Hanna Joe Wright
"In the picture, Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the smarts of a solider; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Sweden. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity."
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"In the picture, Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the smarts of a solider; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Sweden. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity."
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I think this looks fun. A more rural look into the father-daughter assassin relationship that almost was in Leon: The Professional.
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If I had a dollar for every existential crisis I've ever had, does money really even matter?
If I had a dollar for every existential crisis I've ever had, does money really even matter?
Last edited by Fiscal; 12-21-10 at 09:21 PM.