So Fiscal, as mentioned in a previous thread, we should want to film a project together. I am indeed interested in this concept, and as I'm lowering my medications, and my mind feels more free, let's designate our films to this specific thread. However, I have a certain approach to film. I like to think of film as a science, so let's state some problems which need cinematic proofs:
1. (A project I'm currently in the middle of), Make a 5 to 10 minute film utilizing three shots and three shots only which results in continuous montage.
2. Deadite proposed a cinematic problem, a catch-22. What are its aesthetics, and how should we film it? This will help define the problem, the next step is solving it. We should bounce off ideas on how to solve it and exploit the stated aesthetic.
3.
State, analyze, and solve the aesthetics of not just dimensional reality. But how dimensional reality relates to cinematic reality.
If you have more propositions, I'd like to engage with them.
1. (A project I'm currently in the middle of), Make a 5 to 10 minute film utilizing three shots and three shots only which results in continuous montage.
2. Deadite proposed a cinematic problem, a catch-22. What are its aesthetics, and how should we film it? This will help define the problem, the next step is solving it. We should bounce off ideas on how to solve it and exploit the stated aesthetic.
3.
State, analyze, and solve the aesthetics of not just dimensional reality. But how dimensional reality relates to cinematic reality.
If you have more propositions, I'd like to engage with them.
__________________
Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'?
-Stan Brakhage
Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'?
-Stan Brakhage