Star Wars - Episode One: The Phantom Menace
Let’s start off by talking about my connection with the Star Wars franchise, by emphasizing the fact that I don’t have one. When I was a kid, I found something to enjoy from the Star Wars series, for sure, but as the years progressed, I lost interest. This viewing of the Prequel Trilogy for this video was actually the first time I’d even seen Attack of the Clones or Revenge of the Sith. After watching Star Wars: The Force Awakens and The Last Jedi recently, however, I decided I wanted to go ahead and give them a revisit, if nothing else, then, because I wanted to be able to honestly say I went to them with an open-mind. In Star Wars: The Phantom Menace, the setting is 32 years prior to the events of Star Wars: A New Hope, and follows Jedi Knight’s Qui-Gon Jinn and his apprentice Obi-Wan Kenobi in their efforts to protect Queen Amidala. This is all because they want to assure a peaceful end to this large-scale interplanetary trade dispute, but, along in their journey, just like that fantastic Weird Al song suggests, maybe, Vader someday later, they come across a young Anakin Skywalker, a young slave that has unusual capabilities with the Force, and all of it comes together to set the groundworks for the return of the Sith. As one might expect, this film did remarkably well at the box-office, generating over a billion-dollars in-profit for those involved, which is even more impressive when you consider that’s without adjusting for inflation and that it had a budget of about half what, let’s say, The Force Awakens or The Last Jedi had. It’s clear that anticipation was high for The Phantom Menace, but, it is also clear that those expectations weren’t met. The film received mixed-to-negative reviews, and, in my opinion, is the biggest reason that the Prequel Trilogy receives the bad-wrap it does. But, is the film really that bad, or is it just Star Wars fans with jaded cynicism? Honestly, no, it isn’t that bad, it’s much, … much worse. Let me preface this by echoing what I had said earlier about how I hadn’t seen Attack of the Clones or Revenge of the Sith, this is because every time I made an effort to marathon the series, I’d sit-through this film and I’d have to resist the urge to sew together a Jar Jar Binks voodoo doll and resist the urge to spend my nights punching it over and over again. … why aren’t you better? …
As I prefaced at the beginning, I don’t have any deep-rooted affection for the Star Wars franchise, but I do the best I can at approaching every film with an open-mind. Unfortunately, I can’t honestly say there is a whole lot I liked about this film. In an effort of survival, I went to Twitter and shared my thoughts every now and again as I watched the film. I did this also as a point of reference, in case it was a little while before I was able to get around to doing this review. In short, I liked two parts of this film, in total. I enjoyed Liam Neeson’s performance as Quin-Gon Jinn and I enjoyed the pod-racers with young Anakin. That’s it, that’s all. And, if we’re being honest, I didn’t enjoy Quin-Gon that much, and the pod-races themselves came off as messier than they did fun, and ultimately, were built like the science-fiction equivalent of, “Oh, we need $250 fast. What a coincidence! A dance competition! What luck!” and obviously, I know it wasn’t as on the nose as that, but the sequences of events themselves felt awful shoehorned.
First and foremost, Jar Jar Binks is awful. Although, perhaps, in some respects, revolutionary, acting as a prelude in the motion capturing animation that brought us Gollum from The Lord of the Rings and, eventually, Caesar from Planet of the Apes, it doesn’t change the fact the animation was hideous and was far more off-putting than what should be overlooked. The voice-acting and dialogue for the character is dreadful, and it isn’t simply that his voice sounds like nails on a chalkboard, but, rather, the comedic timing and delivery lacks, and he muscles up a cringeworthy cheese that challenges the Star Wars Christmas Special for Christ’s sake. And, so, yeah, he’s bad, but, you know, Obi-Wan Kenobi is bad too, and I say this as someone who enjoys Ewan McGregor, although, entirely for Trainspotting, but this character is dull and tedious all the way through. And it doesn’t help matters that the Quin-Gon Jinn character plays it so straight and has no one to balance it out.
The young Anakin Skywalker is bad, as well. At first, I felt wrong about saying this, because I felt bad about saying a little kid did bad in a film role, but it’s the truth, and the director should have brought more out of him and should have written him better material. At some sequences in this film, it comes off like a children’s film, with juvenile solutions to situations and go-lucky theatrics, making this film feel more like a hokey, cartoonish, and stupid film you’d roll your eyes at while watching the Syfy channel than it does an installment in a multibillion-dollar franchise.
The story-line itself on-paper isn’t necessarily bad. Obviously, The Phantom Menace doesn’t have the high-stakes of the original Star Wars series. The film is about peace agreements and a young slave who we’re well aware will end-up becoming Darth Vader, and, although those aspects don’t necessarily come off as exciting, with solid characters and well-written dialogue, as well as inspired action-sequences, the concept of The Phantom Menace could have been achieved. Unfortunately, Darth Maul’s memorable and distinctive look doesn’t pave the way for a memorable or distinctive antagonist. The action-scenes featured in this film are slow and don’t come off as though a lot of time has went into them. The situation unfolds and folds back up in a whimper, and it’s with that ho-hum tedium my enthuse for a Star Wars marathon dissipates, and I have to use the proverbial force to continue fourth.
RATING: Horrible