Airplane! and
Spinal Tap are hilarious.
Jackie Brown is my second favorite film from QT. Like you hinted at in your Tarantino fellatio thread (
), its lack of popularity among some of the typical Tarantino fanboys is, in my opinion, partly because the star of the film is a middle-aged black woman. And the second main character is Robert Forster, who isn't exactly a Vincent Vega or Mr. Blonde.
Jackie Brown lacks some of the coolness of his other films. It's a more mature, sophisticated film. It's also his most reserved film, especially compared to
Kill Bill,
Django Unchained,
Inglorious Basterds and
Death Proof. The fact that it is an adaptation probably plays a big role in that, but I wish QT would make another film in a similar, less flashy approach.
I think of
Kill Bill as one film, but if I have to pick between the two volumes, I definitely prefer
Vol. II. Before he made
Django Unchained,
Kill Bill Vol. II was the closest QT had come to making a spaghetti western. And as a huge fan of westerns, of course, that similar style and aesthetic really appeals to me.
The Thin Red Line is a very frustrating film. Like all of Malick's films, it's gorgeous to look at, but every time I found myself becoming invested in one of the characters or the story, the film pauses to allow Jim Cavaziel to deliver a long monologue about how his bootlaces symbolize the horrors of war while the camera focuses on a blade of grass in the early morning dew. Profound! I'm exaggerating, of course, and it's a lovely film in parts, but if I have to watch a Malick film, give me
Badlands or
Days of Heaven.
Surely you can't be serious?
Don't call me Shirley.