2018 Domestic Market Share (ongoing)
I remember a few months ago with Disney's acquisition of 20th Century Fox, somebody posted the estimate that Disney now accounted for 40% of the box-office market-share. Since I approach the analytical side of the movie-industry in a similar way to how sports fans approach football or baseball, I like to gauge not only the statistics of each individual film, but, frankly, how my team's doing, and so, for this thread, I will be keeping track of each studio. Here's my rubric: I will only count films with considerable marketing budgets and/or box-office returns. For instance, a film like The Strange Ones, which was released through on-demand and in a small theatrical release, isn't something I'll count, since it'll become overtly complicated, instead of the general overview I wish to have. Basically, the films I cover in my other thread will be accounted for in this. I will include the percent of the market-share and I will include the production budget versus. the box-office returns. I have decided to comprise this as a Domestic Market Share because of how difficult and inaccurate it is trying to account for foreign territories.
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Re: 2018 Market Share (ongoing)
January at the Domestic Box Office January is oftentimes regarded as the month where studios leave films to die by the wayside. This is more truthful for the domestic box-office than it is in foreign territories. Japan doesn't share our disdain for January for instance. This is how, last year, Resident Evil: The Final Chapter was able to have the lowest returns of the entire Resident Evil franchise, but gross nearly 300 million through foreign markets. This year, 37 films were able to cross the one-million threshold necessary to be eligible for inclusion in my 2018 Market Share calculations, with Jumanji: Welcome to the Jungle standing far ahead of its nearest competitor, a space opera by the name of Star Wars: The Last Jedi. The Greatest Showmen has done very well also, with 62% of its domestic profit acquired in the month of January. It's thereafter we have our first 2018 release, a horror film that acts as the fourth installment in the Insidious franchise.The Numbers 1. Jumanji - Profit: 171.7 million - Budget: 90 million - Studio: Sony * 2. Star Wars: The Last Jedi - Profit: 94.5 million - Budget: 200 million - Studio: Disney 3. The Greatest Showman - Profit: 79.9 million - Budget: 84 million - Studio: Fox 4. Insidious: The Last Key - Profit: 64.1 million - Budget: 10 million - Studio: Universal 5. The Post - Profit: 59.5 million - Budget: 50 million - Studio: Fox 6. Pitch Pefect 2 - Profit: 39.7 million - Budget: 45 million - Studio: Universal 7. Paddington 2 - Profit: 32.9 million - Budget: 40 million - Studio: Warner Bros. 8. The Commuter - Profit: 32.3 million - Budget: 30 million - Studio: Lionsgate Films 9. 12 Strong - Profit: 31.9 million - Budget: 35 million - Studio: Warner Bros. 10. Den of Thieves - Profit: 30.9 million - Budget: 30 million - Studio: STX Entertainment 11. Maze Runner: The Death Cure - Profit: 28.5 million - Budget: 62 million - Studio: Fox 12. Darkest Hour - Profit: 27.9 million - Budget: 30 million - Studio: Focus Features 13. Ferdinand - Profit: 27.1 million - Budget: 111 million - Studio: Fox 14. The Shape of Water - Profit: 24 million - Budget: 19.5 million - Studio: Fox (Searchlight) 15. Coco - Profit: 23.1 million - Budget: 175-200 million - Studio: Disney (BVista) 16. Molly's Game - Profit: 20.8 million - Budget: 30 million - Studio: STX Entertainment 17. Proud Mary - Profit: 19.5 million - Budget: 14 million - Studio: Screen Gem 18. I, Tonya - Profit: 17.3 million - Budget: 11 million - Studio: Neon 19. Hostiles - Profit: 14.8 million - Budget: 39 million - Studio: Entertainment Studios 20. Three Billboards Outside Ebbing, Missouri - Profit: 14.2 million - Budget: 12 million - Studio: Fox (Searchlight) 21. All the Money in the World - Profit: 11.8 million - Budget: 50 million - Studio: TriStar (Sony) * 22. Phantom Thread - Profit: 11.8 million - Budget: 35 million - Studio: Focus Features 23. Lady Bird - Profit: 10.7 million - Budget: 10 million - Studio: A24 24. Forever My Girl - Profit: 9.1 million - Budget: 3.5 million - Studio: Roadside Attractions 25. Wonder - Profit: 9.1 million - Budget: 20 million - Studio: Lionsgate Films 26. Downsizing - Profit: 7.2 million - Budget: 68 million - Studio: Paramount 27. Call Me By Your Name - Profit: 6.6 million - Budget: 3.5 million - Studio: Sony Picture Classics * 28. Padmaavat - Profit: 6.1 million - Budget: ? - Studio: Viva Pictures Distribution 29. Journey to the South Pacific - Profit: 6 million - Budget: ? - Studio: IMAX 30. Father Figures - Profit: 4.5 million - Budget: 25 million - Studio: Warner Bros. 31. The Disaster Artist - Profit: 3 million - Budget: 10 million - Studio: A24 32. Justice League - Profit: 2.5 million - Budget: 300 million - Studio: Warner Bros. 33. Thor: Ragnarok - Profit: 2.5 million - Budget: 180 million - Studio: BVista (Disney) 34. Daddy's Home 2 - Profit: 1.9 million - Budget: 69 million - Studio: Paramount 35. Murder on the Orient Express - Profit: 1.9 million - Budget: 55 million - Studio: Fox 36. Mary and the Witch's Flower - Profit: 1.7 million - Budget: ? million - Studio: GKids 37. Along with the Gods: The Two Worlds - Profit: 1.9 million - Budget: 36.6 million - Studio: Well Go USA Studios: Fox Profit: 221.9 million Films Counted: 7 (1 for January) (335 million production budget of holdovers - 62 million for new January film) Percent of Market: 23.73% Sony Profit: 190.1 million Films Counted: 3 (all holdovers - 143.5 million production budgets) Percent of Market: 20.31% Disney Profit: 120.1 Films Counted: 3 (all holdovers - 555 - 580 million production budgets) Percent of Market: 12.84% Universal Profit: 103.8 million Films Counted: 2 (1 for January) (45 million holdover - 10 million for new January film) Percent of Market: 11.10% Warner Bros. Profit: 76.3 million Films Counted: 3 (325 million holdover - 75 million for new January films) Market Share: 8.1% STX Entertainment Profit: 51.7 million Films Counted: 1 (30 million for new January film - 30 million on holdover) Market Share: 5.52% Lionsgate Films Profit: 41.4 million Films Counted: 1 (35 million on new January film - 20 million on Holdover) Market Share: 4.4% Focus Features Profit: 39.7 million Films Counted: 2 (65 million on Holdover) Market Share: 4.24% Screen Gem Profit: 19.5 million Films Counted: 1 (14 million on new January film) Market Share: 2.08% Neon Profit: 17.3 million Films Counted: 1 (11 million on Holdover) Market Share: 1.85% Entertainment Studios Profit: 14.8 million Films Counted: 1 (39 million on Holdover) Market Share: 1.58% A24 Profit: 13.7 million Films Counted: 2 (20 million on Holdovers) Market Share: 1.46% Roadside Films Profit: 9.1 million Films Counted: 1 (3.5 million on Holdovers) Market Share: .97% Paramount Profit: 9.1 million Films Counted: 2 (137 million on Holdovers) Market Share: .97% Viva Pictures Distribution Profit: 6.1 million Films Counted: 1 (? million on new January film) Market Share: .65% IMAX Profit: 6 million Films Counted: 1 (? million on new January film) Market Share: .64% GKids Profit: 1.7 million Films Counted: 1 (? million on Holdover) Market Share: 0.18% Well Go USA Profit: 1.9 million Films Counted: 1 (36.6 million on Holdover) Market Share: 0.2% --- Market Total: 935.1 million |
Re: 2018 Market Share (ongoing)
Love this. Keep up the good work.
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Originally Posted by MovieMad16 (Post 1861666)
Love this. Keep up the good work.
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Re: 2018 Market Share (ongoing)
Yeah it does seem with the Uk box office at least, that smaller successes go underappreciated when looking at the box office.
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February at the Domestic Box Office The Numbers 1. Black Panther - Profit: 428.8 million - Budget: 200 million - Studio: Disney 2. Fifty Shades Freed - Profit: 91.7 million - Budget: 55 million - Studio: Universal 3. Peter Rabbit - Profit: 73.5 million - Budget: 50 million - Studio: Sony 4. Jumanji - Profit: 47.5 million - Studio: Sony * 5. The 15:17 to Paris - Profit: 33.3 million - Budget: 36 million - Studio: Warner Bros. 6. The Greatest Showman - Profit: 32.7 million - Studio: Fox * 7. Maze Runner: The Death Cure - Profit: 28 million - Studio: Fox * 8. Winchester - Profit: 23.9 million - Budget: 4.5 million - Studio: Lionsgate 9. Game Night - Profit: 21.6 million - Budget: 37 million - Studio: New Line (Warner Bros.) 10. The Post - Profit: 18 million - Studio: Fox * 11. The Shape of Water - Profit: 16.1 million - Studio: Searchlight Fox * 12. Hostiles - Profit: 14 million - Studio: Entertainment Studios * 13. Annihilation - Profit: 14.2 million - Budget: 55 million - Studio: Paramount 14. Den of Thieves - Profit: 13.5 million - Studio: STX Entertainment * 15. 12 Strong - Profit: 12 million - Studio: Warner Bros. * 16. Three Billboards Outside Ebbing, Missouri - Profit: 12.2 million - Studio: Searchlight Fox * 17. Darkest Hour - Profit: 8.6 million - Studio: Focus Features* 18. I, Tonya - Profit: 8.5 million - Studio: Neon* 19. Phantom Thread - Profit: 7.7 million - Studio: Focus Features* 20. Early Man - Profit: 7.2 million - Budget: 50 million - Studio: Lionsgate 21. Star Wars: The Last Jedi - Profit: 7 million - Studio: BV (Disney) * 22. Paddington 2 - Profit: 6.8 million - Studio: Warner Bros. * 23. Forever My Girl - Profit: 6 million - Studio: Roadside Attractions * 24. Padmaavat - Profit: 5.6 million - Studio: Viva Pictures * 25. Lady Bird - Profit: 5.5 million - Studio: A24 * 26. Coco - Profit: 5.1 million - Studio: BV (Disney) * 27. Call Me By Your Name - Profit: 4.3 million - Studio: Sony Classics 28. Samson - Profit: 4 million - Budget: ? - Studio: Pure Flix 29. The Commuter - Profit: 3.8 million - Studio: Lionsgate Films * 30. Every Day - Profit: 3.6 million - Budget: 4.9 million - Studio: Orion 31. Insidious: The Last Key - Profit: 3.2 million - Studio: Universal * 32. Oscar Nominated Shorts - Profit: 2.8 million - Studio: Shorts International 33. La Boda de Valentina - Profit: 2.5 million - Budget: ??? - Studio: Pantelion (Lionsgate) 34. Molly's Game - Profit: 2.5 million - Studio: STX Entertainment * 35. Ferdinand - Profit: 2.1 million - Studio: Fox * 36. Met Opera: La Bohème - Profit: 1.9 million - Studio: Fathom 37. Pitch Perfect 3 - Profit: 1.8 million - Studio: Universal * 38. Detective Chinatown 2 - Profit: 1.6 million - Studio: Warner Bros. 39. Pad Man - Profit: 1.6 million - Budget: ? - Studio: Sony 40. Wonder - Profit: 1.3 million - Studio: Lionsgate* 41. Proud Mary - Profit: 1.3 million - Studio: Screen Gems* 42. Thor: Ragnarok - Profit: 1.1 million - Studio: BV (Disney)* Studios: Disney: Profit: 442 million Universal: Profit: 96.7 million Shorts International: Profit: 2.8 million Sony Profit: 126.9 million Pureflix Profit: 4 million Warner Bros. Profit: 74.3 million Roadside Attractions Profit: 6 million A24 Profit: 5.5 million Fox Profit: 109.1 million Fathom Profit: 1.9 million Lionsgate Profit: 38.7 million Screen Gems Profit: 1.3 million Orion Profit: 3.6 million Entertainment Studios Profit: 14 million Paramount Profit: 14.2 million STX Entertainment Profit: 16 million Focus Features Profit: 16.3 million Neon Profit: 8.5 million |
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