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-   -   Obscure films that deserves more attention (http://www.movieforums.com/community/showthread.php?t=42844)

Mr Minio 05-31-21 02:05 PM

Re: Obscure films that deserves more attention
 
Sorry, but watching obscure Bengali films with one rating on IMDb doesn't automatically make you a refined cinephile.

Obscure vs. mainstream is a much bigger opposition that any one person can change. I made a lot of people watch some obscure films I love and these films are still obscure because tens of thousands would have to watch them to change that. And then even these thousands, if specific cinephiles from one country, wouldn't make the film popular worldwide.

Whether or not it makes sense to recommend a given film in the first place is another question, though (as in, recommending a good hunting rifle to a fisherman is quite pointless).

Diehl40 07-15-21 10:13 PM

Originally Posted by Diehl40 (Post 2205938)
Down by Law
Ghost Dog Jarmusch


City of Hope John Sayles


Scotland PA


Still Crazy


Of the top of my head



add

11:14 Greg Marcks

Jinnistan 07-16-21 12:15 AM

All John Sayles deserves more attention, but especially Secaucus 7, Matewan, Brother From Another Planet, Lianna, Lone Star and Men With Guns.

crumbsroom 07-16-21 12:34 AM

Re: Obscure films that deserves more attention
 
https://i.postimg.cc/qB9jRqg2/Bike-B...9f2f0f3fa0.jpg

Gideon58 07-16-21 02:05 AM

Originally Posted by delage (Post 1774630)
Marshland (2014) was a very worthy piece of Spanish thriller which I'm not sure it's that well known outside of Spain.

The safety of objects (2001) was a pretty solid set of interwoven stories, too.

Old acquaintance (1943) has Bette Davis playing a goody-two-shoes for a change, and Miriam Hopkins is delightful at being an over the top b***h.

The Three Colors trilogy is stunning and I think its popularity has dwindled a lot in subsequent years. Blue and Red are especially brilliant.

Sidney Lumet's Power (1986) seems very underrated to me, I don't get why it's never been more popular.
I love Old Acquaintance


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