My #23. When people say this is not a horror film or a vampire film, I have to respectfully disagree. Likewise, when people get hung up on the sex of one of the main characters, I believe they're missing the point. Apparently in the novel, there is a description of something which happens to Ely (Lina Leandersson) which somehow affects her on a basic level, but that description is nowhere to be found in the film. True, the film does have one brief moment where Ely's new friend Oskar (Kåre Hedebrant) does see a small patch of protruding pubic hair but nothing resembling anything more than hair. When Ely warns Oskar that she's "not a girl", I took that to be the truth for she's much older than any girl Oskar's age. Even though the film is semi-blood-soaked, the heart and soul of it is the tentative, but tender relationship between two outsider loners who are allowed to feel comfortable with themselves while spending time with each other. The snowbound Swedish landscape is also an important "character" in the film. Allegedly, the title of this film comes from a Morrissey song about letting the right one into your heart, but I prefer to extend that to let the right vampire into your home so that being can get in and stay in your heart. However, others believe it has a much more sinister interpretation.
My List
1. Gremlins
2. Poltergeist
4. The Innocents
5. An American Werewolf in London.
9. Altered Siates
16. Wait Until Dark
17. Carrie
18. The Omen
22. Shaun of the Dead
23. Let the Right One In
24. Invasion of the Body Snatchers ('78)
25. Diabolique
My List
1. Gremlins
2. Poltergeist
4. The Innocents
5. An American Werewolf in London.
9. Altered Siates
16. Wait Until Dark
17. Carrie
18. The Omen
22. Shaun of the Dead
23. Let the Right One In
24. Invasion of the Body Snatchers ('78)
25. Diabolique
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It's what you learn after you know it all that counts. - John Wooden
My IMDb page
It's what you learn after you know it all that counts. - John Wooden
My IMDb page