WOW, seen ALL FOUR this time - that's better!!
And it looks like I spoke out of turn when it came to the highest ranking 40s HoF nom regarding Days of Wrath, now that three show up in this lil block; Shadow of a Doubt, nominated by @seanc
Shadow of a Doubt
I thoroughly enjoyed this one. It held this - just below the surface; something murky stirs and awakes - that keeps a solid grip on you while everyone else went about simple, happy lives. I think that would be the best way to describe the ambience of this film. Something is wrong, very wrong. You see it in the cold stare of Charlie in the opening, laying in bed; plotting. It is a pin prick that begins to itch and fester and causing you to dread and worry as Charlie arrives at his sister's house and is welcomed and beloved by her family.
Hitchcock is excellent at applying tension and bringing it to a true climax. A confident maestro knowing when to hit the highs to their best effects and when to ease up without truly slowing down. There are no cinematic bumps or rough adjustments. It all gels very very well.
It's very easy to get caught up in the very intimate and dangerous relationship between uncle and niece that is portrayed in this movie. The two major pieces at the heart of the maelstrom that goes unnoticed by the rest of the family. Because it is so beautifully held within an eye of a needle held tightly by both of them. Even at the most volatile moments that are quickly shrouded over before others see what is really transpiring.
In another movie that would be the sole focus and the rest of the family would be nothing more than mere back curtains filled with shadow and bits of light.
But not here. They are complete and whole on their own. The youngest, the son, gets little time but it is used very well. The youngest daughter, Ann the bookworm has an intricate part in this well orchestrated movie. She is forever pulling on that delicate shroud without realizing it and the turmoil beneath it. Along with her, there is Hitchcock's humorous side: The father and the neighbor who are forever talking about murder and what's the best way to go about it. Finally, the mother who lives a very happy life. One that is even more happier with her brother now with them. A character that can easily be dull and two-dimensional and in here, she is not.
Hitchcock is a true master at bringing very dark subject matter into the light of day and Shadow of a Doubt highlights that skill brilliantly. Arsenic and Old Lace was at #4. Great, fun, funny film! Loved it since childhood. Which @gbgoodies had nominated,
Arsenic & Old Lace This movie has always been a huge favorite of mine since I was a kid, so my review will be on the rather bias side
I have always enjoyed Capra, he has a very endearing love for the eccentric and what we now call "feel good" movies. He pampers his lunatics with safe places and understanding people so that they may pursue their craziness in complete happiness. It is the sane and rational that suffer in his world and this is an excellent example of that.
From the utterly sweet aunts who poison lonely old men with arsenic-tinged elderberry wine to their nephew "Teddy" who fully believes he's former president Theodore Roosevelt, they are given a kind haven to thrive in. Even the psychotic nephew Jonathan who's inept doctor - played wonderfully by Peter Lorre - who has given him a face that looks like Boris Karloff, has a place in Capra's zany world.
The one individual who has it the hardest is the one who WILL NOT abide his family's lunacy; Cary Grant. The poor fool.
This movie is charming, delightful, amusing and always brings a smile to my face and my heart. Reminding me of the sagely observation by Willy Wonka. "A little nonsense now and then is relished by the wisest men."
Amen. Fantasia which was nominated by @Clazor:
Disney's Fantasia
Having horrible luck with several dailymotion links for Thief of Bagdad with sticking video, having gotten nearly half way through, I gave up and moved on to Netflix where I was surprised to find this. YAY
I think my initial irritation caused me to have little patience and so the majority of the beginning episodes were a bit trying for me.
The gentleman who introduced them only jabbed and poked that lack of patience. Though from the opening and every time he appeared I kept getting THIS in my head:
Making me want to see Warner Bros spoof instead.
Which was a damn shame because, for its part, this is a rather beautiful animation. The pixies were quite spectacular to watch, for example.
Still, even a childhood memory of Mickey vainly fighting back bucket toting brooms fell a little short for me.
It was the final two episodes that I waited for, remembering them as well from my youth.
They, I truly did enjoy.
Appreciating the full amusing irony of using hippos and elephants for ballerinas was effin delightful. And much like GB I kept hearing "Hello Muddah, Hello Faddah" play in my head which further added to my enjoyment.
I'm pretty sure it had to do with how playful this particular episode is as opposed to some of the more serious ones before. Including the one proceeding it with the centaurs and "centaur-ettes"??? Really?! I'm still rolling my eyes from him saying that.
Then finally, the demon. LOVE that. and I could of swore, Shop Around the Corner was in one of them, but no idea where. There was definitely a great lil discussion about it. But it is a very wonderful film and one that WAS on my list initially.
Seen: 55/84
My List:
#4 Arsenic and Old Lace (18)
#6 The Big Sleep (22)
#9 The Ghost & Mrs. Muir (33)
#11 Odd Man Out (55)
#14 Pinocchio (23)
#15 Kind Hearts and Coronets (26)
#16 Now, Voyager (78)
#17 The Suspect (70)
#18 Waterloo Bridge (93)
#21 The Pride of the Yankees (59)
#22 Little Foxes (43)
#24 Gilda (72)
#25 Arch of Triumph (1 Pointer)
And it looks like I spoke out of turn when it came to the highest ranking 40s HoF nom regarding Days of Wrath, now that three show up in this lil block; Shadow of a Doubt, nominated by @seanc
Shadow of a Doubt
I thoroughly enjoyed this one. It held this - just below the surface; something murky stirs and awakes - that keeps a solid grip on you while everyone else went about simple, happy lives. I think that would be the best way to describe the ambience of this film. Something is wrong, very wrong. You see it in the cold stare of Charlie in the opening, laying in bed; plotting. It is a pin prick that begins to itch and fester and causing you to dread and worry as Charlie arrives at his sister's house and is welcomed and beloved by her family.
Hitchcock is excellent at applying tension and bringing it to a true climax. A confident maestro knowing when to hit the highs to their best effects and when to ease up without truly slowing down. There are no cinematic bumps or rough adjustments. It all gels very very well.
It's very easy to get caught up in the very intimate and dangerous relationship between uncle and niece that is portrayed in this movie. The two major pieces at the heart of the maelstrom that goes unnoticed by the rest of the family. Because it is so beautifully held within an eye of a needle held tightly by both of them. Even at the most volatile moments that are quickly shrouded over before others see what is really transpiring.
In another movie that would be the sole focus and the rest of the family would be nothing more than mere back curtains filled with shadow and bits of light.
But not here. They are complete and whole on their own. The youngest, the son, gets little time but it is used very well. The youngest daughter, Ann the bookworm has an intricate part in this well orchestrated movie. She is forever pulling on that delicate shroud without realizing it and the turmoil beneath it. Along with her, there is Hitchcock's humorous side: The father and the neighbor who are forever talking about murder and what's the best way to go about it. Finally, the mother who lives a very happy life. One that is even more happier with her brother now with them. A character that can easily be dull and two-dimensional and in here, she is not.
Hitchcock is a true master at bringing very dark subject matter into the light of day and Shadow of a Doubt highlights that skill brilliantly.
Arsenic & Old Lace This movie has always been a huge favorite of mine since I was a kid, so my review will be on the rather bias side
I have always enjoyed Capra, he has a very endearing love for the eccentric and what we now call "feel good" movies. He pampers his lunatics with safe places and understanding people so that they may pursue their craziness in complete happiness. It is the sane and rational that suffer in his world and this is an excellent example of that.
From the utterly sweet aunts who poison lonely old men with arsenic-tinged elderberry wine to their nephew "Teddy" who fully believes he's former president Theodore Roosevelt, they are given a kind haven to thrive in. Even the psychotic nephew Jonathan who's inept doctor - played wonderfully by Peter Lorre - who has given him a face that looks like Boris Karloff, has a place in Capra's zany world.
The one individual who has it the hardest is the one who WILL NOT abide his family's lunacy; Cary Grant. The poor fool.
This movie is charming, delightful, amusing and always brings a smile to my face and my heart. Reminding me of the sagely observation by Willy Wonka. "A little nonsense now and then is relished by the wisest men."
Amen.
Disney's Fantasia
Having horrible luck with several dailymotion links for Thief of Bagdad with sticking video, having gotten nearly half way through, I gave up and moved on to Netflix where I was surprised to find this. YAY
I think my initial irritation caused me to have little patience and so the majority of the beginning episodes were a bit trying for me.
The gentleman who introduced them only jabbed and poked that lack of patience. Though from the opening and every time he appeared I kept getting THIS in my head:
Making me want to see Warner Bros spoof instead.
Which was a damn shame because, for its part, this is a rather beautiful animation. The pixies were quite spectacular to watch, for example.
Still, even a childhood memory of Mickey vainly fighting back bucket toting brooms fell a little short for me.
It was the final two episodes that I waited for, remembering them as well from my youth.
They, I truly did enjoy.
Appreciating the full amusing irony of using hippos and elephants for ballerinas was effin delightful. And much like GB I kept hearing "Hello Muddah, Hello Faddah" play in my head which further added to my enjoyment.
I'm pretty sure it had to do with how playful this particular episode is as opposed to some of the more serious ones before. Including the one proceeding it with the centaurs and "centaur-ettes"??? Really?! I'm still rolling my eyes from him saying that.
Then finally, the demon. LOVE that.
Seen: 55/84
My List:
#4 Arsenic and Old Lace (18)
#6 The Big Sleep (22)
#9 The Ghost & Mrs. Muir (33)
#11 Odd Man Out (55)
#14 Pinocchio (23)
#15 Kind Hearts and Coronets (26)
#16 Now, Voyager (78)
#17 The Suspect (70)
#18 Waterloo Bridge (93)
#21 The Pride of the Yankees (59)
#22 Little Foxes (43)
#24 Gilda (72)
#25 Arch of Triumph (1 Pointer)