The MoFo Top 100 of the Forties: The Countdown

Seemingly Macfarlane was affected in the same direction; for, though he made no reply, he stopped the horse, passed the reins to his companion, got down, and proceeded to kindle the remaining lamp. They had by that time got no farther than the cross-road down to Auchenclinny. The rain still poured as though the deluge were returning, and it was no easy matter to make a light in such a world of wet and darkness. When at last the flickering blue flame had been transferred to the wick and began to expand and clarify, and shed a wide circle of misty brightness round the gig, it became possible for the two young men to see each other and the thing they had along with them. The rain had moulded the rough sacking to the outlines of the body underneath; the head was distinct from the trunk, the shoulders plainly modelled; something at once spectral and human riveted their eyes upon the ghastly comrade of their drive.

For some time Macfarlane stood motionless, holding up the lamp. A nameless dread was swathed, like a wet sheet, about the body, and tightened the white skin upon the face of Fettes; a fear that was meaningless, a horror of what could not be, kept mounting to his brain. Another beat of the watch, and he had spoken. But his comrade forestalled him.

‘That is not a woman,’ said Macfarlane, in a hushed voice.

‘It was a woman when we put her in,’ whispered Fettes.

‘Hold that lamp,’ said the other. ‘I must see her face.’

And as Fettes took the lamp his companion untied the fastenings of the sack and drew down the cover from the head. The light fell very clear upon the dark, well-moulded features and smooth-shaven cheeks of a too familiar countenance, often beheld in dreams of both of these young men. A wild yell rang up into the night; each leaped from his own side into the roadway: the lamp fell, broke, and was extinguished; and the horse, terrified by this unusual commotion, bounded and went off toward Edinburgh at a gallop, bearing along with it, sole occupant of the gig, the body of the dead and long-dissected Gray.

Seemingly Macfarlane was affected in the same direction; for, though he made no reply, he stopped the horse, passed the reins to his companion, got down, and proceeded to kindle the remaining lamp. They had by that time got no farther than the cross-road down to Auchenclinny. The rain still poured as though the deluge were returning, and it was no easy matter to make a light in such a world of wet and darkness. When at last the flickering blue flame had been transferred to the wick and began to expand and clarify, and shed a wide circle of misty brightness round the gig, it became possible for the two young men to see each other and the thing they had along with them. The rain had moulded the rough sacking to the outlines of the body underneath; the head was distinct from the trunk, the shoulders plainly modelled; something at once spectral and human riveted their eyes upon the ghastly comrade of their drive.

For some time Macfarlane stood motionless, holding up the lamp. A nameless dread was swathed, like a wet sheet, about the body, and tightened the white skin upon the face of Fettes; a fear that was meaningless, a horror of what could not be, kept mounting to his brain. Another beat of the watch, and he had spoken. But his comrade forestalled him.

‘That is not a woman,’ said Macfarlane, in a hushed voice.

‘It was a woman when we put her in,’ whispered Fettes.

‘Hold that lamp,’ said the other. ‘I must see her face.’

And as Fettes took the lamp his companion untied the fastenings of the sack and drew down the cover from the head. The light fell very clear upon the dark, well-moulded features and smooth-shaven cheeks of a too familiar countenance, often beheld in dreams of both of these young men. A wild yell rang up into the night; each leaped from his own side into the roadway: the lamp fell, broke, and was extinguished; and the horse, terrified by this unusual commotion, bounded and went off toward Edinburgh at a gallop, bearing along with it, sole occupant of the gig, the body of the dead and long-dissected Gray.

They get the body which is clearly a woman. Then while riding Macfarlane here's Gray's voice calling his nickname for MacFarlane "Toddy" so he stops the carriage and asks Fettes if he heard anything he said he did not. They start riding again and then MacFarlane hears "never get rid of me, never get rid of me, never get rid of me..." (it sounds like it's going along with the noise of the carriage and the horses hooves which is why i found it unintenionally funny) so he stops the carriage again and checks the body, it's Gray. Then the horses get scared by lightning and the carriage goes over a cliff, Fettes then looks down and sees MacFarlanes body next to a womans.

They get the body which is clearly a woman. Then while riding Macfarlane here's Gray's voice calling his nickname for MacFarlane "Toddy" so he stops the carriage and asks Fettes if he heard anything he said he did not. They start riding again and then MacFarlane hears "never get rid of me, never get rid of me, never get rid of me..." (it sounds like it's going along with the noise of the carriage and the horses hooves which is why i found it unintenionally funny) so he stops the carriage again and checks the body, it's Gray. Then the horses get scared by lightning and the carriage goes over a cliff, Fettes then looks down and sees MacFarlanes body next to a womans.