Steiger and Poitier are both so dynamite in this--the heat just crackles between them--that I still give the movie a pass. But I just find everything Jewison touches to be profoundly flat and undynamic, even when his leads are generating this kind of electricity.
It's almost certainly his best movie though... of what I've seen.
Steiger and Poitier are both so dynamite in this--the heat just crackles between them--that I still give the movie a pass. But I just find everything Jewison touches to be profoundly flat and undynamic, even when his leads are generating this kind of electricity.
It's almost certainly his best movie though... of what I've seen.
I agree with a lot of what you have said here. I’m not a huge fan of Jewison either, although I’m a little less enamored with Steigers slight over acting in Heat, it does come together pretty well at the end. I’d probably agree with it being his best film, as well, from what I have seen of his.
Edit: actually, that would be Moonstruck as his best.
Yeah, he was up in years, but it's still sad to mark the man's passing. So many great films that he did, and so many that I still want to see. I love In the Heat of the Night but To Sir, With Love is still my favorite of his that I've seen and one of my favorite all-timers as well. Godspeed, Sidney.
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"Miss Jean Louise, Mr. Arthur Radley."