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By IMP Awards / 2021 Movie Poster Gallery / Pig Poster (#2 of 2), Fair use, https://en.wikipedia.org/w/index.php?curid=67976654

Pig - (2021)

Spoilerish - about a film that's great to see blind

Pig is something like a modern day action movie with absolutely no action in it - and I mean that as a compliment of the highest order, because character Rob Feld (Nicolas Cage) sorts out his problems in this without resorting to violence. That's a welcome change. That's not to say violence isn't inflicted on him - it is - but imagine my surprise when, as I'm thinking "Oh that villain! - Kick his posterior Rob!" Rob instead cooks him a nice meal. That might not make sense to those who haven't seen the film - but it will if you do. Rob has his beloved truffle-hunting pig stolen from him, and if that doesn't immediately break your heart you probably aren't a pet person. It forces Rob to return from self-imposed exile in the wilderness with buyer Amir (Alex Wolff), and revisit his past in the city. When the movie ended I felt really satisfied with the journey - both main characters are fully fleshed out, and the film as a whole has this modern-day undercurrent of dissatisfaction with our shallow, pretentious dog-eat-dog, or pig-eat-pig, lives. A great film about love and loss, with an extra-special performance from Cage who shows he can play meditative as well as crazy.

8/10


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The Holiday - (2006)

I don't watch a heap of romantic comedies (and look, I could probably just call this a romance film, because it doesn't have any more or less comedy in it than the average drama) but when I do the measure of how good it was can actually be scientifically measured by how many times I check to see how much running time is left. I only checked around four times with The Holiday - so it did have it's good points. Every actor in this gives 110%, so as far as Cameron Diaz, Kate Winslet, Jude Law and Jack Black are concerned - full marks. Overall - I think more attention could have been paid to how characters Iris (Winslet) and Amanda (Diaz) overcome the long distance problems their new 'on holiday' loves have provided them, but the film is already a little on the long side. I don't have too many complaints, other than the fact that there's no sexual chemistry on display - no "can hardly keep these two apart" physicality there. Iris and Amanda are really complete characters though, and the film as a whole, once it gets going, is okay and very watchable. Nice to see an actor like Black play against type in a romance.

6/10
Glad to see someone else enjoyed Pig. I liked The Holiday, even if Cameron Diaz' character was kind of all over the place.




By IMP Awards / 2021 Movie Poster Gallery / Pig Poster (#2 of 2), Fair use, https://en.wikipedia.org/w/index.php?curid=67976654

Pig - (2021)

Spoilerish - about a film that's great to see blind

Pig is something like a modern day action movie with absolutely no action in it - and I mean that as a compliment of the highest order, because character Rob Feld (Nicolas Cage) sorts out his problems in this without resorting to violence. That's a welcome change. That's not to say violence isn't inflicted on him - it is - but imagine my surprise when, as I'm thinking "Oh that villain! - Kick his posterior Rob!" Rob instead cooks him a nice meal. That might not make sense to those who haven't seen the film - but it will if you do. Rob has his beloved truffle-hunting pig stolen from him, and if that doesn't immediately break your heart you probably aren't a pet person. It forces Rob to return from self-imposed exile in the wilderness with buyer Amir (Alex Wolff), and revisit his past in the city. When the movie ended I felt really satisfied with the journey - both main characters are fully fleshed out, and the film as a whole has this modern-day undercurrent of dissatisfaction with our shallow, pretentious dog-eat-dog, or pig-eat-pig, lives. A great film about love and loss, with an extra-special performance from Cage who shows he can play meditative as well as crazy.

8/10
I thought Cage was great, and Wolff was quite good as well. (Took me a moment to realize "It's the kid from Hereditary!").

I had a feeling I knew where the film was headed, but it was so lovely and slow and thoughtful that I didn't care, and it still managed to land a few surprises.





Return of the Jedi (1983)

Classic.

Although less epic and grand than the other two, its the more intimate scenes with Lord Vader and the Emporer that make up for it. This closes the trilogy well and makes you regret that was the end.

10/10
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The Expendables (2010)

A traditional style action movie. Mercenaries, guns, explosions, fights and plenty of smart cracks. Not many of these sort of movies anymore. What's missing is an ultra huge scene, but there's plenty here to make an action fan happy.

8/10



I forgot the opening line.

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The Creator - (2023)

I have a lot of admiration and respect for what The Creator does, framing the topical A.I. debate in relation to the more primal and savage laws of evolution, competition and extinction. It does this by making this film more or less resemble one about a new species, and our antipathy towards what's different similar to a racial issue. In a very believable future, three decades from now, the United States military are on a mission to wipe out all forms of A.I. after the nuclear destruction of L.A. - purportedly carried out by anti-human A.I. entities. Joshua Taylor (John David Washington) is working undercover, close to the spiritual leader and lead architect of all A.I. on Earth, Nirmata, when an overzealous chain of command ends up killing his pregnant wife using NOMAD - a Death Star-like orbiting platform capable of search and destroy missile launches. 10 years later he's called upon again, reluctantly at first, to infiltrate an A.I. base and obliterate a new weapon they're developing which will turn the tide of the war. He agrees more readily when he finds out a woman bearing the exact likeness of his dead wife is working on the weapon. The weapon itself turns out to be a mysterious young boy. I have to say there's not much in this film that I haven't seen many times before - but The Creator is so well thought out and interesting that I didn't care. It's very nice looking at the same time, with modern technology so very pleasing to the eye. It's one of the first science fiction films I've seen where A.I. is seen from a more sympathetic standpoint, and will have you seeing the debate from a quite different angle. Not a movie I'd see many times, but one that's definitely worth seeing.

7.5/10


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It's Complicated - (2009)

Jane Adler (Meryl Streep) and Jake Adler (Alec Baldwin) have been divorced for 10 years when, during their son's graduation ceremony, they start having an affair. It's complicated due to the fact that Jane has just started dating her architect, Adam Schaffer (Steve Martin) and Jake is married to Agness (Lake Bell). I have to admit that this was fun. There are a few riotously funny jokes that pop along when you're least expecting them, and the likes of John Krasinski making the absolute most out of a relatively small part - that of future son-in-law Harley. Streep and Baldwin seem to have been picked to play this from their comfort zones - so Streep does a typical 2000s Streep character and Baldwin does pretty much the same, accentuating their spritely, at times goofy, energy (the same can't be said for Steve Martin however.) It's a movie that had me on it's side for 2 hours, with it's good-natured probing of middle-age relationships and regression. A bit of a surprise for me. It feels like something that was meant to be seen at cinemas on release, liked, and then discarded - never to really be fodder for film buffs and cinephiles - but it's another movie I was happy to see once.

6/10


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Cruel Intentions - (1999)

I guess a lot of people look back on their college days with fondness - but it's a fraught time in a person's life that can turn into a nightmare. There's sex, drugs and bad people - a volatile mix. Kathryn Merteuil (Sarah Michelle Gellar) and Sebastian (Ryan Phillippe) - step-brother and sister - come from a wealthy family and play with the lives of new, naïve students for sport, or as wagers. When the wicked Sebastian falls in love for the first time in his life, he at once realises that his wayward ways have doomed any path towards happiness that might have been with Annette Hargrove (Reese Witherspoon) - the subject of a wager between the incestuous, evil pair. Cruel Intentions is based on old French novel Les Liaisons dangereuses, which has been adapted to film as Dangerous Liaisons a few times. You need a strong stomach for how icky it's two protagonists are (Sebastian comes of as an antisocial psychotic in the film's first scenes, which always made me question his sudden turnaround) and how icky the film as a whole is - but the great soundtrack and strength of it's ending earns it points with me. This has turned into something of a cult classic.

6/10


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Ice Age: Dawn of the Dinosaurs - (2009)

These Ice Age animated films are all getting a bit samey for me - but this one does have the requisite amount of funny Sid the Sloth (John Leguizamo) moments in it, and that's all I'm asking for really. I think I'm watching the whole series just for that one character. His yearning to be a parent - to the point of adopting three eggs, and seeing everything through even when they bizarrely turn out to be dinosaurs - was a gas, and I liked it. Everything else in the film : eh.

5/10
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My movie ratings often go up or down a point or two after more reflection, research and rewatches.

Latest Review : Thieves' Highway (1949)





The Expendables 2 (2012)

Action packed but loses its grip and starts getting into parody terrirory, but thats okay because its done by all the big action stars so it doesn't get bad. This seems to be under the surface like an excuse to have a good time and not take action too seriously since all the biggest stars are in it together. Hopefully though #3 doesnt take this further because I like a good real action movie. Take my statements on #1 and add "all-star" and "light parody" to it.

You'll laugh and be happy to see all of them on the screen together, duking it out.

7/10



I wanted to explain that I'm rating modern action movies against Olympus Has Fallen as that seems to be the best of the modern action films I've seen yet. It wasn't perfect but it was sure damn good.



Last day I watched star wars. Star Wars is my favorite. The Force Awakens. It was the greatest part of star wars for me because of Harrison Ford. I liked his acting and character very much. Moreover, I was amazed by the proffie lightsabers used by the characters. This is what makes this movie more exciting and phenomenal.



No One Will Save You (2023)


I really enjoyed the first half of the movie building suspense, but things got a little off the rails once the action picks up. I had similar criticisms of A Quiet Place. The ending drags on a bit too long as well...



I wanted to explain that I'm rating modern action movies against Olympus Has Fallen as that seems to be the best of the modern action films I've seen yet. It wasn't perfect but it was sure damn good.
Some of my favorite modern action movies:

Mad Max Fury Road
Dredd (2012)
The Raid
The Raid 2
John Wick 1-4



You mean me? Kei's cousin?

The Untouchables (1987) - Rewatch on 4K Blu-ray

What can be said that hasn't already? It's a fun and exciting film with a cast of heavyweights doing what they do best—while spewing the legendary David Mamet's immensely quotable ("Never stop fighting 'til the fight is done. Here endeth the lesson." "He pulls a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue. That's the Chicago way." "Tell your master we must agree to disagree!") dialogue, no less. Costner is the perfect Ness, Connery's Oscar-winning turn as Malone remains one of his best, and De Niro sells Capone as a psychopath with no remorse for his crimes—making the film's good vs. evil battle that much more convincing—and the rest of the cast is also up to par. The UHD is also impressive, with the 2160p transfer destroying the DNR'd and edge-enhanced 2007 Blu-ray—funny to think we once considered that an acceptable transfer—in every area that matters: skin tones are more natural, a natural layer of film grain is present throughout, and there's no shortage of detail in every shot. The Dolby Atmos track is also an impressive upgrade from the 2007 Blu-ray's already-great DTS 6.1 track, with dialogue clear throughout, explosions and gunshots more powerful than ever, and Ennio Morricone's heroic musical score as arresting as ever. Overall, the film itself remains one of the best of its kind—not to mention one of the best of the '80s and this guy's favorite De Palma film—and the UHD is the best possible experience short of seeing it theatrically.

The Boy and the Beast (2015) - Rewatch on Blu-ray

Mamoru Hosoda is one hell of a filmmaker. For my money, this man has yet to make a bad film or one that lacks replay value, and The Boy and the Beast is no exception. I've returned to it a couple of times over the years and it remains a fun, at times poignant, and emotionally satisfying film. Hosoda explores themes of loss, family dysfunction, the human condition, the darkness we carry inside and what happens when one lets that darkness consume them, and the inner strength necessary to go on living, effectively combining action, adventure, drama, and humor. Funimation's English dub also remains a great one. Eric Vale and Luci Christian effectively portray Ren/Kyūta, a boy grappling with the loss of his mother, at ages 17 and nine, respectively. John Swasey remains gruff but likable as Kumatetsu, a bear-like beast who raises Ren as his apprentice, Kyūta, for eight years in a world anthropomorphic animals in which Kumatetsu wishes to earn the title of lord. Bryn Apprill is also excellent as Kaede, a girl who teaches Ren to read and eventually becomes his love interest after he returns to the human world. All the rest, including Ian Sinclair as Tatara, a friend of Kumatetsu's, Alex Organ as Hyakushūbō, who is often the voice of reason when Kyūta and Kumatetsu argue, Sean Hennigan as Iōzen, Kumatetsu's opponent for the title of lord, Austin Tindle and Morgan Berry (different ages) as Ichirōhiko, Iōzen's son with a surprisingly dark secret, Josh Grelle and Brittney Karbowski (also different ages) as Jirōmaru, Iōzen's son who initially bullies Kyūta before becoming friends with him, and Chuck Huber as Ren's father, are also up to par and the dub script is completely natural. Watching it on Studio Canal's Blu-ray—yeah, Funimation's release cost $100 from third-party sellers on Amazon at the time, so I got Studio Canal's for, like, $15 since my Sony UHD player is region-free—is quite an upgrade from how I first saw the film, which was on a smartphone with the volume maxed out because I couldn't hear the actors over my evil sister-in-law—yeah, she's one of those people who let the darkness consume her in the way the film depicts—even with DTS:X 3D Surround Sound turned on. Anyway, the 1080p transfer is a strong one. Studio Canal seems to have licensed Funimation's master as the print used has English credits, and that isn't a bad thing with colors popping and the film's stunning animation presented with the utmost clarity. Studio Canal has chosen to present both Funimation's dub and the original Japanese version in both DTS-HD Master Audio 5.1 and LPCM 2.0, which is similar to how Japanese Blu-ray releases of anime include a surround track and a stereo track, though one has to question its usefulness with a film like The Boy and the Beast that was made in 5.1 to begin with. In any case, I watched the dub in DTS-HD Master Audio 5.1, and it's a sonic beast. The opening narration and Masakatsu Takagi's adventurous musical score start the film off with an oomph that remains for the rest of the film. Dialogue is clear throughout, sound effects such as sword clashes and punches are attention-grabbing, and Takagi's score is loud and clear at every turn. Overall, revisiting this one was quite the experience.
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Look, Dr. Lesh, we don't care about the disturbances, the pounding and the flashing, the screaming, the music. We just want you to find our little girl.



This is pretty good in a very talky, but quiet, British, reserved way - Ralph Fiennes and Carey Mulligan in The Dig, on Netflix. Set in 1938 in UK, an archeologist begins excavation of the Sutton Hoo site, a treasure trove of dark age Anglo-Saxon artifacts including an entire wooden ship that was buried there. It's sooooo English, done with minimal FX, just acting and props and lots of accents that I don't recognize, various sub-dialects of rural English English. It's full of cloudy, muted colors and quiet, rural scenery of the 1930's..... - IMDB - "There is a lot I can say about this film, but I'll keep it short. If you love simple stories being told in a beautiful and clear manner, and if you like Archaeology, then this is the film for you. All of the actors have done a wonderful job."






The Expendables 3 (2014)

That was an awesome gritty movie. They layed it on thick with the ending sequences. I would say the best of the three. The amount of action and stunts and expert fighting they crammed into the action scenes is amazing. Not a lot of deep dialogue but the line, "You ffkd up and I'm wearing it." struck a nerve.

9/10



I forgot the opening line.

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Fantasia 2000 - (1999)

With what I've seen in animation over the years, I have to say that Disney's follow-up to Fantasia didn't quite live up to my expectations. The best segment is, ironically, the one carried over from the previous film - Micky Mouse and his antics in The Sorcerer's Apprentice, but one other segment had me glued to the screen - the 1930s New York animation set to George Gershwin's Rhapsody in Blue. The rest is all pretty abstract, with the next notable an animated piece based on "The Steadfast Tin Soldier" by Hans Christian Andersen scored with a Dmitri Shostakovich concerto. There's Daffy Duck as Noah, fire birds, whales and all kinds of imaginative dreamlike imagery - but somehow I expected a little bit more. I'd still go see this in an IMAX theater for the full effect though - which I figure might transform my experience significantly - it's the way it's meant to be seen.

6/10


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Bill On His Own - (1983)

The last we saw of Bill (Mickey Rooney) in 1981 telemovie Bill he was working at a coffee shop on a college campus after being befriended by novice filmmaker Barry Morrow (Dennis Quaid). In this sequel, a very young Helen Hunt (she was 19 or 20, but already a television veteran!) features as a student named Jenny Wells, who wants to teach Bill the basics of reading, adding and using the telephone - writing up the results for her sociology course. Harry Goz and Quaid return with small roles in this, but it's Mickey Rooney's performance as loveable scamp Bill that makes this tolerable. Hunt is very energetic and is also a commanding presence. At the end of the film we're informed that the real Bill died in 1983, the year this was made and broadcast, which is a bit of a dampener on our fun. Nothing like bursting into the room when we're all happy and saying "He just died."

5/10


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Ice Age : Continental Drift - (2012)

I'd just like to say title-wise that in Australia, the Ice Age films are numbered. So, the last one was Ice Age 3 : Dawn of the Dinosaurs and this one Ice Age 4 : Continental Drift. Anyway - we're getting far, far too many characters now. They're accruing as we go along - remember that in the first Ice Age we had our group of three protagonists, a human baby macguffin, and a group of saber tooth tigers on the periphery. Now the number of protagonists has swelled to seven, and the villains are more pronounced - including a star turn from Peter Dinklage as Captain Gutt. The story is the usual - escape the predators and find a safe home. But absolutely none of that matters - I only want to know how much Sid the Sloth is in this - and it's not enough. This is a bright, if crowded, entry into the series - but setting aside how great the original is, the third film is shaping up as my favourite out of the sequels. This one, the least.

4/10