Also, I fully intend to rewatch
Hedwig, but I don't know if I'm going to write it up again. I reviewed it in my movie log in 2016 and I don't think anything I could say now would improve upon that review. So I'm going to repost that review here. If I decide I have something more to say once I rewatch it, I'll write it up again.
***
Hedwig and the Angry Inch (John Cameron Mitchell, 2001)
Imdb
Date Watched: 02/28/16
Cinema or Home: Home
Reason For Watching: Hedwig is a reason unto itself
Rewatch: Yes
Behind the glamorous wigs and glittery makeup,
Hedwig and the Angry Inch is at its core a story about the search for one's identity, the need for love, and the pursuit of dreams.
Struggling to cope with the physical and emotional scars of a botched sex change operation and her abandonment by her husband, Hedwig - born a boy named Hansel - takes babysitting jobs to pay the bills and turns to music to vent her pain. And it is through one of these odd jobs that she meets and falls in love with a 17 year old boy named Tommy, who is struggling to find his own identity. But like the men who've passed through Hedwig's life before him, Tommy ultimately betrays Hedwig and she is left to pick up the pieces.
But this is no melodrama.
Hedwig and the Angry Inch is ripe with hilarious dialogue, thick with innuendo, and bursting at the seams with a fantastic soundtrack of songs that entertain, enlighten and work to move the story forward. Director, writer, and star John Cameron Mitchell is glorious as Hedwig, reveling in her exaggerated and flamboyant stage persona, delivering her sarcastic lines with a razor wit, and letting her vulnerability and humanity show in the quieter moments.
But his is not the only strong performance. Miriam Shor is fantastic as Yitzhak, Hedwig's long suffering and neglected partner and band member who envies the glamorous Hedwig, while also yearning to breach the emotional wall Hedwig has built. And of course Michael Pitt is a wonder as Tommy Gnosis, the boy whose very identity was a gift from Hedwig and who repaid her by stealing her songs and claiming them as his own.
Hedwig is a movie that dazzles with its glamour, but also with its color and creativity. Everything about this film pops and moves. Nothing you see on the screen is accidental or insignificant. Its imagery is evocative and enlightening and probably not moreso than the crudely beautiful animation that accompanies the philosophical "Origin of Love."
It's also a film that shifted my ideas of what a musical can be. It has made me recognize that a musical need not feature random bursts of song with choreographed dancing. It can incorporate music in a way that compliments the story and provides exposition without feeling gimmicky or at all out of place. I still generally dislike the genre but with its great humor and emotional impact, I cannot help but love this particular musical.