La Casa Lobo, 2018
A young woman named Maria (Amalia Kassai) runs through the woods, pursued by a wolf (Rainer Krause). Maria seeks shelter in a sentient house, along with Ana and Pedro, two pigs she brought with her when she escaped. But Ana and Pedro soon transform into people, and as the wolf waits outside, the dynamics within the house (and
with the house itself) begin to shift in dangerous ways.
Craft alone is not enough to make me love a film, and fortunately this is a movie in which the technical craft on display is in fantastic harmony with the mood and narrative being presented.
The film is shot is a stop-motion style that incorporates multiple art forms: painting, sculpture, line drawing, paper mache, etc. The film, characters, and setting are in a constant state of flux. The rooms and the characters themselves are perpetually being "broken down" and rebuilt, sometimes moving from one artistic format to another. Sculpted hands accompany a face that exists as a picture on a wall, or a character "unfolds" only to be rebuilt in paper and layers of paint. The film is relentlessly kinetic, and if it weren't for how ominous and interesting the story was, I think I would have found it a bit overstimulating and tiresome.
Fortunately, as I said before, I found the mood and story of the film to be really interesting. The film begins with a straightforward dynamic whereby the threat (the wolf) is on the outside. But as the film progresses, things inside the house get just as dangerous. The characters inside of the house are all desperate, and desperation can change a person. There is a vulnerable, baffled nature to Maria that makes the whole thing feel very tenuous. Even when she feels safe, we can sense that she isn't.
This film probably won't be for everyone, but I would encourage you to check it out. Among other things it is relatively short. The craft of the stop-motion alone is worth watching.