The MoFo Top 100 of the 2000s Countdown

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Paul Thomas Anderson likes to make movies about s***ty people doing s***ty things to each other and There Will Be Blood is a prime example of that. The only PTA movie I like was not eligible for this countdown.
Which you do not find appealing unless one of the shitty people is played by Joaquin Phoenix. We got it.
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A system of cells interlinked
Agree with Vicky about this guy. Still, the tremendous skill on display here, as well as the towering performance by Lewis, cement this film's standing as one of the greatest of the decade, and perhaps of all time, if I attempt to be as objective as possible. I re-watched it just before I submitted my ballot, because it was one of the films I was having the most trouble placing. I watched it later at night, after my family had gone to bed, and I while I was mesmerized by certain incredibly well-done sections, there were several things that convinced me to push this down near the bottom of my ballot.

First off, the sound production and score set my teeth on edge. Not quite as bad as Magnolia, but close. Also, as Vicky inferred, the main character is an awful person in the extreme. What an *******, man. I also found myself drifting off at various times, so it was an uneven experience for me. The camera work is masterful, enough so that it defeated both of Deakin's 2007 films (!!!) - one of which will appear here tomorrow - at the Academy Awards.

So yea, objectively, perhaps this is top stuff, but as far as my taste is concerned, I knocked it all the way down to #20 on my list. This also stems from the fact that I have a fairly big chip on my shoulder when it comes to PTA, who is also kind of a prick, if I am to believe the footage and interactions I have seen in some of his film's extras over the years.

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Critics




Critics thoughts on our #3, There Will Be Blood...



It currently has a 91% Certified Fresh Tomatometer score among critics, and a 8.2/10 score on IMDb (with 558,000 votes).

Roger Ebert gave it ★★★½ and said:
"There Will Be Blood is the kind of film that is easily called great. I am not sure of its greatness. It was filmed in the same area of Texas used by No Country for Old Men, and that is a great film, and a perfect one. But There Will Be Blood is not perfect, and in its imperfections (its unbending characters, its lack of women or any reflection of ordinary society, its ending, its relentlessness) we may see its reach exceeding its grasp. Which is not a dishonorable thing."
Meanwhile Donald Munro, of Fresno Bee, said:
"I hate the way the film forces us into its epic structure and purposefully fractured narrative as if the audience is a puppy having its little nose shoved in a puddle of its own making."
As for our MoFo reviewers, @Iroquois said:
"Any assessment I make of There Will Be Blood always comes back to asking myself whether it's better than No Country for Old Men. Although the two have very little in common, they're both excellent, and it's tough to decide which one to give the edge to. There Will Be Blood was an excellent film, and not just solely on the back of Day-Lewis's performance. It's a gripping experience, and will constantly surprise up until the bitter end."
And @BobbyB said:
"PT Anderson needs to take a lesson from Sergio Leone and Once Upon a Time in the West. The art and the way Leone paints the silence of the three outlaws waiting in an empty station was much more effective and not as forced as Anderson's direction in the opening 15 minutes. That's just where my problems begin."
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There Will Be Blood was on my ballot, though on the low side at number twenty-two. I knew it didn't need my help to place very highly on the collective list. I don't think I even realized until weeks after I turned in my ballot and the countdown began that I had placed There Will Be Blood and Gangs of New York back-to-back on my ballot. There are not enough adjectives to describe Daniel Day-Lewis' performance as Daniel Plainview. Twenty-one years and counting into the 21st Century and I think it still stands tall as the most compelling work yet put on the big screen. A performance for the ages. That alone warrants it being third on a countdown like this, whether or not one grooves to the misanthropy of Paul Thomas Anderson's dark world.

HOLDEN’S BALLOT
1. The Three Burials of Melquiades Estrada (#86)
2. Dancer in the Dark (#49)
3. Revanche (DNP)
4. Waltz with Bashir (DNP)
5. Eternal Sunshine of the Spotless Mind (#6)
6. Talk to Her (DNP)
7. Children of Men (#17)
8. Amélie (#16)
9. The Lives of Others (#41)
10. The Pianist (#31)
11. Wonder Boys (DNP)
13. Zodiac (#9)
14. Synecdoche, New York (#46)
15. Moon (#48)
16. Fantastic Mr. Fox (#70)
17. The Diving Bell and the Butterfly (#92)
18. A Serious Man (#66)
19. Adaptation. (#43)
20. The Assassination of Jesse James by the Coward Robert Ford (#51)
21. Downfall (#28)
22. There Will Be Blood (#3)
23. Gangs of New York (DNP)
24. Memento (#11)
25. Letters from Iwo Jima (DNP)



Okay, that’s surprising… can’t believe No Country is still in the running.

However, I think this is where it ends. Fellowship is so immensely popular. But if No Country wins… that basically means I win cause I’m Anton Chigurh, so

But anyways, yeah. I did not vote for There Will Be Blood even though I consider PTA the greatest director working today. And definitely my favorite director working today. He always challenges me and I love the way he goes about making movies.

But somehow his most popular film is not one I love. I admire it a whole lot, I think it’s expertly put together, but I’m always so cold to it when I watch it. Obviously, it’s deliberately dark and “emotionless”, so to speak, so everything it tries to do it succeeds in. You are not supposed to root for Day-Lewis’ character, I understand that, but even so I just don’t connect with the movie as much as I want to.

But I’m glad to see it on here even so and I’m not surprised it’s that high. I even thought it would be number one…



There will be Blood is a phenomenal film. Dano and Day Lewis just boss the screen. Two off the charts performances. It missed my ballot by an atom's hair. Could have made it on another day.



There Will Be Blood was number 3 on my list. Nothing left the say really. I have spilled my pea brains all over mofo about the greatest modern director. I always look forward to my next watch of TWBB where it becomes my favorite PTA until I watch The Master or Magnolia again. Great writer, always great visuals and score. Always funny, even when it’s more subtle like here or Phantom Thread. Keep ‘em coming for a couple more decades Mr. Anderson.

I thought either TWBB or No Country would win this, with Fellowship third. Not disappointed though, all three amazing and worthy of their spot.
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TWBB wasn't on my list. 2007 was an amazing year, and while the film is pretty good, it wouldn't even crack a top 5 of that year for me. Probably top 10.



There Will Be Blood is my #23. Only seen it once when it came out, but that one viewing was enough to make an impression lasting all the way to ballot deadline time. DDL is a baws!
Personal trivia; back in the day ('89) I could do a pretty good DDL in My Left Foot impersonation.

Seen: 78/98
Ballot: 20/25

 





Blood was awesome. That is all.

1. Moon (2009) - 48th
2. There Will Be Blood (2007) - 3rd
3. YES
4. Pan's Labyrinth (2006) - 7th
5. YES
6. Shaun of the Dead (2004) - 20th
7. Zodiac (2007) - 9th
8. Sin City (2005) - 47th
9. The Lord of the Rings: The Two Towers (2002) - 15th
10. The Lord of the Rings: The Return of the King (2003) - 8th
11. Million Dollar Baby (2004) - 57th
12. NO
13. Cast Away (2000) - 69th
14. WALL·E (2008) - 13th
15. NO
16. NO
17. NO
18. The Dark Knight (2008) - 10th
19. NO
20. Unbreakable (2000) - 62nd
21. Gladiator (2000) - 40th
22. Watchmen (2009) - 87th
23. Pirates of the Caribbean: The Curse of the Black Pearl (2003) - 63rd
24. NO
25. Inglourious Basterds (2009) - 18th



I think you would like it.
Think again Triangle definitely isn't my kind of movie. I wouldn't call it bad, but I just generally dislike movies like that. In other words, I just finished it and would probably have skipped had I known what it was about.
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I liked TWBB when I saw it, but Paul Dano and some of DDL's histrionics have made me hesitant to return to it. I did not vote for it.



Bright light. Bright light. Uh oh.
I'd say there is about 2% shouting in There Will be Blood, my #24. Plainview is a salesman, and if you haven't been exposed to a certain type of salesman, then you should count yourself lucky and use this film as an innocent way to experience them without literally getting locked in a room with one or more. Some people believe that the final scene is over-the-top; the whole milkshake/bowling alley diptych, but it actually is a mirror of the earlier scene where Daniel spent his most-open, honest exchanges in the film. Those were with his "brother" Henry. They talked about what they shared in the past and what's "inside" Daniel as he becomes more and more successful and why he acts the way he does; at least his rationalization of why he does what he does. And to tell you the truth, you don't have to be an American capitalist to relate to his thoughts. He wants to win at all costs and doesn't enjoy seeing others do well. Sure, it could be a capitalist who thinks such things, but it could also be a socialist dictator or an imperialist from our ancient past. The fact that when Daniel finds that there is a bit of his exposed soul out there with Henry, who turns out to not be his brother, means that Daniel has to kill him and get rid of any evidence of his true feelings from anyone who isn't of his own blood. This can also be seen as a parallel theme to why Daniel isn't as open and honest with his "son" because he, too, is not "of his blood".

The same thing happens at the end of the film. Daniel apparently likes to hang out in his "War Room", his bowling alley, at night. He drinks and he passes out, right in the middle of the bowling lane where he undoubtedly tries to violently mow down all the little enemy pins with his violent bowling ball(s). Poor, overmatched Eli believes that he still has the trump card on Daniel, so he enters his boudoir of violent success with absolutely an innocent's concept of the kind of battle he will find himself in. Daniel seems to be in hog heaven when he has a chance to pay back somebody else who has seen him expose his weakness, even if in that case, Daniel was still in salesman mode and was never sincere for a second, but Eli could still lord it over him in front of his parishioners. The fact that Daniel could drink Eli's milkshake before destroying him physically is Daniel's psychological payback to Eli for having the audacity to believe that he was his equal in any regard, including salesmanship. The drinking of people's "milkshake"s isn't really over-the-top either, since Daniel knows that Eli is not long for this world. Why not give him a personal show even more spectacular than the ones that Eli presented in his "church"? I just find it very interesting that the desire for oil as a way to defeat an enemy and to become and strengthen oneself as a "superpower" does have its satiric value, even if I still don't see the movie as a "true" critique of the current U.S. administration.



I drank some of my daughter's chocolate milkshake in Alaska. I used a straw. It was very difficult for me to actually get it to pass through the straw because it seemed to collapse in on itself the harder I sucked. The way I was able to get a good taste of the milkshake was to take the straw out and suck on the bottom (opposite end) of it. It made me start to wonder why Daniel had such an easy time drinking Eli's milkshake.

One other thing I started thinking about (notwithstanding the earlier comment that "I drink your milkshake" was a direct political quote) was that I always ordered a chocolate malt(ed) instead of a milkshake because I always found it easier to pass through the straw, let alone the fact that it had more flavor. Now, did Daniel drink Eli's milkshake because it was the more difficult way to get what he wanted? Daniel does seem to occasionally do things the difficult way. I want to ask all the people who recall the beginning of the film, how in the hell did Daniel drag himself, apparently for miles, with a broken leg, up out of his mine and all across the rugged territory he had to navigate to get to lay claim to his find? I realize that he's a tough S.O.B., and I don't mean this early scene to be a flaw in the film. Maybe you can just fill in some of the details which we all miss from the time he's screwed to the time he makes it to the assayer's office. What do you think happened? I'd say it was as significant as anything else that IS ACTUALLY SHOWN in the film.

My List

1. The Incredibles
2. The Lord of the Rings: The Return of the King
3. King Kong
5. Ratatouille
6. The Heart of the World
7. Downfall
8. Up
9. The Dark Knight
10. The Diving Bell and the Butterfly
11. Everything Will Be OK
12. The Lord of the Rings: The Two Towers
13. Talk to Her
14. Tell No One
15. WALL·E
16. Children of Men
17. Pan's Labyrinth
18. Spirited Away
19. The Pianist
20. A.I. Artificial Intelligence
21. Pride & Prejudice
22. Hotel Rwanda
24. There Will be Blood
25. City of Life and Death
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I've seen There Will Be Blood and No Country for Old Men twice, both simultaneously since they came out in the same year. At first I favored Blood, but it felt a little empty. Reevaluating No Country shot it up to the top of my 2007 list. Didn't vote for There Will Be Blood.



There Will Be Blood was my #12. I've only seen it once, but it did impress me. Had I given it a rewatch, it might have been even higher. I guess I'll just do a full reveal of my ballot tomorrow. Kinda pointless to drop a name or two now.