Zotis' Film Watching Diary

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The Devil's Candy (2015)

In a lot of ways this film felt generic and uninspiring. Kiara Glasco makes for an adorable duct taped hostage, and Pruitt Vince was an interesting villain. The father, played by Ethan Embry, is a sad excuse for a metal head, along with daughter Glasco who hash out Metallica and Slayer like a pair of entry level plebians. And Vince's character, who plays heavily distorted guitar at max volume to drown out the satanic voices, plays open fret and one or two power chords. It's pretty pathetic. The acting and cinematography were decent, but the script was pretty dull.






Destruction Babies (2016)

One day a delinquent leaves home to wander the streets getting into fights with random people. Eventually a straggler starts following him around filming. Nana Komatsu plays a girl they abduct along the way. Meanwhile the younger brother, played by Yuya Yagira, tries to find his brother. The street fighting was very realistic which makes me wonder how they filmed it, because it looks painful. The make-up and blood effects were pretty good too. Komatsu was also in Silence.






The World of Kanako (2014)

A bit of a roller coaster, this movie cuts all over the place and jumps from slow paced and atmospheric to a race horse on crack. Part of the story takes place in flash backs 3 years prior to the main events as the mystery behind what's going on unfolds simultaneously on both tracks. Kanako, played by the delightful Nana Komatsu (Silence, Destruction Babies), has gone missing and her retired detective father, played by Koji Yakusho, is on a violent rampage to find her. There are a lot of characters, so it may be hard to keep track of them all, and the erratic pacing and frantic cutting may make it difficult to follow the plot a little too, but the mess of the film kinda reflects the mess of the characters I suppose. Yakusho plays a bit of a psycho. There is an exaggerated amount of blood and characters get shot, stabbed, beaten, and still manage to keep going on. In one scene a couple of characters shrug off getting hit by cars like they're cartoons.






Gods and Generals (2003)

At three hours and fifty one minutes long this movie felt like two or three movies, but they were so engaging that I was hooked the entire time. The acting was not always great, but it also had many powerful performances, and the music helped create an inspiring atmosphere. What was especially potent and refreshing about this film was the realness of how it portrayed it's subject matter. The horrors of war were unflinchingly gruesome. I could feel the terror the soldiers faced going into battle, suffering and dying in the nightmarish hell of the battlefield. Stephen Lang played Stonewall Jackson, a general who tremendously inspired his men with his fearlessness on the battlefield and his magnificent speeches. He was an excellent portrayal of a man with genuine faith in God who spoke and lived honestly, with integrity, and devotion to God. There were scripture passages being read, prayers, discussions of faith, and not only saying it but living it. Both sides of the war were well portrayed, the South fighting for their freedom and the North fighting to liberate the slaves. Both sides had their convictions and their arguments against the other. You could really see why honest men of moral integrity felt they had to fight against each other and for their causes. Aside from the battles the lives of soldiers and generals and the history of the war were portrayed in drama, and the battle scenes were not shy with their use of special effects portrayed fairly realistically.






The Bad Batch (2016)

Apparently it was made last year, but it's just hitting theaters now (or a week or two ago I think). Suki Waterhouse delivered a wonderful lead performance with a strong, silent, intelligent persona despite a relatively ignorant hick vocabulary. In the early scenes of the film she was captured by cannibals who cut off and eat her right arm and right leg. The rest of the film she walked around with a prosthetic leg and stump below her right shoulder. Whatever effects they used to hide her real arm I appreciate that they didn't shy away from showing the stump in full body and upper body shots, in contrast to films like Tom Cruise's Valkyrie which never show his stubby fingers in the same shot as his face. However, I still regret that they only ever showed her stump motionless and tightly at her side. I think they could have improved on that by having her stump occasionally move. Also, concerning her prosthetic leg, they did a good job having her walk like she really did have a prosthetic most of the time, but sometimes it was a bit obvious that she really just wore what looked like a prosthetic over her real leg. And it didn't really make sense for the cannibals to leave such a sizeable chunk of the meaty portion of her leg when they cut her leg off. I think they should have cut it a bit higher towards the knee. That just would have felt more authentic in my opinion.


The acting, cinematography, and writing were all stellar. The camera work was gorgeous, enthralling, and had me feeling like this movie would be exciting to watch even if the content was the most boring thing you could think of. Every shot was picturesque and artistically composed. The plot constantly moved in fresh unexpected directions. The characters had richly detailed personalities. Reeves had a fairly small role thankfully, and reminded me a lot of his performance in The Neon Demon.




Snowden (2016)


A while ago I watched a lot of hacker documentaries. In one of them Julian Assange talked about how he did not support the movie The Fifth Estate, saying that it clouded the issues in a time when truth was so important. I have also watched a documentary on Edward Snowden, and I found that in every area where I actually knew a little about what really happened Snowden nailed it. So from all accounts, as far as I can tell, this movie was quite accurate, which was refreshing. There were some points where the acting wasn't great, but Joseph Gorden-Levitt was a decent lead, and Shailene Woodley was exceptional as Lindsay Mills, Snowden's girlfriend. The movie covered Snowden's career in the intelligence world starting from before he ever even joined the CIA, back when he was in the military. I was expecting to see at least some allusion to Bradley Manning, but there was none. Overall I felt it was a fairly average movie and could have been done better, but at least it seemed honest in how it portrayed what happened. I wonder how many people actually realise how much they are being surveyed even though this information has been public for years.




Yes I'm serious about The Bad Batch. Great acting, artistic cinematography, unconventional approach to narrative, violence, hot female lead, it was an excellent recipe for a film. I don't know if you would like it. I can't pretend to understand your taste Cricket. If the trailer didn't show enough for you to figure if you'd like it, try looking for some clips. Personally I had a really good vibe when I saw the trailer, and it turned out to be exactly what I hoped and even a little more.



Mother! (2017) Drama/Horror



Written and Directed by: Darren Aranofsky
Starring: Jennifer Lawrence, Javier Bardem, Michelle Pfieffer, and Ed Harris

I haven't wanted to watch a Jennifer Lawrence movie since the first Hunger Games. The trailer for this really enticed me, and I like Aranofsky, so I decided to check it out. The first few scenes were very promising and the movie was turning out to be everything I'd hoped for. Gradually however, it started to turn South. As the movie's second act unfolded it became more and more confusing and stressful. I found myself cringing, not so much at the movie being bad, but at how excruciating it must have been for Lawrence to perform. I felt embarrassed for her. Here she was, acting her heart and soul out, and the movie just wasn't turning out well. The third act was the worst by far. It felt rushed, clumsy, awkward, and the plot was a mess. Only towards the end did I detected some of the imagery the movie was allegedly full of. The brutal scene near the end, which I won't spoil, but which Lawrence said was the hardest thing she's ever filmed, was shocking and brutal, but it lacked the realness of another film I can't help be reminded of.

WARNING: spoilers below
The brutal scene towards the end reminded me of Monica Bellucci's performance in Malena. Of course the scene in Malena was infinitely better, more real, more brutal, better filmed, and better performed by Bellucci.


Sometimes Mother! seemed to be alluding to things, but then nothing would come of it.

WARNING: spoilers below
What was the point of the haunting blood stain or the secret door in the basement?


I think in the end I am proud of Lawrence for doing this movie. I much prefer her taking this challenging route over the easy Oscar bait she's been doing the last few years. I wonder what she'll do next.




Keep your station clean - OR I WILL KILL YOU
I like your review on Mother! I liked it more than you do but I can see exactly were you are coming from. As for the brutal scene towards the end, I actually thought it was excellently executed. Sure there are better examples. but I thought it was great! Some of the metaphors were a little heavy handed and others were so obscure that I almost forgot about them. Jennifer Lawrence elevates the movie so much, she was absolutely stunning.



She is really good with subtle facial gestures and expression of emotion. Her acting was great. That scene was brutal, and I was quite surprised that she did something like that. One person in the theater was laughing at a scene where I was biting my lip.

WARNING: spoilers below
Lawrence and Aranofsky said that she represented Mother Earth, but I felt like the house was Earth.


I think that was a big part of the problem of the movie. They wanted all this imagery and metaphor, but they got their metaphors a bit mixed up, and/or didn't convey them as well as they could have.



The Wailing (2016) Horror, Mystery



Directed by: Na Hong-jin

This film is brilliant. The buildup was incredible, starting slow and gradually drawing you in with a powerful finish. At two and a half hours it was a nice satisfying length. The plot had twists and turns constantly keeping me wondering what would happen next. The atmosphere had tension that really gripped me, and it was genuinely frightening at times, a perfect horror film. Many movies deal with familiar subject matter that lets you expect certain things, but this one didn't let me rely on any past knowledge. I felt like I was learning as things were being revealed. The acting was solid. It was a very exciting film and I highly recommend it. I have a lot of emotions still stirring inside me. It was very satisfying, but I also feel tormented in a way that I wish every horror movie did, and every good horror movie should.




Pulse (2001) Horror



Written and directed by: Kiyoshi Kurosawa

The original title was Kairo. This was something along the lines of Ringu or Dark Water, but in my opinion much better. Visually it looked like it could have been shot in the 70's. The acting wasn't great, but it wasn't bad. It wasn't cheesy at all, but a lot of things could have been done better in terms of portraying emotion, mannerisms, behavior, and the way characters talked. The atmosphere was pretty good, and the low quality visuals do give it a very gritty feel. What I liked most was that it was actually pretty freaky at times, where Ringu and Dark Water weren't quite able to pull that off. A lot of movies try to have creepy ghosts, and some hideous creature slowly coming towards you, and with newer movies I find they come up with uglier monsters or better gore effects, but most of them miss the point. You can't create true fear with just special effects or gruesome monsters. You need to build tension and create atmosphere to truly scare your audience. This was the kind of movie that made me sit in a bath of fear after the movie was over. It really stirred my imagination too, and got me wanting to write my own horror story. I feel like Kiyoshi Kurosawa is a good filmmaker, but he lacks the attention to detail that would make him a great filmmaker. I think that Pulse is an important horror film, and I definitely recommend it. I don't think anyone will come away saying it's a masterpiece, but it's genuinely frightening, and that's the most important thing to me in the horror genre.

I didn't watch this for the October horror challenge, but just as an extra bonus.




Seventeen Years (1999)


This is the best Chinese movie I have seen so far. It has a documentary feeling of realism, with great acting and cinematography. It didn't feel scripted at all, but flowed so naturally. The premise is that a teenage girl kills her sister in a heated argument over something petty. After seventeen years in prison she is released. The story touched me deeply and the ending made me cry. Zhang Yuan was praised on the back of the cover for being the best Chinese director of his generation.




The Daughter
(2015)



Written and Directed by: Simon Stone
Starring: Odessa Young, Geoffrey Rush, Sam Neill, Ewen Leslie, Miranda Otto, and Paul Schneider

This Australian movie blew me away. It was a random movie I picked up second hand. I just thought it looked interesting, but I knew nothing about it. It turned out to be an extraordinary movie. It was Simon Stone's debut movie. He's also acted in TV and films, and directed a number of plays. In interviews he said that a colleague of his told him about Odessa Young, that she would be perfect for this movie he was planning to make. He thought she was too wise for the role and dismissed her. People kept insisting that she can transform and become another person, but he thought no one that young could have that skill developed yet. Finally he realised that she can and she ended up being the youngest person to win an AACTA (Australian Academy of Cinema and Television Arts) award for best actress in a leading role for her role in The Daughter. She was 18. The cinematography was beautiful with countless picturesque shots. The ending was extremely powerful and I cried twice even on my second watch.






Address Unknown (2001)

A beautiful artistic film. Picturesque cinematography, documentary level realism, and profoundly insightful characters and story.






Bad Education (2004)

An extremely passionate multilayered film, artistic and daring.






Letter Never Sent (1960)

Visually gripping, romantic and tragic, Kalatozov is a brilliant director, and Tatyana Samoilova is as talented as she is beautiful. They both also worked together in the famously popular The Cranes Are Flying. But I did find this movie a bit dry. The pace is very slow, the plot minimal, and there are many shots of them wandering the wilderness. Definitely worth a watch for arthous fans, but plebs will die from boredom.






Knights of the Teutonic Order (1960)

I've heard this movie described as the greatest film of all time. It certainly is a masterpiece. This movie was so good it gave me chills. It felt like Robin Hood if they had tortured maid Marian to death. Whenever I watch movies set in medieval times with knights, I want to see grand battles, maidens and heroism, but not in a cheesy way. I don't want Lord of the Rings fantasy flash. No, because reality is better than fantasy. You can't improve knights and war with magic and dragons. This movie delivers exactly that, and everything I ever wanted of it.


A grand epic tale to rival the Hollywood blockbusters of its time. As charming and elegant as this movie was it also had a visceral level of realism. At times there was tremendous beauty, but it was equally uncompromising in showing the ugliest sides of life. The scope of characters was quite broad, but if you focus on the main players it shouldn't be too confusing. At 2 hrs and 40 minutes it was a satisfying length. The pacing was a little bumpy though. I had a very nostalgic feeling throughout the movie. It brought me back to my childhood. I saw a movie called Lionheart, but I didn't remember the title. The strong impression I had of the knight in battle and riding on forrest roads in armor. When I found the movie as an adult it turned out to be a bit of a mediocre movie. But I still longed for that sensation. Finally after all these years I have tasted that sensation again. It even managed to make me cry a little.


This Polish film is legendary in status among the few who are aware of its existence outside of Poland. Based on the novel of the same name by Henryk Sienkiewicz, the story was about the Polish-Lithuanian-Teutonic war and was designed to inspire nationalism in the Polish people. It reminded me of The Princess Bride in terms of its graceful charm and the scope of its adventure, but willing to drag its characters through the mud and let them drown in the swamp or be hung hauntingly from gnarled tree branches like the victims of some wicked witch. It reminded me of Doctor Zhivago with its long tragic filled story and sympathetic characters. This film is a must see for everyone, I highly recommend it. It's classic cinema, a beautiful masterpiece!






Lights Out

An interesting concept initially, visually stimulating with decent acting, but the movie lacked any real depth and had huge consistency issues. Without firmly establishing the capabilities of the entity the characters encountered all parameters seemed to get thrown out the window for dramatic effect. This movie was along the lines of The Ring and The Grudge, a bit creepy, but I wouldn't recommend it for people who like more substance to their movies. It would be more suited for people who just want some mindless entertainment. In the spoiler section I'll talk about the specifics of what I found wrong with this movie and its gimmick.

WARNING: spoilers below
The concept was that a ghost woman could only be seen in the dark and disappeared when the lights were turned on or whenever light was shone at her. If light was shone at her, the moment it was turned off she would reappear in the exact same place. After characters turned the lights on and off a few times she would turn and attack them. At times she seemed to have a real physical presence and her very existence was put into limbo by the light. If she moved and then the lights were turned on for a while, when they were turned back off she would be in the exact same posture and stage of motion. At other times when the lights were turned on, and/or she couldn't be seen, noises that she made could be heard such as footsteps, banging, scratching, even her voice. In a few scenes characters were able to follow the noises and they lead to her actual location. She could physically turn door nobs, grab people, kill people, and she seemed restrained by closed doors. At other times she seemed to be able to outright teleport. Something that was never clear was the way that lights would sometimes flicker, or the power would go out. A few times they show chewed lamp wires or missing light bulbs as if she needed to physically disable the lights, but at other times the power to entire buildings would go out as if she had the supernatural ability to disrupt electricity. If she could make the power to a whole building instantly go out, why did she need to remove light bulbs or cut wires (especially since they were in the same building prior to the power going out)? In other scenes she makes all the lights go out in a particular room and they go back on later. So why doesn't she use this power at other times? I couldn't tell if this was a power the woman had or if they were just making lights go out for dramatic effect. Either way they made no effort to explain it.

I was really confused about the ghost woman's physical capabilities. In one scene they showed her closing herself into a room in the house as if she resided there. Near that room was the boy's mother's room, and immediately after showing the ghost closing herself in the other room they showed the mother talking to her and her residing in the mother's room's closet. Later they showed the boy's sister try to open that room and it was locked. Then again they show the mother interacting with the ghost in her bedroom. So what was the second room? I was really confused by this. In one scene the boy and his sister were at the sister's apartment and there was a knock on the door. They opened the door to a hallway filled with light, and there was no one there (the ghost knocked on the door). So, apparently she could move around in the light and interact with physical objects like making noise on the door. So then why did she freeze at other times when the lights were turned on? I didn't get the feeling they put any thought into it, but that it was just for dramatic effect. Then after opening the door and there being no one there, they heard noises and the ghost went into their closet. It was as if the ghost needed them to open the door so it could physically gain entrance. Near the beginning of the movie though, a man runs away from the ghost, closes himself in a room, and then the ghost is in the room with him without needing to gain entrance physically.

So then towards the end of the film the protagonist finds a blacklight. The blacklight lets her see the ghost, and the ghost attacks her. She shines a regular flashlight at the ghost while the blacklight is on, and it burns the ghost and it runs away. So the flashlight that made the ghost disappear earlier doesn't make the ghost disappear but actually burns it if a blacklight is shone on it first. I found this incredibly stupid.







Chungking Express

This was my third Wong Kar-Wai movie, and I loved it. It was made in 1994, but it looks like it was made in 2004. His visual style has always impressed me. I'm also amazed by his ability to blend the realistic stories of his characters together in the most natural feeling way. He deals with romance in an extremely complex and insightful way. I think he must have tremendous self-awareness. I loved the characters in this movie and the way focus shifted. I watched this because it was Camo's #1 ranked film. I didn't even know it was directed by Wong Kar-Wai until after.




American Hustle
(2013)



Directed by: David Russell
Starring: Christian Bale, Amy Adams, Bradley Cooper, Jeremy Renner, and Jennifer Lawrence

Louis C. K. and Robert De Niro had small but noteworthy roles. I thought it was a little ironic that Louis C. K.'s character was victimised and assaulted considering his sexual assault allegations. For a long time I wasn't going to bother with this movie. Lawrence had stopped impressing me when she started The Hunger Games. I loved Winter's Bone and The Poker House. But then I saw Mother, and even though it wasn't a great film I was impressed with her acting and her passion. Then I saw this interview:



This completely changed my perspective and made me decide to take a closer look at some of her later films. So I started with this one. I must say that this was nothing like what I expected it to be. I had this, "Hollywood people doing Hollywood things," vibe back when it first came out, but it turned out to actually be a very well made movie. What stood out to me the most was the acting. Because the film was about con-artists it involved a lot of characters trying to hide lies or acting like someone else. It was done very well with subtle eyebrow and lip twitches as people tried not to smile or reveal that they were lying. Every character was multifaceted with rich personalities and complex unresolved personal problems. The plot also stood out as exceptional. It was a very intelligent movie with characters trying to con each other and get themselves out of serious binds with elaborate schemes. I was surprised with unexpected twists, and the ending was clever. Lawrence had a smaller role than I thought, but she did a superb job. Her character was very different from other characters she has played. Bale was awesome. He really blew me away, and that's something he's never done for me before. His character was very complex, intelligent, and at times unflattering. Adams' character was also very complex. The whole cast did an excellent job. I'm looking forward to watching Joy. I'll watch Silver Lining's Playbook, but I'm a little more hesitant about that one. Anyway, overall this movie was very good, and I would definitely recommend it.




End of Animal
(2010)



Written and Directed by: Sung-hi Jo

This Korean movie really surprised me. It had some awards on the case, so that elevated expectations, but the low-budget hand held camera at the beginning had me doubting. The pace at the start felt awkward, the aesthetic was drab, but then suddenly it got really intense, and it was like a snowball effect that kept getting better until the incredible ending. The camera work felt like they did a good job creatively with limited resources. I highly recommend this, especially to lovers of Asian cinema.