Rate The Last Movie You Saw

I've seen (and enjoyed) the first season, but I'm way behind in my TV watching.

Hell Drivers (1957)

Nice bit of down to earth, threatening drama here starring the wonderful Stanley Baker. Mad cross between noir and kitchen-sink. Story is good and the action (lorry) is actually very believable and well constructed (albeit the romantic angle is a bit clunkey).

Rating, a strong .

Rewatched Gran Torino and I never noticed that he sings at the end, with the same voice you hear throughout the movie.

Never seen this in its entirety. Not a huge Eastwood fan, but a very good movie. The guy who played the killer was excellent. It was only his 2nd movie & since then he’s done a ton of stuff. But I doubt anyone knows his name or what he looks like now. I know I don’t.

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I’m here only on Mondays, Wednesdays & Fridays. That’s why I’m here now.

It was lovely to hear Clint/Walt and Jamie Cullum sing that out. The film had it's failings but I liked it and that close was perfect.

Never seen this in its entirety. Not a huge Eastwood fan, but a very good movie. The guy who played the killer was excellent. It was only his 2nd movie & since then he’s done a ton of stuff. But I doubt anyone knows his name or what he looks like now. I know I don’t.[/quote]

He is manic to the Max (the Scorpio)...seen a few times so know its Andrew Robinson...did more TV roles following this.

I thoroughly enjoyed it myself, as I always do. I loved the story, I thought the camera work was great but the acting was something to be desired.

I do remember David Nivens wrote in his autobiography that Sanders had told him in 1937 that he would die by his own hand. Both men had health problems but Conway basically drank himself to death. I always thought Conway was the younger brother but he was the older by almost two years. Sanders himself underwent a lot of heartache the last year of his life, losing his wife, his mother, and his brother.

He also once ran a tobacco plantation in South America and liked playing the piano and marrying Gabor sisters.

I thought the same thing when I wrote that. Anna was much too genuine to ever be considered a FF. But I meant it as more of a standard of how women were so often portrayed onscreen. The fact that she didn't have a hidden agenda and was basically a woman mourning the man she loved made her all the more winsome. Yet another aspect that the movie got right.

Right. And he’s still busy.

Although one would certainly want a bit more development from some characters, Grand Hotel does manage to balance its ensemble cast fairly well. Still, the pace seems a bit scattered at times and, although the film maintains a mostly light tone, there's a shift towards the bleak that seemed a bit abrupt to me. However, most of the performances are pretty good, with John Barrymore and Joan Crawford being the highlights for me. Finally, the set design was quite impressive, highlighted by some neat camerawork, especially in the lobby scenes.

Grade:


Full review on my Movie Loot

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Yeah, I remember he was kind of typecast around that time as this annoying creepy type who came to an especially bad end. Like Charley Varrick where he and Joe Don Baker had that blow up. And Hellraiser (which was a totally wholesome role and everyone lived happily ever after).

Of course, as far as being typecast he was certainly no Paul Koslo. That guy basically played the same role in countless movies.

Star Trek Deep Space Nine fans sure do!

LOL. I knew when I wrote that that everyone here would prove me wrong.

Bad Boys For Life (2020)

*** out of *****

Entertaining and action packed, no explosions and just enjoyable dumb fun. It has some flaws sure but a good watch when you want to "shut your brain off".

Paths of Glory, 1957

In the midst of WWI, a French company is ordered to make an obviously-doomed attack on an entrenched German position. When the attack, which from the get-go was estimated to kill over half of the men even if all went well, goes even more poorly than planned, and a humiliated leadership decides to put the soldiers on trial for cowardice. Three men are selected to "represent" their squad and face potential execution. Colonel Dax (Kirk Douglas) has previous experience in trials, and steps up to defend the men.

I am not the biggest fan of Kubrick. But I want to give a real thank you to whoever it was in the last few weeks who wrote something on here about one of his films and used the term "dehumanizing". I think that this element of Kubrick's films is both where his great skill is and what keeps me often from fully engaging with his movies.

That said, I think that this is easily--by, like, a wide margin--my favorite film that I have seen from Kubrick. It raised questions about what allows such dehumanization to happen in the first place and how different personalities react to it.

The difference, for me, is largely in the character (and Douglas's amazing performance) of Dax. Before the action even begins, Dax has the haunted look of a man who has seen too much. We know from beginning exposition that his men have already been through punishing encounters and have yet to recover to their full strength. He is a kernel of empathy and determination in the middle of a war machine that puts no value in the former. He is a much needed audience surrogate--a witness within the madness, even when he is powerless to stop grave injustice.

The film is bookended with two sequences that reveal the way that people talk themselves, essentially, into cruelty and dehumanization of others. In the very first sequence, two generals meet in the office of one, Mireau (George McReady). Mireau is ordered to send the men out on their disastrous mission. He immediately points out that the men are too worn out, that they are short on munitions, and that even a group at full power would struggle to accomplish what they are being asked to do. Then he finds out that there might be a promotion in it for him. As he walks the room, literally walking in circles, we watch as he slowly convinces himself that the extra munitions aren't necessary. That the men are up for anything is properly motivated (and to suggest otherwise would be to insult the soldiers!). That they can make it happen.

This movie also contains what may be one of the best darkly comic lines I've ever heard. (MAJOR SPOILERS)

In the end of the film (no spoilers! I promise!) we see a young German woman who has been taken prisoner. Tear-streaked and dragged up on stage in front of a group of rowdy and leering soldiers, she is first ordered to greet the men and then berated for not speaking a "civilized" language. While the sympathy of the film lies largely with the soldiers for most of the film in a dichotomy of powerful/powerless, this sequence is a good reminder that anyone can fall prey to a mindset in which other people are worth less and do not deserve mercy. Dax bears witness to this moment as to all of the others in the film.

This film has great use of point of view shots: everything from a man walking a seemingly endless trench filled with soldiers to the lonely point of view of a man regarding the post of a firing squad. But though the film makes good use of these shots, I loved that it always returned to a shot of Dax watching, observing. We are privy to the pain of injustice but also the pain of witnessing injustice. Too often with Kubrick I feel as if the film, in portraying dehumanization, itself has pushed the characters away. I often struggle to emotionally connect to his movies beyond the basic mechanics of his plots. Most of the time I find myself experiencing a distanced appreciation for his technical skills but not much deeper than that.

This film, much like any well-made war film, was hard to watch and emotionally wrenching. At the same time, of any film I've seen from Kubrick, this one most felt like there was a beating heart in the center, even if that heart was breaking. Highly recommended.

Nice! It's probably on my Kubrick Top 5.

Paths of Glory is one of my all-time favorites. Glad you loved it! It's my second favorite Kubrick.

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Though not on school buses I hope