Andrei Rublev is the first film on the countdown that I haven't seen. Fully admit that the prospect of watching it intimidates me. Its appearance should bode well for
Solaris and
Stalker (both phenomenal films), as they seem more widely seen and just as revered.
Caught
Pan's Labyrinth in theaters when it first came out, but haven't seen it since. Need to revisit. I've said before that del Toro's reputation among cinephiles seems greater than the cumulative quality of his films. While I like most of his movies, I also tend to find them a tad overrated.
Pan's Labyrinth was no exception.
Surprised to see
American History X make it this high, even with the knowledge that @
Derek Vinyard would be giving it 25 points. I'm skeptical that I'd find the movie as powerful nowadays as I did as a teen, but I'm sure I'd remain just as impressed with Norton's powerhouse performance. For me, the movie will always be synonymous with curb-stomping -- my go-to kill method when my katana is dulled.
Heat was my college roommate's favorite movie, and it seems like every time we'd get high, he'd force me to watch the heist sequence and the sit-down between Pacino and De Niro. It's an excellent movie -- Mann's best, imo -- but due to its length I don't often return to it.
So far
A Woman Under the Influence is the only Cassavetes that I've found watchable, and that's solely because of the fearless performance from Rowlands.
Stand By Me seems to be one of those movies that will stick with you forever if you watch it at just the right age. One of the better coming-of-age movies.
Magnolia is PTA at his most Altman-esque. I'd rather just re-watch
Short Cuts.
@
crumbsroom already voiced my thoughts on
Metropolis: It feels like something made by aliens, or some ancient gods that once visited the earth. I'm not even sure if I watched the proper cut, and I hadn't yet acclimated myself with the rhythm of silent films at the time, yet I walked away wondering if the medium hadn't already reached its artistic peak nearly a century ago.
Mel Brooks rarely tickles my funny bone, but even though
Young Frankenstein doesn't make me LOL very much, I still find it highly enjoyable thanks to the effervescent charm of Gene Wilder and the loving homage/send-up of Universal Horror.
The prequels were my introduction to the
Star Wars universe, so naturally I was befuddled by the rabid fandom. Even at a young age, when it didn't take much to impress me, I was like, "All that hype and hoopla for
this?!" I didn't watch the original trilogy until in my 20's when a friend let me borrow VHS copies so that I could watch the unaltered versions. They were highly entertaining, and I can understand why they're so special to people who grew up watching them, even if the overall, never-ceasing popularity of the franchise remains a bit surprising to me.
I love
Paris, Texas. Such a beautiful, poignant film. A road movie across America with a European behind the wheel. The big emotional payoff with the monologue and the one-sided mirror is one of my all-time favorite scenes. Keep meaning to watch more Wenders.
I was as young as five or six when I first watched
T2: Judgement Day, so it left an indelible impression, which was further cemented by dozens of re-watches growing up. I'm sure it was the first R-rated film I ever watched. (Although my parents rarely objected to me watching R-rated films as long as the rating was because of violence and bloodshed rather than boobies and bush.) Despite its rating, I remember owning a lot of merchandise that was geared toward kids, from action-figures to trading cards to the video game to PJs. I think
T2 remains one of the best action movies ever made, with stunning set pieces and FX that have held up surprisingly well. The first
Terminator is great as well, and it fits my tastes better than the sequel, but I just don't have the same emotional attachment to it. Plus I simply prefer Arnold as the hero rather than the villain.