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Good month Camo, but Foxcatcher is underrated. Going to IMDB to see what Zero Days is. Feel like I have heard that mentioned a couple places.
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The thing isolated becomes incomprehensible
December

Feature films


I, Daniel Blake (2016)
+
Tropa de Elite 2 (2010)
+
Pursued (1947)
-
Spy Kids: All the Time in the World (2011)
The Suspect (1944)
Rogue One (2016)
Avanti! (1972)
+
How Green Was My Valey (1941)
-
Fantasia (1940)
-
Body of Lies (2008)
-
Children of Men (2006)
Arsenic and Old Lace (1944)
+
Volver (2006)
-
Come and See (1985)
+
Good Morning Vietnam (1987)
+
Riddick (2013)


Shorts


I Am So Proud of You (2008)

Month count: 16/1
Year count: 205/10



Good month Camo, but Foxcatcher is underrated. Going to IMDB to see what Zero Days is. Feel like I have heard that mentioned a couple places.
Lately i've been hearing alot of people say Foxcatcher is one of the best of the decade, i don't agree personally but i understand why they do. It was well made and Carell was great.

Zero Days is an Alex Gibney doc about the Stuxnet computer virus. I'd say it's in the top half of his films for me. If you aren't that familar with the virus and the whole Iranian nuclear program like i was you'll most likely like it. It has a political slant that may irritate you if you don't think similarly like most Gibney docs do though. Personally i think of his films like actual movies; extremely compelling whether i agree with him or not which is why he's one of my favourite directors.



Lately i've been hearing alot of people say Foxcatcher is one of the best of the decade, i don't agree personally but i understand why they do. It was well made and Carell was great.

Zero Days is an Alex Gibney doc about the Stuxnet computer virus. I'd say it's in the top half of his films for me. If you aren't that familar with the virus and the whole Iranian nuclear program like i was you'll most likely like it. It has a political slant that may irritate you if you don't think similarly like most Gibney docs do though. Personally i think of his films like actual movies; extremely compelling whether i agree with him or not which is why he's one of my favourite directors.
Zero Days sounds good, I will check it out soon. I loved Foxcatcher, Miller is becoming one of my faves. Wish he worked a little quicker but I won't complain if he keeps knocking it out of the park. Seeing you post about it the other day put it in my head again. I need to get to my third watch in the next couple of months. There are a couple of good docs about the subject on Netflix too if you're interested. The 30 for 30 one is the better of the 2.



I actually put the Team Foxcatcher (i think that's what it was called?) one on a few weeks ago but something came up about 10 minutes in and i didn't return to it.



I actually put the Team Foxcatcher (i think that's what it was called?) one on a few weeks ago but something came up about 10 minutes in and i didn't return to it.
Pretty sure that's the Netflix produced one. They are both actually pretty similar. I probably just like the 30 For 30 because I saw it first.



Sorry if I'm rude but I'm right
Sex, Lies, and Videotape (1989) -




A wonderful performance from James Spader, who delivered his lines with ingenuity and a lot of charisma. I still get the feeling the film feels way more nuanced and complicated than it really is, but the psychological traits are amazing and the atmospheric tape footage reminded me of something Hisayasu Sato would later make (although I wish the movie had more of this tape stuff, it was very atmospheric).

Universal Soldier: Day of Reckoning (2012) -




Good action film. I never saw any other film of the series, but I at once got the premise and even foresaw everything that happened in this film. Some action scenes were directed and choreographed very well, but I had a problem with many of them looking like a video game - something I abhor in contemporary cinema.

2/Duo (1997) -




A pretty enigmatic movie that feels like only half of the final product, with characters behaving in a rather odd fashion. For example a guy starts demolishing the room and knocking off all the items from shelves etc., because he was asked by his girlfriend if he wants to marry her. Then she has some mental turmoil and starts crying etc. It's almost as if we only saw the results, but never the causes of their behaviour, even though nothing seems to be missing, judging from movie's continuity. Pretty weird, eh? Then there are some parts filmed in documentary hand-held style (as opposed to static shots of the rest of the film) that feel like interviews with the characters, who then speak more freely about their feelings (when in company of each other they mainly just say "I don't know", "yes" or start a sentence to never finish it). All that being said, this film is incredibly engaging and thought-provoking, especially given the ending, that just like many things here is just interrupted at some point and the titles start to roll.

Ирония судьбы, или С лёгким паром! [The Irony of Fate, or Enjoy Your Bath!] (1975) -




Best New Year's Eve movie ever (that I naturally watched on New Year's Eve) that is at times laugh-out-funny, at times very sad and of course ends the way most Ryazanov melodramas of this sort end (which is very heart-melting!). Starring Polish actress Barbara Brylska, who became incredibly famous in Soviet Union, with beautiful ballads (just like in Ryazanov's Cruel Romance).

The Warriors (1979) -




This left me wanting more! So much more! But what I got was pretty cool. I liked the image of all these gangs and how badass The Warriors were.

Tras el cristal [In a Glass Cage] (1987) -




One of them disturbing movies, but in no way exploitative, cheap or cheesy. The subject matter is very dark and the film doesn't run away from showing it visually, although if you expect some really sickening images, you will be disappointed. However, if you're looking for a sinister plot shown handsomely in a non-sleazy way, it's the movie for you.

Дорога К Звёздам [Blazing a Trail to the Stars] (1957) -




Starts as astronomy documentary and ends with right-in-your-face science fiction with spacecraft bases and more! The very best gem of Soviet technical thought!

銷魂玉 [Return of the Dead] (1979) -




Shaw Brothers gone horror! This has ghosts, magic talismans and naked Chinese ladies. Is there anything more a man may want from a movie?

荒野のダッチワイフ [Dutch Wife in the Desert] (1967) -




The weirdest pinku eiga in the manner of Wakamatsu, but way more surreal and with a less cohesive plot.

Tampon Tango (1984) -




I really enjoyed its more abstract comedy side (even if it was overtly sexual, like a man playing guitar with his penis, or a bunch of perverts getting excited at inserting tampons into some schoolgirls' private parts), but then it went full-on porn and therefore wasn't that interesting anymore. It's cool to see a Japanese porn movie so early and yet uncensored (since released in the US), but that's about it. Thankfully, funny bits were constantly added as the sex scenes progressed, so it never became boring and the final orgy was pretty cool.

制服処女 ザ・えじき [Uniform Virgin: The Prey] (1986) - ???



This is full-fledged porn! If compared to Sato's first film Wife Collector and his later efforts (like Rape Climax!) this is probably his most hardcore pinku eiga film, apparently growing from Nikkatsu's wish to compete with AVs that already got extremely popular in Japan in the second half of the 80's therefore diminishing people's interest in pinku eiga. All that being said, this is quite nice for a porn film and if you know Sato's interests in all these kinks and dirty fetishes you will figure out it's not exactly your vanilla sex thing neither (and is sick as hell) . Dude, I had to take my own screencap from the very beginning of the film, cuz everything else I could find on the Internet was NSFW (even if censored). Don't really know how to rate this thing, but this without a doubt isn't anywhere near his best.

The rest:


Epileptic Seizure Comparison (1976) -
- I almost got epileptic seizure myself, but it makes sense... kinda
Agarrando pueblo [The Vampires of Poverty] (1977) -
- top notch satire, it's mind-blowing!
Ascension of the Demonoids (1985) -
- some crazy UFO rant and more incomprehensible bs, I kinda liked it
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Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.



Star Wars : Rogue One



All the boredom of the prequel trilogy without any of the neat ideas. I'm surprised to see this movie get such a warm reception. I thought it was the worst Star Wars yet. It rehashes the original film's plot, but without adding interesting new characters like The Force Awakens.

I think they were going for a grittier take on Star Wars, but everything feels so staged and polished that it completely fails. Aside from one incredible scene with Darth Vader there was pretty much nothing memorable in this whole movie.

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Care for some gopher?
Incendies (Denis Villeneuve, 2010) -

Pappa ante Portas (Vicco von Bülow, 1991) -

Nightmare Before Christmas (Henry Selick, 1993) -

The Expendables (Sylvester Stallone, 2010) -
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"Gentlemen, you can't fight in here. This is the war room."



Bright light. Bright light. Uh oh.

The Care Bears Movie (Arna Selznick, 1985)
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Cairo as Told by Youssef Chahine (Youssef Chahine, 1991)
+
And Then Came Love (Richard Schenkman, 2007)

Iron Man (Jon Favreau 2008)
+

Billionaire arms manufacturer Tony Stark (Robert Downey, Jr.) demonstrates his latest weapon in Afghanistan but soon finds himself captured there by his enemies.
Trick Baby (Larry Yust, 1972)
-
The Tattoo Connection aka Black Belt Jones (Tso Nang Lee, 1978)

Dysfunctional Friends (Corey Grant, 2012)

Rope (Alfred Hitchcock, 1948)


Murderer John Dall stops publisher James Stewart and maid Edith Evanson from finding the dead body he’s hiding in an antique chest.
Velvet Smooth (Michael Fox, 1976)

Hot Rod (Akiva Schaffer, 2007)

Monty Python’s The Meaning of Life (Terry Jones & Terry Gilliam, 1983)

Family Plot (Alfred Hitchcock, 1976)


Part-time taxi driver-cum-private dick Bruce Dern investigates a missing person for his “psychic” lover Barbara Harris which could lead to big bucks for all those involved.
The Love Guru (Marco Schnabel, 2008)

The Battle of the Rails (René Clément, 1946)
+
Carmen: A Hip Hopera (Robert Townsend, 2001)

The Music Lovers (Ken Russell, 1970)


Russian composer Pyotr Ilyich Tchaikovsky (Richard Chamberlain), his nymphomaniac wife Antonina Milyukova (Glenda Jackson) and his former lover, Count Anton Chiluvsky (Christopher Gable), comprise an unlivable situation for the three and an uncreative one for the genius composer.
Five Fingers (Lawrence Malkin, 2006)

Every Secret Thing (Amy Berg, 2014)

War (Philip G. Atwill, 2007)
-
Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008)


A lead-lined fridge temporarily saves Indy (Harrison Ford) from a nuclear bomb test, but that mushroom cloud’s radiation will doom him just as it did John Wayne.
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It's what you learn after you know it all that counts. - John Wooden
My IMDb page



Family Plot (Alfred Hitchcock, 1976)

Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008)
I really didn't like either of these. Surprised you rate them so high.



Bright light. Bright light. Uh oh.

New Police Story (Benny Chan, 2004)

Shooters (Colin Teague & Glenn Durfort, 2002)

Hôtel Monterey (Chantal Akerman, 1975)

Nightcrawler (Dan Gilroy, 2014)


While nightcrawler Jake Gyllenhaal pursues the police and a murderer, his partner Riz Ahmed gets a possible money shot.
Food for Feudin' (Charles Nichols, 1950)
-
The Adventures of Pluto Nash (Ron Underwood, 2002)
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The Major and the Minor (Billy Wilder, 1942)

Colossal Youth (Pedro Costa, 2006)
-

Ventura, a retired laborer from Cape Verde, has long lived in Lisbon’s slums and shares his past with those who frequent his memories.
Land of Madness (Luc Moullet, 2010)

Air Patrol (Maury Dexter, 1962)

Brute Force (Jules Dassin, 1947)

Fences (Denzel Washington, 2016)



Troy (Denzel Washington) and Rose (Viola Davis) talk about the crushed dreams of themselves and their family and what may have caused them.
Riot in Cell Block 11 (Don Siegel, 1954)

Hell to Pay (Chris McIntyre, 2006)
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In the Land of Diamonds (James A. FitzPatrick, 1952)

Cairo Station aka Bab el hadid (Youssef Chahine, 1958)


At the busy Cairo train station where many people spend their days earning their livings, a crippled newspaper seller (Youssef Chahine) becomes obsessed with the cordial drink vendor Hend Rostom who loves another.
The Girl with All the Gifts (Colm McCarthy, 2016)
-
Gargoyle: Wings of Darkness (Jay Andrews [Jim Wynorski], 2004)
+
Operation Avalanche (Matt Johnson, 2016)

Battles Without Honor and Humanity (Kinji Fukasaku, 1973)
-

In post-WWII Japan, gangster Bunta Sugawara has to adapt with the constant changes in the mob hierarchy.



Miss Vicky's Loyal and Willing Slave
Holy ***** Mark. You might want to thrown in a warning for those with epilepsy at that start of that post. I don't have epilepsy and even I'm feeling a bit of a seizure coming on



Care for some gopher?
A Foreign Affair (Billy Wilder, 1948) -
+
The Man in the Iron Mask (James Whale, 1939)

Passion (Brian De Palma, 2012) -
+
Rush Hour (Brett Ratner, 1998) -

Christine (John Carpenter, 1983) -

Die Zärtlichkeit der Wölfe Tenderness of the Wolves (Ulli Lommel, 1973) -

Histoire immortelle The Immortal History (Orson Welles, 1968) -



Bright light. Bright light. Uh oh.

Assassination Games (Ernie Barbarash, 2011)

Sonic Impact (Rodney McDonald, 2000)

The Ghost That Does Not Return (Abram Room, 1930)
95m
Crazed Fruit (Kô Nakahira, 1956)


When his naïve brother (Masahiko Tsugawa) falls in love for the first time at the beach one summer, older Yûjirô Ishihara moves in on the girlfriend (Mie Kitahara).
The Girl on the Train (Tate Taylor, 2016)

Precious Cargo (Max Adams, 2016)

Kill the Irishman (Jonathan Hensleigh, 2011)

A Hard Day (Kim Seong-hun, 2014)


On the day of his mother’s funeral, detective Lee Sun-kyun has numerous other private and professional problems, mostly all connected to another, almost supernatural, policeman (Jo Jin-woong
Devil's Due (Matt Bettinelli-Olpen & Tyler Gillett, 2014)

Blair Witch (Adam Wingard, 2016)
+
Middle School: The Worst Years of My Life (Steve Carr, 2016)

10 Cloverfield Lane (Dan Trachenberg, 2016)


After leaving her fiancé, Mary Elizabeth Winstead gets in a car accident and is either saved or being held by survivalist John Goodman.
Notfilm (Ross Lipman, 2016)

Caught on Tape (Sticky Fingaz, 2013)

He Couldn't Say No (Lewis Seiler, 1938)

Film (Alan Schneider, 1966)


No matter what he does, Buster Keaton can’t escape from an eye looking at him.
Two Days in April (Don Argott, 2007)

Ready, Willing and Able (Ray Enright, 1938)

Played (Sean Stanek, 2006)
+
By Sidney Lumet (Nancy Buirski, 2016)
+

Sidney Lumet was interviewed three years before his death and thoroughly talks about his life and films.