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Excellent movie. I highly recommend it.
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I’m here only on Mondays, Wednesdays & Fridays. That’s why I’m here now.



You can't win an argument just by being right!
You think homosexuals victimize themselves? There's no history of unjust mistreatment of homosexuals? Also homosexuality is not a choice.
For most, you are correct. However, for some, it is. I had a friend who went homosexual because it was much easier for him to get laid that way. Very few things are absolute for everybody.
That’s very strange. I would think it’s more probable that that’s a cover story than anything else.
I have known gay guys who say they do it, and one in particular loved talking about it. In a relationship with a bi woman. They swung both both ways but he claimed to be gay. Or maybe fluid. I can't remember. I never had sex with him but he tried it on one night at a xmas party when we were young and drunk and I must say, he was thr perfect kisser.


Yea...but too much tongue for my liking.

Hey, larry? Do you know something I don't know?





8/10 I liked it but im thinking maybe classic noir isnt for me. As far as Billy Wilder goes I think The Apartment is easily his best but ive liked everything by him ive seen to some degree.



mattiasflgrtll6's Avatar
The truth is in here
Total Recall



Total Recall is an Arnold classic. While most of his movies are fun to watch, this probably has the most impressive story out of them.
It's a good ol' remnant of the past kind of tale! Quaid has a charming and sex hungry wife, but a very routine job. He has a weird recurring dream about Mars and also keeps seeing ads on TV about Mars, so he gets tempted to go there. Of course, it's not the ”real” Mars, but a very realistic reconstruction. Lori tells him not to go, but he ignores her and decides to go anyway. He also gets the opportunity to change his identity for fun, and he picks a secret agent on a deadly mission (Why on earth anyone would want to choose this on their vacation is beyond me), but something goes wrong. He starts speaking in prophetic terms, and the people behind the program erase his memories so he won't remember Rekall.
Now here's where it gets a bit tricky: After people start acting fishy towards him, including one of his co-workers, it turns out his wife is not his real wife, but intended as a permanent distraction so he would forget about who he used to be and what he did on Mars.
And that's where I'll stop summing up. This movie is full of imagination and beautiful exemplary visuals of a strange futuristic society where some people look like freaks due to suffering from a lack of oxygen. Which is thanks not only to the iconic sci-fi writer Philip Dick, but also Paul Verhoeven, who perfectly balances the scary and the absurd. And in some ways, the world is still the same as it always was: a big power holding a monopoly on all its citizens to the result of everyone else having it worse off, but the capital itself kicking back with no considerable worries and caring for nothing but themselves. Verhoeven portrays society as bleakly militarized, with unflinching realistic violence and red-lit but broken surroundings.
Even looking aside the politics, it's still a remarkably wellmade and entertaining film. Michael Ironside turns in another iconic performance as the no-nonsense villain Richter, whose crazy glare and commanding attitude is as effective as it always was. Arnold is ramped up to 100 percent, showcasing some of the most expressive faces he has done in his career. Sharon Stone
WARNING: spoilers below
first gives the vibes of a little-too-familiar kindhearted wife, only to later turn completely ice-cold once we found out she's not who we thought she were. The scene where Quaid starts to fight an unknown foe and it shows to be her I could predict due to the shadow shape, but nevertheless the revelation is expertly done. It's from here that Stone really starts to shine, and comes off as possibly the deadliest villain in the movie.
In terms of acting, there is not a single dull spot. Rachel Nicotin gives a memorable portrayal as Melina, the real wife of George Quaid. Mel Johnson Jr. was very over-the-top in his role, but in a way that still works.
I think I'll stop at here. Movies regarded as high-quality by a lot of people is usually not my forte, as I feel like I'm repeating what a lot of others already have said. But if you haven't been convinced yet, go see it! Do it for Mars. Do it for Arnold.

P.S. If that image of Arnold gives you nightmares, I apologize. But it's too damn great not to share.




Hellloooo Cindy - Scary Movie (2000)
Three billboards outside.....

Was looking forward to this movie ever since the trailer. Then there was the Oscar buzz. Finally got around to seeing it.

Well, the strongest element is the characters, you do feel for some. You do somewhat get to know them in the short snapshot of time the movie is set.

After having slowly gotten to this point, it feels as if things are left incomplete. Perfectly understandable if a traditional ending is not adhered to. No country for old men being a prime example. However...the difference was no country felt like it had ended and/or felt like a story had been told if you don’t agree with it having ended.

3 billboards didn’t do either well enough. Overall Good acting and characters with depth is not enough....for this particular film.

3/5
3 billboards is a film that attempts to subvert your expectations. You go into thinking it's a murder mystery, but really it's a morality tale about several individuals who really can't live with the repercussions of the murder. Does the ending conclude the story...no, because it's not about the story. The ending is the best moment for the characters.

WARNING: spoilers below

Neither Dixon or Mildred will ever manage to catch the rapist but they are going off to kill a rapist. How that story will end for either one is going to be bad, Dixon isn't going to manage to get away with what they are about to do. Mildred has decided that she won't rebuild her life with James, and Dixon isn't going to kill himself instead he's going to basically martyr himself for Mildred.
Thank you. That’s an interesting take. I think you’re probably spot on which what the film makers were trying to achieve. In terms of the assumption that that person they were going to “meet” was a rapist. I think they left it vague in terms of what would happen. I’m not convinced they would have killed him. The clues are there that he’s a messed up war veteran. Maybe the point of it is that he is affected by violence and they are affected by violence in a different way and it makes both do pretty awful things.?Saying all that...I just felt the movie could have done it all better. Don’t ask me how..it just felt a bit empty imo.





I, Anna (2012) is very tasty mystery/thriller/noir, with a little Hitchcock thrown in. The two stars, Charlotte Rampling and Gabriel Byrne, turn in seasoned and subtle performances. Rampling carries the movie in portrayal of a recent divorcee who has a past, along with some serious emotional issues. Byrne is the police detective who is allured by her, and ends up suspecting her of murder. Eddie Marsan is predictably good as an associate detective.

The film holds one's interest, and goes by fairly quickly. The plot gets a little complex at the end, and there are several surprises.

This is one of those films folks could easily miss, but will be pleasantly surprised at how well done it is.

Available on Netflix, streaming services and rental.

Doc's rating: 8/10



The Conjuring (2013) – 7.5/10

I watched this in two sittings and thought it was extremely well done. I was conscious of the first half being a lot better than the second.

Very good cast as well; I find Patrick Wilson and Vera Farmiga a very engaging combination so it's good that there's a sequel and potentially a third film to come.

I made some comparison with the scares to The Woman in Black (2012) which I think is actually a lot more frightening. Of course like The Entity (1982), which I still think is the scariest horror film, The Conjuring is based on a real case so that adds a lot of weight and interest to the story. Wasn't it great the way they did the end credits ?



Primal Fear (1996)


It was OK. I'd been picking up peripheral praise about the movie but never retaining specifics as to why it was lauded. Once I started watching it the picture starts off very grisly so I was intrigued. By the end of the film, and the final twist - I was kind of feeling duped because I already knew what was what. Reminded me of the big, dopey surprise of The Usual Suspects.

It was OK
.
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Squibs (Henry Edwards, 1935)

Has a certain charm in places but it's no shining light



matt72582's Avatar
Please Quote/Tag Or I'll Miss Your Responses
The Servant - 7/10


First hour is very good, but then it goes to pieces. Way too many little references to Citizen Kane, La Dolce Vita, Shadows, etc.