The Matrix (1999)
"There is no spoon."
I was seventeen when I first saw The Matrix, and it was pretty much love at first sight. Sci-fi, action, a dash of romance – what more could a girl want? There was also something about it that spoke to me, the music, the look, the idea of this beyond-world. I watched it many times in the following few years, but despite considering it one of my favourite films, not for some time now. I almost watched it on the big screen last year; a cinema in London was showing it for the 20th anniversary. I decided to go and watch The Dead Don’t Die instead. Wrong decision.
So the question is, would it still hold up all this time later?
The answer – yes, absolutely. The Matrix is a stone cold classic.
This needs to be addressed, so I’ll get it out of the way – I lost a bit of respect for The Matrix when I saw Ghost in the Shell. Not only because it wasn’t quite as clever and original as I’d previously thought, but for the shamelessness of the idea-stealing. So that probably deserves to knock off half a star.
But that aside, this is still a great film. The dialogue is smart with much of it taking on a double meaning, the more you find out about the world. I like that it touches on a lot of different ideas without latching on to one of them and doing the metaphor to death – simulation theory (if it could happen, it almost certainly already has…), Morpheus the god of sleep, determinism, religion (the Christ-like prophesised man who can change things and work miracles). It can even be read as a They Live style ‘he puts on the sunglasses and sees the evil structures of capitalism’ story. Is any of it even real, or is it just Neo’s drug-induced hallucination from the first time he follows the white rabbit… after all, the man at the door says mescaline is the only way to fly, and Neo flies at the end… But at the same time this is all done with a sense of fun.
It’s also a really good action film, from I know kung-fu to guns, lots of guns, and the special effects work well and don’t look dated like a lot of 2000s cgi. The cast is spot-on. Keanu Reeves isn’t Oscar material, but what he does, he does well. The Matrix requires him to be, in the Oracle’s words, “cute…not too bright though”, look generally a bit confused for most of the movie, and do some kung fu. The stand-out is Hugo Weaving’s villainous Agent Smith, his disgusted drawl as he declares that human beings are a disease is brilliant.
I still love the aesthetic of the film, the retro phones, the set design – the stairway, the room where Neo meets Morpheus, the subway station, the tech-noir type club. There are some really well done shots – reflections in buildings and sunglasses, the noir-esque rain as Neo is under the bridge.
Oh, and the music is good, too.