The Great Piggy Bank Robbery
The reason i wanted to do this again is that i've been re-watching Bob Clampett's work for the first time in ages recently and i think he is my favourite Animation Director. He's usually quickly dismissed from the conversation because one of his most praised shorts: Coal Black and De Sebben Dwarfs (which is fantastically made) is horribly racist but the problem with that is that all of the classic short directors dabbled in racist or otherwise offensive cartoons; i think personally they are best viewed as a time capsule of a horrible time but nevertheless expertly made. Clampett's other work is so consistent it is absurd, he didn't make as much as Avery, Jones, Freleng, Hanna/Barbera, etc, but i don't think any of them came up with such a high percentage of greatness either personally.
Honestly i find it difficult to put into words how much i adore the animation in this short, if i get the chance i'll put together a post later with screenshots of exactly what i'm talking about. Seriously watch the first thirty seconds with Daffy, his hiding behind the mailbox then later poking just his eyes round it, his talking to us and even the movement of the mailman and the letters is absurdly fluid. I'm not going to complain about modern animation here because plenty of it i love but there's somthing about you knowing this was made by human beings with their hands that makes everything especially the flaws and imperfections so amazing compared to the push a button and generate a perfect image nowadays. Personally this era of Looney Tunes is my favourite Animation of all time because it is not perfect in the slightest; you could point out loads of weird animation defects in this episode if you cared to look at it frame by frame (i have with this short before and quite a few others) nowadays pretty much everything has moved at least partially to CGI which is fine to an extent because it often looks beautiful but personally i'd take the look of The Great Piggy Bank Robbery over any film that uses CGI; some of those are better in content but to me you can't beat the actual Animation (movement) in these cartoons.
Anyway i went off on one there haha. Daffy here is amazing, i've always heard arguments over what is better the more wacky Daffy (like here) or the mean Daffy (basically all of his most famous shorts); for me it's Sophie's Choice because the animation was always much better with the wacky one but the mean one probably has my favourite moments. Here is the wacky one utilized perfectly in my opinion. It's an extremely erratic collection of gags and i think the way they are presented they can never get old; a more balanced short has periods without jokes that decreases the total number of jokes; which is fine What's Opera Doc for example have periods that aren't that funny but are great anyway because of the music, drama, etc. The ones that remain funny always are ones like this that are chock full of jokes to the point that you can't really remember what is coming up, i mean the part with Daffy with the magnifying glass is what 1 minute, 20 seconds? Yeah, i think that part has more jokes in it than some episodes of comedy shows it loves, and i personally find it really funny so my laughing always makes me miss the further part of that scene. I remember Daffy following the footsteps up the wall and ceiling was my favourite 'breaking possibilities' scene when i was a kid; again it's coz of the animation it's just how seamless him going up the wall is when it could've been an awkward transition where you see his body (or the wall) moving on its side. The part with the enemies is just some of the best slapstick ever and some of the best animation too. Daffy de-materializing to exit the door in particular is fantastic.
Sorry if this is rambling, i can guarantee none of my other write-ups will be this length; this one means alot to me and is the main reason i started this up again. I personally think it is one of the greatest pieces of animation ever.