Continuing my Scorsese Odyssey...
Casino
Casino, another film about the mob by the "master" of the mob movie, stars Robert De Niro as Sam "Ace" Rothstein, an associate of the mob and a sports handicapper, who is sent to look after the Tangiers Casino in Las Vegas on behalf of the bosses. What transpires is a decade long saga of ups-and-downs, with the dream of Las Vegas gradually slipping away from him.
This is by no means a bad film, in fact at times its brilliant, especially scenes De Niro shares with Sharon Stone (who, incidentally after me thinking half way through, "I bet she got an Oscar nomination for this", got an Oscar nomination for this). Joe Pesci does his usual Joe Pesci routine which never fails to entertain.
Where Casino falls down is in its running time (three hours seems a bit too long here) and its similarity in themes to Goodfellas, which I feel answered many of the questions here posed by Casino a lot better. Perhaps for these reasons Casino will never be looked upon as a classic of Scorsese's directorial career, but it is entertaining nonetheless.
Mean Streets
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Mean Streets is widely considered to be Scorsese's first great film of his career. Starring Harvey Keitel as Charlie, a soldier in the Mafia under his uncle, his caporegime. However, his natural advancement in the organisation is thwarted by his attachment to his friend, Johnny Boy (fantastically portrayed by Robert De Niro) a low-life gambler who owes a debt to local loan shark Michael. Things are not helped by Charlie's illicit affair with Johnny Boy's cousin Teresa, who has epilepsy and is therefore shunned from the mainstream of the mob.
Scorsese serves up a dream-like quality to this film, a film where the characters themselves are much more important than any semblance towards the plot. It makes for a thrilling almost two hours, strong characters, and a visual style that perfectly compliments the film.
If there was any criticism to be had, it would be that the supporting cast are not given enough time to cement their characters to the film, leaving it a triangle between Keitel, De Niro and Robinson. However, I'm fine with it. Watch this.