Jeff Costello's film diary

[Jeff Costello]

So from now on I'll use this thread to document my viewings. Even if it's just a couple of sentences I'll do my best to write down my thoughts and impressions on film I just watched. See ya soon.

[Jeff Costello]

Days of Heaven (1978) - Terrence Malick

This romantic drama tells a rather simplistic story. After mill worker Bill (Richard Gere) kills his supervisor in a fight he hops on a train with his girlfriend Abby (Brooke Adams) and sister Linda (Linda Manz) in a pursuit for a new job. Soonly they find one as laborers on a wheat field owned by a shy and reclusive farmer (Sam Shepherd) who immediately notices Abby. Bill afterwards overhears a conversation between farmer and his doctor and learns that farmer has only about a year to live. Tired of living in poverty and constantly chasing for opportunities he suggests Linda to marry him so they could later claim his wealth. After initial hesitating, she gradually starts having feelings for him and that's where all hell breaks loose.

https://rippleeffects.files.wordpress.com/2011/05/days-of-heaven-92.jpg

Like in Badlands, Malick uses a teenage female narrator (Linda), which gives a film a certain dose of innocence and purity as the narrator clearly isn't aware of her surroundings. The cinematography in film is gorgeus, from a masterful field shots to an earth elements theme, the visual poetry that Mallick presented is breathtaking and captivating. The acting from main characters is very subtle and almost understated , which gives film a dream-like and surreal atmosphere, but it also made it kind of difficult to connect with the characters on an emotional level. Beautiful shots are accompanied by a gentle and melancholic score by Ennio Morricone, which blends with the film's mood perfectly. Days of Heaven explores themes like loneliness, constant pursuit for greater things, betrayal and loss through a tale of a romantic triangle seen through eyes of an adolescent child. Eventough the ending may seem bland I thought it was very fitting, as it showed that despite all of drama Linda and Abby faced their escapist nature remained untouched.

Either way, Days of Heaven certainly provides a memorable experience and is worth seeing for cinematography alone, which was one of the most beautiful I ever encountered.


Rating: 4

[Jeff Costello]

Son of Fury: The Story of Benjamin Blake (1942) - John Cromwell

I've been excited to finally find a good version of this film, mainly because of Gene Tierney's appearance. As many of you not know, she's my favourite actress.

So the film tells a story about a young Benjamin Blake ( Tyrone Power), son of the deceased Baronet of Breetholm,who is taken from his grandfather so he could serve to his ruthless and vengenful uncle Sir Arthur Blake (George Sanders). Arthur, the owner of Breetholm fears that Benjamin will be able to claim his inheratance and objects him through series of humilliation until Benjamin unsuccessfuly tries to kill him. Wanted for an attempt of murder, he ultimately escapes, but his grandfather is imprisoned for helping him. Benjamin is now working as a sailor determined to make his fortune, prove he's the rightful owner of Breetholm estate and free his grandfather out of prison.

http://img.soundtrackcollector.com/movie/large/Son_of_fury.jpg

The film has some nice performances, especially from the supporting cast, mainly George Sanders and Frances Farmer, whose tragic life is well documented. This was also one of her last performances. Tyrone Power also did well playing a determined and good willed Benjamin.. Altough having a rather short screentime, Gene Tierney was breathtaking and truly hypnotic as a native girl from a Polynesian island, who Power later falls in love with.. I simply couldn't take my eyes of her, whenever she appeared on screen. The scene in which Power learned Tierney to speak english was especially sweet and heart-warming.

https://www.youtube.com/watch?v=kSfOWaVB87Q

Son of Fury is rather enjoyable and charming adventure drama and I'm happy I managed to find this little gem. It was a pleasant way for me to spend my Sunday afternoon.

Rating: 7.5/10

[Jeff Costello]

The Haunted Palace (1963) - Roger Corman

Actually my least favourite Corman's EAP adaptation, altough "The Haunted Palace" was really based on H.P. Lovecraft's work. Nonetheless it's still a must watch for fans of Vincent Price who never failes to amaze with his terrific presence. Supporting cast also features legendary character actors Lon Chaney Jr. and Elisha Cook Jr., aswell as Debra Paget. The film includes couple of effective scenes, but in general didn't really captivate me like other Corman's work.

https://i.jeded.com/i/the-haunted-palace.24753.jpg

Rating: 6.5/10

[Jeff Costello]

Viridiana (1961) - Luis Bunuel

I can't say enough about don Luis. He doesn't back down from anyone. He's a provocateur and reflectionist of a crippled society. In majority of his work he openly mocks Franco's regime and Catholic church, and Viridiana is no exception. In fact this film was initially banned in Spain and completely denounced by Vatican.

This film is divided in 2 parts : first tells a tragic story of an old man played by Feranando Rey (Bunuel's go-to choice for portraying lusty old men) whose obsession towards his niece, young nun Viridiana (Silvia Pinal) ends up in him commiting quite a few immoral deeds.

http://www.filmlinc.org/wp-content/uploads/2015/07/Viridiana-2.jpg

The second one follows Viridiana, who now has formed a group of beggars in order to help them form a meaningful life. Exactly second act of the film is a fascinating character study and a Bunuel's little satire on socio- economic differences, manifested through beggars, who have completely lost any sense of morality. Violence, murder and rape are all included, to paint an exact picture of how beggars have lost their humanity to the hardship of poverty. Perhaps the most famous scene is the one of beggars recreating the image of "The Last Supper" accompanied by "Hallelujah" refrain from Handel's oratory.

http://film.lzmk.hr/userfiles/image/slike_film/fe_0148.jpg

And rightfully so, because it perfectly embodies the genius of Bunuel and his knack for displaying social commentary through grotesque images. There are also a quite a few subtle motives like a burning thorn crown and and cross which shapes into a knife, which I'm sure Catholic church was delighted with.

In the end Viridiana is Bunuel's pessimistic view of a fallen society , shown through some of the most poweful and masterful shots in cinema's history, interestingly with very few surreal elements ,which are obviously Bunuel's signature trademark, but nonetheless sculptured very delicately.

In my opinion Viridana is nothing short of a mastepiece and a cinema at it's purest form.

Rating: 10/10

[Camo]

I've still not seen any Bunuel films. Will need to get to him soon.

[Jeff Costello]

You're in for a treat then. He's one of my favourite directors.

[rauldc14]

Bunuel is 0 for 3 with me pretty much. The 3 were average for me.

[Jeff Costello]

Bunuel is 0 for 3 with me pretty much. The 3 were average for me.

What have you seen from him ?

[Camo]

You're in for a treat then. He's one of my favourite directors.

What would you say is the best starting point? I've heard Belle De Jour before. Not including Un Chien Andalou or any other short films by the way. Also i'm already aware of the eyeslitting from that; saw a gif from it and it turned my stomach :sick:

[Jeff Costello]

What would you say is the best starting point? I've heard Belle De Jour before. Not including Un Chien Andalou or any other short films by the way. Also i'm already aware of the eyeslitting from that; saw a gif from it and it turned my stomach :sick:

I'd suggest "The Discreet Charme of the Bourgeoisie. It was my first exposure to his work and it remained my personal favourite from him.

Viridiana and The Exterminating Angel would be fine choices aswell.

[rauldc14]

What have you seen from him ?

Bourgeois, Tristana, Exterminating Angel.

[Jeff Costello]

Bourgeois, Tristana, Exterminating Angel.

Well if you're still open for watching his films, I'd suggest trying Los Olvidados and Viridiana.

Unlike the ones you watched, these are traditional narrative films with very little surreal elements, but easily one of his most powerful works. The former one could even be seen as Bunuel's response to Italian neorealism.

[Jeff Costello]

The Search (1948) - Fred Zinnemann

This extremely moving piece on devastating effects of WW2, tells a story of a young Czechoslovakian boy (Ivan Jandl) who had been separated from his mother while in Aushwitz concentration camp. After he escapes a transit camp, he later befriends an American soldier (Montgomery Clift), while his mother (one of the rare survivors) is simultaneously looking for him.

https://cinemacities.files.wordpress.com/2016/08/the-search-3.png?w=640

In his film debut, Monty Clift shows why he became a star. His acting is so natural and genuine. But the best aspect of this film is young Ivan Jandl, who pulled of perhaps the best child performance I've ever seen alongside Briggite Fossey in Jeux Interdits. The chemistry between him and Clift's character was natural and heart warming. Shot in a post-war Germany, The Search perfectly reflects misery and hopelessness of all the young children that were affected by the consequences of the war, while at the same time providing glimpse of hope. I'll just say that "The Search" was one of the rare films that managed to bring a real emotional response out of me, with its raw realism and powerful presentation, that I was willing to ignore some of its minor flaws.

Highly recomended to all the folks who are looking for some less known flicks for 40's countdown .. Watch this underseen classic!

Rating: (IE: 4.5)

[Jeff Costello]

The Tingler (1959) - William Castle

This morbidly fun cult horror features always great Vincent Price, as a pathologist obssessed with effects of fear. Eventough outdated special effects made the film looked rather silly at times than scary, it was nonetheless quite campy and entertaining. However it kinda lacked the involving atmosphere, which was present in Castle's previous work House on Haunted Hill, one of my favourite movies btw. I liked the ending though, and Castle's gimmick was interesting. Lovers of camp classics should like it.

https://themotionpictures.files.wordpress.com/2012/08/t15-a.png

Rating: 3.5

[Jeff Costello]

E.T. the Extra-Terrestrial (1982) - Steven Spielberg

After seeing it on Raul's top 119 list, I was inspired to revisit this childhood memory after a long time. And my goodness what a good decision this was... I loved everything about it and I oftenly found myself uncontrolably smiling throughout the entire film. Eventough I usually don't enjoy the genre, E.T. blew me away with its magical "friendship larger than life" story and a sense of innocence and nostalgia it radiated. The scenes with children and E.T were especially sweet and heart-warming and I was suprised in general how touching the film actually was. The final scene with E.T. and Elliot really got to me. Alongside beautiful cinematography and nice special effects, one of the main assets of the film was a score of a five time Oscar winner John Williams. Performances by children were adorable and at certain times emotional aswell. In all seriousness E.T. worked so well with me, that I won't even bother mentioning some of its flaws. I'll just say I can't wait to revisit this timeless adventure again.

http://www.csmonitor.com/var/ezflow_site/storage/images/media/images/0426-oaliens-et/7779669-1-eng-US/0426-OALIENS-ET_full_600.jpg

Rating: 4.5 +

[gbgoodies]

E.T. the Extra-Terrestrial (1982) - Steven Spielberg

After seeing it on Raul's top 119 list, I was inspired to revisit this childhood memory after a long time. And my goodness what a good decision this was... I loved everything about it and I oftenly found myself uncontrolably smiling throughout the entire film. Eventough I usually don't enjoy the genre, E.T. blew me away with its magical "friendship larger than life" story and a sense of innocence and nostalgia it radiated. The scenes with children and E.T were especially sweet and heart-warming and I was suprised in general how touching the film actually was. The final scene with E.T. and Elliot really got to me. Alongside beautiful cinematography and nice special effects, one of the main assets of the film was a score of a five time Oscar winner John Williams. Performances by children were adorable and at certain times emotional aswell. In all seriousness E.T. worked so well with me, that I won't even bother mentioning some of its flaws. I'll just say I can't wait to revisit this timeless adventure again.

Rating: 4.5 +


I love the final scene with E.T. and Elliott, It's wonderful and heartbreaking at the same time. I can't watch that scene without crying.

[Jeff Costello]

I love the final scene with E.T. and Elliott, It's wonderful and heartbreaking at the same time. I can't watch that scene without crying.

Indeed! Such a beautifully orchestrated and touching scene. Might aswell be one of my favourite film endings.

[Citizen Rules]

Jeff, nice review thread you have here:) I just found your thread the other day and I have to say I'm impressed by your diversity of film watching! You really have a wide range of films reviewed here so far...Including classic era Hollywood 30s-50s which is my favorite.

Days of Heaven
Like in Badlands, Malick uses a teenage female narrator (Linda), which gives a film a certain dose of innocence and purity as the narrator clearly isn't aware of her surroundings. I like what you wrote there. I hadn't thought of it that way, but you're right...the young girl narrator isn't omnipotent, which leaves a sense of wonderment at the world Malick shows us.

The cinematography in film is gorgeus, from a masterful field shots to an earth elements theme, the visual poetry that Mallick presented is breathtaking and captivating. So true, it really is beautifully filmed.

The acting from main characters is very subtle and almost understated , which gives film a dream-like and surreal atmosphere, but it also made it kind of difficult to connect with the characters on an emotional level. That's very astute. I was impressed with the cinematography, but felt underwhelmed by the story. But now that you mentioned it, I bet that's because the acting is subtle and mostly we movie watchers have been programmed to be told what to feel by heavy handed fast edits and over glorious music scores. But Days of Heaven doesn't spoon feed us emotions, it lets us discover them for ourselves.

I don't say this often, but your review has changed my mind on Days of Heaven and I really feel I need to rewatch it again. Enjoyed your review!

[Jeff Costello]

Jeff, nice review thread you have here:) I just found your thread the other day and I have to say I'm impressed by your diversity of film watching! You really have a wide range of films reviewed here so far...Including classic era Hollywood 30s-50s which is my favorite.

Days of Heaven
I like what you wrote there. I hadn't thought of it that way, but you're right...the young girl narrator isn't omnipotent, which leaves a sense of wonderment at the world Malick shows us.

So true, it really is beautifully filmed.
That's very astute. I was impressed with the cinematography, but felt underwhelmed by the story. But now that you mentioned it, I bet that's because the acting is subtle and mostly we movie watchers have been programmed to be told what to feel by heavy handed fast edits and over glorious music scores. But Days of Heaven doesn't spoon feed us emotions, it lets us discover them for ourselves.

I don't say this often, but your review has changed my mind on Days of Heaven and I really feel I need to rewatch it again. Enjoyed your review!

Hi Citizen! I'm glad you've enjoyed the reviews. So far I find this place as the perfect platform to express my thoughts on film, while also getting to interact with other posters and hear their impessions, so I hope to see you frequent this thread in the future aswell ! Also I have quite a few 40's classics ready to watch in order to prepare for the 40's countdown, and one of them is Citizen Kane :)

[Citizen Rules]

Son of Fury: The Story of Benjamin Blake (1942) I've been excited to finally find a good version of this film, mainly because of Gene Tierney's appearance. As many of you not know, Rating: 7.5/10Oh cool, another Gene Tierney fan! She's breathtaking. I haven't seen that one, but I have seen her in other films. My favorite film of hers would be Leave Her to Heaven (1945) I reviewed that one. Have you seen it? What other of her films have you seen?

[Jeff Costello]

Oh cool, another Gene Tierney fan! She's breathtaking. I haven't seen that one, but I have seen her in other films. My favorite film of hers would be Leave Her to Heaven (1945) I reviewed that one. Have you seen it? What other of her films have you seen?

I've seen her in Son of Fury, Heaven Can Wait, Leave Her To Heaven, Laura, Dragonwyck, The Razor's Edge, The Ghost and Mrs Muir and Night and the City.

Eventough my favourite Gene film is The Ghost and Mrs Muir, I definitely think her greatest role was in Leave Her To Heaven. She was simply flawless in it.

[Citizen Rules]

I've seen her in Son of Fury, Heaven Can Wait, Leave Her To Heaven, Laura, Dragonwyck, The Razor's Edge, The Ghost and Mrs Muir and Night and the City.

Even tough my favourite Gene film is The Ghost and Mrs Muir, I definitely think her greatest role was in Leave Her To Heaven. She was simply flawless in it. I agree:)

I've seen Gene in all those movies (except Son of Fury) also in a pair of film noirs Night and the City and Whirlpool. And in her last film before she had a mental break down, The Left Hand of God.

I really need to see more of her films:p

[Jeff Costello]

Judgment at Nuremberg (1961) - Stanley Kramer

Brief sinopsis: Four German judges are trialed for the crimes against the humanity they commited under National Socialist regime.


http://floridapolitics.com/wp-content/uploads/2016/08/judgment-at-nuremberg.jpg

When making a film with historical importance like this one, there's always a danger of a filmaker getting too preachy and pushing his own propaganda, but I'm pleased to say that's not the case with Judgment at Nuremberg. One of its greatest attributes is it actually ,examined the facts and happenings from different perspectives and provided an impressive study on thoughts and actions of German people who found themselves under Nazi dictatorship.

I was particularly impressed with powerful performances, which this film was filled with. Maximilian Schell gave a strong performance, as a charismatic and strong willed court defendant. His acting was so persuasive that he even managed to remain symphatetic at times. The scenes where he interrogated Judy Garland's character were especially intense.

https://thehandofcountpetofi.files.wordpress.com/2012/02/vlcsnap-00029.png

Than there are some performances from the supporting cast which were really touching. Especially the ones by Montgomery Clift and Judy Garland, who were masterful at portraying victims of the Nazi regime. Their display of emotions during the interrogations scenes was devastating and heart wrenching.

The film features some giants of the cinema aswell like: Spencer Tracy, Richard Widmark, Burt Lancaster and Marlene Dietrich. What I especially liked about Lancaster's character was that eventough he first real spoken 2 hours in the movie, he managed to remain a powerful presence by displaying his tortured sole persona mainly through face expressions.

I also have high praise for Kramer's direction and sharply written screenplay by Abby Mann. If I had to cherry pick I'd say I wasn't really a fan of the dramatic close up shots, eventough I thought they were properly suited in some scenes.

The emotional response that Judgment at Nuremberg brings shouldn't be understated aswell .The scene in which they showed real holocaust footage was particularly unsettling and difficult to watch.

Lastly I'd like to mention a great pacing that this film possesses. With being 3 hours long I was astonished with how invested I managed to remain throughout its entire course.

Truly an exceptional film !

Rating: 4.5 +

[Citizen Rules]

Agreed, agreed and agreed:p...Judgement at Nuremberg is one of most amazing works of cinema. Like you said it balances both sides during the trial and never preaches to us, which is rare for a film of this magnitude. Compare it to, 12 Angry Men, which delivers it's message with a sledge hammer.

Good review! I enjoyed it.

[Jeff Costello]

Leon Morin, pretre (1961) - Jean-Pierre Melville

Brief Sinopsis: During an occupation of France, young faithless widow (Emmanuelle Riva) encounters a local priest (Jean-Paul Belmondo) and gradually starts falling in love with him.

Nowadays Melville is generally known for his stylish crime-flicks with impeccably suave characters, one of the being on my avi pick;)
However this could possibly be his most unusual and experimental work.

At the beggining we are introduced to Marny ( Emmanuelle Riva), also a film's narrator, who is spending most of her time fantasizing about her lesbian crush Sabine, her supervisor. One day she enters a church with intention of playing a joke on local priests. As she randomly chooses a confession room and starts to criticize Catholicism, she's baffled when father Morin( Belmondo) starts engaging in conversation about religion. After a while they develop a friendship and most of the film actually focuses on their theological discussions, which I found to be very profound and interesting, without really pushing certain agenda.

http://4.bp.blogspot.com/_RNLerqoK2lo/TEcowG2KM1I/AAAAAAAAFjk/dO1S5_bCWP0/s1600/leonmorin1.jpg

The first thing that striked me was how beautifully shot the film was, consisting of many short cuts, but also providing kind of a dream like scenery. All Melville's films I've seen so far had expectional aesthetics and Leon Morin was no exception. I especially find the zoom in shot to the confession room from the film's beggining to be rather fascinating.

Eventough the film was set during the WW2 it wasn't really about it, rather than exploring the spirituality of people during the times of war. I was also impressed with how craftly Melville manipulated viewer's expectation on will Morin and Marny somehow end up together, by orchestrating an intense sexual tension between them, eventough the things in the end really do not go anywhere with that. Performances by Riva and Belmondo were great and very subtle. Belmondo especially did very well in an uncharacteristic role for him, as an open minded, altruistic and devoted priest. The scene I particularly liked was when Marny tried to ask him if he would marry her if he wasn't a priest and Morin angrily and visibly shaken storms out, without saying a word. Brilliant. I also liked the execution of the final scene; simple and subtle, but yet so moving and powerful.

Leon Morin is a definitely very interesting flick. Eventough very little action happens, the philoshopical thoughts and smart dialogue in it are certainly mesmerizing. I understand it could be boring to some, because of the lack of sentimental moments and stagnating plot, but for Melville fans this is a definite testament to his versatility and skill.

Rating: 4

[cricket]

A very uncharacteristic role for Belmondo, that's what I thought while watching it as well. Also uncharacteristic for the director as you also mentioned. I didn't enjoy it as much as his crime films, but I felt a strong appreciation for it.

[Jeff Costello]

A very uncharacteristic role for Belmondo, that's what I thought while watching it as well. Also uncharacteristic for the director as you also mentioned. I didn't enjoy it as much as his crime films, but I felt a strong appreciation for it.

Yeah, I prefer his crime flicks too, altough I find "Leon Morin" to be quite intriguing . I still have to see Le deuxième souffle with Lino Ventura, which I have very high hopes for and some of his earlier work.

Did you see "Le Doulos" with Belmondo? Great underseen crime flick from Melville, with very engaging plotline.

[cricket]

Did you see "Le Doulos" with Belmondo? Great underseen crime flick from Melville, with very engaging plotline.

No, and it must be very underseen because I never heard of it during our 60's countdown despite all the Melville love here. It sounds good and it has an impressive rating of 7.9 on IMDb. I think I'd like to see it.

[Jeff Costello]

Pickup on South Street (1953) - Samuel Fuller

Brief Sinopsis : Richard Widmark plays a "fresh out of jail" pickpocketer, who unknowingly steals a film destined for Communist agents and therefore becomes trapped between police and Communist spy ring.

http://www.theskinny.co.uk/assets/production/000/114/833/114833_widescreen.jpg

After being impressed with Richard Widmark's performance in Kiss of Death, I got this flick as a recommendation from edarsenal. And I have to say it was a good one...

Pickup on South Street was gritty, dark and nicely scripted. I liked the atmposhere the film had established and the whole NY underground setting seemed realistic. Eventough the story was pretty straight-forward, it was nonetheless very riveting and entertaining.

Widmark was the film's corner-stone and his charismatic and strong presence is what made the movie for me. What a cool cat this guy is... I really need to see more of his work. His first scene with Jean Peters was my favourite one, because of its sheer rawness and intensity. And their chemistry in general was very nice.

The supporting cast was pretty strong aswell, especially six time Oscar nominee Thelma Ritter, who rightfully snatched one of her nominations for the role of a professional informer, also perhaps the most tragic character in this film. She really put on a acting clinic in her closing scene.

Only thing that kinda bothered me was, how abruptly Peters character fell in love with Widmark. I thought that segment could have been more carefully developed and introduced.

I also admired how Widmark's character was constructed. On the surface he's a violent, distrustful criminal with no attachment to anyone, but later we discover he has somewhat of a decent side and some basic moral values. This added a nice human touch to his character.

Overall, this is a very enjoyable 50's Noir ,with an engaging atmosphere and some nice performances.

Rating: 4

[edarsenal]

VERY glad to hear you enjoyed it, I actually heard about it from reading a post by Cricket and that got me hooked.

Thelma Ritter IS pretty amazing and quite tragic which really adds to the overall grit of the movie.

Great write up!!

[Citizen Rules]

Hey nice review! of Pickup on South Street. Take a look at my Top 10 Favorite movies on my profile.

[Jeff Costello]

Hey nice review! of Pickup on South Street. Take a look at my Top 10 Favorite movies on my profile.

Ha, I didn't realize Pickup was your favourite. That's awesome. Also I like that you included Leave her to Heaven;)

From your favourites list, I've been meaning to see Rebecca for quite a while. I'm still waiting for a Hitchcock flick, that will really blow me away.

[Citizen Rules]

Ha, I didn't realize Pickup was your favourite. That's awesome. Also I like that you included Leave her to Heaven;)

From your favourites list, I've been meaning to see Rebecca for quite a while. I'm still waiting for a Hitchcock flick, that will really blow me away. I wish my Top 10 Favorites could be Top 100, as it's so hard to list only ten movies, when I love so many of them.

What Hitch movies have you seen? And what did you think of the ones you watched? Oh, and did you know there's a Hitchcock Club here at Mofo? Anyone can join and even without joining you can still post there. The next Hitch film up for discussion is Rear Window
http://www.movieforums.com/clubs/alfred-hitchcock.html

[Jeff Costello]

I wish my Top 10 Favorites could be Top 100, as it's so hard to list only ten movies, when I love so many of them.

What Hitch movies have you seen? And what did you think of the ones you watched? Oh, and did you know there's a Hitchcock Club here at Mofo? Anyone can join and even without joining you can still post there. The next Hitch film up for discussion is Rear Window
http://www.movieforums.com/clubs/alfred-hitchcock.html

Yeah, that's why I never bother with making a concrete list. There's just to many films that I love.

As for Hitchcock, I've only seen a few films from him to be quite frank. Only Psycho, Vertigo, Rope, North by Northwest (altough my memory's a bit foggy on that one) and Rear Window.

Eventough it's not usually on top Hitchcock lists, my favourite from him was actually Rope and I even watched it twice.

I could might aswell rewatch Rear Window if I catch time, to join the discussion.

[Citizen Rules]

Yeah, that's why I never bother with making a concrete list. There's just to many films that I love.

As for Hitchcock, I've only seen a few films from him to be quite frank. Only Psycho, Vertigo, Rope, North by Northwest (altough my memory's a bit foggy on that one) and Rear Window.

Eventough it's not usually on top Hitchcock lists, my favourite from him was actually Rope and I even watched it twice.

I could might aswell rewatch Rear Window if I catch time, to join the discussion. Rope has a lot of love for it here at MoFo, it's not my favorite Hitch, but it's interesting. I need to see North by Northwest again as I can't even remember it. Hope to see you at the Rear Window thread.

[Jeff Costello]

Rope has a lot of love for it here at MoFo, it's not my favorite Hitch, but it's interesting. I need to see North by Northwest again as I can't even remember it. Hope to see you at the Rear Window thread.

What would you put as your top 5 Hitchcock films? I already know you're very fond of Psycho from your review, which was btw pretty well written and informative.

Hitchcock is definitely one of directors ,whose films I'd like to explore more in the future.

[Citizen Rules]

What would you put as your top 5 Hitchcock films? I already know you're very fond of Psycho from your review, which was btw pretty well written and informative.

Hitchcock is definitely one of directors ,whose films I'd like to explore more in the future. Psycho has a lot going for it, but it does have what I consider to be flaws ( I guess most all movies do). It's not my favorite but still a good one!

Ohh, a hard question to answer! Some of Hitch's films I can't remember very well (time for a rewatch). I would say these are my favorites:

Rebecca (1940)
The Man Who Knew Too Much (1956)
Notorious (1946)
Strangers on a Train (1951)
The Trouble with Harry (1955)
The Wrong Man (1956)
Psycho (1960)
The Birds (1963)
Spellbound (1945)
Vertigo (1958)
Foreign Correspondent (1940)


I've seen these too...
The Lady Vanishes (1938)
Marnie (1964)
Mr. & Mrs. Smith (1941)
Suspicion (1941)
Shadow of a Doubt (1943)
Lifeboat (1944)
The Paradine Case (1947)
Rope (1948)
Stage Fright (1950)
Dial M for Murder (1954)
Rear Window (1954)
To Catch a Thief (1955)
North by Northwest (1959)
Torn Curtain (1966)
I Confess (1953)

[Thursday Next]

Eventough it's not usually on top Hitchcock lists, my favourite from him was actually Rope and I even watched it twice.

Rope is my favourite of his.

I also rate Rebecca, Rear Window, Psycho and North by Northwest really highly.

[Jeff Costello]

The Enigma of Kaspar Hauser (1974) - Werner Herzog

Being familiar with the real case, I was very eager to watch this, especially when I learned it was directed by an aclaimed director like Herzog. For those that are not familiar with it, the film is based on a true story (19th century) of a young man who suddenly appeared on a market place in Nuremberg , without being able to walk or speak or perform virtually any comprehensive skill. The story of Kaspar Hauser remains to this day one of the biggest unsolved mysteries.

http://thepinksmoke.com/images/kasparhauserface.jpg

The star of this film was relatively unknown street performer named Bruno S, whom Herzog discovered through his appearance in documentary about street musicians.. With spending most of his childhood in mental institutions and even (from what I have read) having Nazis perform experiments on him, Herzog felt he could relate with the role of Kaspar because of his tragic past. And I have to say that, Bruno S. played his role to perfection. In an early scene we are shown Kaspar being held in captivity, sitting on a filthy floor, letting out almost animal grunts and playing with his train toy. In this disturbing scene, which gave me a lot of "The Elephant Man" vibes, Bruno S. really displayed all of the pain and vulnerability his character possessed.

The opening shot of the movie consisted of an image of a rye field during the wind, with a quote that said: "Don't you hear that horrible screaming all around you? The screaming men call silence." The same quote perfectly embodied the mood of the film, where silence was oftenly the most important display of emotions.

Visuals were hypnotically stunning and I especially liked how Kaspar's dreams were shot. Beautiful images were accompanied by a melancholic pieces by Di Lasso and Pachebel. The film featured some bizzare and absurd moments like the street circus scene, which were very riveting, aswell as the connection to Kaspar's isolation and peculiarity.

http://4.bp.blogspot.com/-My9yaF57nmg/Uh0L3lmf2AI/AAAAAAAAAN8/2rp0BVCZhOg/s1600/Kaspar+Hauser+5.png - The Scene with the Little King

As Kaspar begins to make a significant progress with his cognitive skills, he almost starts to have autistic posture and mannerism,while still possessing his innocence, which remained untouched. The scene which particularly touched me was when Kaspar stated, he had it better when he was held in captivity. His inability to ultimately adapt to the real life ,showcased in that scene, was really heart -wrenching and sad.

The lyrical atmosphere Herzog established was very fitting and captivating, with many exterior shots. Simply beautiful! What adds to the enjoyment was how historically accurate the film was. A lot of the sequences and dialogue were actually based on Kaspar's letters and journals.

The Enigma of Kaspar Hauser is a "must watch" simply because of Herzog's extraordinary vision and its poetic elements. Beautiful work of art!

Rating: 4+

[Jeff Costello]

The Criminal Life of Archibaldo de la Cruz (1955) - Luis Bunuel

With this being one of the most acclaimed films from his Mexican period, I have to admit I expected a little more. It definitely has an intriguing premise of a a man who's obsessed with commiting a murder, but it was treated very conservatively,which is kind of uncharachteristic for Bunuel. It lacked an intriguing dialogue and surreal images, which are obligatory parts of Bunuel's masterpieces. There were couple of scenes ,which were really hypnotic and interesting like burning of a wax figure and Archibaldo's vision of making his bride pray before he kills her, but it was just too few of them. The Criminal Life of Archibaldo de la Cruz worked well as a psychological comedy and Bunuel's usual satire on aristocracy, but unfortunately wasn't that captivating and lacked Bunuel's trademark touch, which usually lefts me in awe. Perhaps it could benefit on a rewatch, but right now it didn't really impress me. Right now I'm excited to explore more of his work from Mexican period.

http://3.bp.blogspot.com/-XVXzTVr3uGA/Trdo48L-AUI/AAAAAAAAL4I/HUCegTRXZ9M/s1600/The%2BCriminal%2BLife%2BOf%2BArchibaldo%2Bde%2Bla%2BCruz%2B1.jpg

Rating: 3 +

[Camo]

Love Judgement At Nuremberg. That's actually the only one i've seen so far.

[rauldc14]

Days of Heaven is a real good one. Probably would make my top 200.

And E.T. was my number 111.

[cricket]

The Enigma of Kaspar Hauser is certainly a good movie but it didn't resonate with me like a few other Herzog flicks. It reminds me of Bad Boy Bubby lol.

[Jeff Costello]

The Enigma of Kaspar Hauser is certainly a good movie but it didn't resonate with me like a few other Herzog flicks. It reminds me of Bad Boy Bubby lol.

Never heard of Bad Boy Bubby before. From what I have read now, it seems to be quite bizarre,haha.

[cricket]

Never heard of Bad Boy Bubby before. From what I have read now, it seems to be quite bizzare,haha.

It's very weird and a little sick too. The lead characters look and act similar though.

[Jeff Costello]

Rear Window (1954) - Alfred Hitchcock

After having my attention drawn to the Hitchcock film discussions, I decided to rewatch this classic, considering I only remembered it through flashes. However I didn't end up particularly impressed with it.

Rear Window follows a wheelchair-bound, who gradually starts to observe his neighbours and suddenly discovers a murder plot. First of all, I have to say I quite liked the private setting that Hitchcock constructed. It was very intriguing to see people's lives unraveling behind the closed curtains, or in this case not so closed. Also I was suprised to see the amount of comedy in this flick, such as the man and the woman desperately trying to enter the house through the window during the rain or when Doyle starts to stare at half naked ballerina and Jeffries asks him "How's his wife?". Those particular moments got a laugh from me. The chemistry between Stewart and Kelly was very good and their scenes were perhaps my favourite parts of the film. I also really liked Thelma Ritter's character, who I've just recently saw in Pickup on South Street.

https://the.hitchcock.zone/files/gallery/org/6792.jpg - Hitchock's cameo

Still, I thought the pacing of the film was pretty poor. I understand it took quite a while to introduce the characters and set the atmosphere, but It just took too long. Eventough most of the dialogue from the beggining was cleverly scripted, it wasn't really that relavant to the plotline and I gradually started to lose my interest because of it. And ultimately, when things start to unravel and tension reaches its breaking point in the last 20 minutes, the execution really wasn't the sharpest. There were some moments that I felt didn't really make sense, which Hitchock used to achieve the dramatic effect, but instead they ended up quite silly. Like for example when Lisa is in Thorwald's apartment and Jeffries is whispering on the phone with Doyle, eventough he's alone in his apartment and no one can really hear him. Or the confrontation between Jeffries and Thorwald. There were literally 2 minutes of Jeffries preparing for Thorwald's entering and yet it didn't even cross his mind to uhm, lock the door or pick up a knife or something. Instead he chooses a camera and decides to blind sight Thorwald with it in a rather comical scene. The only moment in the film that I believed was really intense was when Thorwald finally noticed Jeffries spying on him. I thought his stare right into a viewer's eyes was just brilliant. The light-hearted ending also appealed to me and it kinda reminded me of the one in Blue Velvet, where after a major chaos,a piece is restored and we are shown sort of a cynically utopistic final shot.

Ultimately this was a fun Hitchcock experience, but for a film that was suppose to be a crime thriller, it sure had more of a comedic elements than suspenseful ones to me personally.

Rating: rating_3

[re93animator]

The Enigma of Kaspar Hauser (1974) - Werner Herzog

I loved this review! I'll be keeping tabs on this thread from now on. :)

Never heard of Bad Boy Bubby before. From what I have read now, it seems to be quite bizarre,haha.
I like it. It's slightly exploitative though. You kind of have to have the taste for that sort.

[Jeff Costello]

Another thing that bugged me a little with Rear Window, which I forgot to mention in my write-up...

I just find in improbable, Jeffries could nonchalantly spy on his neighbours from day-to-day, without ever being observed or caught by one of them, until the very end. I mean he even used zoom in lenses and big bincoulars, while oftenly being just a couple of centimeters from the window with open curtains. It's not like he was very subtle with his methods. Perhaps I'm giving this way too much thought, but the whole thing seemed pretty unrealistic to me.

[Jeff Costello]

So my write-up didn't sent for whatever reason and I can't even recover the written text. Beyond pissed right now...

[re93animator]

I always save in 2 MW Word docs, then backup on an external hard drive. :)

[Jeff Costello]

Aguirre, the Wrath of God (1972) - Werner Herzog

I'm just in love with the locations, Herzog uses to shoot his films. Like in Fitzcarraldo, the visuals were simply breathtaking. Especially the opening scene of soldiers slowly marching through the Andes mountains. Sheer visual poetry...

Herzog's distinctive style was on full display here with the long nature shots, minimalistic dialogue and slow pace with the very naturalistic approach . All of those aspects served as a platform to amplify Aguirre's slow descent into deluded madness, caused by an unmerciful Peruvian setting. I liked how convincing all was, with very little to no dramatic scenes, just a painful coexsistence between men and nature.

https://permanentplastichelmet.files.wordpress.com/2013/06/tumblr_m8ocw5geq11qhsqm1o1_1280.jpg

Klaus Kinski did a hell of a job and was the perfect choice to play ruthless tyrant Aguirre. With his devilish looking eyes and menacing posture, he managed to embody a gigantic screen presence with very little dialogue and display of emotions, but yet with a colorful palette of mood swings. He even used a special kind of "crab walk" throughout the film, which I thought was very intresting. I especially liked his final monologue, for which I read Herzog had to use manipulative tactics to bring out of him. And it turned out just perfect. The same final scene was powerful aswell, because of its ambiguity, which added another layer of mysticism and surrealness to it.

Eventough I thought the artistic value of the film was extremelly high, I kind of struggled to be fully invested in it, like I did with Fitzcarraldo for example. Perhaps it was because of the gloomy atmposphere, I don't know. I'll probably have to revisit it, so I could fully appreciate it.

Also throughout the film, it became blatantly obvious how much Coppola borrowed from it for Apocalypse Now.

Aguirre, the Wrath of God is certainly a fascinating work. The cinemtography is as good as it gets and its subtle study on existentialism, religion and human character is definitely intiguing. Very impressive directing by Herzog.

Rating: 4 +

[cricket]

I liked Aguirre but preferred Fitzcarraldo. Herzog is such one of a kind.

Agree with you on Rear Window too; when I watched it recently, it wasn't as great as I remembered!

[Jeff Costello]

The Lost Weekend (1945) - Billy Wilder

Brief Sinopsis: This Oscar winning drama follows a life of an desperate alcoholic writer Don who goes on a 4-day drinking bout.

I have to say this was one of my favourites, I've seen this year so far. Alcoholism is a topic that's still very much relavant today and Wilder handled it expertly. The film was very accurate and realistic in illustrating the devastating effects of alcohol and its destructive force.

The man that made this film, was masterful Ray Milland who practically lived his character. His drunken wobbling and despair was on point, and his entire mannerism in general was particularly great. His interactions with his girlfriend Helen (Jane Wyman) were probably one of my favourite scenes, but were at the same time very saddening, as we later learn Don pushed her away because of his own insecurities and inability to escape the jaws of alcoholism, I like how we've got to see retrospective insight in Don's past and the roots of his addiction. This was very vital in understanding Don's actions and him as a character.

https://filmfork-cdn.s3.amazonaws.com/content/The_Lost_Weekend_a_l.jpg

I also liked the music in it and the concerto orchestra, which progressively got more aggresive, as Don slipped through madness more and more, adding a great intensity to the film.

The Lost Weekend featured couple of scenes, which made a great impression on me. First one was ,when Don was caught stealing woman's purse in a restaurant. I could almost sense the humiliation, he was objected to, especially when the people mockingly starting to sing "Who Stole the Purse". The second one was the night Don spent in an alcoholic ward. The nightmarish, psychodelic atmosphere set there was like I said very impressionable and jawing.

I also noticed the reccuring theme of a judgmental society, which was very quick to berate Don, but very little of them except Helen and his brother was actually willing to help him. In the end I was glad the film ended on a positive note, because in all honesty it would be really too darn depressing. Instead we've gotten a nice uplifting ending with a positive message.

To conclude ,this is a very detailed study on consequences of alcoholism, with a brilliant performance from Ray Milland. I've read some comments that "The Lost Weekend" has aged badly, but I cannot disagree more. This film is still very much relavant, entertaining and insightful.

Rating: 4.5 +

[Jeff Costello]

Through a Glass Darkly (1961) - Ingmar Bergman

First one in Bergman's unofficial "Silence of God" triology and actually my favourite. Shot on an island Farro with the cast of only 4 people, it follows a life of disfunctional and emotionally dissconnected family. Every cast member was great, but for me Harriet Anderrson absolutely steals the show, playing a schizophrenic young woman, who starts to believe she's being visited by God. Her role was very challenging, but she really put on a powerhouse performance. Beside theological thematics, the most fascinating part of the film were the relations between the characters. A son desperately seeking for his father's attention, a young woman gradually drifting apart from her fiancee, suicidal father who can't emotionally connect with his children and so on... The atmosphere was very melancholic, gloomy and dark like most of Bergman's films. Also it had quite of disturbing content with some implied incestual actions and with God being firstly introduced as "God spider". Yet despite quite of tragic story, Bergman ends the film on a somewhat hopeful note, reaffirming his faith, claiming that God's existence is manifested through love. Definitely a film that will stay with me, because of it's haunting and distinctive tone mixed with powerful themes and images.

https://assets.mubi.com/images/film/568/image-w1280.jpg?1445860038

Rating: 4 +

[Jeff Costello]

Winter Light (1963) - Ingmar Bergman


The story focuses on a priest in a remote village, who is experiencing a crisis of faith and is therefore unable to commit himself to a woman who's in love with him. If I had to describe Winter Light with one word, it would be dreary. My goodness, this film depressed the hell out of me. Nonetheless it is a very powerful and poetic film, which contains some uncomfortable and difficult scenes to watch. It appears that Bergman had dismissed the narattive set in a previous film and had established more of a skeptical and hopeless outlook on faith, shown in some intriguing theological discussions, which were my favourite part of the film. Peformances were a great as always, with much depth aswell. Bergman's veteran Gunnar Bjornstrand especially shined here. The visuals were outstanding and despite many monologues and slow pace, Winter Light is an extremelly captivating film. However I can't say I really enjoyed it, neither I think I was to meant to enjoy it, as to really experience it and embrace it. Bergman once again showcased his uncompromising vision in a rather personal and relatable piece.

https://fallingfromvertigo.files.wordpress.com/2014/05/winter_light.jpg

Rating: 4

[Jeff Costello]

Silence (1963) - Ingmar Bergman

The last film in the "Silence of God" triology and the most enigmatic I'd say. I have to admit I struggled with this one and had quite of difficult time to be invested in the storyline. In my opinion it was too draining and the story wasn't really that intriguing or interesting. The dialogue was very minimalistic and there was a complete absence of music, which added a special tone to it. I liked the performances by Ingrid Thulin and Gunnel Lindblom, who played sisters being in an implied incestual relationship. Their destructive relationship has taken a great toll on them, destroying one physically and the other mentally. Their pain and suffering felt very real and their interactions were very cold and convincing. Alongside them was a child, a symbol of innocence, completely unaware of its surrondings and a major rift between his mother and aunt. What I also liked about this film, is because it was ambigous and left to countless intepretations and analysis, hence I believe it will benefit greatly as I revisit it. Theme of religion or God isn't even mentioned in Silence ,symolizing Bergman's final departure from religion and a comlete denial of God's existence.

https://s-media-cache-ak0.pinimg.com/originals/52/46/58/5246588f90f2a37f778476904541d59e.jpg

To summarize, this is a very poetic film, filled with symbols and methapors, which I'll hopefully be able to decipher and appreciate more in the future. Likewise a stunning exploration of themes like alienation, loneliness and unability to communicate.

Rating: 3.5 (for now)

[rauldc14]

Way too low a rating for Rear Window.

I appreciate The Lost Weekend, but it's not really a favorite.

I appreciate the works of Bergman, but I only saw Through a Glass Darkly out of those three.

[cricket]

I liked Silence and Through a Glass Darkly, but Winter Light is the Bergman film I most struggled with so far.

[Jeff Costello]

Way too low a rating for Rear Window.


I wish I liked it more, but the final act was kind of a letdown for me and I didn't find it that believable and tense as I hoped it would be. Still a very fun and atmospheric film.


I appreciate the works of Bergman, but I only saw Through a Glass Darkly out of those three.


What did you think of it? If you liked it, I suggest watching the other 2 pieces. They paint a clearer picture of Bergman's vision and his own reflections on faith.

[rauldc14]

I liked it well enough, although there are many other Bergmans that I prefer. The Virgin Spring and Autumn Sonata would be my top 2 this far.

[Jeff Costello]

I liked it well enough, although there are many other Bergmans that I prefer. The Virgin Spring and Autumn Sonata would be my top 2 this far.

I liked The Virgin Spring, altough there were some things that bothered me with it. Max Von Sydow was terrific in it.

Still haven't seen Autumn Sonata, but I definitely will, as I'm moving chronologically through Bergman's filmography.

So far my favourite is Wild Strawberries.

[Jeff Costello]

I liked Silence and Through a Glass Darkly, but Winter Light is the Bergman film I most struggled with so far.

What made you struggle with Winter Light Cricket?

[cricket]

What made you struggle with Winter Light Cricket?

It's been about two years but I remember just not getting into it or getting it. I seem to recall it being one of his shorter movies so I would try it again. I'm not usually very interested in movies with religious themes, although I loved Ordet so there are exceptions.

[Jeff Costello]

Persona (1966) - Ingmar Berman

For an astronomic reputation this film enjoys, I honestly thought I'd like it much better. Don't get me wrong Persona is an art-house heaven, providing some of the most iconic and surreal images ever put on screen. However I thought it was pretty impersonal and lifeless. I couldn't really connect to the story and be drawn into it. From my gathering, Persona looked like a Bergman's exercise on Jung's archetypes, a theory established by a Swiss psychologist Carl Jung, a major influence on European directors like Fellini and Bergman. And it was done in a very impressive fashion, swiftly demonstrating deep traumas and repressed desires, through visceral images and patterns which derived from a deep unconcsius. The performances by two leads : Liv Ullmann and Bibi Andersson were very good. Persona was actually the first colaboration between Ullmann and Bergman and she was simply magnetic, while playing the role of the mute actress who's being taken care of by a young nurse (Andersson). Their power stuggle and mutual objection to emotional and physical abuse was really an intriguing watch. By far my favourite scene was Alma's (Andersson) narration of the sexual orgy she encountered with two adolescents and another woman. This particular scene oozed with eroticism and rawness, and was very unconfortable yet powerful. The cinematography was drop dead gorgeous and one of the film's strongest aspects, which is a credit by Bergman's long time collaborator Sven Nykvist. Overall an intriguing philosophical work by Bergman with countless metaphysical elements and a deep exploration of human's psyche. Undoubtedly an experience. Too bad it left me so indifferent.

https://s-media-cache-ak0.pinimg.com/564x/d5/46/2c/d5462c9bae6c655faa3def627980af98.jpg

Rating: 3 +

[Citizen Rules]

I haven't seen any of those 4 Bergman films, but nice reviews. Personally I've seen only 2 or 3 Bergman and haven't liked them. Maybe one of these days, I will find a Bergman film I can relate to. I find them to cold for my taste. But cool that others appreciate them.

[Jeff Costello]

I haven't seen any of those 4 Bergman films, but nice reviews. Personally I've seen only 2 or 3 Bergman and haven't liked them. Maybe one of these days, I will find a Bergman film I can relate to. I find them to cold for my taste. But cool that others appreciate them.

Yeah, that's a valid criticism. I realized I really have to be in the mood to watch his films so I could fully absorb them, as he deals with such difficult and abstract themes.

[Jeff Costello]

I'll finally review a film from this century in couple of days, haha.

[cricket]

Persona seems to be one of Bergman's most popular, but it would be in the bottom third of my favorites. That could change with another watch.

[Jeff Costello]

Persona seems to be one of Bergman's most popular, but it would be in the bottom third of my favorites. That could change with another watch.

Yeah, same with me. Probably my least favourite Bergman for now, actually.

[re93animator]

I pretty much feel the same about Persona. Appreciated it; didn't really like it. Fanny & Alexander is my favorite from Bergman. His stuff is almost always beautiful in its own way. The Magician is somewhat shrouded by the rest of his catalogue too. Now I feel like revisiting Bergman. You've given me a sleep aid for the next month JC. :D

[Jeff Costello]

I pretty much feel the same about Persona. Appreciated it; didn't really like it. Fanny & Alexander is my favorite from Bergman. His stuff is almost always beautiful in its own way. The Magician is somewhat shrouded by the rest of his catalogue too. Now I feel like revisiting Bergman. You've given me a sleep aid for the next month JC. :D

Fanny and Alexander is one of Bergman's films, I look forward to seeing the most. I expect nothing short of a masterpiece.;)

[Jeff Costello]

Le Notti Bianche aka White Nights (1957) - Luchino Visconti

Le Notti Bianche is Visconti's adaptation of Dostoevsky's short story. It is about an indigent young man Mario(Marcello Mastroianni), who encounters a disfunctional lonely young woman Natalia (Maria Schell) during the night on a city square. Having found her in a very destructive state, he approaches her and gradually starts to interact with her. Throughout the next 4 days, they continue to meet regularly, as Mario's love towards her progressively intensifies. However her heart is already occupied by a man( Jean Marais), who may never return to her again.

Like other two Visconti's pieces I saw, the visuals were carefully sculptured. The first thing that's noticable of the bat is the dark,gloomy and barely lighted city streets in which most of the film takes place, which added a very neorealistic tone to it. The ambient Visconti constructed was certainly one of the film's strongest assets. First half started out quite slowly and I wasn't really hooked on this fairy tale romance, however the second half really picked it up and left me with quite a few mesmerizing scenes. The second part is what really made me love this film, as the distance between the characters and their wavelenghts became very visible, indicating the doom of this untried romance.

http://temi.repubblica.it/UserFiles/ilmiolibro-holden/Image/appunti_scrittura_uno.jpg

I really liked Mastroianni's performance here. He nailed his role as an introverted, melancholic and fatalistic young clerk in a very subtle manner. MM made his character very relatable and pitiable, while not being overly melodramatic. However I wasn't really a fan of Schell's performance. She seemed to overact in certain scenes and she made her character too hysterical for my taste.

One of the most intriguing scenes that really made me appreciate, this film was the dancing scene at the night club. Simply a great metaphore for their uncomfortable relationship. I won't even mention the ending, which was executed and shot brilliantly and has left a profound mark on me.

Great film, that has also inspired me to check out Visconti's adaptation of Camus's "The Stranger" next.

Rating : 4

[Jeff Costello]

El (1953) - Luis Bunuel

Surreal, satirical, provocative and tense. In one word Bunuel. I'm also quite sure that Hitchock borrowed some elements from it in Vertigo. Nice gem from his Mexican period. I'll probly revisit it later, and maybe than will review it more minutely.

http://www.bfi.org.uk/sites/bfi.org.uk/files/styles/full/public/image/el-1952-001-francisco-at-wife%27s-bed-with-rope-00n-rqj.jpg?itok=QvW9gJyT

Rating: 4

[Jeff Costello]

La Grande Bouffee (1973) - Marco Ferreri

I actually heard about this flick, while reading Bunuel's autobiography "My Last Sigh" where he listed it among his favourite movies. Naturally I decided to check it out, and my goodness it was definitely like nothing I've ever seen.

http://www.flickeringmyth.com/wp-content/uploads/2015/08/Phillippe-Noiret-Ugo-Tognazzi-and-Andrea-Ferreol-La-Grande-Bouffe.jpg

The plot was about 4 men of different socio-economic backrounds , who decided to isolate themselves in the country side villa and eat themselves to death. Meanwhile they participated in countless group orgies with prostitutes , which were oftenly very explicit. Literally the entire film consisted of gruesome overeating and sex. And it was done in such a repulsive and disturbing manner that it was oftenly uncomfortable to watch. I can definitely see why this was one of Bunuel's favourites as it served well as a mockery of hedonism and materialistic lifestyles of modern days society, which were often themes in his own film. But this was honestly a bit over the top for me.

The film featured some of the greats of European cinema like : Marcello Mastroianni, Michel Piccoli and Ugo Tognazzi. It was especially bizzare to see Marcello playing the role of a sexual maniac frustrated with his impotence, after I just recently saw him playing such an innocent role as a hopeless romantic in Le Notti Bianchi. The cast was pretty good and really brave for taking up their roles.

La Grande Bouffee also got a few laughs for me. There were some scenes, which were at the same time disturbing, bizzare and funny. Like the time MM's character , caused sanitary pipes to explode, leaving the house covered in feces. Yeah, I know right...

Really an anarchic and bizzare film, filled with grotesque images. But one simply has to admire Ferreri's originality, vision and an uncompromising social commentary. In my opinion it could've been shortened a bit, but even in this state, it remained quite of entertaining.

Despite being over the top with its obscenity , I'll give it a pretty good rating because it was simply like nothing I've ever seen and an impressionable experience.

Rating: rating_3

[Jeff Costello]

Double Indemnity (1944) - Billy Wilder


Brief Synopsis : A seduced 35-year old insurance salesman (Fred MacMurray) constructs an elaborate scheme to eliminate his lover's (Barbara Stanwyck) husband.

Often cited as one of the greatest film-noirs of all time, Double Indemnity certainly didn't overly impress me, despite being fairly good. There was just something lacking...It started out quite slow for me, and eventough the story got more tense as the film progressed, it was still predictable. Double Indemnity was technically well made, with predominant shadowy setting and a swift camera work. I generally liked the dialogue (eventough it was laughable at times) and the narration. And the story which dealt with elements like ; amorality, greed and betrayal, was engaging enough to keep me interested, but it lacked the involving and tense atmosphere, which would make me really like it.

I thought that one of the film's main problems was the lack of chemistry between MacMurray and Stanwyck. I found their acting to be pretty bland and stiff, especially MacMurray who basically seemed emotionless despite participating in such tense actions. Stanwyck also wasn't really convincing to me as femme fatale. The interactions between them felt really static and forced. By far my favourite performance, was by Edward G. Robinson, who served, as a some kind of balance to the story, with his unmistakeable gut and sharp intellect.

https://thebestpictureproject.files.wordpress.com/2011/02/doubleindemnity1.jpg

I wish I liked this film more, but it has kind of failed to live up to its reputation. At least for me.

Rating: 3 +

[re93animator]

I love Wilder, but DI is one I never really got. It's a decent noir though. I like when Wilder lets out his sense of humor; One, Two, Three and The Apartment are favorites.

[Citizen Rules]

Jeff, you finally reviewed a film I've seen, yeah! Good review on Double Indemnity. I liked the film more than you, but we had some similar opinions in our reviews. That was also one of the nominations in the first Film Noir HoF that I ran. Overall it did really will too, coming in at #3 of 13 movies.

[cricket]

I was also underwhelmed with Double Indemnity, despite not having any issues with it. I'd have to watch it again to fully comment. I felt the same way about Laura. Nothing about these movies grabbed me.

[Camo]

Double Indemnity is one of my favourite films and my favourite Wilder so far. I get your problems with it though even though i don't agree,

[Jeff Costello]

Sunset Boulevard (1950) - Billy Wilder

As soon as the masterfully shot opening scene appeared on the screen, I knew this was going to be a special film. At the beggining of the film, we are shown a dead body floating in the swimming pool, while the flashes from camera reporters and police officers, can be seen in the water's reflection. And instantly the film narrator establishes himself, as the deceased and starts to recollect the events that led to his death in a series of flashbacks.

The main character, Joe Gillis is a down on his luck screenwriter, who is just about to have his car confiscated by a couple of men, for being down on his payings. After having his screen rejected by a Paramount producer and a couple of failed leases, he is seen by the two men. And during the car-chase, Joe turns to a driveway of a seemingly deserted mansion, in order to escape them. Soonly it is discovered that the mansion is owned by an ex silent film star Norma Desmond and that's where there gripping relationship beggins.

http://static.rogerebert.com/uploads/review/primary_image/reviews/great-movie-sunset-boulevard-1950/hero_EB19990627REVIEWS08906270301AR.jpg

Probably the most impressive aspect of Sunset Boulevard was its rich and compelling script, which is a work by Billy Wilder and his long term collaborator Charles Brackett. Both main characters were multi-layered and extremely developed with deep psychological analysis. And both William Holden and Gloria Swanson played their complex roles to perfection. Unlike Fred MacMurray in Double Indemnity, William Holden really added depth to his pitiful character, while playing the role of a passive and exploitative middle aged man, who always takes path of a lower resistance. In contrast to his subtle acting, Gloria Swanson really put on a show, with her fierce and overacted performance, which in this case was neccessary for the role. At first she is introduced as snobish, narcissistic and delusional lady, but soon we learn that she is much more than that, as her possessive love towards Joe starts to unravel and her wish for recognition and feeling wanted becomes apparent. I really liked how their one-sided relationship was played by both actors. Most evidently seen during their dance scene, where Holden was clearly uncomforable and visibly static. Yet, reluctant Joe decides to remain with Norma, because of her unstability and suicide threats. That's where Joe's passiveness is especially amplified and it is at the same time reccuring theme throughout the film, which leads to his downfall. Instead of handing his car to the prosecutors, he decides to hide to behind the factory. Instead of laying the heavy truth on Norma at the beggining, he waits until her mental ilness is prevailed. And instead of leaving with Betty, he once again takes the easy path with sending her home, instead of dealing with consequences with his friend Artie. His weak-minded persona ,combined with his self-loathing is what constantly results in him making bad decisions. But in the end neither his enlightening nor escape won't help him. His conflicting and tragic character was definitely Wilder's mastepiece.

I also find the character of Max very intriguing and the possible indication, that he was Norma's puppeteer and the possible reason for Norma's illness. I wish we find out more about his relationship with Norma and how exactly did he become her submissive servant and what led to the end of their marriage.

http://i.cdn.turner.com/v5cache/TCM/Images/Dynamic/i377/sunsetboulevard1950.4254_102320151218.jpg

Another aspect which I loved was the interior of Norma's mansion, which had sort of a baroque design with loads of antique forniture. It added a whole dose of campy atmosphere, especially the scene where Max plays the organs, which looked like something out of Corman films. Aswell as the sense of isolation and a nice reference to actress Gloria Swanson's lavish lifestyle in real life.

Speaking of references, the entire film was filled with mentions of an "Old Hollywood aristocracy", like Darryl F Zanuck, Alan Ladd and Cecile De Mille, who even had a noticable cameo in the film.

Sunset Boulevard had tons of memorable and beautifully shot scenes. The beauty of it was, that it didn't rely on an unexpected twists , to be invoving. But an impeccable script, which produced some of the most iconic lines in film's history. Aswell as the delicate character study and the moody and morbid atmosphere.

Therefore ,Sunset Boulevard will join "Viridiana" as the second film I rated with perfect five popcorn bags this year.

Rating: 5

[Jeff Costello]

Witness for Prosecution (1957) - Billy Wilder


Brief synopsis: An aging lawyer (Charles Laughton) decides to represent seemingly innocent man (Tyrone Power), who is charged for murder.

Witness for Prosecution is a very cleverly written court-room drama, with some witty dialogue. But despite having quite a serious theme, comedic elements were established early in the beggining. Mainly manifested through Charles Laughton and Elsa Lanchaster's banter, who were in fact a married couple in real life. Their interactions were quite funny and they understandibly had very good chemistry. However I felt that comedic elements were kind of a double edged sword, as I couldn't really take the story too seriously because of it.

http://wp.production.patheos.com/blogs/summathissummathat/files/2014/07/Witness3.jpg

Charles Laughton was an absolute menace in this film! With his charismatic screen presence and ability to be both goofy and authoritative, he simply outshined everyone who appeared with him on the screen.

Despite not possessing his dashingly good looks from 40's anymore, Tyrone Power's charm still remained untouched, and he was very believable in portraying his seemingly good-natured and desperate character, eventough he had occasional slips of overacting. Still I thought he was a very odd choice for the role, as I got the impression that his character was supposed to be a bit younger and British.

Marlene Dietrich had a similar problem as Power with overacting in my opinion, most notably visible in the "Damn You!! " scene. However I was impressed with her versitality, and she was very convincing as Power's cold-hearted wife.

Like I mentioned the script was very cleverly written, with many plot twists. And I was always left guessing what will happen next. Some of them really took away from the story's realism though, but it was still a very entertaining watch. Eventough I kind of sensed the main twist, I was still in awe, during the final scene. The complete change in main characters persona's at the end, which were build up throughout an entire film, was really jaw-dropping.

Rating: 4 -

[edarsenal]

truly amazing selection of films that you choose to review. Really enjoyed this last list of Wilder films. A great mix of technical description and the emotional impact that the films deliver.
I still need to see Witness For the Prosecution. Will you be moving on to another director/genre or is there any other Wilders to come?

[Jeff Costello]

truly amazing selection of films that you choose to review. Really enjoyed this last list of Wilder films. A great mix of technical description and the emotional impact that the films deliver.
I still need to see Witness For the Prosecution. Will you be moving on to another director/genre or is there any other Wilders to come?

Thanks Ed ! I'm really glad you've enjoyed the reviews.

My film choices will probably vary, considering the running HoF. But I definitely plan to watch&review some of Wilder's comedies like "Sabrina", "The Apartment" and "One,Two,Three".

[re93animator]

"The Apartment" and "One,Two,Three".

These are my two favorites by far. The Apartment for bittersweet charm, and One, Two, Three for 80-mile-an-hour comedy.

[edarsenal]

curious to see what you think of the comedies and I like that you went "off the main road" in regards to your comedic choices.
I recently saw his very first movie; The Major and the Minor that was rather enjoyable.
I'll try to keep an eye out and pop in when I can.

[cricket]

I still need to see Witness For the Prosecution.

You'll love it

[edarsenal]

You'll love it
that's what Citizen tells me -- EVERY - SINGLE -chance he gets! lol

and I'm very sure I will

[Jeff Costello]

Diary of a Country Priest (1951) - Robert Bresson

This was perhaps one of the dreariest pieces of cinema I've ever encountered and honestly one of the most difficult films for me to digest. I find it so challenging, that I had to split it in two days, something I almost never do.

Diary of a Country Priest was extremelly well made film, with a very reflexive and intelligent dialogue and an intriguing exploration of loneliness and crisis of faith, told through a story of a young priest, who deals with the animosity of his village, while dealing with fatal health problems. The story itself it tragic, for the priest's strong willingness to make a difference, only to be rejected by his district and debunked by his fellow mentors.

Claude Laydu delievered a truly extraordinary performance in his film debut ! He was masterful in conveying the emotions his character needed and very haunting with his sheer presence. With his fragile stature, adolescent face and candid eyes, which radiated misery he made his performance into one that will definitely stay with me for a long time.

However, I find the amount of pain and suffering his character endured a little overwhelming. Probably the most miserable film character I've ever seen, and at times it seemed like he was created, only to be tortured throughout the film. Honestly this amount of poignance was kind of unimaginable to me and honestly I don't think I was really ready for it.

Still I definitely appricated this film and Bresson's uncompromisingly pesimistic vision, manifested through one of the most unique and gloomy ambients created. For viewers that are fascinated by films with religious thematics, this should be an intriguing watch.

https://fanwithamovieyammer.files.wordpress.com/2015/12/diary-of-a-country-priest.jpg?w=620&h=465

Rating: 4 -

[Nestorio_Miklos]

glad you like it Jeff. I love Bresson's films:
L'argent
The Devil, Probably
Lancelot of the Lake
Four Nights of a Dreamer
A Gentle Woman
Mouchette
Au Hasard Balthazar
The Trial of Joan of Arc
Pickpocket
A Man Escaped
Diary of a Country Priest

[Jeff Costello]

glad you like it Jeff. I love Bresson's films:
L'argent
The Devil, Probably
Lancelot of the Lake
Four Nights of a Dreamer
A Gentle Woman
Mouchette
Au Hasard Balthazar
The Trial of Joan of Arc
Pickpocket
A Man Escaped
Diary of a Country Priest

Thanks Nestorio! I will likely watch Pickpocket next.

[Jeff Costello]

#1 Citizen Kane (1941) - Orson Welles

In order to prepare for the upcoming 40's countdown, I've decided to start with Welles's classic. However despite fairly enjoying it, the film lacked that "wow factor" for me, which I imagine it has on most viewers to gather such enormous reputation.

First of all, I want to acknowledge, how impressive is that Welles directed, co-wrote, produced at starred in this film, while being only 25 years old. I was especially suprised how convincingly he managed to portray a 60-year old man, while being so young. He was really a commanding screen presence. The problem for me was, that I had no sympathy for Kane's character which ultimately made it hard for me to pity him in the end or even care about his life. So to be quite frank, the film kind of varied into a boring spectrum for me at times, as I just couldn't really care that much about Kane's self-centered, hypocritical and flamboyant persona.

To me personally, Citizen Kane's greatest accomplisment was its gorgeous cinematography, which really left me in awe. Cinematographer Gregg Toland really outdid himself with the fascinating multi-angled shots and masterful change of shadow and light. Especially intriguing, were innovative low-angled shots, which were used in quite a few scenes.

I guess my main objection is, I couldn't really connect nor care for any of the characters. Citizen Kane striked me as a cold and aloof film, I didn't really feel any warmth or emotions from the characters. Perhaps this was made in order to amlify Kane's superficial agendas and inability to truly love anyone. Hence the cold interior and lifeless settings ,as a symbol of his distant coldness.

Despite struggling with the main premise, I quite liked the symbolics at the end. And eventough Citizen Kane didn't really warranted its reputation to me, I have to say that this is a near perfect film from a technical standpoint. Definitely a great accomplishment in cinematography, make-up, special effects and settings. Maybe it'll appeal to me more in the future.

https://media.giphy.com/media/QQ8eSXjzYUrvO/giphy.gif

Rating: 3.5

[Jeff Costello]

#2 I Walked with a Zombie (1943) - Jacques Tourneur

Don't let the cheesy title fool you, this is actually a very solid supernatural horror flick. Also directed by the same man, who directed Out of the Past (1947). It tells a story of a young Canadian nurse, who is sent to a Carribean island to care for a wife of a sugar plantation owner. The wife appears to be in some sort of catathonic state, which culminated under suspicious circumstances." I Walked with a Zombie" wasn't scary or frightening per se, rather than moody and enchanting, with a really hypnotic atmosphere. It was really subtle and mysterious throughout its course and I especially liked the chilling scenes of natives practicing voodoo. I also appreciated how film didn't rely on jump scares at all, instead it let the story and reclusive location of an island to set a creepy and trancelike ambient.

With only being 68 minutes long, this is a rather nice atmospheric and lyrical horror, with some suprisingly good cinematography for its time and budget.

https://68.media.tumblr.com/tumblr_lm34jzE1Rq1qftxp8o1_r1_500.gif

Rating: 3.5

[Jeff Costello]

Skammen aka Shame (1968) - Ingmar Bergman

Truly an electrifying and intense film from start to finish, with mesmerizing performances from Liv Ulmann and Max Von Sydow. Also uncompromising in depicting the emotional destruction of war, shown through a single marital relationship. Pefect from a technical standpoint aswell and once again impressive work by a cinematographer Sven Nykvist. I think this might be my new favourite Bergman and a strong contender for my own personal top 10. Once I rewatch it, I'd like to review it more minutely. Mastepiece !

https://media.giphy.com/media/bKoWTpYY09lNm/giphy.gif

Rating: 5

[cricket]

I agree with you completely on Citizen Kane, and while I didn't quite love Shame as much as you, it's one of my favorites from director Bergman.

Not reading your Zombie review yet; I'm putting it on now as you know.

[re93animator]

#2 I Walked with a Zombie (1943) - Jacques Tourneur

Don't let the cheesy title fool you, this is actually a very solid supernatural horror flick. Also directed by the same man, who directed Out of the Past (1947). It tells a story of a young Canadian nurse, who is sent to a Carribean island to care for a wife of a sugar plantation owner. The wife appears to be in some sort of catathonic state, which culminated under suspicious circumstances." I Walked with a Zombie" wasn't scary or frightening per se, rather than moody and enchanting, with a really hypnotic atmosphere. It was really subtle and mysterious throughout its course and I especially liked the chilling scenes of natives practicing voodoo. I also appreciated how film didn't rely on jump scares at all, instead it let the story and reclusive location of an island to set a creepy and trancelike ambient.

With only being 68 minutes long, this is a rather nice atmospheric and lyrical horror, with some suprisingly good cinematography for its time and budget.


I sound like a broken record whenever someone mentions a Val Lewton production, but if you like that, you should look into Val Lewton's credits. He was the producer behind many very good and... maybe somewhat more sophisticated (?) horror films of the time. My personal favorite is The Body Snatcher. Bedlam and Cat People are cool too. :)

EDIT:
I agree on IWWAZ. I think it's a little boring, but it's all about atmo. I guess that's sort of what I meant by Lewton's 'sophistication.' I wish that zombies were still more inherently connected to voodoo.:(

[Jeff Costello]

I sound like a broken record whenever someone mentions a Val Lewton production, but if you like that, you should look into Val Lewton's credits. He was the producer behind many very good and... maybe somewhat more sophisticated (?) horror films of the time. My personal favorite is The Body Snatcher. Bedlam and Cat People are cool too. :)

EDIT:
I agree on IWWAZ. I think it's a little boring, but it's all about atmo. I guess that's sort of what I meant by Lewton's 'sophistication.' I wish that zombies were still more inherently connected to voodoo.:(

Thanks! I already have Cat People on my watchlist. Will probably add "The Body Snatcher" as well !

[Jeff Costello]

#3 The Uninvited (1944) - Lewis Allen

Well, this wasn't quite what I expected, but it was nonetheless still pretty good. I don't know why, but I thought this would be a classic campy ghost horror, but instead it turned out to be more of a fantasy romance. After first 30 minutes, I completely forgot this was suppose to be a horror, because of its lightheartedness and comicality, and afterwards I was able to enjoy it more, when I realised what kind of film this would be. The cast was good and had nice chemistry, especially Ray Milland and Gail Russell. I quite enjoyed the atmospheric setting of the haunted house by the sea, as it reminded a lot of "The Ghost and Mrs. Muir", which is one of my favourite films. I only wished there was a bit more suspensful and gripping moments, but that could be due to the expectations I had previously. Still a very enjoyable and charming flick !

https://68.media.tumblr.com/389ee9827299a8c5b548866300dc6045/tumblr_nqvofrWk1P1qdm4tlo1_500.gif

Rating: 3.5 -

[Jeff Costello]

#4 And Then There Were None (1945) - Rene Clair

I was really in the mood for some crime mystery flick yesterday. Looking through my 40's list, I realized this was actually Agatha Christie's adaptation and I was really intrigued with the film's plotline. However film turned out to be a pretty big dissapointment. I was mostly bored throughout its everlasting 96 minutes. The film failed to be engaging and gritty. And there was an obvious lack of tense atmosphere and charismatic characters. I was waiting at least for some mind-blowing twist, which ultimately came in the end, but I find it to be pretty bland and messy. It's a shame, this wasn't more sharply executed, because I had high hopes for it.

http://68.media.tumblr.com/040bee8f92236d1440364fde4b65fbba/tumblr_o039yhUtHf1un7cpuo1_1280.jpg

Rating: 2

[escapist]

#3 The Uninvited (1944) - Lewis Allen

Well, this wasn't quite what I expected, but it was nonetheless still pretty good. I don't know why, but I thought this would be a classic campy ghost horror, but instead it turned out to be more of a fantasy romance. After first 30 minutes, I completely forgot this was suppose to be a horror, because of its lightheartedness and comicality, and afterwards I was able to enjoy it more, when I realised what kind of film this would be. The cast was good and had nice chemistry, especially Ray Milland and Gail Russell. I quite enjoyed the atmospheric setting of the haunted house by the sea, as it reminded a lot of "The Ghost and Mrs. Muir", which is one of my favourite films. I only wished there was a bit more suspensful and gripping moments, but that could be due to the expectations I had previously. Still a very enjoyable and charming flick !

https://68.media.tumblr.com/389ee9827299a8c5b548866300dc6045/tumblr_nqvofrWk1P1qdm4tlo1_500.gif

Rating: rating_3_5 -

Is this movie in any way related to the much more recent "Uninvited" starring David Strathairn and Elizabeth Banks ?

[re93animator]

The recent mini-series of ATTWN was pretty awesome. If you're looking for atmosphere, I recommend it. The cinematography in it is gorgeous, and the foggy island is almost like a horror movie.

[Jeff Costello]

Is this movie in any way related to the much more recent "Uninvited" starring David Strathairn and Elizabeth Banks ?

I don't think so. After taking a quick glance at 2009's version plotline, I've noticed a couple of similarities. But I haven't seen it listed as the remake of the 1944's version anywhere online. If it was, I think it was a very loose and definitely much more gory remake.

[Jeff Costello]

The recent mini-series of ATTWN was pretty awesome. If you're looking for atmosphere, I recommend it. The cinematography in it is gorgeous, and the foggy island is almost like a horror movie.

I may check it out at some point. The film was mostly a dissapointment for me, but the series looks very good. I've just watched the trailer and cinematography is indeed gorgeous.

[Jeff Costello]

#5 The Magnificent Ambersons (1942) - Orson Welles

Welles's second directed feature had a much greater impression on me than Citizen Kane. It wasn't really as advanced from a technical standpoint, but I could definitely connect with the characters much more. Tim Holt was terrific playing a young snobbish aristocrat George. At the beggining I thought he was going to be just a one-dimensional supporting antagonist, but was later pleasantly suprised to see the growth of his character. I particularly liked the dynamics he shared with his on screen aunt played by Dolores Castillo. Joseph Cotten and Anne Baxter did fine as well, altough their roles didn't require much range as the previously mentioned. The Magnificent Ambersons had a special sort of nostalgic charm and depth, combined with elements of warmth and poignance. However the film had some apparent editing problems, which were caused mostly by studio interference. I was especially left dissapointed with the film's ending, which definitely failed to live up to film's power. IMO the ending would've been much more effective, if the film ended with a scene of George praying by his mother bed.

It's definitely a shame, that good portion of film's footage was deleted, as I fell this could've been one of the true greats. Nonetheless this is a still a very good film, with occasional touches of brilliance.

http://www.orsonwelles.co.uk/ambersons.jpg

Rating :4+

[Jeff Costello]

#6 The Ox-Bow Incident (1943) - William A. Wellman

The Ox-Bow Incident embodied perfectly what I like in a film. It was short, simple but nonetheless powerful and very much relavant with an important message . It served as a fascinating study of a mob-lynch mentality, told through a devastating story of men seeking for a vigilante justice. The film was written and directed perfectly and featured some really talented cast, like Henry Fonda, Anthony Quinn and Dana Andrews. I was especially touched by Dana Andrew's strong and emotional performance. It is really amazing, how much raw emotion such short film managed to convey. To be honest, I'd be genuinely suprised if this fascinating morality tale missed on my list for 40's countdown.

https://thebestpictureproject.files.wordpress.com/2010/04/oxbow_incident1.jpg

Rating: 4.5 +

[cricket]

I was anxious to see what you thought of that, one of my biggest favorites from the 40's so far.

[Jeff Costello]

#7 A Letter To Three Wives (1949) - Joseph L. Mankiewicz

Very charming and thoughtful film with an impeccable script.

https://www.filmlinc.org/wp-content/uploads/2015/07/LettertoThreeWives2-1600x900-c-default.jpg

Rating: 4

Miracle in Milan (1951) - Vittorio De Sica


I was so happy, when I stumbled across this gem on television. Suprisingly for De Sica, this film celebrates more upbeat side of life and even includes some fantasy elements. Very heartwarming neorealistic comedy !!

http://images1.villagevoice.com/imager/u/original/7634411/milan.jpg

Rating: 4.5 -

[cricket]

That's 1 movie I have on my 40's watchlist and another I had on my 50's watchlist but couldn't find.

[Jeff Costello]

#8 The Children Are Watching Us (1944) - Vittorio De Sica

Story about a young boy Prico ,whose life changes after his mother becomes involved in an affair. Short, simple and effective drama with a great child performance. Not one of De Sica's strongest works though.

https://criticsroundup.com/wp-content/uploads/2015/09/the-children-are-watching-us-still-526x284.jpg

Rating: rating_3_5

#9 Shoeshine (1946) - Vittorio De Sica

A tale of a two young shoeshine boys, who accidentaly become involved in a burglary and are therefore sent in a juvenile prison, where their friendship is put on a test. Truly a heartwrenching film and arguably De Sica's first sign of greatness. It contains a strong commentary on friendship, corruption and children who fall through the cracks of system, similarly to Bunuel's "Los Olvidados", done in a really uncompromising manner. De Sica once again delivers his signature emotionally devastating ending as well. Neorealism at its finest.

http://torontofilmsociety.org/files/2016/05/Shoeshine-620x400.jpg

Rating: 4.5

[Jeff Costello]

#10 Cat People (1942) - Jacques Tourneur

Another horror gem of Val Lewton's production ! At only 72 minutes, Cat People is a neat and investing watch. It does a really good job at building up tension, but always in a very subtle and understated way.

http://i.cdn.turner.com/v5cache/TCM/Images/Dynamic/i232/catpeople1942_678x381_09202013010858.jpg

Rating: 3.5

[Jeff Costello]

I will probly watch "La Ciociara" next, when I catch time. Very excited to explore De Sica's later work.

[Jeff Costello]

Wild Child (2008) - Nick Moore

Silly teen comedy. Cringeworthy at times, although it has its moments.

Rating: 3 -

Mickey Blue Eyes (1999) - Kelly Makin

Pretty much a dumb crime comedy. It was nice to see cameos from the Sopranos crew though.

Rating: 2 -

White Heat (1949) - Raoul Walsh

Very engaging and enjoyable flick with an impecable performance from James Cagney.

Rating: 4 +

Igby Goes Down (2002) - Burr Steers

Shame, I only caught the second part. It looked pretty interesting.

[cricket]

Good to see those ratings for Shoeshine and White Heat as they're both on my 40's watchlist.

[Jeff Costello]

I'm positive you'll love White Heat, Cricket !

[Jeff Costello]

The Wolf Man(1941) - George Waggner

https://68.media.tumblr.com/b5ee9029c24be724e17f8f5eb24166c9/tumblr_oaf60ckkpF1vyky5vo1_500.gif

There's just something about Lon Chaney JR's screen presence that makes me want to see more of his work. Either way, an amazing film!

Rating: 4+

[Jeff Costello]

Did you see it cricket ? I have a hunch you'd like this one.

[cricket]

Yea I actually used to love The Wolf Man but completely forgot about it regarding the 40's countdown. I should watch it again.

[Jeff Costello]

Yea I actually used to love The Wolf Man but completely forgot about it regarding the 40's countdown. I should watch it again.

I figured you'd enjoy this one since you liked supernaturals like Cat People and I Walked With a Zombie. And in my opinion The Wolf Man eclipses both in terms of ambient and performances, while being very well paced and spooky at the same time.

[rauldc14]

I should probably see The Wolf Man as well.

[cricket]

It's probably been about 35 years since I've seen it last.

[re93animator]

The Wolf Man(1941) - George Waggner

There's just something about Lon Chaney JR's screen presence that makes me want to see more of his work. Either way, an amazing film!

Rating: 4.5 -

I've never really liked LCJ too much, but he plays a fun sympathetic villain in Spider Baby. If you haven't seen Abbott and Costello meet Frankenstein (with Chaney as The Wolf Man), get on that sh*t.:)

[Citizen Rules]

I figured you'd enjoy this one since you liked supernaturals like Cat People and I Walked With a Zombie. And in my opinion The Wolf Man eclipses both in terms of ambient and performances, while being very well paced and spooky at the same time.I've seen all three and I Walked With a Zombie is my favorite. If you guys haven't seen it, don't let the title throw you, it's well done and not what you probably think it is.

[Jeff Costello]

Il Sorpasso (1962) - Dino Risi

http://68.media.tumblr.com/9b7714c1bb695c73869d0d43e6242185/tumblr_mi87g92GLC1s36zono1_500.gif

Funny, heart-breaking and thought-provoking Italian road trip comedy/drama with a strong but subtly presented social commentary on transience of life, consumerism and alienation. New personal favourite of mine !

Rating: 5 +

[cricket]

Il Sorpasso (1962) - Dino Risi

http://68.media.tumblr.com/9b7714c1bb695c73869d0d43e6242185/tumblr_mi87g92GLC1s36zono1_500.gif

Funny, heart-breaking and thought-provoking Italian road trip comedy/drama with a strong but subtly presented social commentary on transience of life, consumerism and alienation. New personal favourite of mine !

Rating: 5 +

I put that on my watchlist after seeing your post in the other thread. I've heard of it, but I haven't heard much of it.

[Jeff Costello]

I put that on my watchlist after seeing your post in the other thread. I've heard of it, but I haven't heard much of it.

Awesome! I hope you'll enjoy it.

[Jeff Costello]

The Body Snatcher (1945) - Robert Wise


https://68.media.tumblr.com/896c52088fe31349b0055b33025a0d9d/tumblr_oqomuihxha1v904g0o1_400.gif

First of all, thank you re93animator for the recommendation. I've really found myself enjoying this old school low budget 40's horror flicks, especially the ones of Val Newton's production. The Body Snatcher was of course no exception. I think the final carriage scene will stay engraved in my memory for quite a while. I'll also check out Bedlam, at some point as well.

Rating: 4 +

[re93animator]

The Body Snatcher (1945) - Robert Wise


First of all, thank you re93animator for the recommendation. I've really found myself enjoying this old school low budget 40's horror flicks, especially the ones of Val Newton's production. The Body Snatcher was of course no exception. I think the final carriage scene will stay engraved in my memory for quite a while. I'll also check out Bedlam, at some point as well.

Rating: 4 +

http://i.imgur.com/jLPINcn.gif

Awesome! Early horror is what sparked my initial passion for el cine. Hope there are more to come. :)

[Jeff Costello]

The Shanghai Gesture (1941) - Josef Von Sternberg

https://68.media.tumblr.com/bbbcb526f48b437a5f64bc728c4fc064/tumblr_nu9n81rDVM1rdfgw4o1_r1_500.gif

Campy and stylish noir starring Gene Tierney, Vic Mature and Walter Huston. Definitely has a certain allure to it, but overall quite underwhelming.

Rating: 3 -

[Citizen Rules]

Ohhh...A Gene Tierney film I need to see. I might check that one out.

[Jeff Costello]

Maratonci Trče Počasni Krug aka The Marathon Family (1982) - Slobodan Šijan

Truly hilarious black comedy and one of the classics of Yugoslav cinematography.

http://www.fak.hr/wp-content/uploads/2012/10/Maratonci-tr%C4%8De-po%C4%8Dasni-krug-2.jpg

Rating : 4 +

[Jeff Costello]

I Wake Up Screaming (1941) - H. Bruce Humberstone

A solid "who done it" noir, which benefits greatly from a terrific performance by Laird Cregar.

https://media.giphy.com/media/vZe9OCML8rkNa/giphy.gif

Rating: 3.5

[re93animator]

Maratonci Trče Počasni Krug aka The Marathon Family (1982) - Slobodan Šijan

Truly hilarious black comedy and one of the classics of Yugoslav cinematography.

Rating : 4 +
Added to the list. Thanks!:)


I Wake Up Screaming (1941) - H. Bruce Humberstone

A solid "who done it" noir, which benefits greatly from a terrific performance by Laird Cregar.

Rating: 3.5
Laird Cregar is overlooked. He's great in Hangover Square and The Lodger too. I think he could've been a thriller/horror luminary had he lived longer.

[Jeff Costello]

Added to the list. Thanks!

Awesome ! It's a great film, but I'd say its a little bit sensitive to translation. I was fortunate enough to watch it without subtitles.

Laird Cregar is overlooked. He's great in Hangover Square and The Lodger too. I think he could've been a thriller/horror luminary had he lived longer.

Yes, I agree. His performance was definitely the highlight of the film. I've already seen him in Heaven Can Wait and This Gun For Hire, but this was the first time I really noticed him. Will make sure to check out one of your recommendations !

[Jeff Costello]

The Devil And Miss Jones (1941) - Sam Wood

https://s-media-cache-ak0.pinimg.com/736x/ba/ce/11/bace11573842de79e2d239a16de7b413.jpg

Rating: 3.5

[Jeff Costello]

Nazarin (1959) - Luis Bunuel

Father Nazario is a Roman - Catholic priest, who strives to live a pure and honest life compatible to Christian principles and learnings of the Christ. Because of his kindness and charity, he's constantly objected to hostility and humiliation from the primitive residents of his village. After being forced to leave the village, he continues his mission of helping others and living off of charity with his followers ; a local prostitute and her suicidal sister. But even determined Nazario will fall victim to judgmental society and start to question his faith and emptiness of his own existence in one of the most enigmatic and thought-provoking final shots ever.

http://2.bp.blogspot.com/-y0Qo7ZLGF4k/VPyALSdscNI/AAAAAAAAEV4/JDyURWzOVFA/s1600/1959%2BNazarin.jpg

In my opinion this might be the most personal and touching Bunuel's work. It features common themes in his films like; cynicism towards religion and authority, sexual repression, exploration of poverty and inability to make a change, alongside leitmotives like bugs, animals, freaks and dreams. Also worthwile mentioning that Francisco Rabal's performance is the best I've seen in any Bunuel film. Definitely a masterpiece in my book !

Rating : 5

[Jeff Costello]

Le Silence De La Mer (1949) - Jean -Pierre Melville

Impressive debut by a great director.

https://static01.nyt.com/images/2015/05/24/arts/24HOBERMAN/24HOBERMAN-master1050.jpg

Rating : 4 -

[Nestorio_Miklos]

Maratonci Trče Počasni Krug aka The Marathon Family (1982) - Slobodan Šijan

Truly hilarious black comedy and one of the classics of Yugoslav cinematography.

http://www.fak.hr/wp-content/uploads/2012/10/Maratonci-tr%C4%8De-po%C4%8Dasni-krug-2.jpg

Rating : rating_4 +
i remember only 2 things from yugoslav filmmaking:
- Surda Surdilovic in Vruc Vetar series and that was amazing
- a film from before the conflict (1989 i guess) that was clearly predicting the long suppressed conflicts between Serbs, Croatians and other shyte (dont wanna go into it). It was a great film and i dont remember the title and story. I just know it was great. There was a scene of this bearded man slitting throat to a child

[Jeff Costello]

Ko To Tamo Peva aka Who's Singing Over There ? (1980) - Slobodan Šijan

Cult absurdist comedy which follows an unforgetable bus trip from Serbian provincy to Beograd, just one day before German army occupied Yugoslavia in WW2.

Fabolous script, great directing and brilliant humour ! Alongside "The Marathon Family" and "Balkan Spy", this film is considered to be a part of holy trinity of Yugoslav cinema. Definitely worth checking out !

https://i.ytimg.com/vi/Fj-YCnLd0ww/maxresdefault.jpg

Rating : 4.5

[Jeff Costello]

The Maltese Falcon (1941) - John Huston

Grandiose noir in every imaginable aspect.

http://31.media.tumblr.com/tumblr_mcapwuLnWT1rnm1ldo1_500.gif

Rating : 4.5 +

[Jeff Costello]

The Lady From Shanghai (1947) - Orson Welles

Effective ending prevents this otherwise mediocre noir from receiving even lover rating. What a complete and utter mess this was...

https://68.media.tumblr.com/102d213e1295f71a3ac5197d00d4ab32/tumblr_og9z0lVmQh1uxbwf5o1_500.gif

Rating : 3 -

[Jeff Costello]

Portrait of Jennie (1948) - William Dieterle


Such enchanting and aesthetically pleasing drama packed with fantasy elements and mystery.

https://media.giphy.com/media/90ISvXsYnkVX2/giphy.gif

Rating: 4 +

[Jeff Costello]

Yellow Sky (1948) - William A. Wellman

Beautifully photographed and well acted western starring Gregory Peck, Richard Widmark and Anne Baxter. Definitely worth seeing.

http://2.bp.blogspot.com/-zwgTBxFGr3c/VT_ZZIo_xuI/AAAAAAAAJls/F3K5Sx3IMQg/s1600/GregoryPeckYellowSky.gif

Rating: 4 -

[Jeff Costello]

Dead of Night (1945) - Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer

Wondefully mind-bending set of British horror stories. Recommended to the fans of genre.

http://pa1.narvii.com/6254/d765dd85de8cbd867e0893144f61c19516aa123b_hq.gif

Rating : 4

[nebbit]

Well Jeff :) this is a great thread :yup: some of my favourites :love:

[Jeff Costello]

The More The Merrier (1943) - George Stevens


Set during the WW2 housing shortage in Washingston, this slapstick romance centers around love triangle between two men and a woman sharing a single apartment and the older man who plays Cupid for the other two. First of all, there are two things this film particularly excels in : great script and an immense chemistry between Jean Arthur, Charles Coburn and Joel McCrea. The comedic touch and delievery between the former two was just brilliant, especially manifested through the masterfully scripted "chaotic morning routine" sequence. Truly a hilarious scene !

http://www.ultimatemovierankings.com/wp-content/uploads/2016/11/tumblr_m1uzhtUh1Z1r0w8nbo1_500.gif

Joel McCrea was also very good, as Arthur's love interest. Their chemistry was suprisingly intense, particularly in the "stairs scene", where tension between the two was through the roof. In general, I was really amused by the film's witty dialogue and the funny situations characters found themselves in. I wasn't as impressed with the last quarter of the film, because it was a bit too cheesy for my taste, but honestly this really didn't spoil my enjoyment of the film. Overall, this is a pretty hilarious and dynamic comedy very well worth seeing !

Rating : 4

[Jeff Costello]

The Big Clock (1948) - John Farrow


Ray Milland plays a crime journalist who becomes a prime suspect for the murder his boss (Charles Laughton) commited. Most of the film is focused around the game of cat and mouse between the two, as Laughton tries to sew his murder to someone else and Milland playing alongside while trying to prove his innocence. I thought this was a pretty good crime flick, despite some nonsensical plotlines, which slightly bothered me. Milland was pretty good as desperate, but crafty journalist trying to clear the dirt of his name. And Laughton did a fine job as a methodical and venal antagonist, who is always used to getting what he wants.

https://media1.giphy.com/media/qgvBK76dBbi9O/giphy.gif

The film constantly generated a high level of suspense, which peaked in the last third, when search for the murderer occured during the building lockdown. This certainly added a nice sense of main character feeling trapped which definitely helped to increase the tension. My main complaints were some seeming plot-holes and weak ending that didn't really manage to satisfy me. Despite of it, this is still an above-average crime flick, definitely worth seeing for its suspenseful atmosphere.

Rating : 3.5 +

[Jeff Costello]

Notorious (1946) - Alfred Hitchcock


A daughter of a convicted Nazi collaborator ( Ingrid Bergman) is recruited by an American agent (Cary Grant) to infiltrate an organization of Nazis who have moved to Brazil after the WW2. I've felt about this similarly to majority of Hitchock's work I've seen. Thought it was rather mediocre. Literally no effort was put into developing a romance between Bergman and Grant. Twenty minutes into the film and they were already in love. Kind of ridiculous if you ask me. The performances were mostly iffy, with the exception of Bergman. Cary Grant was just too robotic and expresionless. And the main antagonist (Claude Rains) was pretty bland. His mother (Leopoldine Konstantin) actually looked more menacing than him, which I thought was funny. Because of how spineless and madly in love Rains was with Bergman, I never really got the impression that she was in danger. And even when her cover got blown, there was just a significant lack of suspense. Only tense moment was the final "stairs scene", but the ending itself was pretty inconculsive and underwhelming in my opinion.

https://68.media.tumblr.com/19f31d101078476fc64cf0bb26b2c2ad/tumblr_ocjdk6q0SC1vdqirto1_500.gif

Rating: 3 -

[Jeff Costello]

Ossessione (1943) - Luchino Visconti / The Postman Always Rings Twice (1946) - Tay Garnett

I watched them back to back, considering they're both adaptions of the same novel by James M. Cain. While Visconti's version was definitely more challenging watch, I also found it to be more rewarding and compelling. The main aspect that separated the two was chemistry between the lead actors. Clara Calamai & Massimo Girotti really eclipsed John Garfield & Lana Turner in that area. It is also worth noticing that American version significantly worsened as the film progressed, whereas Visconti's version kept getting more and more interesting. Even though Garnett was more faithful to the book, I actually preffered Visconti's alteration in the second half, because it didn't focus so much on the trial. Ultimately TPART is a more accesible film, but Ossessione has it beat in direction, script, acting and cinematography in my opinion.

https://images-na.ssl-images-amazon.com/images/M/MV5BMTk0MzM4OTI4Ml5BMl5BanBnXkFtZTYwMTE5NDU5._V1_UY268_CR4,0,182,268_AL_.jpghttps://images-na.ssl-images-amazon.com/images/M/MV5BNTUzODE2Mzg3NF5BMl5BanBnXkFtZTgwNTE1MDkxMTE@._V1_UY268_CR0,0,182,268_AL_.jpg

Ossessione - 3.5

The Postman Always Rings Twice - 3 -