As part of my Seventies adventure I ended up watching all four feature films directed by British director Nicolas Roeg from the decade. I know that from the forum there's others who would have seen more of his work from outside the decade, Holden seems to be a fan and Honeykid is always labeling his work 'interesting'.
So I am wondering if anybody else has seen many of his films, and/or like me did they find themselves enjoying his Seventies output?
Here's how I'd rank what I've seen so far:
In Walkabout it's the aborigine that guides yet struggles to understand and ultimately fails to live with a young girl and boy. Then in The Man Who Fell to Earth it's the alien Bowie who sees himself consumed by the materialistic reality of the world as he finds himself consumed by television, sex and alcohol.
In Don't Look Now there's the ordinary English couple who find themselves 'lost' in a place that is meant to be a cure for there problems, with Venice a city often painted as a place full of colour and romance now becoming a living hell for them, it's the failure in communication between Sutherland's character and the two psychics that haunt him throughout the film, with Roeg showing us the character's struggles with the deliberate decision not to subtitle the non-English parts.
And whilst it seems that Roeg was more of a cinematographer for Performance, the man responsible for translating Donal Cammell's ideas onto the screen, the film is still full of similar problems as the worlds of an on-the-run gangster and bohemian musician collide in a mysterious film concerning identity.
So I am wondering if anybody else has seen many of his films, and/or like me did they find themselves enjoying his Seventies output?
Here's how I'd rank what I've seen so far:
1. WalkaboutOn to actually discussing his work, there's a clear theme that resonates throughout his work: the clash of different personalities and cultures, and the communication problems that arise from this.
2. The Man Who Fell to Earth
3. Don't Look Now
4. Performance
In Walkabout it's the aborigine that guides yet struggles to understand and ultimately fails to live with a young girl and boy. Then in The Man Who Fell to Earth it's the alien Bowie who sees himself consumed by the materialistic reality of the world as he finds himself consumed by television, sex and alcohol.
In Don't Look Now there's the ordinary English couple who find themselves 'lost' in a place that is meant to be a cure for there problems, with Venice a city often painted as a place full of colour and romance now becoming a living hell for them, it's the failure in communication between Sutherland's character and the two psychics that haunt him throughout the film, with Roeg showing us the character's struggles with the deliberate decision not to subtitle the non-English parts.
And whilst it seems that Roeg was more of a cinematographer for Performance, the man responsible for translating Donal Cammell's ideas onto the screen, the film is still full of similar problems as the worlds of an on-the-run gangster and bohemian musician collide in a mysterious film concerning identity.
Last edited by Daniel M; 07-14-14 at 04:37 PM.