second movie in which Paul Newman starred, playing boxer Rocky Graciano. Early in the film there are a couple of scenes in which Newman as Graciano is looking up a couple of street gang buddies--he slaps one guy on the back and the guy whirls whipping out a switchblade. The guy is Steve McQueen in one of his first screen roles. Again, he's in just a couple of scenes and not listed in the credits (unlike Sal Mineo, who also appears briefly in one of his early roles). But McQueen's movements sure look dangerous, like maybe he should be playing the hardnails fighter instead of Newman!



OK, here's one that if not exactly a cameo is an outstanding minor role. My Science Project (1985) is a light and forgetable little comedy about 2 high school students who get in a military junkyard in hopes of picking up something they can pass off as a science project and instead end up with a piece of long-forgotten equipment salvaged decades earlier from a crashed UFO. When the kids plug it into the electrical grid in their school, it begins to warp time (from the stone age to the far future) and distort dimensions and generally threatens life as we know it. The kids finally get out of the building with the help of police just before the item transports back to its own time and galaxy. Dennis Hopper has a small role as the kids' science teacher, a sorta Mr. Wizard type who helps them activate the device and then gets sucked into its vortex and disappears. What makes this whole movie worth sitting through is the very last scene as the police drag the last person out of the school--and it's Dennis Hopper in the hat, fringed jacket, jeans, boots, and mustache that he wore as Billy in Easy Rider (1969)! Mr. Wizard travels back in time to his roots as a dope-dealing motorcyclist. The sight of Billy being carried off kicking and screaming by the fuzz makes the whole movie worthwhile! LMAO!



I'm surprised nobody has said Kevin Spacey in Se7en yet. That's probably one of the most memeroble cameos i've ever seen. Sick, chilling and quite a cold performance on his part.



Put me in your pocket...
Wallace Shawn
The Princess Bride (1987)
I guess I'm a little unclear if you're looking for truely minor roles, or supporting roles that 'stole a movie'. Personally, I always thought Wallace Shawn's Vizzini was a solid supporting character and not a a minor one. I think of Billy Crystal's Miracle Max and Carol Kane's Valerie as his wife as minor characters. And although they didn't steal the movie...they made a memorable impact.



Perennial picture stealers (Sometimes in small parts) were; Terry Thomas, Willie Best, Alastaire Sim, George Sanders, Elsa Lanchester,
Good call grey...I'd also like to add Marjorie Main and Mary Wickes (dunno about robbing an entire picture, but they're certainly scenes stealers).



I have to return some videotapes.
I wouldn't say he stole the movie, but David Bowe was perfect as the judge of the 'walk-off' in Zoolander...not to mention David Duchovny as J.P Pruit 'The World Greatest Hand Model' was hilarious.

Oh and I would not consider Bill Murray as a cameo in Caddyshack
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Registered User
Hi Aniko
You named a couple of really good ones. Mary Wickes; wasn't she great in 'the Man Who Came to Dinner?
All Marjorie Main needed to do was speak, with that gravelly voice and hill billy accent. I heard her sing a while back. The song was 'Possum up a Gum Tree' (honest) She was marvellous.



So many good movies, so little time.
I never really considered their roles Minor
I think the roles would have been considered minor if there were other actors in them, and I think that is the point of the thread.



I'm surprised nobody has said Kevin Spacey in Se7en yet. That's probably one of the most memeroble cameos i've ever seen. Sick, chilling and quite a cold performance on his part.
I wouldn't consider that a cameo. I think it was a major role because he was villian in the movie..
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Long ago, in The Court Martial Of Billy Mitchell (Preminger 1955), the stilted movie was saved by the appearance of young Rod Steiger as a prosecutor.

Dead on the screen for an hour, the film came to life with Steiger's brief part.



The "boobs" in the Secret of NIMH does it for me.
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