+3
The more I see this (yes, I've seen it a few times) the more I think it's a brilliant film.
Why do I think it’s brilliant? Well, let’s start with a quote. A smart man once said that most stories “labor under the tyranny of the perfect hero.” Meaning, most heroes are homogenized to the point of losing dimension and true interest. What I love about these Iron Man films is the fact that they let the protagonist be wrong. Tony Stark struggles against his own flaws, you sense he’s trying to be better but still caters to and even enjoys his inner demons. There’s a complexity of balance there and when he overcomes them is truly the mark of a hero. It’s certainly damn interesting. The makers of this film never make him purely heroic and that’s why the character reaches the level of brilliance. He’s a true fallible protagonist. It’s what makes the things he actually does right more remarkable.
Life is about purpose, struggle and pain and Iron Man 2 perfectly captures the endeavors of Stark to try and get a handle on all three. He’s always bumping up against his own limitations. Breaking through is what makes him a true hero. Most of the characters in this movie are written wonderfully. They are not perfect and are flawed but each flawed in a different way. Making a movie on this scale, you must convince the audience to follow the protagonist but the supporting characters as well. It resonates so much more if the characters are fallible. Most connect with that and love the “when the going gets tough, the tough get going” mentality. Still, Stark grows and evolves by letting others finally help him. Pepper, Rhodey, SHIELD and lastly, his father.
Stark hopes to grow and heal both physically and emotionally and the viewer hopes he does as well. Writing that effectively is tough and when a film manages to deliver, that’s brilliant. There’s a subtle depth to Iron Man 2 and it’s refreshing to see a summer film use some restraint with the subtext. It combines it all so well. The source of conflicts come from all angles and puts pressure on the fallible protagonist from all sides… self pressure, the government and Rhodey, Hammer, Ivan and even Pepper. Relationships don’t stay fixed, like the character, they evolve dynamics between character shifts. To me, that’s not just good story telling, that’s brilliant.