The Unholy Night (Lionel Barrymore, 1929) 5.5/10
Bop Girl Goes Calypso (Howard W. Koch, 1957) 5/10
Hunter Hunter (Shawn Linden, 2020) 6-/10
Luca (Enrico Casarosa, 2021) - 7/10
Luca [the small one] learns from Alberto, another sea monster, about the joys of land life against the wishes of his family.
A Family (Michihito Fujii, 2020) 6/10
Sofia (John Reinhardt, 1948) 5/10
The Remarkable Mr. Pennypacker (Henry Levin, 1959) 6/10
Be Pretty and Shut Up (Delphine Seyrig, 1981) 6.5/10
[Not an image in the film] Delphine Seyrig interviews two dozen actresses in the '70s about the dearth of meaningful women characters in the cinema and the rampant sexism in the industry.
The Warm Money (Christian Petzold, 1992) 6/10
Siberia (Abel Ferrara, 2019) + 5/10
Nobody from Nowhere (Matthieu Delaporte, 2014) 6/10
Little Fish (Chad Hartigan, 2020) 6/10
During a memory loss pandemic, the marriage of Jack O'Connell and Olivia Cooke is threatened repeatedly.
Circumstantial Pleasures (Lewis Klahr, 2020) 5/10
Censor (Prano Bailey-Bond, 2021) 6-/10
The Passion of Darkly Noon (Philip Ridley, 1995) 5.5/10
The Monster (Roland West, 1925) 6/10
Lon Chaney is a literal monster and an attempted monster-maker in a thriller with more comedy than his usual.
Seven Keys to Baldpate (Reginald Barker, 1929) 6/10
Code of the Cactus (Sam Newfield, 1939) 5/10
A Girl at My Door (July Jung, 2014) 6/10
The Female Closet (Barbara Hammer, 1998) 6.5/10
Historians reveal some early cases of lesbianism and feminism through the art, writing and [in the last case] videos of Alice Austen, Hannah Höch, and Nicole Eisenman.
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It's what you learn after you know it all that counts. - John Wooden
My IMDb page
It's what you learn after you know it all that counts. - John Wooden
My IMDb page