I prefer
Heathers to its peers, thanks to the pitch-black humor and my all-time crush, Winona Ryder, but it's never been a favorite. I found everything about
Harold & Maude aggressively off-putting: the aesthetic, wardrobe, characters, performances, soundtrack, and, most damning, the "humor." As someone who periodically clicks the "GILF" category on tube sites when I grow bored of the standard double-anal furry bukkakes, I would've been on board with a NC-17 steamy romance featuring explicit scenes of teenaged Harold hammering the dusty old plumbing of 80-year-old Maude. Instead I was subjected to Cat Stevens holding a lighter to my eardrums while I suffered a dull arthritic ache from the movie's pretentious quirk. Has anyone ever possessed a more punchable face than Bud Cort? (
)
I've watched
Being John Malkovich a handful of times, after my college roommate introduced me to it one night after we had convened around our ceremonial water pipe. The movie's bizarre high concept felt even more mind-blowing to us while chemically assisted, as if that deranged creative genius, Charlie Kaufman, was dangling profound existential secrets in front of our half-lidded gazes -- elusive revelations we'd briefly think we'd grasped until the effects faded. Great movie, but not the type of comedy I considered for my ballot.
I never realized until recently just how widely beloved
Clue has become over the years. I don't think I ever played the board game, and I'm not particularly keen on murder mysteries, in general, so the movie was just okay for me. Amusing in patches, but mostly annoying. The multiple endings are a cool touch.
Borat was hilarious that initial viewing, and it felt like a cultural phenomenon on a level that comedies rarely reach, but the cheap documentary aesthetic and the reliance on shock factor for most of its laughs have resulted in diminishing returns. I admire Cohen's willingness to put himself in embarrassing and potentially hostile situations an an attempt to hold up a mirror to the uglier aspects of society, and the resolve required not to break character. Borat is too ingrained in popular culture for him to ever successfully dupe strangers with this character again, which is a shame. The sequel would've sunk like a stone without Maria Bakalova.
I love Chaplin, but for whatever reason I don't love
Modern Times as much as everyone else. Maybe I just wasn't in the mood for his mustache ride that particular day. Currently I'd rank it near the bottom of his feature-length films, but I'm sure a re-watch will give me a greater appreciation for it. I rattled off dozens of titles the other day as possibilities to appear on the countdown, and I probably would've rattled off another three or four dozen before
A Fish Called Wanda came to mind. Not a fan of it personally. I don't remember anything about it except the steamroller. Chalk it up to British humor rarely connecting with me.
I gave
Amélie a positive rating out of a begrudging respect for its technical merits, but I feel like I watched a vastly different movie than the rest of the world. To me it plays more like a delusional psychological thriller. Think
One Hour Photo if it was French and boasted a lot more visual flair. I don't find anything remotely sweet or charming about the eponymous character. Recast her as a fat old hag with a harelip and a wart-tipped bulbous nose and more viewers would realize how intensely creepy is her character. I detest people who meddle in the affairs of others, whether they have good intentions or not, so maybe that's why I react to Amelie's schemes with intense revulsion. At least @
Miss Vicky also sees the massive creep hiding behind the cute pixie smile. That makes two of us.
It Happened One Night is one of the best screwball comedies (maybe because it's not
too screwy) and my second favorite Capra (maybe because it's not
too corny). Excellent script, excellent chemistry. Clark Gable at his most roguishly charming. Long overdue for a re-watch. I thought the boat had sailed on
Anchorman's chances of making the countdown. (Our community seems to have a lot of nostalgia for 2000's comedies. Maybe @
rauldc14 shouldn't yet give up hope that
Wedding Crashers will still make an unlikely appearance.) I'm typically a fan of Will Ferrell's buffoonish characters (he stars in two comedies from my ballot), but I just don't find the Ron Burgundy character amusing. The randomness, the lack of structure, the heightened idiotic absurdity of the humor (which can work well for me sometimes, as in the recent
Barb & Star Go to Vista Del Mar) just didn't tickle my funny bone. The even more cringey sequel extinguished any interest in a re-watch.
Superbad and
Dumb & Dumber were on my ballot. The former is the funniest (and most personally relatable) high-school comedy ever made. The latter is the only Jim Carrey comedy from the 90's that hasn't lost its luster for me despite dozens of viewings.