Hellboy
Walking into
Hellboy, I had some pretty steep expectations. I’m a fan of the graphic novels, I’m a HUGE fan of Guillermo del Toro (the director), and I’d loved what I’d seen in the trailers. In spite of all this, Hellboy met my expectations, and, in many areas, surpassed them.
(As most of the beauty of the movie is in the wonderful oddities and twists of the plot, I’ll make this review short.)
The story of
Hellboy goes something like this: The Nazis are desperate for victory, and so, led by the ‘mad monk’ Rasputin, they try to conjure the gods of chaos to end the world so they can re-create it how they see fit. The Allied Forces, however, prevent the Nazis from accomplishing this goal. Instead of conjuring the gods of Chaos, the Nazis conjure a little demon, a demon who the Allies name Hellboy. Years later, Hellboy works for the Bureau for Paranormal Research and Defense, an organization that ends supernatural threats before they can cause any substantial damage. Unfortunately for Hellboy, however, is Rasputin is back, and set upon ending the world.
As you may have thought while reading the summary, the story in this movie is beautifully pulpy. Comparisons to
Raiders of the Lost Ark are not out of order.
The cast is uniformly wonderful. Ron Perlman is perfectly-casted, and the acting is top-notch all across the board. Each actor creates a unique character (although the sub-villain Ilsa is virtually a throw away character). In fact, if I were to narrow the qualities of the film to one, I would say its ability to present wonderfully distinct characters is paramount. I was reminded of
The Fifth Element in this respect, as, at the end of the film, I didn’t really have a favorite character. Instead, I loved and enjoyed each of the characters as if they were my favorite. We have the actors to thank for this.
Just as great as the characters, however, are the themes presented in the movie. Any del Toro fan knows that he throws in some deep messages into his films. This movie is no exception.
Guillermo del Toro gives us another atmospheric, surprisingly personal film that solidifies my opinion that he is one of the greatest living directors. No praise is enough for what he’s done with this material. I shudder to think what would’ve happened if Paul W.S. Anderson had gotten his hands on the rights.
The lighting in this film is excellent. Every scene has its own feel. The soundtrack is filled with very fitting songs, most notable being Nick Cave’s
Red Right Hand.
To make an already short review shorter, I’ll sum it up. I really, really loved this film. It’s the best comic book movie I’ve ever seen (followed by
Batman and the first two
Superman movies). It’s comparable, (for me), to
The Fifth Element,
Pirates of the Caribbean and
Stalag 17 in terms of infectious entertainment. The acting is wonderful, as is the direction. Pretty much anyone who goes into this movie with an open mind can find something to love: action/adventure, revenge, one-liners, comedy, romance, revenge…it’s all here. Check this film out. del Toro’s given us another masterpiece.
**** out of ****