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theminutemoviereview
04-25-13, 07:37 PM
Hello fellow movie lovers! I am an infant when it comes to this website and decided to jump right into the deep end. I run my own website and thought this was an appropriate place to share my verbal diarrhea with the masses. First up is "Drive":

Just Enjoy the Ride:

A Review of “Drive”


Car chases are a staple of many Hollywood films and have been for years. There’s nothing quite like seeing a dozen cop cars be toppled over by one extremely talented driver as they weave in and out of traffic leaving multiple explosions and accidents in their wake. This type of scene is typical in an action movie and plays its part in the film. The idea is to excite the viewer and give them something flashy to look at. I hope the title of “Drive” does not confuse you because you will get nothing of what I described, which is a good thing; you get something much better.

As the credits rolled, I felt I had been nudged awake from a very badass dream. From start to finish, this film drew me in without me even knowing it. Between the refreshing but awkward pauses (I’ll get to that in a second), beautifully choreographed car scenes, and the explosive violence, “Drive” felt like a dream I never wanted to wake up from. I would compare it to a train crash happening in slow motion; as bad and horrific as you know it’s going to be, you cannot help but stare in awe. I think the point I am trying to make is this movie kicked ass.

Moving on, let’s start with the story. “Drive” takes place in downtown Los Angeles and focuses on a man aptly named Driver. Really, that’s his name; there is no other indication throughout the film indicating otherwise but I digress. Driver is a dashing young man with driving skills to rival that of some of Nascar’s greats. He uses these skills in his daytime profession where he is a stunt driver for the movies. He also uses his skills for less legal purposes where he plays the getaway car for a wide variety of scumbags. He has one rule for said scumbags; he gives them five minutes of time and anything outside of that time is none of his concern.

From this very simple premise comes a movie unlike anything I have ever seen. Walking into the theatre having read the about the plot of the film, I wasn’t expecting anything really original. A driver falls in love with typical female lead, gets into some trouble with the local crime syndicate, and eventually comes out unscathed with his half-naked prize of a woman hanging off of his arm. When I left the theatre, all illusions of an average movie had been shattered. The beginning of the film starts off very gentle and gives you room to breathe and think. As the film progresses, it steadily gains momentum and quickly for that matter. I can compare it to having the best dream you have ever had, having someone dump a bucket of ice cold water on you and you being glad they did it.

The action in this film is a slap in the face. It is so abrupt and exhilarating that you can’t help but look to the person next to you to validate what you both had just witnessed. The action ends before it evens begins as well. All this aside, it gives the movie this really raw and artsy feel to it and it works on every level.

Now let’s talk about the characters. Ryan Gosling is outstanding in this movie. Never have I been so impressed by an actor who has about as much dialogue as the car he is driving. Despite his lack of speech, he plays his character brilliantly. His character, Driver, is a man of few words and seems to have a lack of emotion at the start of the film. As he becomes more involved with his neighbor Irene, played by Carey Mulligan, he seems to gain a sense of personality. From here, he goes all out and becomes a shadow of his former self. I had not personally followed Gosling as an actor in the past until I saw “Blue Valentine”. He caught my attention in that film as he made me believe that he was a distraught father watching his marriage crumble before his eyes. “Blue Valentine”, along with this film, has made me pay attention to this up and coming actor and his future films. There is something about how he presents his characters that makes you believe he put his heart and soul into his characters.

All in all, “Drive” exceeded all of my expectations. The director, Nicolas Wingding Refn, did an outstanding job directing this film in all regards. He has had recent success with his recent film “Valhalla Rising” and should gain some attention in the industry with this film. The soundtrack was outstanding, giving the film a very retro feel and contributing to its coolness.

Proximity
04-25-13, 07:38 PM
It took me longer than a minute to read that as carefully as one should.

theminutemoviereview
04-26-13, 09:04 AM
:rolleyes: it was my very first review. I had a problem trimming it down, hence me calling it "verbal diarrhea".

theminutemoviereview
04-26-13, 09:32 AM
i guess the bigger question is did you even find it informative? I don't get any feedback on my site so I thought it would be nice to talk to fellow movie enthusiasts.

Cobpyth
04-26-13, 09:58 AM
Nice review of a good film!
What I loved most about Drive was obviously its style and the sometimes unexpected moments, like for example the elevator scene. I love that kind of intense scenes that totally grab me in.
I wouldn't say I was completely blown away by this film, though, but it had some very interesting parts nevertheless. It's certainly a picture that I will revisit in the future.

I think I'd rate Drive 4+

Refn's upcoming film, Only God Forgives also looks awesome by the way.

I'm looking forward to your other reviews and your further opinions about certain movie topics. Welcome to the site!

theminutemoviereview
04-26-13, 06:06 PM
Here's my second review I ever wrote. This may be one of my favorite movies not only for the topic and how it was handled but because it all felt so genuine. Again, I was still having trouble cutting these down mainly because I had so much to say. They get better...I think. Enjoy!


Yes, You Are Allowed to Laugh:
A review of “50/50”


Cancer is a very sensitive topic. It afflicts individuals and their families and causes great pain, both physically and emotionally. Comedy is definitely not something that comes to mind when you think of cancer nor does it seem appropriate. “50/50” attempts to challenge that idea and pulls it off beautifully.
The film begins with a young man named Adam who seems content with life. He has a best friend anybody could ask for named Kyle, a beautiful girlfriend and a job he seems to have an interest in (despite his having to write about volcanoes for his radio station).

One day, he’s getting coffee with his best buddy when he starts having back pain. Upon having it checked out, he discovers he has cancer. As you can imagine, finding out you have cancer at 27 is not exactly the best news, especially when you are receiving it from the world’s most insensitive doctor. Apparently when you go to school to become a doctor, you learn to leave your soul at the door.

Levitt’s portrayal of a young man faced with the realization that his life could end at any day sets up situations in the film that bring a big burly man like myself to tears. Levitt begins the movie seeming generally accepting of his disease, convinced that everything is going to be fine. He has his supportive girlfriend and over-loving mother to help him along with his best friend.
As the movie progresses, he starts to realize that just saying everything is okay may not be enough. From this comes a story filled with a fine balance of comedy and drama, with the actors delivering a performance that this subject matter demands.

Joseph Gordon-Levitt performs beautifully as a distraught 27 year old with cancer. I have said this before and I will continue to say it; Levitt is an actor whose passion for the art of acting comes through in his performances. There were moments in the film where I could not tell if what I was watching was a movie or if I was peering into this poor man’s life.

Rogen plays opposite Levitt as his best friend. Now I am not a huge fan of Rogen lately but his performance in the film is a good balance between his goofy charm and crude behavior.

Overall, the film pulled off a touchy subject with great ease. The director weaved in an out of comedy effortlessly. Nothing seemed forced or awkward unless it was intended. I just hope that people do not see success in this film and decide that cancer is a good topic for comedy. The success of this film hinged on its ability to inject comedy into a dramatic situation without taking it lightly and giving it the proper respect it deserves.