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All of these are worth about
+ or
-

Pirates of the Caribbean: The Curse of the Black Pearl (Gore Verbinski, 2003)
Grand Budapest Hotel (Wes Anderson, 2014)
Pitch Perfect 2 (Elizabeth Banks, 2015)
Intolerable Cruelty (Joel & Ethan Coen, 2003)



Bright light. Bright light. Uh oh.

Song of the Gringo (John McCarthy, 1936)
-
The Long Memory (Robert Hamer, 1952)
-
For the Love of Rusty (John Sturges, 1947)

Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
+

Disagreeing friends (Zhang Ziyi & Michelle Yeoh) fight over what they think is right about love and loyalty.
Cut Bank (Matt Shakman, 2015)
-
Red Riding Hood (Catherine Hardwicke, 2011)
+
Where the Buffalo Roam (Art Linson, 1980)

Hawaii, Oslo (Erik Poppe, 2004)


A baby with a fatal health problem is one of the myriad stories which come together at the conclusion of this film about the hottest day of the year in Oslo.
The Hateful Eight (Quentin Tarantino, 2015)
(rewatch)
The Sky’s the Limit (Edward H. Griffith, 1943)
-
Holland Sailing (No Director Listed, 1956)

Youth (Paolo Sorrentino, 2015)


Best friends and brothers-in-law, composer Michael Caine and film director Harvey Keitel, hide as they watch a couple have sex; the old men don’t see much future ahead for themselves.
Madeinusa (Claudia Llosa, 2006)

Priest (Scott Stewart, 2011)

The Final Season (David Mickey Evans, 2007)

The Keys of the Kingdom (John M. Stahl, 1944)


In China, unconventional Scottish priest Gregory Peck shares a meal at his recently-destroyed church with his abbess Rose Stradner and his childhood friend (Vincent Price), now a well-off monsignor.
Phase IV (Saul Bass, 1974)

Equinox Flower (Yasujiro Ozu, 1958)

The End of Summer (Yasujiro Ozu, 1960)

The Pervert's Guide to Ideology (Sophie Fiennes, 2012)


Philosopher Slavoj Zizek discusses the true meanings of many films and government statements – in this case, Stanley Kubrick’s Full Metal Jacket.
__________________
It's what you learn after you know it all that counts. - John Wooden
My IMDb page



mark, have you seen The Pervert's Guide To Cinema? Would you recommend it? I liked The Pervert's Guide To Ideology. I'd probably rate it about the same as you. Maybe a half less or a three minus. It's been a while, but I remember thinking it became rather repetitive towards the end.
__________________
5-time MoFo Award winner.



Bright light. Bright light. Uh oh.

Machine Gun Preacher (Marc Foster, 2011)

36 Hours (George Seaton, 1964)
+
Paranormal Activity 3 (Ariel Schulman & Henry Joost, 2011)

Behind Enemy Lines (John Moore, 2001)
+

During a routine reconnaissance mission, cocky navigator Owen Wilson spots enemy fighters, gets shot down and tries to stay alive while becoming a political hot potato in the Bosnian War.
The Liquidator (Jack Cardiff, 1965)
+
Dark of the Sun (Jack Cardiff, 1968)

The Bleeding (Charlie Picerni, 2009)

Love in the Afternoon (Billy Wilder, 1957)


With the “Gypsies” playing “Fascination”, American playboy Gary Cooper is driven crazy by the innocent daughter (Audrey Hepburn) of Parisian private detective Maurice Chevalier.
The Comedians in Africa (No Director Listed, 1967)
-
Catfish (Ariel Schulman & Henry Joost, 2010)

An American Tail: The Treasure of Manhattan Island (Larry Latham, 1998)
-
Colors (Dennis Hopper, 1988)
+

Rookie LAPD cop Sean Penn and veteran partner Robert Duvall disagree on how to deal with the gang problem in East L.A.
My 5 Wives (Sidney J. Furie, 2000)

Psychohydrography (Peter Bo Rappmund, 2010)
+
Kit Carson (George B. Seitz, 1940)
-
Ace in the Hole aka The Big Carnival (Billy Wilder, 1951)


Former big-city newspaper reporter Kirk Douglas is stuck in Albuquerque and unhappy with his next assignment of covering a rattlesnake round-up, but on his way to cover that, he learns a man (Richard Benedict) got trapped in a cave-in inside a cliff dwelling and milks that story for all the national news he can, even threatening the trapped man’s safety.
Secret Service of the Air (Noel Smith, 1939)

The Peacemaker (Mimi Leder, 1997)

Wings of the Navy (Lloyd Bacon, 1939)

She's Funny That Way (Peter Bogdanovich, 2015)


Escort Imogen Poots spends the night with Broadway director Owen Wilson and then auditions for a call girl role in his new play.



I'm not old, you're just 12.
Pitch perfect 2 - The first one was a film that I wasn't sure I was going to like, but it was on cable and I couldn't sleep, and it turned out to be a fun, adorably dorky film. The sequel is just as good. Yes, it's predictable, but it's the dialogue, fantastic musical performances (including a hilarious Green bay Packers cameo) and likable cast that saves the day.


Lost in LaMancha - The true life story of Terry Gilliam's failed attempt to make his dream project, Don Quixote. Unreliable and medically unfit actors, torrential rains, fights with investors and insurance companies, and almost no pre-production doomed the film, set to star Johnny Depp and Jean Rochefort, back in the fall of 2000. A filmmaker's worst nightmare.
__________________
"You, me, everyone...we are all made of star stuff." - Neil Degrasse Tyson

https://shawnsmovienight.blogspot.com/



Bright light. Bright light. Uh oh.

Don't Bet on Women aka All Women are Bad (William K. Howard, 1931)

Men of the Sky (B. Reeves Eason, 1942)

Never Fear aka Young Lovers (Ida Lupino, 1949)

Little Fugitive (Ray Ashley, Morris Engel & Ruth Orkin, 1953)


When he thinks he killed his older brother (Richard Brewster), who’s playing a joke on him, seven-year-old Richie Andrusco flees to Coney Island where he has such an idyllic day that he forgets his dilemma. Independent film influenced the entire movement as well as the French New Wave and Cinéma vérité.
The Little Archer (Patsie V. Sinkey, 1949)
+
Welcome to Sherwood! The Story of 'The Adventures of Robin Hood' (Jeff Kurtti, 2003)
-
A Challenge for Robin Hood (Pennington Richards, 1967)

A Soldier’s Story (Norman Jewison, 1984)


During WWII, Captain Howard E. Rollins Jr. comes from Washington, D.C. to a Louisiana Army base to investigate the murder of Sergeant Adolph Caesar, who was disliked by his men, none more than Private Denzel Washington.
Sabotage (Alfred Hitchcock, 1936)

Ghost of Hidden Valley (Sam Newfield, 1946)

An American Tail: The Mystery of the Night Monster (Larry Latham, 1999)

Little Big Soldier (Ding Sheng, 2010)


During a time of battling warloads, Wei general Leehom Wang attempts to strangle his “captor”, lowly Liang soldier Jackie Chan, but a hungry bear interrupts.
I Loved a Woman (Alfred E. Green, 1933)
+
Happy New Year (John G. Avildsen, 1987)

When Worlds Collide (Rudolph Maté, 1951)
+
The AristoCats (Wolfgang Reitherman, 1970)
-

”Everybody Wants to Be a Cat”, whether it’s heiress mom Dutchess (Eva Gabor) or fast-talking O’Malley (Phil Harris) the alley cat.
Blue Hawaii (Noran Taurog, 1961)
+
Cliff Edwards and His Buckaroos (Jean Negulesco, 1941)

The Bad News Bears Go to Japan (John Berry, 1978)

Boyz n the Hood (John Singleton, 1991)
-
Doughboy (Ice Cube) complains about the lack of TV coverage about violence in the neighborhood of the Crenshaw District (L.A.) to his friends Ricky (Morris Chestnut) and Tre (Cuba Gooding Jr.)



The Revenant (Alejandro González Ińárritu, 2015)
+
Transcendence (Wally Pfister, 2014)
+
Think Like a Man (Tim Story, 2012)

Ride Along (Tim Story, 2014)



Bright light. Bright light. Uh oh.

Wicker Park (Paul McGuigan, 2004)

On Our Merry Way (King Vidor & Leslie Fenton, 1948)
+
Above Suspicion (Richard Thorpe, 1943)

The Crow (Alex Proyas, 1994)


Murdered guitarist Brandon Lee is brought back to life by a crow to wreak vengeance on those who killed him and his girlfriend.
Shooter (Antoine Fuqua, 2007)

The Pay-Off (Lowell Sherman, 1930)

Don’t Trust Your Husband aka An Innocent Affair (Lloyd Bacon, 1948)

In a Glass Cage (Agustín Villaronga, 1987)


Nazi doctor Gunter Meisner is paralyzed in a fall and is placed in an iron lung. His wife (Marisa Paredes) and daughter (Gisela Echevarria) need help caring for him, and a mysterious young man (David Sust) shows up.
Things to Come (William Cameron Menzies, 1936)
-
One Against the World (Fred Zinnemann, 1939)

Way Back Home (William A. Seiter, 1931)

Mistress America (Noah Baumbach, 2015)


NYC college freshman Lola Kirke (right) befriends her perspective sister-in-law Greta Gerwig and gets entangled in all her crazy life happenings.
The Lady Is Willing (Mitchell Leisen, 1942)

Too Many Cooks (William A. Seiter, 1931)

Venus (Roger Michell, 2006)
+
The Letter (William Wyler, 1940)
+

In Singapore, a married woman (Bette Davis) shoots a man claiming self-defense, but her story is shaken by the presence of a letter she wrote to the dead man - a letter which should not be introduced at her murder trial.
Our Town (Sam Wood, 1940)

Intimate Interviews: Walter Huston (Grace Elliott, 1931)

Jealousy (Philipe Garrel, 2013)

The Shop Around the Corner (Ernst Lubitsch, 1940)
+

Both salespeople at a Budapest gift shop, James Stewart and Margaret Sullivan can’t seem to get along, so if you think she’s complimenting him here, you’re wrong.






Something missing here. Gerwig is good but the Greenberg character just feels off. Not sure if it is the way it is written or Stiller's performance. Not a terrible movie but short of a good one.
__________________
Letterboxd



Hello everyone!

Good Will Hunting (1997) - first time I've watched it, I didn't get the hype and now I love it. Good story about discovering and facing yourself with some good acting and some nice humor.

The Lobster (2015) - Really really loved the first part of the film, very satirical and interesting to watch. I think the film kind of tried to point out the obsession with being in a relationship and the desperation behind it. But then it took a reversed approach which started to become just plain idiotic instead of funny and clever. Plus, normally Colin Farrell normally annoys me and he was ok in the this film.

Sicario (2015) - it's been a while since I've seen it now but it seemed pretentious and very common. Interesting plot but bad story. I'll give it a better rating for Del Toro who is awesome as usually haha. [rating]3[rating]
Bridge of Spies (2015) - typical Spielberg movie. It has good bits in it, it's interesting to watch and the acting is decent but the thing with Spielberg is that his films are quite sentimental and very.. ''safe''. He rarely tries to push the boundaries of a normal film and make something that will blow you away. And it's getting worse every year. I honestly believe now that we will never see a great story like Schindler's List or a haunting cinematography like Saving Private Ryan. Btw, I loved the acting performance by Mark Rylance, I'd be glad if he won.

The Rocky Horror Picture Show (1975) - enjoyed it, good music, lovely and very unique movie, you can tell why it is a cult film.

The Hateful Eight (2015) - Since I love QT, I loved the film but I wouldn't say it lives up to my favorites, such as IB, Kill Bills, Pulp Fiction or Death Proof. Definitely better than Django Unchained though. I might need to see it a couple more times to put it along the best but, honestly, QT still has it in him and I pray that he keeps making films. Loved the soundtrack as well! Lots of ''The Thing'' vibe.

The Revenant (2015) - I love violent films and normally don't mind any violence but the bear scene in this film was gruesome and sick. I was actually really impressed. However, that's about the only thing I liked about the film. Yes, the cinematography is amazing and the music is fine but Leo wasn't that good (I'm not a fan anyway), I think actually Tom Hardy was better but not amazing either. The story is very messy (and that's my number 1 thing in films) and unclear. There were even some technical things that I didn't get as well. Visual masterpiece with weak verbal/moral/storyline base. Some sort of wanna-be Tarkovsky.
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"Anything less than immortality is a complete waste of time."



Miss Vicky's Loyal and Willing Slave
The Crow (Alex Proyas, 1994)
.
Aww



Has your score for The Crow always been that low? For some reason I thought you liked it more than that. Perhaps I'm getting mixed up with something else



Bright light. Bright light. Uh oh.

Skinwalkers (Jim Isaac, 2007)

The Seven-Ups (Philip D'Antoni, 1973)

Berserk (Jim O’Connolly, 1967)

World of Tomorrow (Don Hertzfield, 2015)


A clone (Voice of Julia Pott) of small girl Emily (Voice of Winona Mae) sends her a transmission from the future and eventually relates how she worked in deep space (and fell in love with an alien) but later returned to Earth to be closer to humans.
Isle of Flowers (Jorge Furtado, 1989)

Android Cop (Mark Atkins, 2014)

Raw Deal (Anthony Mann, 1948)

The Descent (Neil Marshall, 2005)


Spelunker Saskia Mulder walks under a strange crawling creature in an unknown North Carolina cave.
Storm (Paul Burnford, 1943)

Golden Door (Emanuele Crialese, 2006)

Dead End (William Wyler, 1937)

The Amazing Dr. Clitterhouse (Anatole Litvak, 1938)


Gang leader Humphrey Bogart, Dr. Edward G. Robinson, who becomes a criminal to study the criminal mind first-hand, and fence Claire Trevor examine their latest haul.
Eight Below (Frank Marshall, 2006)

Winter on Fire: Ukraine's Fight for Freedom (Evgeny Afineevsky, 2015)

The 6th Day (Roger Spottiswoode, 2000)

Rockin' in the Rockies (Vernon Keays, 1945)


Larry and Curly don’t seem to know which way to go, while ranch foreman Moe orders his men to find the rustled cattle which belongs to his cousin (Jay Kirby), the owner.
Jack Frost (Michael Cooney, 1997)
-
Galaxy Quest (Dean Parisot, 1999)

Killer Klowns from Outer Space (Stephen Chiodo, 1988)
+
Alice Sweet Alice aka Communion (Alfred Sole, 1976)
+

After her younger sister (Brooke Shields) is murdered in a church on the day of her first Communion, 12-year-old Alice (Paula Sheppard) becomes the chief suspect in the stabbing of her aunt (Jane Lowry).



Miss Vicky's Loyal and Willing Slave
I used to give it a 3, but it got downgraded with a whole lot of other movies. Too much dead space and silliness.




I'd also say Galaxy Quest's score is too low. I think that's a near perfect film in its own little way



This weekend I watched all 10 episodes of The Man In the High Castle (
). The only other thing I saw was:

Suspect (Peter Yates, 1987)



Sorry if I'm rude but I'm right

The World Tomorrow (Don Hertzfield, 2015)
It's World of Tomorrow



Sorry if I'm rude but I'm right
Well, people make mistakes, but luckily for you, the Grammar Nazi is vigilant.