So, I haven't done a series on here for a while so I thought I'd go to one of the most inconsistently good/bad directors out there. Ridley friggin Scott!
I'll be reviewing his movies, in chronological order. Now I haven't seen his entire body of work and I have no intention of doing that right now, so I'm sticking to the movies I have seen. Enjoy.
I'll be reviewing his movies, in chronological order. Now I haven't seen his entire body of work and I have no intention of doing that right now, so I'm sticking to the movies I have seen. Enjoy.
Alien (1979)
Hot on the heels of Star Wars, where mainstream audiences were introduced to a gritty, dirty, very un-2001 future, those same audiences were once again introduced to yet another gritty, dirty, very un-2001 future. Oh and this time it featured a killer monster with acid spit. I also forgot to mention that this monster would impregnate you're chest. That's right, the poor crew of the Nostromo have to give birth via destroyed rib cage. Unpleasant.
That's essentially the plot of the entire movie. We never know anything more of the planet or the creatures and where they come from and the structure in which they were found (leave that to the 30 too late prequel/sequel which was originally supposed to be unrelated). To be honest, we don't need to. What follows after the initial half hour is a tense hunt through the carefully crafted set of the Nostromo. It's dark and there are many corners. The alien could be hiding anywhere.
I'm sure many film critics and high brow intellectuals have mused upon the sci-fi meaning of the movie and the underlying message yada yada yada, bla bla bla, et al. The reality is, who cares about all that when you're on the edge of your seat all the damn time?! There are a few cheap, pop up scares but that's ok. There's also a lot of expertly directed tension building and Sigourney Weaver delivers a career defining performance.
Seriously, if Weaver was unable to carry her scenes, this whole thing would fall flat on its face. However good the prosthetics and the creature design and the practical effects, none of it works if Weaver was not as good as she could be. Here, she was great. Speaking of the effects, they hold up surprisingly well and although the creature movement looks odd at times and is pretty limited by modern standards, it works because of the confined environment and the weakness/humanity of Weaver. She isn't a toughened soldier. It's not her job to kill.
All these years later, Alien is still Scott's finest hours when it comes to delivering a tight, well told story and well delivered spectacle. Probably.
That's essentially the plot of the entire movie. We never know anything more of the planet or the creatures and where they come from and the structure in which they were found (leave that to the 30 too late prequel/sequel which was originally supposed to be unrelated). To be honest, we don't need to. What follows after the initial half hour is a tense hunt through the carefully crafted set of the Nostromo. It's dark and there are many corners. The alien could be hiding anywhere.
I'm sure many film critics and high brow intellectuals have mused upon the sci-fi meaning of the movie and the underlying message yada yada yada, bla bla bla, et al. The reality is, who cares about all that when you're on the edge of your seat all the damn time?! There are a few cheap, pop up scares but that's ok. There's also a lot of expertly directed tension building and Sigourney Weaver delivers a career defining performance.
Seriously, if Weaver was unable to carry her scenes, this whole thing would fall flat on its face. However good the prosthetics and the creature design and the practical effects, none of it works if Weaver was not as good as she could be. Here, she was great. Speaking of the effects, they hold up surprisingly well and although the creature movement looks odd at times and is pretty limited by modern standards, it works because of the confined environment and the weakness/humanity of Weaver. She isn't a toughened soldier. It's not her job to kill.
All these years later, Alien is still Scott's finest hours when it comes to delivering a tight, well told story and well delivered spectacle. Probably.
8/10
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"Frankly, my dear, I don't give a damn"
"I need your clothes, your boots and your motorcycle"
"Frankly, my dear, I don't give a damn"
"I need your clothes, your boots and your motorcycle"