Daniel's Reviews

[Daniel M]

http://img17.imageshack.us/img17/3427/danielsreviewscopy.png


Introduction

I started writing reviews earlier in the year, mainly film but some TV shows as well, I've got my own blog that I do with another person but I want to share my reviews with more people who'll hopefully enjoy them. You'll notice that at the moment the first reviews being posted will mainly be positive reviews of good films, as I go further they'll begin to vary as I watch more films, I started off reviewing the films I like, naturally.

I'll be using this post as an index as I have quite a few reviews to roll out very soon, cheers guys.

Some individual reviews may have different ratings (or use a different system) to what I have listed on this index page, that's probably down to switching systems or slightly amended ratings upon further consideration/viewings.

Film Reviews (In release order, then alphabetically)

Total Film Count: 50

1954

Dial M for Murder (http://www.movieforums.com/community/showthread.php?p=850203) 4.5
Rear Window (http://www.movieforums.com/community/showthread.php?p=839383) 4.5

1955

To Catch a Thief (http://www.movieforums.com/community/showthread.php?p=845800) 3.5

1956

The Killing (http://www.movieforums.com/community/showthread.php?p=859356) 4

1957

Paths of Glory (http://www.movieforums.com/community/showthread.php?p=868616) 4.5
12 Angry Men (http://www.movieforums.com/community/showthread.php?p=842090) 4.5

1959

North by Northwest (http://www.movieforums.com/community/showthread.php?p=845854) 5

1960

Psycho (http://www.movieforums.com/community/showthread.php?p=848341) .5

1964

A Fistful of Dollars (http://www.movieforums.com/community/showthread.php?p=842415) 4.5

1966

The Good, the Bad and the Ugly (http://www.movieforums.com/community/showthread.php?p=841874) 5
Persona (http://www.movieforums.com/community/showthread.php?p=868692) 5

1968

Rosemary's Baby (http://www.movieforums.com/community/showthread.php?p=869018) 4.5
2001: A Space Odyssey (http://www.movieforums.com/community/showthread.php?p=842692) 5

1969

(http://www.movieforums.com/community/showthread.php?p=850174)Butch Cassidy and the Sundance Kid (http://www.movieforums.com/community/showthread.php?p=850174) 4

1973

The Day of the Jackal (http://www.movieforums.com/community/showthread.php?p=854872) 3.5
Live and Let Die (http://www.movieforums.com/community/showthread.php?p=848424) 4

1976

Taxi Driver (http://www.movieforums.com/community/showthread.php?p=827478) 5

1979

Apocalypse Now (http://www.movieforums.com/community/showthread.php?p=846890) 5

1986

Blue Velvet (http://www.movieforums.com/community/showthread.php?p=858706) 4.5
Platoon (http://www.movieforums.com/community/showthread.php?p=846170) 4.5

1990

Edward Scissorhands (http://www.movieforums.com/community/showthread.php?p=842607) 3

1991

Boyz n the Hood (http://www.movieforums.com/community/showthread.php?p=843271) 4.5

1993

True Romance (http://www.movieforums.com/community/showthread.php?p=860571) 4.5

1994

Pulp Fiction (http://www.movieforums.com/community/showthread.php?p=826846) 5
The Shawshank Redemption (http://www.movieforums.com/community/showthread.php?p=828141) 4

1995

The Usual Suspects (http://www.movieforums.com/community/showthread.php?p=827043) 4

1997

Jackie Brown (http://www.movieforums.com/community/showthread.php?p=826965) 4.5

1998

The Big Lebowski (http://www.movieforums.com/community/showthread.php?p=843566) 5

1999

American Beauty (http://www.movieforums.com/community/showthread.php?p=842456) 4.5

2000

Memento (http://www.movieforums.com/community/showthread.php?p=827562) 4.5
Snatch. (http://www.movieforums.com/community/showthread.php?p=850968) 4.5

2001

Mulholland Drive (http://www.movieforums.com/community/showthread.php?p=858253) 5

2002

Road to Perdition (http://www.movieforums.com/community/showthread.php?p=850693) 4

2003

Oldboy (http://www.movieforums.com/community/showthread.php?p=868076) 4.5

2004

Anchorman: The Legend of Ron Burgundy (http://www.movieforums.com/community/showthread.php?p=843079) 3.5

2006

Borat: Cultural Leanings of America for Make Benefit Glorious Nation of Kazakhstan (http://www.movieforums.com/community/showthread.php?p=843114) 4.5

2007

Lars and the Real Girl (http://www.movieforums.com/community/showthread.php?p=860815) 4.5
There Will Be Blood (http://www.movieforums.com/community/showthread.php?p=857619) 5
3:10 to Yuma (http://www.movieforums.com/community/showthread.php?p=842260) 4.5
Wild Hogs (http://www.movieforums.com/community/showthread.php?p=855165) 1

2010

Submarine (http://www.movieforums.com/community/showthread.php?p=848168) 4

2011

Drive (http://www.movieforums.com/community/showthread.php?p=833582) 4.5
The Grey (http://www.movieforums.com/community/showthread.php?p=848187) 3.5
Horrible Bosses (http://www.movieforums.com/community/showthread.php?p=853446) 3.5
Moneyball (http://www.movieforums.com/community/showthread.php?p=906172) 4.5
Rango: Original Review (http://www.movieforums.com/community/showthread.php?p=826879) / Extended Review (http://www.movieforums.com/community/showthread.php?p=861364) 5
Red Riding Hood (http://www.movieforums.com/community/showthread.php?p=856151) 1
Rise of the Planet of the Apes (http://www.movieforums.com/community/showthread.php?p=845989) 3.5

2012

The Dark Knight Rises (http://www.movieforums.com/community/showthread.php?p=828478) 3.5
Django Unchained (http://www.movieforums.com/community/showthread.php?p=878562) 5
Killing Them Softly (http://www.movieforums.com/community/showthread.php?p=873209) 4.5
Looper (http://www.movieforums.com/community/showthread.php?p=895193) 4.5
Moonrise Kingdom (http://www.movieforums.com/community/showthread.php?p=878647) 4+
Skyfall (http://www.movieforums.com/community/showthread.php?t=29974) 4+

[Daniel M]

Film Review #1

http://curatorialcuriosities.files.wordpress.com/2012/02/uma_thurman-mia-wallace.jpg

Pulp Fiction (1994)

Based around the lives of several ‘gangsters’, Pulp Fiction is a unique film, following the lives of various characters who are seemingly unlinked yet often cross each others’ paths, viewing their similar lifestyles through each of their own perspectives. The non-linear storyline, pop music and large use of violence are three traits often associated with Quentin Tarantino and the three certainly serve up a creative and extremely enjoyable film in Pulp Fiction.

*Review contains spoilers*

After watching Pulp Fiction it might leave you confused at a bizarre story containing what may seem filled with unneeded sub-plots , but it’s the bizarre and unusual way in which the story is constructed that makes for such an interesting storyline and makes Pulp Fiction the great film that it is. One way of looking at the plot is that of luck, a factor that appears to largely affect the lives of the characters involved such as Vincent’s death and Marsellus and Butch’s fight/rape, not only bad luck but also good luck such as Vincent’s and Jules lucky escape from six bullets and Jules’ decision not to kill Pumpkin and Honey Bunny. It’s this luck however and the events of the film that allows us to see each characters way of thinking, how they see their lifestyles as acceptable when living as criminals.

The star actor is John Travolta as Vincent Vega in a role that revitalised his career, he plays a man who despite being the ‘main character’ gets killed off seemingly early on in the film (although appears in the final scenes that took place prior to his death due to the on-linear story) showing Tarantino’s willingness to kill off key characters as seen before in Reservoir Dogs, this uncertainty that comes with many twists throughout attributes to an unpredictable story.

The film has a number of important themes that are maintained in many of its chapters, on the way tackling a number of personal issues and moral decisions made by the characters such as Vincent’s decision whether to sleep with Mia Wallace, questioning his loyalty to his boss Marsellus Wallace. The ‘Gold Watch’ chapter features another key theme of the movie, pride as well honour which can be seen mainly through the character Butch, portrayed by Bruce Willis. When Butch is asked to lose his final fight he refuses, unwilling to sacrifice his pride at the request of his ruthless boss, killing a man in the process. This pride for Butch can be seen in the way he holds his father’s gold watch in high regard with him willing to take extreme risks to rescue this item as he attempts to avoid his former colleagues. Despite being perfectly fine with killing a man Butch shows just how much he values a man’s pride and dignity when he decides to eventually rescue his boss Marsellus Wallace (a man who tried to kill him) from being raped after a series of rather unfortunate events.

The films main focus is on the duo of Vincent and Jules who is portrayed by Samuel L. Jackson, a man who takes the decision to retire from the criminal lifestyle following an act of ‘God’s divine intervention’, this is when we begin to see the characters personality and personal beliefs. At the start of the film we see the cold-hearted Jules, killing two men whilst reading out a revised chapter from the bible, Ezekiel 25:17 (Probably the second best Jackson quote behind ‘Snakes on a Plane’, of course), he reveals later that this reading had no meaning to it originally and it is not until after somehow surviving being shot that Jules appreciates his life differently, he sits in the restaurant explaining his views on the eating of Bacon before events lead to him considering a different version of his bible passage that he now realises may have a more important meaning to it. Vince Vega on the other hand seems very ignorant of the way he lives his life, murdering people and taking drugs with him calling for the death of the ‘criminal who keyed his car’, a somewhat ironic and hypocritical quote.

Mia Wallace, portrayed by Uma Thurman is the wife of Marsellus and her main role in the film brings a mysterious feel, the film begins with a discussion between Vincent and Jules about her husband who had allegedly pushed a man off a building for giving her a foot massage but we begin to get a better perspective of her character as she acts as the centre point of the majority of the first half of the film when we see her spend time with Vincent Vega who ends up being tested morally as we see him thinking over whether he should sleep with Mia Wallace and betray his boss or not.

Pulp Fiction wouldn’t be what it is without its ‘meaningless’ scenes such as Jules and Vincent’s discussion regarding ‘The Royale with Cheese’, although these conversations do not serve much purpose and don’t act as a way to advance the plot they are what make Tarantino’s films so enjoyable, the superb dialogue makes Pulp Fiction what it is as we seeh umorous yet perfectly normal conversations betweens the films characters who are ‘normal’ people. Another much talked about plot device is the ‘MacGuffin’ created by Tarantino’s decision to leave the briefcase’s contents unknown, allowing it’s contents to be ‘whatever the viewer wants them to be’. The film uses a whole host of unique creative techniques to achieve a masterpiece instead of following a standard style story filled with clichéd and predictable plot devices and twists that we have come to expect from many films. Tarantino is widely regarded as one of the best film modern film directors. Pulp Fiction is in my (and the majority of other people’s) opinion his best film so far, it is a combination of everything I love about the director, a film created that combines many traits that we now associate with him, Pulp Fiction is perhaps one of the most enjoyable films I have ever seen and although their may be films that better it, if I had to pick one film to watch at any time then this would be it.

RATING: 5

[Daniel M]

Film Review #2

http://static.guim.co.uk/sys-images/Admin/BkFill/Default_image_group/2011/3/2/1299087568355/Rango-004.jpg

Rango (2011)

Rango was awarded the Best Animated Feature Film of the Year at the 2012 Academy Awards , and for good reason. A brilliant animated adventure film in stunning 2D (Yes, 2D, proving that films don’t have to jump on the 3D bandwagon to be successful). Rango is a film based around the main character of that name, a chameleon voiced by Johnny Depp who stumbles upon the town of ‘Dirt’.

Dirt, set in the wild west has two problems, it’s in need of a new sheriff and it’s in desperately low supply of water, in order to tackle both Rango puts himself forward as the town sheriff and hero as he attempts to impress his new friends with his great tales despite being nothing more than just an ordinary chameleon, one tale in particular gains him the respect of the local people as he explains how he defeated 7 men with one bullet.

The film is filled with references to many classic Westerns, in particular the great ‘The Good, the Bad, and the Ugly’ with the visual appearance of the man with no name himself, Clint Eastwood and the villainous snake also appears to be the animal form of Lee Van Cleef. Rango is an animated and more modern take on the classic genre, it takes the parts of Westerns we are familiar with, the aesthetics and overall feel as well as other aspects such as the sound, it then combines these with the modern approach that comes with an animal made Western.

Rango takes on the traditional role of a new Sherriff in town, acting as a hero to solve the town’s problems whilst confronting the local villain in a classic Western-style plot. Every aspect of the film that is made in such stunning detail, ranging from the grungy Western colours used to the small yet great sound effects such as those on the weapons attribute to create a great mix of new and old.

Whilst Rango can be categorised as both a comedy and kids film but I feel that these aren’t it’s two strongest areas, whilst funny in parts (and I feel it achieves what it wants through this) I don’t feel this film particular focuses on the humour side and is mainly concerned with the adventure and emotional side of Rango, a character who looks to prove himself and fit in with the rest of the town. Rango also uses a lot of more mature humour and references that most kids will not get as well as having its fair use of violence, the fact it is an animation that uses animals will mean kids will probably love it but the content of the film itself is probably suited to an older audience. Perhaps another negative is that there are certain parts of the film seems to drag on over a number of scenes and take a while to get going before reaching their climax, meaning that the film is less intense and exciting as it maybe could be.

Overall I feel that Rango is a brilliant modern take on a classic Western style plot, it is constructed extremely well that it feels we are watching a classic Western even though this is an animated animal film, this is achieved with stunning visual effects to create a great aesthetic feel as well as though great use of sounds and also some greatly fitting voices for many characters. In terms of animations, Rango may not be held in the same bracket as the likes of Toy Story and Up in terms of the plot and the connection to the viewers, but it is certainly one of my favourites for its overall feel and story, and how well the it has translated a Western in to an Animation. For Gore Verbinski who has Depp on three Pirates of the Caribbean films before this it seems slightly strange seeing the best combination work with Depp as what is an ugly animal in Rango, the pair are set to work together again in the 2013 film ​Lone Ranger, another Western that Verbinski looks set to take a unique and modern approach and it's certainly a film I'll be looking forward to seeing.

RATING: 5

[nebbit]

Hey nice reviews :yup:

[mark f]

Yes Daniel, good reviews. I'm just wondering if you really think that Pulp Fiction and Rango deserve the same rating or do you maybe need more ratings? Welcome!

[donniedarko]

1. Great reviews

2. Kinda bouncing off what Mark said, how often do you give 4/4?

[Skepsis93]

Pulp Fiction is good? Who knew.

[Daniel M]

Yes Daniel, good reviews. I'm just wondering if you really think that Pulp Fiction and Rango deserve the same rating or do you maybe need more ratings? Welcome!

The rating system is pretty much taken from Ebert, what you've highlighted is perhaps a criticism of it but I feel it works well enough to help me categorise films.

When giving a rating I am not solely rating it on how good overall it is as a film for example if The Godfather is 10/10 I'd give Rango a 7 or 8, the rating I try to give relative to other films in the genre its based in and also what it's set out to try and achieve as a film. When I'm judging Rango I'm giving it a 4 based on the fact that it is one of my favourite modern animations and I love Westerns so I love how it's gave a unique approach to a classic genre, maybe I'm being a bit generous.

[Daniel M]

Film Review #3

http://images.picturesdepot.com/photo/j/jackie_brown-25168.jpg

Jackie Brown (1997)

Reservoir Dogs and Pulp Fiction were my first two Quentin Tarantino films that I watched and I instantly fell in love with him, I watched Jackie Brown with high hopes and I wasn’t disappointed. If you are going to compare the Reservoir Dogs and Pulp Fiction to Jackie Brown then they are totally different films and unlike Tarantino's first two films that are filled with fast-paced, bizarre and 'cool' scenes filled with pop culture references and flashy violence, Jackie Brown appears to be a more mature effort from the director with focuses more on the story's substance as he gives us a well-paced tale filled some brilliant performances from the likes of Samuel L. Jackson, Pam Grier and Robert Forster. For Jackie Brown the characters within the film are key as they each devise their own plans in order to benefit themselves, the story of the film revolves around criminal boss Ordell (Samuel L. Jackson) who uses Jackie Brown (Pam Grier) in order to smuggle a large amount of money in to the country, as we watch the film we eventually see the individual plans from each character combine as the film reaches its climax.

Although different in style, Jackie Brown has some similarities to Tarantino’s other films, first of all it has a crime based plot and we are familiar with the lifestyles of some of the characters. The film also uses chapters to clearly distinguish between parts of the film but unlike Pulp Fiction the story is showed in a linear way which is more suited to the story and the unfolding plans of the characters. The main character of the film is of course Jackie Brown who is portrayed by the brilliantly Pam Grier who is able to hold her own up against ruthless criminals, one of the best scenes that shows her strong character takes place in a bar when she has a discussion with Ordell over the percentage of money she should get from the deal. Ordell Robbie is portrayed by Samuel L. Jackson and he provides another memorable performance a clever guns dealer following his famous performance in Pulp Fiction.

The film lasts almost two hours and a half and this can certainly be felt, some will complain this is too long however I fell that it works well as the story slowly unfolds and the plan becomes more complex as more layers are added by each individual character, I enjoyed the way the film was set out and felt the time allowed the extremely interesting characters to develop, in Jackie Brown there are only a handful of key characters in which we see their own angles, a good decision by Tarantino as he allows them to develop their own personalities and clever ideas unlike Pulp Fiction in which we see double the characters and less character focus. As mentioned earlier the interlinking plots from different perspectives come in to play during the money exchange chapter as each character plays a different role in Jackie Brown’s plan to fool the police and also capitalise on the money available for her own benefit, the majority of the film (at least the first half) is spent building up to this chapter, when we finally reach it the film ups it pace, giving us an exciting and dramatic finale with sudden and unpredictable plot twists resulting in the consequences of each characters' actions being felt. Much like the rest of Tarantino’s films, Jackie Brown has a distinctive soundtrack, this time instead of focusing on a mixture of classic pop we hear a mixture of Soul and R&B that has been chosen to suit the feel of the film and atmosphere, we also see Tarantino work his magic in terms of dialogue, although perhaps more normal he allows the characters to interact naturally and spontaneously based on their own personalities that we have seen developed.

Aside from Jackson and Grier the film sees a number of other great roles played out throughout the film, one of the best performances is Robert Forster as a bail bonds seller Max Cherry who becomes involved in an unlikely relationship with Jackie Brown. Pulp Fiction is famous for reviving the career of John Travolta and Tarantino has seemingly had the same affect on Forster who's career improved after a great performance in Jackie Brown. One man who's career didn't need reviving was Robert De Niro who brilliantly plays the role of one of Ordell’s friends, an ex-convict stoner with a short temper, he becomes mixed up in the money exchange events and becomes increasingly key to the film as it progresses.

After the initial success of Reservoir Dogs and Pulp Fiction, Tarantino was not always praised for his style, often being criticised for his use of violence and lack of substance, instead focussing on style. Jackie Brown completes a trio of great films and a great decade for Tarantino who has proven his maturity and ability as a director with the film.

RATING: 4

[JayDee]

Hey nice reviews :yup:

Indeed. A little too nice for my liking though. You're new here so I'll cut you some slack but you can't be stealing my thunder; I'm the main and best reviewer around these parts. :yup: Exluding Sexy Celebrity of course. And Used Future. Oh and Rodent. And that guy Justin. And.....

:D

Anyway what I'm trying to say is welcome. :) I'm actually in the opposite boat as you, I'm thinking of starting up a blog to try and get my reviews to more people. Although a large degree of that is just having a second source for my reviews in case the board crashed and I lost all my work.

[Daniel M]

Indeed. A little too nice for my liking though. You're new here so I'll cut you some slack but you can't be stealing my thunder; I'm the main and best reviewer around these parts. :yup: Exluding Sexy Celebrity of course. And Used Future. Oh and Rodent. And that guy Justin. And.....

:D

Anyway what I'm trying to say is welcome. :) I'm actually in the opposite boat as you, I'm thinking of starting up a blog to try and get my reviews to more people. Although a large degree of that is just having a second source for my reviews in case the board crashed and I lost all my work.

Haha I'll take the first paragraph as a compliment, so cheers :D When I started a blog was meant to be me and another guy but he hardly posts anything so I just use it myself at the moment, started writing reviews as I have loads of free time and watch too many films, decided to join forums as I decided I wanted more interaction with others who enjoyed films like me.

Was looking through your DVD collection as well, it's brilliant and lets just say if I ever end up having watched or collected that many films I'll be very happy, I'm only 17 at the moment so got loads of time ahead of me :D

Btw now that I'm posting up reviews I've done before do people mind about the pace I roll them out, will probably try and post a few a day to catch up to where I am now if people don't mind :)

[The Rodent]

Nice reviews matey.

I'd have to agree with what the others have said, try adjusting your ratings system. 4 stars gives little Leeway.

I use the basic % system.

Screenplay marks out of 20
Writing (inc Dialogue writing) out of 20
Acting marks (inc dialogue delivery) out of 20
Action (inc choreography) marks out of 20
FX (CGI, Practical etc) marks out of 20

Add up the scores at the end and it should give a relatively close % rating.
I find it's more precise. Just my two-pence worth.


Doing a good job on the overall reviews though matey, have enjoyed reading... keep it up! :)

[Daniel M]

Nice reviews matey.

I'd have to agree with what the others have said, try adjusting your ratings system. 4 stars gives little Leeway.

I use the basic % system.

Screenplay marks out of 20
Writing (inc Dialogue writing) out of 20
Acting marks (inc dialogue delivery) out of 20
Action (inc choreography) marks out of 20
FX (CGI, Practical etc) marks out of 20

Add up the scores at the end and it should give a relatively close % rating.
I find it's more precise. Just my two-pence worth.


Doing a good job on the overall reviews though matey, have enjoyed reading... keep it up! :)

Thanks for the comment, in future I'll give a four star rating then also try to translate it in to a more precise rating using that system and see how it works, I agree it would be better to give an overall score rather than one that's more relative to the film and it's genre/target.

Edit: Tried implementing the system, seems good only one I'm unsure on is FX as it's hard to judge when not a lot is always needed/used but it should be fine :)

[Justin]

Good work. I'll be waiting for a negative review though. Those are more interesting, in my opinion.

[JayDee]

Was looking through your DVD collection as well, it's brilliant and lets just say if I ever end up having watched or collected that many films I'll be very happy, I'm only 17 at the moment so got loads of time ahead of me :D


Thank you very much. :up: And feel free to drop by my reviews thread as well, size up your competition. :D

[Daniel M]

Film Review #4

http://www.pr.com/upload/article_image_1155656564.jpg (http://screenhopping.co.uk/wp-content/uploads/2012/02/usualsuspects.png)

The Usual Suspects (1995)

"The greatest trick the Devil ever pulled was convincing the world he didn't exist"

The Usual Suspects is a film that will leave you thinking long after its ending and one which will become all the more clearer after a second watch. The film follows a group of criminals, lined up together following the hijacking of a truck, they are nicknamed 'The Usual Suspects', a name which is taken from the classic film Casablanca. When lined up all five men protest their innocence, setting out on a revenge mission 'to salvage a little dignity' as put by McManus.

The initial events surrounding the lineup seem irrelevant come the film's ending with the film largely focussing around the plot of criminal boss Keyser Soze, a mysterious character often referred to as 'the devil himself' who sets the men the task of destroying 91 million dollars worth of dope, why has he gave them this task? As they have all stolen from him in the past, although not intentionally/directly, hence they are still alive. The aftermath of the job that is set out to the team is displayed immediately at the start of the film, with it's main star 'Verbal' Kint, portrayed by the brilliant Kevin Spacey reciting the events that have lead to 27 deaths on a large boat. The story is told through a series of flashbacks as Dave Kujan, a tough and intimidating US customs officer portrayed by Chazz Palminteri is determined to get to the bottom of the mysterious case.

*If you have not watched the film then I urge you to stop reading from now on, spoilers below.*

Following the film's end you'll be left kicking yourself in frustration yet amazed at perhaps one of the most famous twists ever in this fantastic thriller hence my recommendation of a second watch where everything should become so much clearer in terms of the plot including subtle clues and the film's great attempts to divert (successfully, at least in my case) you from the truth.

Upon initially thinking over the film I was immediately impressed by what I had seen, when writing a review I like to research and read over reviews to ensure I understand what I am writing and I have noticed that The Usual Suspects comes with mixed reviews. Many have criticised the ending and the film itself, I remember reading a piece of work from Roger Ebert that talked about the idea of the film having 'a lot of icing but not enough cake' and that the idea of the plot itself is implausible, why would a man like Keyser Soze feel the need to reveal all this information to the police before getting away? Whilst such arguments are valid I feel that in order to watch a film like this you just have to accept the circumstances created as the truth and go along with them, some are able to do that but some find them too implausible and hence dislike the film, my theory is that Keyser Soze had finally had finally got rid of the one last person who could testify against him, he didn't have to tell the made up story tto the police but he wanted to, one last 'f**k you' to the men who had come so close but never caught him.

The five 'suspects' are a mix of personalities, one of the film's main strengths is its acting and each character and their different styles are portrayed brilliantly, complimenting each other greatly. Aside from Kevin Spacey, who is undoubtedly the star of the film, there is ex-criminal turned straight Dean Keaton portrayed by Gabriel Byrne who pulls of the role of a cold-hearted murderer turned businessman and husband extremely well, one criticism of his story is that I felt his relationship with criminal lawyer Edie Finneran is left under-explored, with his wife only appearing a few times throughout the film, leaving the emotional side of a man with two sides being left used not as well as it potentially could of in a film like this. One particular scene with Keaton and Finneran in which he is seen overlooking her before leaving seemed particularly odd and out of place. Stephen Baldwin plays the role of the loud-mouth and extremely cool McManus, probably the biggest 'criminal' of the five and the original creator of the plan for revenge on the police. Baldwin who I have admittedly not seen that often as an actor plays this role to perfection, achieving a great look for a cool and relaxed criminal. Benicio Del Toro then plays the role of Fenster, McManus' criminal partner and does very well in his role although he is not as prominent as the others, then finally there's Kevin Pollak as Todd Hockney, who manages to pull of his role of a dramatic criminal extremely well, another strange yet rather funny reveal later in the film is that he did actually hijack the truck from the beginning.

Aside from the five usual suspects, one of the best roles portrayed in the film is Pete Postlethwaite as Kobayashi, the famous actor is exceptional in his role as an extremely calm and well spoken lawyer with a strange accent, he does a great job in portraying both his cool and composed side as well as his criminal side with the character showing his vicious side on a number of occasions, one particular scene when this can be seen hears him threaten to 'only castrate' McManus' young nephew.

As well as the fantastic acting throughout credit has to go to both Christopher McQuarrie who's plot will be remembered for it's dramatic twist, as mentioned earlier some will criticise the films plausibility but for most viewers the film has seemed to having a lasting and enjoyable impact. If you can criticise the actual plot then you'll find it difficult to criticise Bryan Singer who directs the film brilliantly, telling the story fantastically through the use of two interlinking perspectives, the flashbacks of the five men and the interrogation of Kint which reaches its climax in the film's famous ending.

The film has a combination of all the ingredients needed for a successful and enjoyable film, the plot is very interesting and directed as well as it could be, the use of subtle details that become evident with multiple viewings are very good, and then there's of course the dramatic ending which makes for a must watch for any mystery/thriller fan.

RATING: 3.5

[mark f]

Do you know we have the popcorn box rating here?

0
0.5
1
1.5
2
2.5
3
3.5
4
4.5
5

You can also add + or - to the end of your popcorn ratings. It's kinda nice and fun and gives one a few more ratings than Ebert :cool:. Personally, I use a 1-10 rating scale, but technically it's broken down by tenths (0.1), but I don't use that around here because my personal reasons for breaking down ratings that precisely would mean absolutely nothing to almost anyone else. I think Rodent's percent scale works well for him, but I also think there are more than five ways to rate or interpret a film and that you cannot possibly approach every film with the same scale. I mean, I try to do it, but it's impossible when films come at you from so many different perspectives. Shut up, mark!

Sorry I hijacked your thread, but I was mostly trying to tell you about our rating system here and how to use it if you'd like. Just quote my post here and it will show you how I made all the popcorn ratings.

Keep up the good work.

[Daniel M]

Film Review #5

http://burksta.files.wordpress.com/2012/04/taxi09.jpg (http://screenhopping.co.uk/wp-content/uploads/2012/03/taxidriver.png)

Taxi Driver (1976)

“Someday a real rain will come and wash all the scum off the streets”

Taxi Driver, in not only my opinion, is one of the best films ever made. A masterpiece in directing from Martin Scorsese and memorable acting including a fantastic performance from Robert De Niro make Taxi Driver a great film and Travis Bickle one of the greatest characters in film history.

Despite the films popularity and largely positive reviews I have heard many criticise the film, in fact whilst watching it with my younger brother, he himself felt disappointed at what he saw. Whilst not agreeing with him and others, I can understand why people may see the film in that light. Unlike a lot of films Taxi Driver isn’t your usual violent filled action/thriller, instead Taxi Driver is a more drawn-out, psychological study of a man the majority of people can connect with in some way or another, a story of rage building up inside a man.

Travis Bickle is a war veteran and suffers from insomnia, this leads him to taking a job as a taxi driver to keep him occupied at night. Whilst watching my brother commented that the scenes were ‘boring and long, with nothing of interest happening, that the storytelling provided little entertainment or excitement, with no significant or exciting twists’, but this should not be viewed as a negative, instead the film is showing us an accurate portrayal how the empty and lonely Travis feels, a nobody who wants to be somebody, who is fed up and wants to take action against ‘the scum of the streets’.

This film may not appeal to some people who view Bickle’s life and behaviour as unacceptable and disturbing but although you may not be able to reason with his actions, you can definitely understand why he chooses them. The dark atmosphere, complimented by a deep and chilling score by Bernard Herrmann that only further adds to what is a living hell for Travis as we view his is spiral in to madness.
I think everyone has a bit of Travis Bickle inside them to some degree, rage against things we see as unacceptable in modern society which makes the film so brilliant, resulting in it having such a deep impact on the viewer. But it’s not just Robert De Niro who performs so brilliantly in the leading role, with the young Jodie Foster giving a performance well beyond her age as a young prostitute named Iris. The film also sees the now more well-known young duo of Albert Brooks and Harvey Keitel as well as a delightful cameo by the director himself, a young Martin Scorsese.

Cybill Shepherd plays Betsy, a key figure in the life of Travis, a young woman whom Travis is in attracted to. His awkward social skills are shown with the way he acts around woman, part of his lonely and isolated life. In one of the film's scenes of the film he takes Betsy to a porn cinema, unaware that this may be viewed as an unusual thing for a woman. Travis’ ignorance is also shown through his lack of knowledge for politics and it is this ignorance that leaves him later angered and confused, left unable to comprehend why he has faced rejection from Betsy who is so willing to show loyalty to Palantine, a local senator. There appears to be a general anger towards women from Travis who is unable to understand why they are willing to remain loyal to others, this is also shown later in an equally great scene in a café with Iris where she chooses to stay loyal to her pimp Sport despite clearly being angered by her lifestyle as a prostitute.

​*Spoilers in the next three paragraphs, skip if not seen film*

This personal anger leads Travis to self-destruct, taking action in to his own hands, creating one of the greatest film endings as he goes on a violent rampage. It’s the final scene’s irony and message that are left long-lasting in the minds of the viewer. Seemingly seconds away from killing the senator Palantine (likely due to Betsy’s rejection of him), Travis gets a ‘lucky’ escape before going on to kill ‘the scum’ including Sport, before saving Iris, completing an ironic turnaround.

Scorsese has said that the Mohawk hair style that Travis appears with in the final scenes is a sign used by soldiers who knew they were going in to certain death. But things do not turned out as planned by Travis who comes out of the killing spree as a hero after returning Iris to her parents. From possibly assassinating a senator and being known as a psychopathic murderer, Travis is now a hero of society, hailed for his actions of saving Iris.

This ending is followed by a scene where Travis gives Betsy a lift in his taxi, a woman he had formerly loved before being rejected, this time he rejects her. This seems to complete Travis' turnaround showing that the events may have had a positive affect on Travis who is now respected and not seen as a disturbed psychopath. However this feeling is short-lived in the final moments and one of the best in the film as Travis looks at ‘his own eyeballs in the mirror’ before being disgusted by what he can see in himself, suggesting that Travis is indeed not a changed man and this glory and respect he has achieved was purely through luck and is not deserving, these actions were not those of a hero doing the right thing, but a very dangerous psychopath, reminding us that the events could have lead to a completely different fate for the taxi driver and that Travis may attempt such dangerous actions again in the future where he may not turn out so lucky.

A combination of a brilliantly directed story, fantastic acting in which a variety of psychologically interesting characters are portrayed, mixed with a brilliantly chilling soundtrack makes Taxi Driver one of the most deeply affecting and emotionally thrilling films of all time. A masterpiece from Scorsese that is still seen as relevant and as breathtaking many years after its creation.

RATING: 4.5

[Daniel M]

Film Review #6

http://www.filmenator.com/images/memento12.jpg

Memento (2000)

Christopher Nolan is largely regarded as one of the most talented modern directors for his work during the 21st century particularly with both The Dark Knight and Inception, two of the most popular and highly acclaimed films in recent times. Perhaps less well known than those two films, ‘Memento’ is a film many people will rate equally as good if not better than them with the film providing a mind-boggling and extremely interesting plot.

Memento follows the story of Leonard Shelby, a young man who suffers from short term memory loss following an ‘incident’ in which his wife was viciously attacked and killed. The story is shown in an interesting way, one which keeps you thinking as two stories unfold in opposite directions as we delve deeper in to Leonard’s live, finding out more clues as we put together the Memento puzzle. The film is not shown in a non-linear way not directly because of Leonard’s condition as you may have expected but instead to keep us thinking and confused, we truly have no idea of what has happened (or happening), in a way it forces us to think like Leonard, we are trying to piece together little bits of information we remember from scenes to get us to the current situation whilst he tries to look at his polaroid photohraphs to understand his current situation and what he is doing.

Leonard is portrayed by Guy Pearce as a strange and curious man who uses a series of notes (on Polaroids) and tattoos to help him deal with his condition and track down his wife’s killer, Pearce is excellent in his role here giving us a startling performance as a mysterious and damaged character. His tattoos include a series of clues or ‘facts’ revealing information about his wife’s killer and his notes are attached to images of various common characters and places to help him remember them.

The film explores a number of complex and equally as mysterious characters such as Natalie portrayed by Carrie-Anne Moss, she according to Leonard’s note will ‘help him out of pity’ and although she originally takes advantage of his condition, manipulating him for her own amusement, she then seemingly develops a genuine want to help him on his quest to track down his wife’s killer.

Teddy Gammell is another key character and possibly the most mysterious in the film, even after the film has finished you’ll be thinking long after just what Teddy’s motives were and what of what he says is actually true? He is portrayed by Joe Pantoliano (he had also worked with Carrie-Anne Moss the previous year in The Matrix) who gives a great performance as a character that is constantly involved as the mystery unfolds, we are constantly changing our thoughts and opinions of the character who shares an important relationship with Leonard, we know that the more we find out regarding the identity of Teddy and what are his intentions then the closer we get to uncovering the truth regarding Leonard.

*Possible ending spoilers in next paragraph*

The ending leaves the absorbing mystery is seemingly unsolved and its lasting affect on the viewer will almost definitely be felt after viewing as you try yourself to put together the pieces of the puzzle you’ve just watched, to attempt to work out the truth. Are Leonard’s versions of the past to be trusted? Is Sammy Jankis really who Leonard says he is? Or is Leonard simply creating his own puzzle to keep his mind occupied, destroying information that he wants to forget and creating his own clues to work with.

Memento is an enthralling and absorbing tale, a mysterious world filled with a mixture of mysterious characters, a puzzle displayed to us by Nolan, made in such a way that you’ll be both fascinated and confused by what you’ve just seen come the film’s end. Whilst some may find it uninteresting and confusing but the film is meant to be confusing and you must focus and take in every detail of the puzzle, you have to sit back and appreciate Nolan’s work, he’s been creative in his idea for the film, it’s unique, fresh and above all engaging. A must watch for any mystery fans.

RATING: 3.5

[nebbit]

I am a big fan of Guy Pearce :yup:

[Daniel M]

Film Review #7

http://www.moviemoviesite.com/Films/1994/shawshank_redemption/shawshankredemption1.jpg

The Shawshank Redemption (1994)

Everyone has those ‘great films’ that everyone seems to love and go on about yet they have not seen them themselves, top of the IMDB ratings list and talked about by many of my friends – for me ‘The Shawshank Redemption’ was one of those films. The film follows the tale of two men together in Shawshank Prison, Andy Dufresne (Tim Robbins) and ‘Red’ (Morgan Freeman). The film is a narrative of Andy’s life in prison, told through the eyes of Red, a man who has spent almost his whole life there.

The tale that is told is as the film’s title suggests, one of redemption as well as the development of friendship between Andy and Red. The film’s tale of redemption is a relatively simple one to follow although it is how this tale is told that makes the film so powerful to the viewer. Each scene feels compelling and powerful, each treated with the same respect, with great detail and emotional depth with almost every sub-plot explored, the acting is brilliant and the viewer feels exactly what Andy has to suffer.


Throughout the film we become accustomed to prison life, the brutal treatment from the warden and the officers, the harsh life that becomes inevitable to Andy who accepts he will be beaten and taken advantage of. Despite the harsh realities of prison life Andy seems to take battle on, living a happy life at terms with what he now accepts despite insisting his innocence, he makes the most of life happily helping out those around him and willingly taking on board huge projects for himself such as the warden’s (Bob Gunton) financial work, the prison library and the education of a young prisoner Tommy (Gil Bellows).


The film is shown powerfully through emotional development through the characters and the great attention paid to its scenes, and unlike others which you see filled with fast-paced scenes and computer effects, the focus is not on that but instead the message that is displayed through the great work of Frank Darabont. It’s the touching effect that the film has on the viewer that sees it held in such high regard by the majority and see it top film lists such as ‘IMDB’s Top 250’. The adaptation is brilliant and Darabont gives us a great portrayal of the harsh prison life that is shown accurately through well-paced scenes and perfect acting.


The film’s ‘twist’ is great, and acts as an explanation as to Andy’s behaviour inside the prison, how he has come to accept and is willing to live the harsh prison life despite protesting his innocence knowing that he’ll have to endure the torture if he wants to come out as planned. But the film is not just your typical fairytale or happy prison escape, although redemptions are completed it is shown that life outside is not everything you may expect and that itself can be harsh, uncertain and challenging. This is shown through James Whitmore’s fantastic performance as Brooks Hatlen, a man who has become so accustomed to prison life that he finds himself unable to cope with the outside world.


The Shawshank Redemption failed to win a single Oscar after being nominated for seven, with it being in competition to other great films such as Pulp Fiction and Forrest Gump. I personally regard Pulp Fiction as one of my favourite films and almost everyone loves Forest Gump like many others but The Shawshank Redemption is different, it has been more successful after release following initial failure at box office and I think that’s because the story appeals to everyone, like I’ve said it’s powerful, compelling and it has seems to effect everyone with its warm and heart-touching story, it has grown based on its affect on people who will discuss and recommend it to others.


Is The Shawshank Redemption the best film of all time? Probably not, but that certainly doesn’t mean it’s undeserving of the high praise it receives. A masterpiece for what it intends to be, an emotional and compelling tale that is told in a beautiful way that you’ll struggle to find in many other films. This film is one that appeals to many for good reason and if you’re one of those people who haven’t seen the film yet, then I certainly recommend you do.

RATING: 4

[nebbit]

Nice review of a great movie :yup:

[Daniel M]

Film Review #8 (got a few more reviews to get to current time but thought I'd post this anyway as I've just seen it)

http://cdn.screenrant.com/wp-content/uploads/dark-knight-rises-bane-deta-570x271.jpghttp://cdn.crushable.com/files/2012/08/bane-backstory-back-scar2.jpg

The Dark Knight Rises (2012)

The Dark Knight Rises is a solid ending to a great trilogy from Christopher Nolan. Whilst by no means bad, I just didn’t feel the film was a strong as its predecessors for a number of reasons, in this film Nolan has stretched out a story in to almost three hours, the first is largely focussed on getting us up to speed after an eight year jump, looking at the hurt of such characters as Bruce Wayne, the second is largely one of pain as we as the viewers feel through Bane’s success and Wayne’s exile, the final part of the film is its strongest and brings a fitting end to one of the best trilogies there has been.

Starting with the films’ positives I feel that we saw a much better performance from Christian Bale as Bruce Wayne as the film focussed much more on the emotional side of the character than it had in The Dark Knight. If you watch Batman Begins and miss out the second part of the trilogy then the two seem more of a pair in my opinion in terms of the development of Batman himself.

The film also saw a very strong supporting cast as Michael Caine gave another great performance as Wayne’s butler Alfred with many emotional scenes shared with the actor. We also saw Anne Hathaway silence her critics with a good performance as Catwoman, I was initially concerned with how this character would work in conjunction with the main plot and thankfully I feel Nolan got this character spot on like he has with many others. The star of the show for me though was Joseph Gordon-Levitt in a very strong performance as the young police officer Blake, his character becomes increasingly involved as the film progresses.

Following the Oscar winning performance by Heath Ledger in The Dark Knight people were always going to pay close attention to the villain in this film. Tom Hardy plays the brutal Bane, a character whose figure is similar to that portrayed by Hardy in Bronson. Bane is what you’d expect from a scary looking masked villain, his character is cold-hearted and pure evil. Although the character’s past is explained his emotional side seems to be left largely unexplored, he brings little character or personality, his motives are also somewhat odd – he targets the upper classes of society with attacks on a football game as well as the stock market but then he also claims that his goal is to complete the work of Ra’s Al Ghul from Batman Begins which seems strange considering that his plan was to destroy a city he saw was beyond saving yet Gotham City has seen 8 years of peace.

Elaborating on some of my original points, I think Nolan’s tried to too hard with his final piece, he’s tried to make it a well-paced emotional study of Batman, he’s tried to focus on his suffering and then on his rise using almost three hours of screen time to create a epic conclusion. The length of the film means it takes a while to get in to the action (although it is probably worth it) and that when we are watching scenes of suffering we feel the pain as viewers, although this is probably the idea. I won’t speak about the ending at all, that’s not fair for those who haven’t seen it.

RATING: 3

[Daniel M]

http://static.guim.co.uk/sys-images/Guardian/About/General/2011/9/14/1315997543282/ryan-gosling-in-drive-007.jpg

Drive (2011)

Drive is one of my favourite films post-2000, a film that in my opinion was definitely worthy of more than 1 Oscar nomination. The film is focussed around the mysterious life of a Hollywood stuntman who is also a getaway driver as he gets mixed up in the brutal criminal world. The feel of the film is brilliant with Nicolas Widning Refn’s cinematography creating a wonderful neo-noir style film with a fantastic 80’s atmosphere that is aided by Frank Martinez’ wonderful score.

The plot revolves around the life of Ryan Gosling who is excellent in his mysterious role; he befriends a young mother Irene (Carey Mulligan) whose husband returns home from jail. After watching the first part of the film you’ll probably have expected it to pan out as a romance story between the Driver and Irene as he saves her from her abusive husband Standard (Oscar Isaac), instead we get something quite different with Standard proving a rather charming and likeable father who seriously looks to have left his criminal lifestyle, the Driver agrees to help him carry out one final task for men he owes money – but not everything goes to plan.

A line I often see mentioned with the film is its tag line ‘There are no clean getaways’ and that is certainly the most appropriate description of what unfolds as the Driver sees himself become head-hunted by criminal bosses Bernie Rose (Albert Brooks) and Nino (Ron Perlman), the film is ultra-violent and very brutal so it is understandable why some may be uncomfortable watching it.

Elaborating on an earlier point about Ryan Gosling’s excellent performance, some may criticise the character’s lack of emotion because he rarely speaks but this only adds to the mystery of just who he is. Gosling creates a calm and charismatic character whose past we know nothing of and he simply does what he needs to now, what we see are strong outbursts of violence from the character as a result of the plot that unfolds with him trying to protect his friend Irene, he carries the burden of her husband’s death with him throughout the film and feels he has a degree of responsibility to protect her.

Nicolas Winding Refn is one of my favourite directors and one that should certainly be watched in the future, in Drive he has taken classic neo-noir style and has put his own print on it, he reminds me of Quentin Tarantino whose works are often inspired by classic films/styles (Samurai, Westerns etc.) yet he finds a way to make them his own.

RATING: 4

[Watcher545]

Great review,
I agree, this was a fantastic film and really kept you thinking as the story unfolded. Ryan Gosling did a good job. To be honest, he frustrated me a little at the beginning of the film because I like to get to know my characters but he wasn't giving anything away. However, as the film progresses I think we do get to know him as we see his good nature shine through.

I highly recommend this one.

[nebbit]

Quite like this one :yup: have purchased it :)

[Daniel M]

http://stephanieharrietwhalley.files.wordpress.com/2011/09/378-2.jpg%3Fw%3D545

Rear Window (1954)

Considered one of Alfred Hitchcock’s best films, ‘Rear Window’ follows the life L. B. Jeffries, portrayed brilliantly by James Stewart as a man trapped inside his own apartment following a leg injury. Temporarily in a wheelchair, the frustrated photographer spends his days staring outside of his rear window, observing the events of those around him, finding himself the witness of what he believes to be a murder.

Grace Kelly plays the part of Jeffries’ partner, Lisa Fremont as Hitchcock introduces us initially to the lives of the film’s main characters for which we spend the majority of the first part of the film getting to know. It’s through an incredibly detailed set, natural sound and great, natural shots that the viewer becomes involved in the film. Disabled, unable to move and only being able to see, from a distance, the actions of his neighbours, Jeffries’ feels trapped and frustrated and his emotions can be felt in the way the film is displayed.

Hitchcock, known as the master of suspense certainly lives up to this title in the film. Throughout we see the characters left in worrying and potentially dangerous situations, the viewer feels exactly like Jeffries on looking from a distance at situations developing beyond any type of control, wanting to intervene but ultimately being prevented to do so, frustratingly.

The set and camera-work is utilised to the best it can be by Hitchcock who uses Jeffries’ position ‘spying’ on others to explore a number of interesting sub-plots such as Miss Lonelyhearts lonely life, in one great scene she is scene acting out a dinner with herself, raising a glass to herself, an action mirrored by Jeffries who is watching.

‘Rear Window’ combines a mysterious thriller with romance, with a slight humorous and ironic feel as well. But the film is far from being violent; it’s not a film in which the crime is a spectacle for the viewer but instead one that crime creates an eerie and worrying atmosphere through the mysterious and unknown possibilities. Raymond Burr as Lars Thorwald gives a chilling performance, he is not needed to display himself emotionally for the majority which only builds up our expectations of the mysterious character before the film’s final scenes occur, and the truth is revealed.

Hitchcock’s ‘Rear Window’ is a great film and an extremely entertaining one to watch for so many reasons with great acting, brilliantly efficient use of a seemingly limiting set/location through excellent camera work and shots which help generate a mysterious and worrying atmosphere, creating suspense that builds up for the film’s final scenes.

RATING: 4

[nebbit]

One of my favourites :yup:

[Daniel M]

http://3.bp.blogspot.com/_exPqUW8jlu8/SBpUubgFpMI/AAAAAAAAABg/9B_LduvAf_k/s320/TucoGBU.jpg

The Good, the Bad and the Ugly (1966)

Part of the ‘Man with no name’ Trilogy, ‘The Good, the Bad and the Ugly’ is the third film produced by Sergio Leone in which Blondie (The Good, portrayed by Clint Eastwood) and Tuco (The Ugly, portrayed by Eli Wallach) form an uncomfortable alliance in the hunt for gold in a race against Sentenza/Angel Eyes (The Bad, portrayed by Lee Van Cleef).

The film is set around the time of the American Civil war, and despite being the third instalment of what has become known as a trilogy, it is the first chronologically. The three films are not connected in any way other than the mysterious man with no name and can be watched in any order without spoiling each other although many will recommend them in the order of ‘Fistful of Dollars’, ‘For a Few Dollars more’ and then finally ‘The Good, the Bad and the Ugly’ simply for the reason that we can view Sergio Leone’s progression as a director, each film arguably outdoing each other, with ‘The Good, the Bad and the Ugly’ often regarded as his best ever film.

Throughout the film such an atmosphere is created that the viewer can feel the uncomfortable tension generated from the uneasy relationship of the characters, although some scenes feel tough and possibly slow, Leone uses his environment to maximise such feelings such as the scene where Tuco drags Blondie through the desert, close to death.

Having viewed the extended version of the film, I am yet to view the cut version and with some great scenes being cut such as the alcoholic union officer I find it hard to understand why such scenes would be. The film can possibly be divided in to two halves; the first is a more longwinded insight in to each three of the characters as Leone introduces us in to the lives of each, the second sees more fast paced action as the chase for gold accelerates, with the unpredictable characters competing against each other for a $200,000 dollar reward.

Although Clint Eastwood is often regarded as the main character and the face of the film, Tuco finds himself having far more dialogue than his partner in what is a fantastic performance by a criminal who as the film title suggests, shows many ugly characteristics, however we perhaps find ourselves feeling sorry for a man who seems to show genuine emotions in certain scenes such as when he meets his brother, the head of a church.

No review of ‘The Good, the Bad and the Ugly’ would be complete without a mention for Ennio Morricone who adds magical and often haunting music that creates some fantastic and dramatic scenes. The film features probably one of the best musical scores ever for a film and Morricone’s music is regarded as one of best features of Sergio Leone’s Westerns.

The final, inevitable scene emerges as the result of all these fantastic ingredients, fantastic acting and each character’s attitude can be seen, Leone uses his close-up and dramatic style and Morricone compliments it brilliantly with his fantastic music. The film is in my opinion Leone’s greatest ever film and possibly the greatest Western created.

RATING: 4.5

[nebbit]

Great movie :up:

[akatemple]

http://static.guim.co.uk/sys-images/Guardian/About/General/2011/9/14/1315997543282/ryan-gosling-in-drive-007.jpg

Drive (2011)

^^ Loved this movie, great review.

[Daniel M]

http://cinemasights.files.wordpress.com/2010/03/12angrymen-position.jpg

12 Angry Men (1957)

“12 Angry Men” follows the trail of a young man whose life lies in the hands of the jury, 12 men who each have their own prejudices and preconceptions that influence their voting throughout the process.

Directed by Sidney Lumet and set in his favourite New York City, the film takes place entirely in the court room on what is the hottest day of the year. We do not see the trial take place but it soon becomes clear how the earlier events unfolded.

At the start of the film it appears that from the trial and the facts given the young man is almost certainly guilty. With 11 men willing to immediately vote guilty it is Henry Fonda who goes against the majority, voting not guilty as he is not willing to accept the verdict so easily, convinced that a much better job could have been done by the incompetent lawyer, with many questions that he wants answered.

When questioned over his decision to vote not guilty and whether he actually thinks that the young man did not kill his father, Fonda explains how although it is very likely he did kill his father it is also possible that he did not as he attempts to change the votes of his fellow jurors, explaining that the decision should not be taken lightly and that to vote guilty they must have no reasonable doubt.

Each Juror takes their turn to explain their own view of what happened as it soon becomes clear that the evidence provided in the trial has left many holes, resulting in many questions being asked and causing doubt over the plausibility of much of it.

After watching the film by brother said to me how he would have preferred to know what actually happened and whether or not the young man did murder his father. I disagreed with him, this film is not a murder mystery where there is a given conclusion gained from piecing together pieces of the puzzle. Guilty or Not Guilty, it is still incredibly likely that the young boy did kill his father however this is not the point, as Fonda reiterates throughout the film ‘it is possible‘ that he did not and due to the poor work of the young man’s lawyer there is enough room for reasonable doubt.

Although Fonda is the only ‘big name’ star to appear in the film, each juror is portrayed superbly, all as very different characters. We see the very brave old man, Juror #9 who is willing to support Fonda in the possibility of the young man being not guilty. We see Juror #3 who is adamant of the young man’s guilt throughout with is own personal relationship with his son resulting in an emotional scene towards the film’s end. Then we have Juror #7, a man whom from the start of the film is more concerned over a baseball game than the case itself and is willing to switch his vote that could result in the life and death of a man simply because he wants to speed up the process. A lot of the opinions throughout are based on racist preconceptions as the young man is constantly referred to as ‘one of them’ as his tough upbringing is criticised, we see Juror #10 unleash a racist attack as he votes guilty towards the end of the film, this is to the disgust to the rest of the table who leave the table and turn their backs on the man.

As the film is set entirely in one room, it relies heavily on the visual work of Lumet who uses a variety of camera and lens techniques to attribute to the feel and increase the tension in the room. We see the camera close in on the Jurors as the film goes on, and different level shots used effectively such as the close up view of Juror #9 at the beginning of the film as he tries to express his point to the other men. The film continues many memorable scenes in addition to the breakdown of Juror #3 and the racist rant of Juror #10, perhaps my favourite of the film is the switch-knife scene with Henry Fonda.

The film is unlike many modern films that rely on fast paced, action filled scenes. An extremely intelligent plot with great use of various shooting techniques makes this a very clever and enjoyable film – a masterpiece that is seen by many as one of the best of all time.

RATING: 4

[GrahamBlake1984]

I just want to say I have read through this thread and I really enjoyed it. The reviews are all great, and it helps that I love most of the movies you have reviewed, apart from Drive, which I really want to see, may buy it when I get paid. Your review has definately swung me to buying it actually.

In regards to keeping blogs I have all my reviews backed up on a site called Movie-Blogger.com (http://www.movie-blogger.com), this site allows you to post all your reviews, if you looking to back up your reviews or get them to a wider audience it may be worth checking out. Here is my profile

http://www.movie-blogger.com/users/grahamb

[Daniel M]

I just want to say I have read through this thread and I really enjoyed it. The reviews are all great, and it helps that I love most of the movies you have reviewed, apart from Drive, which I really want to see, may buy it when I get paid. Your review has definately swung me to buying it actually.

In regards to keeping blogs I have all my reviews backed up on a site called Movie-Blogger.com (http://www.movie-blogger.com), this site allows you to post all your reviews, if you looking to back up your reviews or get them to a wider audience it may be worth checking out. Here is my profile

http://www.movie-blogger.com/users/grahamb

Thanks for the kind words and will give that site a look at :)

[Daniel M]

http://www.eventnews.se/Bilder/Bio/3_Yuma_4%20Foto%20SF%20Film.jpg

3:10 to Yuma (2007)

“3:10 to Yuma” follows the story of a rancher Dan Evans, portrayed by Christian Bale who agrees to escort a brutal wanted criminal Ben Wade, portrayed Russell Crowe to the Contention train station so he can board the 3:10 train to Yuma, to be trialled for his multiple murders and other crimes in court.

Being a big fan of classic Westerns, particularly those of Sergio Leone, I was eagerly looking forward to seeing James Mangold’s more modern effort at a Western film. Unlike the classics, this film is generally set as a faster pace as the group of men who agree to escort Ben Wade find themselves facing many obstacles on their way to Contention, more specifically the threat from Wade’s men who he himself describes as ‘animals’ as they attempt to rescue their leader.

Key to the film are the performances by its actors. Christian Bale performs extremely well in his role as a small-time rancher, a man who lost his leg in the civil war and is trying is best, although struggling, to support his family. The film starts by making these difficulties clear with Evans’ barn being burnt down following a missed payment to the local landowner. Although Wade is seen as a brutal criminal he appears to respect Dan whom he even corporate with at times as he attempts to gain a reward that would result in financial security for his family who appear to be losing faith with him.

Wade’s character is certainly the most interesting in the film; he attempts to psych out the rest of the group, having seemingly normal conversations with them at times such as his discussion with Evans’ wife Alice. Although Wade is supposed to be a monster, at times he seems far from it. Unlike the rest of his group he is organised and intelligent; he is willing to spare the life of Dan Evans on many occasions and even appears to have his own set of principles that become apparent throughout the film.

Minor spoilers in upcoming paragraph

The final scenes between the two main characters in which Evans and Wade are the last two men left as Evans attempts to complete his journey to the train station sees a fantastic ending to the film. We see the contrast between the cold-hearted animals that work under Wade, and Ben Wade himself who’s respect for Evans reaches its highest point as the two share conversation and Wade allows Evans to complete his task.

For a film like this to be successful, along with its leading roles it also needs equally good supporting roles. The supporting actors in this film are superb with one of the best performances coming from Ben Foster as Charlie Prince, Ben Wade’s right hand man who fulfils the role of pack leader in Wade’s absence. There are strong suggestions throughout the film that Charlie Prince, or Charlie ‘Princess’ as McElroy refers to him, may be gay. His passion towards saving Wade is extremely strong as he convinces the group to rescue him after ‘all he’s done for them’, his role in the final scene is extremely powerful as we once again see the divide between in character of Wade and the rest of his gang. Peter Fonda (whose father starred in the great Western “Once Upon a Time in the West”) is also brilliant in his portrayal of the greedy Byron McElroy, a man who seems to have no problem with the killing of innocent people, as long as he receives his pay.

The film is a fantastic effort at a modern Western with superb performances from both its leading and supporting actors. The psychological study of Ben Wade, a character who although is a brutal murder can connect on a normal level with many and holds Evans in high respect is particularly interesting – I wont spoil the ending but I find it fitting following the relationship and portrayal of the individual characters throughout as the paths of Wade, Evans and Prince inevitably cross.

Note: At time of writing, I had not seen the original film hence no comparisons

RATING: 3.5

[Daniel M]

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A Fistful of Dollars (1964)

To start I should say that I haven’t seen the Japanese film “Yojimbo”, the film that Sergio Leone has transformed in to a Western with this film so this review is based solely on this film and not the comparisons and parallels to it’s ‘original’.

“A Fistful of Dollars” is the first film in the now famous dollars trilogy of Sergio Leone. The film sees the introduction of the famous ‘Man with No Name” portrayed by Clint Eastwood as he stumbles upon a town that appears to be constantly in a power struggle between two rival families.

Acting as the opportunist, ‘Joe’ (as he is referred to by the undertaker, although this is due to it being a common name) decides to cleverly pit the two families against each other. Upon entering the town he quickly shows the rest of the town, and us viewers what he is all about, unhappy at the actions of one of the families who shot at to scare his Mule he responds by using his gun shooting skills to kill those responsible. It becomes clear that he is to become a hero and end the feud between the families.

Although Leone’s trilogy can be viewed in any order the viewer wishes to it is almost always suggested by film fans that they be watched in the order they were created for the purpose of seeing Leone’s improvement as a director. Although this film is not held in such high regard as Leone’s more recent works such as “The Good, the Bad and the Ugly” and “Once Upon a Time in the West” it is a fantastic Western in which we are introduced to what we now know as some of Leone’s famous techniques, style and themes that can be seen throughout his works. The film is referred to as the beginning of the ‘Spaghetti Westerns’, a nickname given to mock the attempts of a low budget director who attempted to enter the American Western Genre with low budget films shot in the Italian and Spanish deserts.

This film sees the introduction of many Leone Trademarks that have made him one of the most celebrated directors and synonymous with the ‘Spaghetti Western’ genre. We see the trademark long shots and close up of the character’s faces. We get to hear the sound of Ennio Morricone’s wonderful music that he has become famous for in Leone’s films. Like it’s sequel “For a few Dollars more” we also see a similar style plot in which the story is not so straightforward and the hero runs in to many obstacles along the way with the situation constantly changing for him.

The main focus of the film is undoubtedly the character of Clint Eastwood who works well as the hero, with the film inevitably ending in confrontation between him and the infamous local leader Ramón Rojo as we get our first taste of Leone’s widescreen duels between the hero and his enemy. Ramón is portrayed by Gian Maria Volonté, an Italian actor who also portrays the main villain in “For a Few Dollars More”. Aside from Eastwood and Volonté the film sees little of any other characters in what is quite a simple plot, the introduction of Lee Van Cleef for the final two films of the trilogy shows improvement from Leone as a director as he offers stronger support to the leading actor Clint Eastwood.

For any fans of Westerns, I am guessing you have already seen “A Fistful of Dollars”, if you haven’t then I strongly recommend you do, followed by the other two films in Leone’s fantastic trilogy. Although not remembered as a masterpiece, the film is remembered as the beginning of Sergio Leone who is now often labelled as not only the pioneer of ‘Spaghetti Westerns’, but one of the best directors of all time.

RATING: 3.5

[Daniel M]

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American Beauty (1999)

Released in 1999, “American Beauty” was the winner of 5 Oscars including ‘Best Picture’. One of the awards that most will associate with the film is the ‘Best Actor in a Leading Role’ that was won by Kevin Spacey for his portrayal of Lester Burnham.

Lester Burnham is a man whose life is riddled with problems. Married for many years, he is constantly arguing with his wife who has grown tired of her husband and his attitude, he is unloved by his rebellious daughter and he is fed up with his job. He fears the rest of his miserable life.

After seeing his daughter perform as a cheerleader, Burnham finally finds something to be happy about in his life as he becomes infatuated by his daughter’s beautiful teenage friend. Although this may sound wrong, the film is not about a perverted man in his 40s who is attempting to sleep with a young teenage girl; it is about the beauty that he sees in her, something that he has not been able to experience recently in his life. This results in a change in lifestyle for Burnham who decides to on a careless search for happiness and freedom that involves quitting his job, working out, and splashing out on luxuries such as a brand new car.

Many scenes involving Burnham are very funny, although ultimately we are laughing at the life of this sad man who faces many problems in a crisis period of his life. In particular the “Smile! You’re at Mr. Smiley’s” is a great scene that shows the problems Burnham is facing and how they have created a new, crazy character who seeks a new life.

Lester Burnham is not the only character that appears to be suffering in their life. Ricky Fitts, portrayed by Wes Bentley is a character that is laughed at in school and bullied at home by his strict and homophobic father, a war colonel who has implemented his strict disciplinary techniques at home for his son. Ricky is incredible lonely and leads a depressing life, like Lester he seeks his own freedom, gaining happiness from his video recordings of the world’s beauty that many overlook.

The film cleverly interlinks its plots, resulting in a final scene that occurs as a result of the lives of all its characters. The ending is perhaps inevitable from the start, we begin find out the truth about many of the characters, Angela (Mena Suvari), the teenage girl that Lester has fallen for is not who she seems, hiding behind an alter ego she has created to fit in with society. The same hidden character is shown by Col. Frank Fitts (Chris Cooper) who reveals his true self after misinterpreting the relationship of Lester Burnham and his son Ricky Fitts.

American Beauty is a powerful film that takes a realistic look at the lives of people who are sad, lonely and not what they appear on the outside. All round there are many great performances in the film but none better than Kevin Spacey in perhaps his best performance as an actor who portrays Lester Burnham perfectly as a man who seeks happiness once again in his life.

RATING: 4

[Daniel M]

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Edward Scissorhands (1990)

The last time I had seen a film starring Johnny Depp before this one I was watching “Donnie Brasco” where the young actor portrays an informant within the Italian-American mafia, “Edward Scissorhands” sees him in a role he has become more famous for portraying, an eccentric and strange character like many of his other works with Tim Burton.

I was expecting something slightly different here, a plot that would involve the secretive discover of Edward by a young woman where he would have to eventually gain the acceptance of the local town that view him with disgust. The film’s plot is quite the opposite from my expectations, Burton starts the film by immediately throwing Edward in to an ordinary home where the locals happily accept him, there are no questions asked over his bizarre appearance such as why he doesn’t have hands, but this is okay for the purpose of the film.

The locals are initially curious and appreciative of Edward and they are more than happy to allow him to do jobs for them such as hedge cutting and hairdressing. The mood soon changes for the worse after Edward is involved in a robbery, then his character takes a turn for the worse as a downward spiral of events lead to the town turning against him.

Edward is an almost silent being, he rarely speaks, and he seems gentle and isolated, a strange character that doesn’t seem to have any emotional feelings towards the rest of the world. It is only towards the end of the film when Edward is treated as a monster that we start to sympathise with this ‘monster’ who has been unfairly made out to be the victim, only loved by one young girl, Kim (Winona Ryder).

The ending is inevitable, and to be honest it’s not that good. Despite the towns best efforts of accepting Edward, when things turn bad there is only one way things can end for Edward.

Edward Scissorhands is certainly not a bad film by Tim Burton, but in my opinion it could have been much better, once we begin with Edward’s easy acceptance from the locals we know things can only get worse and the ending is both inevitable and ‘easy’. Edward like many of Burton’s lead characters is an empty one, Depp plays the role well but there is little needed in terms of personality, and it is only at the end that we really feel sorry for him following the rapid change in opinion towards him.

RATING: 2.5

[GrahamBlake1984]

Thats a great review of American Beauty. I havn't seen that in ages but I really enjoyed it. I really like the music on it. It is a unique twist on the typical teen movies of the time and a real breath of fresh of fresh air.

Keep up the reviews, they are great.

[Daniel M]

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2001: A Space Odyssey (1968)

When watching “2001: A Space Odyssey” it is hard to imagine that the film was made in 1968. The film is incredibly scientifically accurate, and the sets and props used seem perfect, the world in which Stanley Kubrick has created for this film is simply brilliant.

Before watching the film I really didn’t know what to expect, everyone I had asked about the film had found it difficult to explain the basic plot. After watching the film I now understand why, the film itself is very ambiguous, something that Kubrick admits to, a film that is open to the individual theories of the viewers after watching.

The reason for the exploration first to the moon and then to Jupiter is the discovery of mysterious black ‘Monoliths’, objects which act as MacGuffins for the majority of the film. I have read that in the original book that the objects are explained more in detail and we know what they are, in the film we do not know what they are, how the exist and what they do, they are simply markers that appear at different points in the story of evolution.

The film begins with the dawn of man, a group of apes that discover the first Monolith, an object which they are fascinated by. However the most important discovery for them is that of the bone as a useful tool as one ape uses it as a weapon against each other. At the end of the ape scene we see the ape through his tool up in the air after using it to his advantage, we then cut to another scene of a gigantic spaceship floating in space that immediately shows the huge advance in evolution from the human race that started off at apes and now includes astronauts.

It is not until about the hour mark that the plot really kicks in, with the introduction of the human like “H. A. L. 9000” robotic system that controls the spaceship for the Jupiter mission. We see the introduction of this human-like system through an interview for a news broadcast when the real astronauts involved in the mission are asked whether the think that HAL has emotions or not, the answer is likely that it does not but it is programmed to seem like it does to improve interaction with humans. Immediately after this question we know that HAL will be more than a simple computer system.

The scenes involving HAL and the astronauts seem short in comparison with the rest of the film that focuses largely on the images we see rather than the characters involved. The films ending is quite bizarre as the Jupiter Monolith is approached and has provoked much controversy over the meaning of the entire film, I prefer the theory that the scene is showing the story of evolution. At the beginning of the film we saw the first Monolith at the same time Apes discovered the use of a bone as their tool as they began their evolution in to man, now we are seeing the old man of one generation become the infant of another, marked by yet another Monolith.

RATING: 4.5

[nebbit]

Nice reviews :yup: finally caught up :)

[cherylsturgill]

nice reviews. I love reading movie reviews though at times when i saw a perfect score i kind of doubt them as of course we do have different opinions on each things and preferences with movies.

[Daniel M]

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Anchorman: The Legend of Ron Burgundy (2004)

After many recommendations from my friends I finally decided to watch Anchorman, a film which I had surprisingly failed to see before recently. Like “Step Brothers” the film is directed by Adam McKay and stars Will Ferrell in the lead role in another childish (not meant offensively, but the best description of the characters as the film) comedy style film.

Anchorman is also produced by Judd Apatow and features Steve Carell who worked together in The 40 Year Old Virgin, a comedy which I very much enjoyed. This film begins by introducing the legendary Ron Burgundy, the number one new anchor in the country, with his team that includes Carell as Brick Tamland. Life is good for Burgundy who enjoys being famous and well respected by everyone, in and out of the station before everything changes.

Veronica Corningstone, portrayed by Christina Applegate is a woman set to join the same network as Burgundy with very high ambitions, to become the first female anchor. As Ron’s news team take turns to flirt with their attractive new colleague it is Ron whom she falls in love with having previously met him one of his parties. All is going well with their new relationship until Ron is missing for a broadcast and Veronica steps in to his outrage.

For most of the time Anchorman is very funny, with the best moments normally coming from Ferrell such as his conversation with Veronica at a local bar, we also often find ourselves laughing at his companions, in particular Brick who describes himself as ‘mentally retarded’ and provides us with some stupid yet funny quotes such as “Where did you get those clothes? The toilet store?”. In some parts the comedy isn’t as funny as the film goes a bit over the top such as a massive fight scene that sees a cameo from Ben Stiller and a man losing his arm as violence ensues, although the film is meant to be stupid this does seem a bit too silly. Another cameo includes Jack Black as an angry biker who Burgundy manages to hit in the face with a burrito, before he proceeds with his revenge.

Anchorman is light-hearted fun for those with a particular comedy taste; if you enjoyed Ferrell in Step Brothers for his performance as an immature character then I’m guessing you’d enjoy this as well. Although Burgundy is stupid, he is also a hero with a cheesy and romantic plot at the heart of the film with him and Veronica. The film isn’t a comedy masterpiece but it’s a light-hearted film in which you’ll enjoy, one that’s also quoted often with immature style humour providing many laughs. It succeeds as what it tries to be though and I like many others will be looking forward to the film’s sequel.

RATING: 3

[Daniel M]

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Borat: Cultural Leanings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Borat is a comedy that follows the journey of a Kazakh named Borat as he travels through the America, hoping to learn from the country and report his findings back to Kazakhstan, as the title suggests – for the country’s benefit.

At the time of watching Borat I thought it was definitely one of the funniest films that I had seen, I watched it again recently (probably a few years since my last viewing) and it still had me in stitches from laughing. Borat is filled with hilarious scenes throughout, most of them are intended to be offensive and/or racist but are very cleverly done – if you are really easily offended then this film will not be for you, however the majority will find it hilarious.

Sacha Baron Cohen is Borat Sagdiyev from Kazakhstan; I don’t think the Kazakh people will be among the film’s biggest fans with the beginning of the film immediately showing the country as a very underdeveloped one, a literal dump filled with all sorts of strange people, and prostitutes.

On Borat’s journey he is accompanied by camera man Azamat, the two are given clear instructions of where to go in America, Borat diverts from the set plan and finds himself stumbling upon many unexpected places and having many disagreements with his partner. The film is shot documentary style as Borat narrates his journey, there are no special affects or anything like that, we are simply seeing Borat and his rather odd character interact with others in America which inevitably leads to more than one funny situation. Some of the scenes are meant to be staged whilst others are more obviously not.

Borat has a hatred for Uzbeks, Jews and Gypsies and his racial views provide many funny scenes throughout such as one involving cockroaches, I wont go in to too much detail about particular scenes at the risk of spoiling the film, if you have seen the film you’ll remember the best ones for sure including ones where Borat attempts to buy a new car, attempts to sing at a rodeo and having a dinner with upper-class Americans. We also get to see Borat’s ignorance throughout such as when he unknowingly attends a gay festival, this is largely down to the culture differences between Kazakhstan and the USA.

If you did not find the film funny then I guess the film’s style of humour is just not for you, in my opinion it’s one of the funniest comedy films made, an excellent film that since has seen Sacha Baron Cohen go on to star in Bruno and The Dictator, films that have arguably failed to reach the high standard set by Borat.

RATING: 4.5

[GrahamBlake1984]

Borat is one of the funniest films I have ever seen. I have never seen anything like it at a cinema before, from start to finish everyone was laughing non stop, it was surreal.

By the way, as always, a great review!

[Daniel M]

Borat is one of the funniest films I have ever seen. I have never seen anything like it at a cinema before, from start to finish everyone was laughing non stop, it was surreal.

By the way, as always, a great review!

Cheers, definitely one of my favourite comedies although I need to see some more, my favourite is probably The Big Lebowski which I'll also have a review of soon :)

[Daniel M]

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Boyz n the Hood (1991)

“Boyz n the Hood” is a brilliant story about a group of friends growing up in a Los Angeles ghetto, and that’s exactly what it is. There’s no dramatic plot twists, scenes filled with effects, special techniques used or anything like that. It’s a powerful and mature film that looks at the realistic lives of different friends with them growing up with themes such as violence and crime constantly in their lives, everything seems natural.

Starring Ice Cube as ‘Doughboy’ and Morris Chestnut as Ricky Baker, the half-brothers lead very different lives. Ricky is an athlete who has ambitions to win a football scholarship to USC where as Dough is less-ambitious, remaining involved in the ghetto lifestyle, hanging around with his friends in an environment surrounded by violence and crime.

The film is John Singleton’s first as a director and unlike many modern directors he doesn’t fall in to the trap of spoiling the film with needless effects, the story is a powerful one and the actors fulfil their roles brilliantly, everything seems real which is very important especially in such a powerful and emotional tale where the film’s environment is filled with so many social problems.

A friend of the two brothers is Tre Styles, portrayed by Cuba Gooding Jr., he is raised by his father Furious Styles, portrayed by Laurence Fishburne who does his best to raise his son in the best possible way, teaching him lessons to avoid his son getting involved in the problems that surround him.

The mother of Doughboy and Ricky clearly favours Ricky, but this is down to his athletic ability and ambitions to get in to college, unlike doughboy who spends his time on the streets, involved with drugs and alcohol. The relationship within the family, particularly between the two half-brothers is the main theme of the film with the two turning out completely different.

The final scenes are extremely powerful between the two brothers, if you’ve seen it you’ll know what I’m talking about, if not then I recommend that you watch the film now. A brilliant and emotional story that is brilliant for Singleton’s first ever film as a director, perhaps one of the most underrated films I have seen as I have rarely seen any others talk about it yet there aren’t many films that are as mature and emotionally powerful as it in recent years.

RATING: 4

[Daniel M]

mirrorThe Big Lebowski (1998)

The Coen Brothers are perhaps better known for their work in colder films such as ‘Fargo’ and ‘No Country for Old Men’ but with ‘The Big Lebowski’ they manage to create a clever and highly enjoyable comedy.

I’ve seen the film a number of times now and on each viewing I have been more impressed by what I have seen. The movie combines a talented cast with each actor bringing their own unique character to the screen, humour that is intelligent and subtle in places, brilliant sets such as those used in the bowling alley, costumes and a soundtrack that brilliantly adds to the feel of film.

Although ‘The Big Lebowski’ is nothing like the films of ‘Fargo’ and ‘No Country for Old Men’, it contains many of the Coen Brothers usual plot devices and techniques that they used. The plot of the film is relatively straight forward, but is layered over with bizarre twists with nothing going as easy as planned. The film is focussed around a millionaire whose wife is kidnapped for a $1,000,000 ransom with Jeffrey Lebowski hiring a ‘bum’ of the same name to act as a middle man in a deal to get here back.

Immediately ‘Dude’ as he likes to be known suspects that the kidnapping is not as straightforward as outlined and that Lebowski’s wife Bunny has kidnapped herself in order to get rich from a man who would not normally allow her such money, sound a bit like ‘Fargo’?

Unlike Fargo which can be seen as a ‘dark comedy’, The Big Lebowski is more a feel-good film that’s style can probably be better compared to an earlier comedy of the Coen Brothers ‘Raising Arizona’, a film also which featured John Goodman (who also appeared in the Coen Brothers’ film ‘Barton Fink’).

I feel that John Goodman’s performance in this film is one worthy of a best supporting actor Oscar. Goodman portrays Walter; one of the Dude’s bowling buddies that becomes involved in the Dude’s task to transfer money between Lebowski and the kidnappers. Walter provides a lot of the film’s humour and best scenes; he is an aggressive war veteran who makes constant references to his fighting at Vietnam and is constantly arguing with fellow bowling buddy Donny.

Donny is portrayed by Steve Buscemi who is one of my favourite actors who seems to play a totally different character in every film he appears in. It seems strange that him and Goodman would go on to star together again in ‘Monsters Inc.’ but the two have great chemistry in this film, Donny is mocked throughout by Walter and the two provide some great scenes for us such as ‘I am the walrus?’.

John Turturro (who starred in ‘Barton Fink’ and later ‘O Brother, Where Art Thou?’) also features in a less prominent role as Jesus Quintana, a convicted paedophile that is set to facethe Dude’s bowling team in an upcoming tournament round. Although he doesn’t have much time on screen, when he does he provides us with some of the films most enjoyable scenes, in fact this is the case for nearly all the scenes that are set in the bowling alley. Sam Elliott is also used effectively in his role as the mysterious narrator.

There are other strong supporting performances such as those from Julianne Moore and Philip Seymour Hoffman but the star is undoubtedly Jeff Bridges as ‘the Dude’. Jeff Bridges brings character and style to the leading character who is ultimately a bum that spends his life getting high and bowling with his friends. It’s hard to imagine anybody else in such a role, the film acts an ode to the characters laid back, chilled lifestyle which makes the film so enjoyable.

As it is with other Coen Brothers’ films, the cinematography is superb and the duo have created a fantastic setting for a film. In ‘Fargo’ we saw the gritty and dark atmosphere reflected in the cold setting of North Dakota, in ‘The Big Lebowski’ the Coen Brothers’ use Los Angeles as their location, at times the film can feel dark but at others we get light, as already said the bowling alley provides an excellent setting for many of the films’ scenes. The Coen Brothers’ also use a number of bizarre yet enjoyable dream sequences to give their film another dimension.

RATING: 5

[cricket]

I don't know what it is about this film. I just watched it for the 2nd time and I want to like it so much more. I like everything about it but I don't love it like everyone else seems to. I'm going to watch it a 3rd time and see if I feel differently.

[Daniel M]

I don't know what it is about this film. I just watched it for the 2nd time and I want to like it so much more. I like everything about it but I don't love it like everyone else seems to. I'm going to watch it a 3rd time and see if I feel differently.

Fair enough, the first time I watched it I though it was a good film, I've watched it a few times since and I've come to love it. I suppose it's because I know exactly what the characters are going to say and fully understand what they mean and the context of each line/conversation which just gets funnier each time, particularly with Walter.

[nebbit]

I :love: :love: :love: :love: :love: the Dude :yup:

[Daniel M]

To Catch a Thief (1955)

In some of Alfred Hitchcock’s most famous films he uses fantastic scenery and backdrops to create a superb visual setting for his films such as the San Francisco backdrop in Vertigo which produced some of the most iconic images in film history with the famous Golden Gate Bridge.

“To Catch a Thief” is one of Hitchcock’s most superb visual efforts with the film taking place along the French Riviera which allows for some glamorous scenes filled with life and colour, with the film winning an Oscar award for “Best Color Cinematography”. The film picked up an Oscar award for "Best Color Cinematography"

The plot is centred on a famous retired jewel thief the ‘Cat’ who after a series of robberies is wrongly accused and chased by the police. Cary Grant is brilliant as John Robie (the Cat) who - like in Hitchcock’s more famous “North by Northwest” – finds himself on the run despite being an innocent man. Grant is brilliant in his role as the calm and cool Robie who attempts to track down the real thief and prove his innocence.

Grace Kelly stars as Frances Stevens, a young woman who Robie gets close to as he believes her mother may be the thief’s next target and her performance is superb. Some of the most enjoyable scenes in the film come in the middle where we see the two interact with each other; the chemistry is superb with both smart and humorous dialogue between the pair.

Hitchcock is known as the ‘master of suspense’ having created some of the most superb psychological thrillers there is. Although this film may be a thriller it is far from what you may expect from Hitchcock who instead focuses on creating a lighter, more pleasant and beautiful story filled with an enjoyable romance. That’s not to say that the film does not have any elements of a usual Hitchcock thriller, after all the film is centred around uncovering the mystery that it the new ‘Cat thief’ and it’s the mystery that makes for some great final scenes along the rooftops of Cannes.

I highly recommend “To Catch a Thief”, a film that are you are very much likely to enjoy. It’s certainly not a Hitchcock classic that is spoke about in the same ilk as the likes of “Vertigo”, “Psycho” and others but for what it is, it is a highly likeable film that combines great acting, beautiful scenery and a highly enjoyable plot.

RATING: 3.5

[Skepsis93]

I can't say I particularly like or dislike this one. Visually gorgeous, as you say, and Grant and Kelly are great but the story is too scattershot and unfocused for me to give it any more than 3.

Love the new layout, by the way. :)

[Daniel M]

I can't say I particularly like or dislike this one. Visually gorgeous, as you say, and Grant and Kelly are great but the story is too scattershot and unfocused for me to give it any more than 3.

Love the new layout, by the way. :)

Fair enough mate can't disagree with your reasoning because in terms of story it's definitely not as strong as it could be (and other Hitchcock) films. Fortunately that didn't both me much and I still found it an enjoyable lighter film, think my quite high rating might be down to my love for Hitchcock and his films, speaking of which whilst I'm in the mood I might write up a few more of his I've seen :)

[Daniel M]

Cary Grant waits as the famous scene unfoldsNorth by Northwest (1959)

1958 to 1963 saw the production of four Alfred Hitchcock films. In 1958 there was “Vertigo”, followed the next year by “North by Northwest” and the next by “Psycho”, then three years later “The Birds”. These are four of the most famous films from Hitchcock and it is incredible to think he was able to create four fantastic films consecutively.

“North by Northwest” is probably my favourite Hitchcock film that I have seen so far. I love them all but this film in particular stands out for me, it was one of the first Hitchcock films I had seen and it was one that immediately attracted me to the work of the director.

The plot is one that Hitchcock loved to use, an innocent man that becomes Hitchcock uses the famous Mount Rushmore to create the film's most iconic scenesthe victim of mistaken identity. Cary Grant stars as Roger Thornhill in the lead role and does a fantastic job as a man running to escape from foreign spies attempting to kill him.

Grant was actually wanted to star in a James Bond film in his career however he turned down the opportunity, only willing to participate in one film where as the producers wanted to tie him down to a franchise. If you’ve seen “North by Northwest” then you’ll know why Grant was wanted for the role with his cool and confident personality and physical appearance seemingly perfect for the role.

“North by Northwest” is everything you could want for an adventurous thriller and makes for an extremely enjoyable and fun movie. Hitchcock uses his famous style to create a suspenseful escapist film as Grant is chased across America with some fantastic scenes displaying this such as the famous Plane scene in the middle of nowhere.

As usual Hitchcock casts a beautiful young woman to support the main star, in this film it is Eva Marie Saint who works perfectly alongside Grant, and thanks to her we can see the full capabilities of Grant’s acting as his character shows his different reactions to different situations. Throughout the film the character is put in a variety of different scenarios where we see different sides of him such as his conversations and sexual awkwardness with Eve Kendall (E. M. Saint), his calmness in dangerous situations and also his humour such as the great auction scene and some of the opening scenes with his mother.

The film is not without its flaws however and watching it over 50 years since its creation we certainly see some of the elements differently now, some of the screens and backdrops used are less than convincing and the editing of the final scene has been criticised by some but this is not enough to detract from what is an exhilarating and exciting film that is filled with everything you could want for a film of its kind.

Another thing that is great is Hitchcock’s use of famous scenery to create iconic images as mentioned in my review of “How to Catch a Thief” where I talked about those created by the Golden Gate Bridge in “Vertigo”. In this film the setting is Mount Rushmore which he uses to create a terrific chase scene.

In terms of filmmaking perfection, frame by frame you will not get the quality achieved in a film by “Vertigo” but I love this film because of its plot which allows us to sit back and enjoy this incredibly fun thriller.

RATING: rating_5

[nebbit]

Great review :yup: Great movie :yup:

[Daniel M]

Great review :yup: Great movie :yup:

Thanks Nebbit, great to see you're a fan of The Big Lebowski and North by Northwest, two of my favourite and most enjoyable films :)

[JayDee]

(and with that, I convert to your 5 star pop corn system :D )

We have drawn him in people, welcome to the dark side! :D Although I'd have to agree with Skepsis, I couldn't give that any higher than a 3. Amongst my least favourite Hitchcock films so far.

I really need to try and catch up on all your past reviews mate.

[Daniel M]

Andy Serkis gives a fantastic performance with motion capture, once againRise of the Planet of the Apes (2011)

When the film came out I wasn’t expecting as much positive reviews as this film has received, probably due to how much I dislike Tim Burton’s remake of the 1968 original. Unlike Burton’s remake, “Rise” is an almost completely new film, not a remake but a reboot for the franchise with the film leaving the door open for further sequels.

Overall I enjoyed watching this film, it was far from bad but I must admit I felt it could have been improved even more to make it a ‘great’ film. For those who don’t know, the story is set prior to the events of the original film with the main character Will Rodman (A lab worker portrayed by James Franco) adopting a baby ape after a experiment gone wrong, James Franco stars as a lab worker attempting to find the cure for Alzheimer’sthe story follows the apes progression in to adulthood and inevitably comes to explain the ‘rise’ of the apes.


The biggest positive of the film is the special effects on display, particularly those used for the film’s main character, the ape Caesar who is magnificently crafted as a result of a motion capture performance from the ever brilliant Andy Serkis and the work of the CGI team.

Unfortunately the same praise can not be applied to the other actors involved in the film. Caesar ultimately is the film; everything else is just there to allow the story to develop. The film wants to show the ape’s emotions, his life and his intelligence, and it certainly does that with some powerful scenes involving Caesar. Unfortunately this focus on the apes comes at a cost to the rest of the film that seemingly sacrifices the development of its other characters.

James Franco, whilst putting in a decent performance, fails to go beyond the expected and give us something to remember. The same can be said for John Lithgow (an actor who was brilliant in one of my favourite TV shows Dexter) who plays the part of Will’s dad, an Alzheimer’s sufferer, once again his character is only used simply to advance the plot, to show the affects of the drug and not much more in terms of the actual character. Will’s girlfriend who is portrayed by Freida Pinto is simply there and does absolutely nothing to contribute to the story; their relationship not really looked at all despite the film being set over a number of years.

Another criticism that goes in hand with the limited characters is a poor script, some of the dialogue just comes across as a little weak and strange, such as the unnatural change in attitudes when Will is trying to persuade his boss to develop the Alzheimer’s drug once again. The film is lacking in realism, overall you can only be so realistic with a bunch of super-intelligent apes taking over the world, but like I said some of the conversations and things that happen are a bit strange and unnatural.

The ending is good, and because of heavy focuses Caesars development it means we get what we want and expect. I also enjoyed the little touches such as the rocket getting lost in space shown throughout the film that leave the ending open nicely for possible sequels and show exactly how it all fits in with the original.

Perhaps I’m being too generous with my rating although I feel that “Rise of the Planet of the Apes” succeeds at what it attempts to be and because of that I found myself enjoying the story which is important in a film that focuses on our emotions with the apes throughout. It’ll be interesting to see what will happen now with a potential sequel in the pipeline, at least I think.

RATING: 3

[Daniel M]

A young Charlie Sheen is excellent as a young soldier who narrates the filmPlatoon (1986)

Oliver Stone participated as an infantry soldier in the Vietnam War so what we see get in “Platoon” is a breathtaking look on the life of a soldier, shown through the eyes of a soldier named Chris who is portrayed young Charlie Sheen.

Whilst the film largely showcases the negatives of war, the horrors that came with being a soldier and ultimately the mistake America made by fighting in Vietnam its primary agenda is not to be an anti-war film. In fact, the conflict between the Americans and the Vietnamese army is not the main focus of the film at all, instead it acts as a great backdrop to create a variety of situations that challenge the films characters in a number of different ways, and it is the actions and different attitudes of the characters that are important.

Instead the film’s conflict is between two camps that emerge as the American’s divide over split attitudes. On one side we have Sgt. Barnes portrayed by Tom Berenger and on the other Sgt. Elias portrayed by Willem Dafoe. These two actors provide us with two fantastic performances and make the film what is it is. Elias can be viewed as the ‘good’ soldier, a kind, lesser-spoken sergeant who goes by the book and serves his country how he should. On the contrary we have Barnes, a man with a completely different set of morals, a loudmouthed soldier who will take action in to his own hands to do what he thinks is right. The divide occurs when Barnes becomes responsible for the massacre of a Vietnamese village, whilst others are willing to accept his actions and choose to protect him there are others who are not so willing to go along with a cover up including Elias.

“Day by day, I struggle to maintain not only my strength but my sanity. It's all a blur. I have no energy to write. I don't know what's right and what's wrong anymore. The morale of the men is low. A civil war in the platoon. Half the men with Elias, half with Barnes. There's a lot of suspicion and hate. I can't believe we're fighting each other when we should be fighting them.”

That quote is from Chris, the young soldier who narrates the film for us through a series of letters sent back to his grandmother. He dropped out of college to join the army through choice and immediately struggles to fit in with the others, however throughout the film he progresses in to a more respected and adequate soldier. His progression is important to the film as he adapts to the harsh life and is influenced by others.

The film’s cinematography and editing is superb, most of the films scene take place in the thick forest, with extremely heavy rain painting a dark image for us that helps show the grim conditions the soldier’s were really in. The film does not glorify war at all, there is no unnecessary action or over the top heroic scenes and instead everything seems real and sometimes it really is not pretty. Some scenes are really uncomfortable, especially those that involve the inhuman actions of Barnes that really do a good job of amplifying our disgust towards his character which is important as we side with Elias and Chris.

Dafoe, Berenger and Sheen make this film what it is and ultimately the final scenes that involve them are the most iconic and memorable. Dafoe provides an unforgettable scene which I will not spoil. And one of the final scenes that Chris and Barnes share gives us satisfaction despite being brutal and far from a happy ending.

I can not recommend this film enough; it is one of my favourite war films and a fantastic and emotional tale. Unlike other glorified films this one does not sacrifice its brutal and deeply affective centre for cheap affects and fake scenes. The heart of the film lies with its trio of star actors who are each brilliant as we see the real conflict that arises from the war and its affect within the platoon.

RATING: 4

[Deadite]

Love Platoon. Similar to Apocalypse Now, it focuses more on the people involved and downplays the scope of events they're caught in, making it a personal struggle between good and evil.

[Daniel M]

Love Platoon. Similar to Apocalypse Now, it focuses more on the people involved and downplays the scope of events they're caught in, making it a personal struggle between good and evil.

I've yet to see Apocalypse Now although it's extremely high up my watchlist - don't now how I haven't yet seeing how much I love the Godfather. In fact the same can be said for The Godfather Part II, I have no idea how I haven't got round to it.

Got a couple more wars recorded on sky, Full Metal Jacket and Black Hawk Down. Looking forward to watching both to see the contrasting (I assume) approaches on war, after I've watched those two (for convenience) I think I'll finally watch Apocalypse Now :D

[Deadite]

You MUST see Apocalypse Now asap! It's one of the greatest films of all time.

[Deadite]

In fact the same can be said for The Godfather Part II.

Personally, I thought Godfather 2 was better than The Godfather. :)

[Daniel M]

You MUST see Apocalypse Now asap! It's one of the greatest films of all time.

You've convinced me, gonna try and watch it tonight, I'll let you know who I find it although I'm 99% sure I'll love it :P

[Deadite]

:cool::up:

[Daniel M]

Capt. Kilgore gives a memorable performance in the film's first hourApocalypse Now (1979)

After I had watched "Psycho" I decided to watch "Apocalypse Now" for similar reasons. Both were two of the highest films on my watch list and recent posts by a member on here persuaded me not to delay my viewings and finally watch them. The work of Hitchcock made me want to see Psycho after immediately falling in love with some of his films, the same can be said of Coppola although I had only seen "The Godfather" it was a film that afterwards I knew I had just watched a masterpiece.

“Apocalypse Now” is a film of three thirds (I decided to watch the Redux version, perhaps two halves is more applicable to the original)As the Americans lead by Kiglore approach a Vietnamese village we witness one of the great battle scenes in film history and it's no surprise that Quentin Tarantino rates this film as one of his favourites of all time with the first third something you'd expect to see from the director himself.

In the first third, Coppola manages to create one of (if not) the greatest battle scenes in film history. We see the Americans lead by Capt. Kilgore destroy an entire Vietnamese village. Although some may see this seen as maleficent and uneasy due to the sheer amount of bloodshed, the superb performance of Kilgore turns it in to an extremely enjoyable, bizarre and fun scene. We see him turn on music and joking around before killing hundreds of people, then once the men land on ground we see him getting ready to search the waves amidst all the chaos as he produces one of the film's most memorable lines, "I love the spell of napalm in the morning". Robert Duvall creates one of the most memorable and fun characters in film history, someone who flourishes in the setting of war and someone whose insane behaviour will stay in our minds long after viewing.

In the middle the film tends to drag more than the other thirds, some of the scenes are justified as we learn more about Captain Kurtz, an ex soldier who has gone insane and set himself up as a God among the local people. At first it seems that we can attempt to justify some of Kurtz actions and can understand why he may have gone crazy, it is not until the finally scenes that the full extent of his command is revealed.

Martin Sheen portrays the film’s main character, Captain Willard, the narrator of the story and the man sent on the mission to assassinate Kurtz. His morals and attitude towards the various situations are important to the film, at first he feels reluctant to murder a US soldier, where as in the final scenes we see a much more different side to his character upon finally meeting Kurtz. At first we begin to understand why the war would turn someone crazy, after all surely Kilgore himself could be classified as such?

Watching the Redux version I can certainly understand the criticisms that people have for the film with two scenes, the second meeting with the playmates and the dinner conversation with the French family seeming odd and out of place as well as lengthening the film without little contribution however it certainly does not make the film worse in anyway and allows use to have a perhaps much needed retrieve from the action filled scenes that come both before and after it.

Slight Spoilers in paragraph - I won’t say much about the final third in case you have not seen the film (despite the spoiler warning), but once we finally get to the Kurtz compound the scenes that follow are brilliant and horrifying at the same time. Dead bodies dangling around everywhere and decapitated heads provide us with a horrifying setting and the scale of the size, the amount of men under Kurtz command is horrifying in itself. The final scene that involves the sacrifice of a buffalo (which was very much real, adding a shocking and brutal feel to amplify an already dark scene), the final scene in which we see Willard stand facing the entire tribe is brilliant and his pause for a split second is brilliantly captured as he reacts to the perhaps unexpected and once again sees the extent of command Kurtz has setup.

The film's sound is also like no other for which it deservedly won an Oscar for, going back to the battle scene the music played helps great a grand joyous feel to the whole situation despite hundreds of deaths, the sound throughout is superb, from the opening sequences to the final scene. Marlon Brando, the film’s main star has little time on screen and when he does we barely get to see his face, a deliberate and brave decision that helps build up the mystery and scary character that he is.

"Apocalypse Now" is a war film like no other and immediately finds itself as one of my favourites of all time. You may have recently seen by thoughts on "Kramer vs. Kramer" a film produced in the same year and even though I enjoyed it I immediately thought to myself ‘surely this wasn’t a better film than Apocalypse Now?’, like I expected it is in my opinion an injustice how such a film that although good could beat a masterpiece to win the Best Picture award for 1979.

RATING: 4.5

[Deadite]

Told ya so. :)

[nebbit]

Great movie :yup:

[Daniel M]

SubmarineSubmarine (2010)

I had been waiting to watching “Submarine” for a while before I eventually got round to it, for a number of reasons. First of all it’s filmed in Wales and I believe partly produced by a Welsh funding project so I was curious to see a film that had a kind of local connection to my country. The second reason, and main factor was Richard Ayoade, although I have not seen “The IT Crowd” or “The Watch” (which I am told is poor although Ayoade is a strong performer) I was interested to see the work of a young director who I had not heard much of before until I saw his published list in the recent Directors’ Sight and Sound Poll.

Although this sentence may sound rather odd you can tell a lot from a director from the films he lists as his favourites and influences, I knew Ayoade was involved in comedy but his list tells me this is a man who clearly has great knowledge in films and has been influenced by the fantastic work of others.

His influences are clear in “Submarine”, an extremely clever teen comedy. The film is about a boy who has to deal with two relationships; his own and his parents. Although it is a teen comedy it is far from an immature or silly film that you may have expected instead is very intelligent and neatly composed, perhaps too neat.

The film is carefully crafted, it is split by defined sections and you can see how each scene is carefully put together with great attention to detail. In a way this film reminds me of the works of Wes Anderson in the way that the focus is on such a clear structure for the film to take place in. One of the criticisms of Anderson’s work is that although his filmmaking is superb that sometimes they are too neat and clever for themselves and that the actual story is missing that something. Submarine feels similar to that, although I admired the work of Ayoade and did enjoy the plot on the whole I did feel that in some parts the story was quite slow and not very progressive in the middle.

Craig Roberts gives us a great performance as the film’s character of focus, young Oliver Tate. He is a odd and troubled teen who can be seen as socially awkward, he has many thoughts and wants to be with Jordana who is portrayed by Yasmin Paige but their relationship has a number of problems. The chemistry between the two is very good and we sympathise with both of them, more Oliver who we feel frustrated at because of his strange actions in certain situations that he is not aware of himself, we sympathise him because we can understand and recognise his situation as a teenager, his performance seems real and the sweet relationship at the heart of the film works well overall.

RATING: 3

[Daniel M]

The GreyThe Grey (2011)

2008 saw “Taken”, a film starring Liam Neeson that is now regarded as a modern cult favourite. Whilst it is not a particularly good film, and lacks in both plot and characters, it is the performance of Liam Neeson in the main role that makes the film what it is, 93 minutes of him entertaining the audience with his combat skills.

This film has a lower IMDB user score than “Taken” but a higher Metacritic score with a positive average. I expected something stronger has a whole than “Taken” and I was not disappointed with what I got and was impressed with “The Grey”, a thoroughly enjoyable film that makes for great viewing.

Neeson in this film plays the main character Ottway, he is the leader of a group of men attempting to navigate away from a vicious pack of wolves after an air crash in Alaska. Neeson’s performance doesn’t take complete control of the film though, his character instead acts in a way in which is can benefit it, his character and personal thoughts and morals lead to conflicts within the group as we see different characters that are very real and believable. The group needs to work together and survive yet is clearly suffering from an inner rift at the beginning, we see them join together in a battle for survival as they face many obstacles along the way that test them both physically and mentally.

“The Grey” is a brutal survival film, set in the harsh cold environment of Alaska where the group of many battle for their lives as they are chased by a pack of wolves. At times the film provides us with some gruesome scenes, if you’re expecting some happy story where Liam Neeson turns save the day with his shooting skills to kill the entire wolf camp then its fair to say you may be disappointed, this is far from some action flick and actually feels real as we see and feel the pain suffered by the group. Neeson’s job involves shooting with his sniper although after the craft he finds himself unable to use his weapon, this immediately sets a precedent for the events that come to unfold without the film, these men are put in uncomfortable situations and must somehow come together and battle their environment and enemies in unorthodox ways.

The film is visually superb with the shots really creating an extremely uncomfortable, dark and horrifying environment, particularly in the night. We are always on the edge of the seats, the film is a thriller with a number of brutal yet well worked shocks.

I didn’t really think the emotional scenes and flashbacks of Neeson were particularly beneficial to the film, I think others would have enjoyed these more than me. But “The Grey” is a film that I definitely recommend to any thriller fans. It is a gritty and at times brutal film that uses its environment and the wolves to create a thrilling horror aspect, the film has us gripped throughout and we can really feel the character’s dire situation in this film.

RATING: 3

[JayDee]

Another couple of great reviews Daniel. :yup: I have to say that I just adored Submarine, one of my favourite films of 2011. Perhaps not a surprise as I'm a big fan of Wes Anderson, and as you pointed out they are very similar, with Anderson's work a big influence for Ayoade.

Didn't see The Grey though I did quite fancy it, will get round to it some day.

[Exist]

^About the Grey above. It moved me when I saw the ending, others disagree. But peicing together other bits of the film, culminating with the end, sort of had to be that way, liked or disliked. I liked it.

[Exist]

Sometimes much of 'the dudes' coolness takes multiple watchings to marinate, a second viewing in my case. * * * * :yup:

Need to check out Submarine.

[Daniel M]

Another couple of great reviews Daniel. :yup: I have to say that I just adored Submarine, one of my favourite films of 2011. Perhaps not a surprise as I'm a big fan of Wes Anderson, and as you pointed out they are very similar, with Anderson's work a big influence for Ayoade.

Yeh Submarine is such a great little film, the influences are clear to see and I am certainly looking forward to more of Ayoade's work in the future, if he can combine his intelligent style with something a bit more interesting he could create something great.

And yeh I love Anderson, well I have only seen "Fantastic Mr. Fox" and "The Royal Tenenbaums" but both were great and lovable films for me. I have "Rushmore" recorded and ready to watch sometime as well.

@Exist

Yeh the same with me for The Big Lebowski, took more than one viewing for me to appreciate the comedy as much as I do now. When I first watched it I enjoyed it, thought it was a good film with some funny parts. When I watched it the second and on further viewings I began to realise just how great it was, I think it is because I knew what lines were coming, I could understand the context better and truly appreciate the genius behind some of the dialogue.

[Daniel M]

PsychoPsycho (1960)

Being a massive fan of Alfred Hitchcock and his work in such films as "Vertigo" and "North by Northwest" it was only a matter of time before I finally got around to watching Psycho.

Unlike those two titles mentioned, "Psycho" was deliberately filmed in black and white to give a cheaper, less visually rich but more frightening feel to the whole thing. I've heard people say that "Psycho" may not be as 'scary' at present day and is more of a psychological thriller (the same argument applied to the likes of "The Shining" and "Silence of the Lambs" but I have to disagree, the master of suspense creates a gripping film and one that definitely has a great deal of shocks and scares. One particular scene I had my volume up to full watching it on my computer as not much had happened previously and sudden attack and screeching violins of the excellent Bernard Herrmann certainly gave me a shock.

The first third of the film creates an uneasy atmosphere as Marion Crane, portrayed by Marion Crane is followed by a policeman following her attempt to exit the town after she had stole $40,000 dollars from her boss. The film’s synopsis and first third points in one direction, Marion is attempting to flee town as she gets tailed by a suspicious police officer, she then stops at the Bates Motel where she meets a charming young man Norman Bates who has been too long under the domination of his mother.

We sympathise in a way with both of their situations. Marion’s act of stealing her boss’s money seems odd considering how long she has worked there but it is understandable. Bates’ situation is one we can perhaps sympathise more with. He has chosen to stay with his mother because she is ill, Detective Arbogast suggests in the middle of the film that he would understand Bates situation of being stuck in the failing Motel and why he would want to take the $40,000 to get away.

One of the best things about "Psycho" is the performance of Anthony Perkins as Norman Bates, his character really his scary and creepy and it horrifies me to think of someone like Vince Vaughan playing this character. The final scene is one of the best, most memorable and one of the creepiest in the whole film, in fact film history.

Slight Spoilers in paragraph - Due to the film's synopsis and stars involved it was great for the film to take so many unexpected twists along the way that I was certainly not expecting. I had heard about the famous shower scene before watching the film but for it to come so early on was more than surprising.

Like when I had seen "Vertigo" and "North by Northwest", with "Psycho" I knew I had just seen a masterpiece. “Vertigo” is a visually brilliant and more enjoyable emotional based story was as “North by Northwest” is a fun action filled film that is very enjoyable. “Psycho” I think trumps both of them for me, Hitchcock does a brilliant job of using his directional talent to create a suspenseful and scary film like none other, it’s 52 years since it was made and it certainly had an impact on me, a fantastic horror that relies on great suspense instead of cheap and gory scenes we see in many modern horrors.

RATING: 5

[Tyler1]

Psycho is the greatest Hitchcock film. I certainly think it is.

[Daniel M]

Psycho is the greatest Hitchcock film. I certainly think it is.

Yeh, out of the films of his I've seen I think I'd rate them in this order

Psycho
North by Northwest
Vertigo
Rear Window
Shadow of a Doubt
The Birds
To Catch a Thief
The Man Who Knew Too Much (1956)

Still got a few more I really want to see, Dial M for Murder, Strangers on a Train, Notorious, Rebecca etc.

[Gabrielle947]

Psycho is also the best movie of Hitchcock I've seen so far.Notorious is a great movie,you should see it. :) I would place it next to Vertigo and Rear Window(didn't like Northwest a lot).

[The Rodent]

I'll never forget the first time I saw Psycho, I was about 10 years old... the scene where he walks out of the bedroom carrying his mother actually made me jump and seriously freaked me out.
Awesome scene technically too, the camera follows up the stairs then pans round for a birdseye view, all in one shot. Superb.

Nice review too mate :up:, makes me want to watch it but I haven't got it on home cinema :(

[Daniel M]

Bond and Solitaire prepare to be fed to the sharksLive and Let Die (1973)

It's James Bond day in celebration of 50 years of 007 and Sky have launched a new channel on which they are show casing every Bond film ever made (at least I think) as we wait for the release of Skyfall.

As a kid the James Bond films were favourites of mine, I'm not exactly sure why because I didn't pay much attention to films back then although I recall collecting a video collection of all the films up to Brosnan.

One of my favourite films was always "Live and Let Die", certainly the most memorable, so when I saw I had the chance to give it another viewing today after many years I was happy to do so.

Baron SamediIt is far from the perfect film, I understand that but watching it again gave me a lot of enjoyment and a lot of thoughts regarding my initial love for the film. What exactly did I think when I watched the film originally, it's filled with racial stereotypes (created at the height of the blaxploitation era), sexual innuendos and is centred around a druglord who is secretly farming heroin.

Whilst I can understand others may see this film as silly and stupid, it remains one of my favourite Bond films and I was able to recall just why the film left a bigger impact on me than other Bond films. Roger Moore makes his debut as Bond and brings a calm and likable character to the screen. The film is fun and action filled, with the fictional island bringing us tarot card readers and memorable villains such as Tee Hee Johnson and Baron Samedi.

Baron Samedi, portrayed by Geoffrey Holder, is one of my favourite Bond villains and his appearance is certainly one that you'll remember with the spooky character literally having the last laugh of the film, probably my favourite shot as we hear Paul McCartney’s famous title song that was always part of my memory and love for this film. The creepiness and eerie atmosphere generated by this character and the voodoo backdrop to the main plot will be remembered for giving us what is one of the most crazy and weird set of villains in Bond history.

The final half hour of the film is particularly memorable and is one of my favourite of all Bond films, unlike other efforts the film is a more enjoyable and fun effort which is aided by Moore as bond. People who dislike the film will argue that it’s unrealistic and filled with action movie clichés especially towards the end of the film as we see Bond face off against his villains. Perhaps Roger Moore is a bit to ‘camp’ and takes the seriousness of James Bond who had previously been portrayed by Sean Connery but it is these elements that other people dislike that make the film so enjoyable for me, you can sit back, relax and enjoy “Live and Let Die” without taking it too seriously.

With "Live and Let Die" we get a fun Bond played by new to the series Roger Moore. Is the film bizarre and stupid? Maybe it is, but when you sit back and enjoy the film for what is is you don't get many more enjoyable and memorable films than this one.


RATING: 3.5

[JayDee]

That's one of my favourite Bonds. :up: Comfortably top 10, maybe top 5.

[Daniel M]

That's one of my favourite Bonds. :up: Comfortably top 10, maybe top 5.

I haven't really watched most of the old Bonds recently, last time was when I was a much younger (17 now) but this has always been the one I've found most enjoyable and memorable, it's bizarre and strange at times but just so fun :D

The two others I think I enjoyed the most were Goldfinger, probably the best of the older ones and Casino Royale with Daniel Craig which I thought was excellent.

[JayDee]

The two others I think I enjoyed the most were Goldfinger, probably the best of the older ones and Casino Royale with Daniel Craig which I thought was excellent.

Goldfinger is my absolute favourite of the Bonds, and one of my favourite ever films period. Completing the top 3 would be Goldeneye and The Spy Who Loved Me. Not sure which other two would make up the top 5, really need to revisit them all again (something I've been planning on doing for ages). However it would probably be between the likes of Live and Let Die, Man With the Golden Gun and just about all the Connery flicks. And I think one of the Dalton films I really like but not sure which.

[Daniel M]

Goldfinger is my absolute favourite of the Bonds, and one of my favourite ever films period. Completing the top 3 would be Goldeneye and The Spy Who Loved Me. Not sure which other two would make up the top 5, really need to revisit them all again (something I've been planning on doing for ages). However it would probably be between the likes of Live and Let Die, Man With the Golden Gun and just about all the Connery flicks. And I think one of the Dalton films I really like but not sure which.

Goldeneye and TSWLM are good yeh, need to watch the other ones again to be honest I can't remember them all clearly.

Watched Casino Royale again today and whilsts it is a very good film and good seeing Craig create a new Bond I reckon it's about half an hour (at least) too long.

[Daniel M]

Butch Cassidy and the Sundance KidButch Cassidy and the Sundance Kid (1969)

This film is far from your usual Western, unlike the works of Leone and Ford this films takes a different approach to the genre under the direction of George Roy Hill, it is a feel good, enjoyable film made that way by focussing on the loveable relationship between its two lead stars Paul Newman and Robert Redford.

The two play a pair of infamous train robbers, the leading men of the ‘Hole in the Wall gang’ with the history of the duo shown in an enjoyable silent film as the film opens. In fact the duo have become so good at what they do that E. H. Harriman hires a ‘supper-posse’ to track them down due to the costs they are causing his rail company from their robberies.

The first half of the film focussed on introducing us to the two characters whose dialogue allows for some humorous and enjoyable moments, we see Paul Newman as Butch Cassidy ride around in his new bicycle to the tune of ‘Raindrops Keep Falling On My Head’ in one of the film’s most memorable scenes.

From about the half way point the story completely changes, the plot that we have been given now becomes less focused on what is happening and more focused on the relationship setup between the three main characters (the third is Sundance’s lover Katherine Ross ) as we have to endure what feels like a never ending chase between the lead duo and the posse.

From a production viewpoint I can understand the complaints about the film, with the middle ending in particular seemed to be exaggerated as much as possible, the focus on this could have been used elsewhere with a stronger plot to make this film truly great.

The film’s downsides thankfully don’t decrease our enjoyment for our film that much, the relationship of Newman and Redford dominates the film, once they get hired to transport money working in Bolivia we once again get to see their chemistry and great dialogue at the strongest with some great scenes again.

The film won Academy Awards for its song and score but also for best original screenplay and cinematography, these are two of the film’s strengths – the screenplay has some of the most memorable and funniest quotes between Newman and Redford and the cinematography creates some beautiful landscapes for us to enjoy in the scenes such as the posse chase and the rural terrain in Bolivia. And although the ending has been criticised I feel it sums up the film perfectly, we see the duo in an extremely difficult situation and the two exchange conversation with such brilliant and humorous dialogue -“For a moment there I thought we were in trouble".

“Butch Cassidy and the Sundance Kid” is one of the most unique Western films that there is, and it is one I would definitely recommend watching to fans both of the genre, it is definitely one of the most likeable and enjoyable films of its kind despite its flaws.

RATING: 4

[Daniel M]

Dial M for Murder (1954)

My last two viewings of Alfred Hitchcock’s work before this film were “Rope” and “Strangers on a Train”. What do all three films have in common? They are all based around the theory that one can commit the perfect murder and like “Rope” this film is once again an adaptation of a play.

In “Dial M for Murder” Tony Wendice discovers that his wife Margot has been having an affair and after stealing a letter sent from her secret lover he uses it to blackmail an old college friend of his Charles Swann. The perfect murder in this film sees Swann follow a precise set of instructions that are based around a phone call made by Tony who would himself have the perfect alibi.

When things do not go to plan, Tony Wendice improvises a brilliant plan B that would see his wife framed for the murder of Swann.

The screenplay is superb, the film is 105 minutes long and largely takes place in one room, yet our interest is engaged for the full 105 minutes as we listen carefully to every line that is spoken. Every line is greatly delivered by the cast and each character brings their own unique personality, the screenplay is so intelligent and tight that it plays like a classic Agatha Christie murder tale, we are engaged so closely to the tale as it keeps us thinking throughout. We listen to each line of dialogue, searching for clues as the landscape changes throughout, the characters know things we do not and we are scrambling to work out who knows what and what will be the end for each character.

The film’s lead stars Ray Milland and his wife Grace Kelly are both superb. Milland gives a performance you would expect from a Hitchcock lead man such as Grant or Stewart, he is calm, intelligent and ruthless, although what he is doing is wrong we do not really oppose his evil plan to start. But the beautiful Grace Kelly steals the show as we really sympathise with her following her wrongful verdict of guilty, she shows her talent in this film in what was a great year for her, also starring in Hitchcock’s more famous “Rear Window”.

I have to give a mention to another actor who I was very much impressed by. John Williams is superb as the detective who becomes involved in the case, his character combines the serious element of the crime with humour, he provides some great and memorable dialogue and is the character that engages our interest the most throughout the second half of the film.

“Dial M for Murder” is another excellent Hitchcock film that I have seen from the great director, certainly one of his stronger and more enjoyable efforts. It has the same elements of many of his other films but feels very much different, it is not a murder mystery as we no exactly who murdered who but it feels like one because of the way we are constantly engaged in the story and its dialogue as we eagerly wait for the film’s conclusion.

RATING: 4

[Daniel M]

Road to Perdition (2002)

So the inclusion of this film in the recent Top 100 films from 2000-2012 list compiled by the great Brodinski has certainly raised a few eyebrows, not because of the films’ lack of quality but many members have simply yet to have watched the film, some have not even heard of it and finally those who have seem to have completely forgotten about it.

“Road to Perdition” is a film by Sam Mendes, a director who is largely known for his film that picked up five academy awards – American Beauty. Road to Perdition is a crime film but unlike others in the genre it takes its own unique approach with the great Tom Hanks portraying the lead character Michael Sullivan.

The cast also includes a mixture of other famous names; we have the stellar Paul Newman portraying John Rooney, an old man who is the boss of the criminal organisation that Sullivan worked for. Then we have the opposite to Paul Newman, a star who is better known for his earlier works such as “Cool Hand Luke” and “Butch Cassidy and the Sundance Kid” with Daniel Craig (who will be teaming up with Mendes once again in the highly anticipated Bond film “Skyfall”) portraying John Rooney’s son Connor Rooney who hides behind the protection of his father as he attempts to murder Sullivan following the witness of a murder by his son Michael Sullivan Jr.

The main strength of “Road to Perdition” lies with its cinematography and beautifully artistic world it creates in which its violent characters interact in. It deservedly won an Academy Award for its cinematography and the film has everything you could want from this aspect of filmmaking; beautiful sets, costumes, colours etc. One scene in particular sums up the entire film, a visually superb scene that creates a dark, eerie atmosphere as we see a number of characters face off in a dark street filled with shadows, the rain is pouring down and we can see finely each drop as it soaks them and drips from their hats.

Another famous name that stars in the film is Jude Law. Whilst I am not a massive fan of the actor I felt his role in this film was great, providing us with an emotionally detached, strange and sick character, a manifestation of evil that can compared to that of Javier Bardem in “No Country for Old Men” – of course on a much lesser scale. His character represents the sad and depressing story at the heart of the film for Michael Sullivan and his son and although some criticise the predictability and relatively straightforward plot that the film follows it is this perhaps realistic path and realisation that such involvement in a world filled with crime will inevitably never have a happy ending that brings out the most of Tom Hanks and Tyler Hoechlin as father and son. Also we have the wonderful score of Thomas Newman that is used extremely well where it should be, to amplify the sad and emotional centre of the film.

You can not compare this film to any other films in the genre such as “The Godfather” or “Goodfellas”, to do so would be unfair and wrong. This film is a an absolute joy to watch for what it is, an emotional story shown through brilliant cinematography, individual performances and a fantastic score. As a piece of art, this film is definitely one of the best of the 21st century so far.

RATING: 3.5

[Exist]

^The liked the remake A Perfect Murder, sort of a sleek mod version, I also like Michael Douglas though.

[Daniel M]

Snatch.Snatch. (2000)

As a big fan of Ritchie's "Lock, Stock and Two Smoking Barrels" I was looking forward to watching Snatch, which is a similar film, taking place in London where various parties become involved in a series of intertwining events.

One difference in the films is the actors involved. Although stars such as Jason Statham and Vinnie Jones reappear after their first feature film performances in "Lock, Stock...”, Ritchie is able to add bigger stars to the cast, notably Brad Pitt and Benicio Del Toro.

If you’ve yet to see either “Snatch or “Lock, Stock…” then here is what to expect: a unique, high-paced film that is filled with a mixture of fun in the form of both comedy and violence, memorable characters and unpredictable and intertwining character stories. It is easy to compare his work to that of Quentin Tarantino, they are both able to achieve two of the most enjoyable crime films around so do not be surprised to here “Snatch” described as England’s very own “Pulp Fiction.

One of the main criticisms I have heard for this film is that it lacks in originality and ultimate relies on the same formula that made "Lock, Stock..." so good. Whilst I can understand why you may want to see something new from Ritchie I was still able to enjoy this film, if it was released as a one of its kind, say Ritchie's first feature film then I am sure it would have much more positive reviews.

again Ritchie gives us a variety of different characters, each one unique and memorable as they become involved in their own way, each having their own style and unique nicknames ranging from "Turkish" to "Brick Top". The cast is excellent, Del Toro and Pitt are great additions but possibly my favourite was Stephen Graham as Tommy, a slightly less intelligent character who is Turkish's partner throughout, a character who likes the criminal presence when compared to “Brick Top” but manages to hold his own as one of the funniest characters.

The plot and editing keep us on edge as the tales intertwine and take unexpected twists and turns throughout with some great editing work to create a whole host of different style scenes such as flight sequences from America to England, and fight scenes the viewers looking on in despair at the incapable Mickey (Brad Pitt) landing his friends in a whole lot of trouble.

It is this trouble that drives the plot at the centre of the film as Mickey, Turkish and Tommy find themselves deep in debt to the ruthless Brick Top, a criminal boss who feeds his victims his pigs. Of course nothing is straight forward as a series of other parties become involved in a chase for a missing diamond, originally belonging to Franky Four Fingers (Benicio Del Toro).

Snatch is a highly enjoyable and fun film, filled with an excellent cast and bizarre plot with many twists and turns. If you haven't seen "Lock, Stock..." then I think you'll enjoy it more as the plot twists and humour will seem more fresh. Snatch is an upgrade on "Lock, Stock..." where Ritchie gets to have fun upgrading each aspect of his films to get the most out of his extremely fun and extremely funny style. When you sit back, relax and watch this film then you don’t get much better for entertainment value.

RATING: 3.5

[cinemaafficionado]

Film Review #3

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Jackie Brown (1997)

Reservoir Dogs and Pulp Fiction were my first two Quentin Tarantino films that I watched and I instantly fell in love with him, I watched Jackie Brown with high hopes and I wasn’t disappointed. If you are going to compare the Reservoir Dogs and Pulp Fiction to Jackie Brown then they are totally different films and unlike Tarantino's first two films that are filled with fast-paced, bizarre and 'cool' scenes filled with pop culture references and flashy violence, Jackie Brown appears to be a more mature effort from the director with focuses more on the story's substance as he gives us a well-paced tale filled some brilliant performances from the likes of Samuel L. Jackson, Pam Grier and Robert Forster. For Jackie Brown the characters within the film are key as they each devise their own plans in order to benefit themselves, the story of the film revolves around criminal boss Ordell (Samuel L. Jackson) who uses Jackie Brown (Pam Grier) in order to smuggle a large amount of money in to the country, as we watch the film we eventually see the individual plans from each character combine as the film reaches its climax.

Although different in style, Jackie Brown has some similarities to Tarantino’s other films, first of all it has a crime based plot and we are familiar with the lifestyles of some of the characters. The film also uses chapters to clearly distinguish between parts of the film but unlike Pulp Fiction the story is showed in a linear way which is more suited to the story and the unfolding plans of the characters. The main character of the film is of course Jackie Brown who is portrayed by the brilliantly Pam Grier who is able to hold her own up against ruthless criminals, one of the best scenes that shows her strong character takes place in a bar when she has a discussion with Ordell over the percentage of money she should get from the deal. Ordell Robbie is portrayed by Samuel L. Jackson and he provides another memorable performance a clever guns dealer following his famous performance in Pulp Fiction.

The film lasts almost two hours and a half and this can certainly be felt, some will complain this is too long however I fell that it works well as the story slowly unfolds and the plan becomes more complex as more layers are added by each individual character, I enjoyed the way the film was set out and felt the time allowed the extremely interesting characters to develop, in Jackie Brown there are only a handful of key characters in which we see their own angles, a good decision by Tarantino as he allows them to develop their own personalities and clever ideas unlike Pulp Fiction in which we see double the characters and less character focus. As mentioned earlier the interlinking plots from different perspectives come in to play during the money exchange chapter as each character plays a different role in Jackie Brown’s plan to fool the police and also capitalise on the money available for her own benefit, the majority of the film (at least the first half) is spent building up to this chapter, when we finally reach it the film ups it pace, giving us an exciting and dramatic finale with sudden and unpredictable plot twists resulting in the consequences of each characters' actions being felt. Much like the rest of Tarantino’s films, Jackie Brown has a distinctive soundtrack, this time instead of focusing on a mixture of classic pop we hear a mixture of Soul and R&B that has been chosen to suit the feel of the film and atmosphere, we also see Tarantino work his magic in terms of dialogue, although perhaps more normal he allows the characters to interact naturally and spontaneously based on their own personalities that we have seen developed.

Aside from Jackson and Grier the film sees a number of other great roles played out throughout the film, one of the best performances is Robert Forster as a bail bonds seller Max Cherry who becomes involved in an unlikely relationship with Jackie Brown. Pulp Fiction is famous for reviving the career of John Travolta and Tarantino has seemingly had the same affect on Forster who's career improved after a great performance in Jackie Brown. One man who's career didn't need reviving was Robert De Niro who brilliantly plays the role of one of Ordell’s friends, an ex-convict stoner with a short temper, he becomes mixed up in the money exchange events and becomes increasingly key to the film as it progresses.

After the initial success of Reservoir Dogs and Pulp Fiction, Tarantino was not always praised for his style, often being criticised for his use of violence and lack of substance, instead focussing on style. Jackie Brown completes a trio of great films and a great decade for Tarantino who has proven his maturity and ability as a director with the film.

My Rating: ***1/2 (out of 4)

Calculated % Rating: 90%

Yes it's interesting to further note that Jackie Brown brought a great character actor out of obscurity. In 1967, Robert Forster first appeared in a small role in Brando's
Reflections In A Golden Eye and since stayed busy in a variety of bit parts, small roles and B movies. Thirty years later comes Jackie Brown and opens all kinds of doors for him at really a later stage of the game. He's been very busy since. Some of the notable movies he's been in : Mullholand Drive (2001) and The Descendants ( 2011). In the mean time he intertained us with some interesting characters such as in American Perfect (1997), Psycho (1998), Diamond Men (2000), Lucky Number Slevin (2006), Kalamity (2010) and is rumored to be envolved in six major projects starting 2012.

[Daniel M]

Horrible BossesHorrible Bosses

"Horrible Bosses" is as the title suggests, centred around three friends who find themselves complaining to each other as the victims of their bosses. Whilst drunk they discuss a hypothetical plan to end their problems by murdering their bosses, even referencing Hitchcock's "Strangers on a Train" as we watch their pathetic and incompetent attempts to carry out their plan.

These men are Nick Hendricks (Jason Bateman), Kurt Buckman (Jason Sudeikis) and Dale Arbus (Charlie Day). All three give decent enough performances, the strongest I would say is Charlie Day who is probably my favourite actor in the comedy TV show "It's Always Sunny In Philadelphia" so it was refreshing to see his highly enjoyable comedic style in the film.

The film works as a comedy because it is light hearted and although it is set around a dark action, it approaches it in a fun comedic manner where we can enjoy what can be scene as real idiotic friends. The three villains all give good performances too, Kevin Spacey is my favourite and pulls off his role of 'ass hole boss' to great effect, Jennifer Aniston gives us probably the most surprising performance in her role.

Whilst this film has its flaws, such as its predictable and pretty easy ending, you can forgive it because that is not the point of it. We are watching the film to watch the ridiculous attempts to murder their bosses of three friends. These ridiculous attempts include paying a shady character who they meet in a bar called 'Motherf*cker' Jones (Jamie Foxx), five thousand dollars just for advice over murder.

Most of the film's enjoyable scenes take place inside the houses of the bosses, my favourite being the recreation of the Pulp Fiction adrenaline shot scene which takes place between in my opinion the two strongest actors in the film.

A light hearted and enjoyable comedy, "Horrible Bosses" is a film I recommend if you are looking for something fun and not too serious.

RATING: rating_3

[nebbit]

I didn't find this movie funny at all :nope:

[Daniel M]

The Day of the Jackal
(1973, Dir. Fred Zinnemann)

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Based on true events (and a book written about them) that took place in the early 60s of France, a professional assassin that goes by the codename of 'Jackal' is hired by an underground French group the AOS after a number of botched attempts at assassinating the French President Charles De Gaull. The film, 143 minutes in length follows the preparations taken by Jackal and the attempts from the French police to stop him.

The part of Jackal is portrayed by Edward Fox who does it with strong conviction, we believe he is a real cold and calculated killer who pays extreme attention to detail in order to pull of his plan to perfection. A mystery throughout, we begin to see the brutal killer that he is as the film progresses. A slight spoiler here but after he discovers the French police are on his trail he continues to go ahead with his plan, almost now fascinated with the project he has become involved in, going to extreme lengths to complete what he had started - even sleeping with a man.

The rest of the cast is made up of unknown names, but even they are convincing and we feel like we are watching in on real people, in particular the man appointed head of the French investigation in charge of tracking down the Jackal.

The film works extremely well as a thriller, with the 143 minutes runtime allowing for suspense to build extremely well throughout, even though I was aware of what the ending was likely to be I was still on the edge of my seat as I awaited the Jackal's next move, waiting to see whether the next step in his plan was to be successful or not.

The film plays like a documentary, with some great and extremely realistic footage included. The shots are all extremely well shot and handled with care. There's plenty of memorable shots in the film such as when Jackal is attempting to fix the sight of his gun whilst firing at a watermelon. My favourite scene was in fact the films opening, I'm not exactly sure how long it is but there is almost no dialogue involved at all yet we are gripped to the screen as we follow the President's car as the AOS attempt to assassinate him.

My only complaint, and what stops the film from receiving a potentially higher rating is the ending. I have seen people mention the length of the film as a negative, in fact I felt almost the opposite. With the pacing allowing suspense to build I felt the ending felt slightly out of pace, the ending seems to take place at extreme speed from the initial part of the ending to the end credits. It just seemed really abrupt when you consider the build up to it. I do not know what I was really expecting though, perhaps I just did not want it to end.

RATING: 3.5

[honeykid]

I've tried to watch that a few times, but it just doesn't hook me in. Next time it's on Film4, I recommend Carlos. It's in three parts, but I think it's worth it, especially for the first two.

http://1.bp.blogspot.com/__N5hDcfFbvk/TLoGWJHd1tI/AAAAAAAABAo/pMuAAcSaLo0/s1600/Carlos-poster.jpg
Carlos

[JayDee]

^ Great thriller. Reviewed it myself a while back as well, though I gave it a higher score (4 + I think) than you did.

I really like all the attention to detail when it comes to detailing the Jackal's preparations. In particular I love the watermelon scene. Could easily come across as really silly but was perfectly filmed and results in quite a chilling moment when it explodes

[Daniel M]

^ Great thriller. Reviewed it myself a while back as well, though I gave it a higher score (4 + I think) than you did.

I really like all the attention to detail when it comes to detailing the Jackal's preparations. In particular I love the watermelon scene. Could easily come across as really silly but was perfectly filmed and results in quite a chilling moment when it explodes

Yeh I actually noticed your review before as I went back to read the No Country one, and seeing as it was literally the last film I watched I thought I might as well do a review :) I was going to give it a 4* but I just thought the ending was a bit to abrupt after all the build-up.

[Daniel M]

Wild Hogs

(2007, Dir. Walt Becker)



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John Travolta, William H. Macy and Ray Liotta are just a few of the big name stars involved. Each of those three are partly responsible for three of my favourite films "Pulp Fiction", "Fargo" and "Goodfellas" so on paper the idea of them working together sounds great, doesn't it?

Unfortunately though, "Wild Hogs" does its best to waste almost every ounce of talent these actors have, in particular Ray Liotta who is extremely annoying in his role as the leader of a hated gang of bikers the 'Del Fuegos'.

In fact the film goes down hill (although it is not particularly good in the first place) as soon as we get the confrontation between the two sets of bikers, the 'Wild Hogs' and the 'Del Fuegos'. I will admit that in parts the film is funny, stupid kind of funny that brings out our inner child. At least when they are together the 'Wild Hogs' look like their having fun, which means we can enjoy their light hearted and stupid antics.

So back on to the films negatives that mainly come from the overacting and just pure annoying characters that are the enemy bikers that chase down the good guys. Ray Liotta overacts so badly to create a character that really is embarrassing and cringe worthy, in a film that is meant to be a comedy it feels like he is just trying so hard to come across as some aggressive hard man and is well supported by an array of stupid characters that include "Lost" duo Kevin Durand and M. C. Gainey.

You can almost accept this light hearted attempt at a script up until the final act, where the town and what occurs really does seem like something written by a child. The final scenes are particularly cheesy, predictable and just so silly, filled with clichés such as the ugly and depressed 'computer geek' getting the hot girl.

I can understand why such a happy and easy ending may please less serious film watchers, children in particular. Perhaps I am being a bit too harsh and I probably would not have watched on as frustratingly had the film been produced with a lesser quality cast but if you want to see a loveable or humerus film then there are plenty of options already available that come with something this film does not have - intelligence.

RATING: 1

[JayDee]

Note: Credit has to go to Brodinski/JayDee and possible other members for the idea to use multiple posters, really loving some of the foreign posters that I've seen posted around here.

Well I was doing it way before Brodinski so I'll take the credit! :p And I don't even remember anyone else doing it so yay for me!

Although that being said, you buggered up your new system by trying to hotlink. Tut tut you naughty boy! :D

[Daniel M]

Well I was doing it way before Brodinski so I'll take the credit! :p And I don't even remember anyone else doing it so yay for me!

Although that being said, you buggered up your new system by trying to hotlink. Tut tut you naughty boy! :D

Haha I'm still unsure on what style I should go with, think I like doing it with two big posters though like the last one. Also yeh I know about hotlinking, I need to reupload them as much as I can, sometimes I forget :p

[Daniel M]

Red Riding Hood


(2011, Dir. Catherine Hardwicke)



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I ended up sitting down and watching this film with my parents, and I really have no idea why they would have wanted to watch such a film. After recently watching "Snow White and the Huntsman" I was not really expected much from a fairy tale turned dark horror-type film.

My expectations proved correct and the film was ultimately disappointing, whilst I did not think "Snow White and the Huntsman" was particularly good overall, it was certainly more enjoyable and seemed to be more structured and organised than this mess of a film.

First of all there is the plot, which is a combination of two stories that I simply did not care about come the end of the film - one is an attempt at a romantic storyline between the main character Valerie and her lover Peter and the other is a guess-the-villain style murder mystery in which we are trying to find out who is the wolf.

The love story is immediately introduced to us with the film's opening scenes which feel like something straight out of Twilight, not surprising considering the film is directed by Catherine Hardwicke who was also responsible for the first Twilight film. I am not a fan of any of the Twilight films and if you are not then I think it is safe to say it is unlikely you will enjoy the majority of the film.

The film as a whole is all one big mess, with plenty of different plot elements dropped in and removed, most leading no where, constantly giving us a variety of scenes that attempt to make the mystery more intriguing but simply making it more annoying, aside from the cheesy love triangle we have various other clichés and scenes we have seen many times before. There are also a number of absolutely pointless scenes which appear to have been added in with no good purpose at all, including an overdrawn celebration scene and another scene towards the end where we hear grandmothers famous "what big..." lines, these are added in and forced for no good reason as a reference to the initial children's tale which we have by this time long forgotten about.

The acting is pretty much average, no one struck me as particularly bad but aside from the usually stellar Gary Oldman no one was particularly good. Whilst Oldman's performance was good his character was ultimately clichéd and wasted, an insane old man who preaches to the village with his expertise on the task in hand.

The ending is in fitting with everything we've seen before and that is not a good thing. The film tries to be surprising, like a "Scream" film where we are exposed to deliberate attempts to focus on attention on various suspects before our focus changing to the next one, then the next on and so on. Once the truth is revealed the climax is not particularly exciting or interesting and I was more glad it was over than anything else.

RATING: 1

[Godoggo]

Yeah, I recently watched this through no fault of my own as well. It was worse than I expected and my expectations were already pretty low.
It's a shame that so many werewolf movies are such crap because I love the mythology behind them.

[Daniel M]

There Will Be Blood

(2007, Dir. Paul Thomas Anderson)

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Paul Thomas Anderson’s There Will Be Blood is a film with big ambitions. Its length, cinematography and story are grand in every way possible; creating an epic film that I truly believe is a masterpiece of the 21st century.

The film is centred upon the life of an oil man named Daniel Plainview who following a drilling accident adopts a co-workers son, HW. Daniel uses his son as part of the family business, travelling around American and purchasing land where oil is available.

We see the story of Daniel Plainview’s life across a number of decades as the determined and ambitious man becomes one of the wealthiest in the country. The story is ultimately about greed as Daniel gets what he desires often at the expense of others.

Daniel Day-Lewis’ Oscar winning performance as Daniel Plainview is superb in every aspect; he perfects the role as if we are watching a real person and his performance as angry and explosive person can perhaps be compared to Robert De Niro’s portrayal of Jake La Motta in Raging Bull in terms of quality acting, and Orson Welles as Citizen Kane in terms of the character and his ambitions in life. His accent and the way he talks are particularly great, near the beginning of the film we hear him in conversation introducing his son, he says he is not a great speaker but presents in a way that is chilling and memorable.

That is not to give credit to the film’s other main star, Paul Dano as a young preacher Eli Sunday. He is two-faced, manipulative and at times equally as scary as Daniel Day-Lewis, his role in the film is vital to some of the messages involved, mainly greed and power that he seeks.

The other Oscar that this film managed to win was for its cinematography, the opening scenes themselves are somewhat spectacular despite no dialogue being spoken as we are given an introduction to the oil business and Daniel Plainview with fantastic visual images created by the old Western landscape and gritty work areas.

Before watching this film, my favourite film of the 21st century was No Country for Old Men which was also released in the same year, now I am not so sure. No Country for Old Men went on to pick up more Oscars than this film and I definitely now hold the belief that There Will Be Blood was deserving of much more. Both films are similar in a number of ways, both have fantastic cinematography that make greatly efficient use of Western landscapes and both have perhaps ‘psychopathic villains’, and whilst both villains won Oscars for their performances both were two contrasting type of villains portrayed in completely different ways.

One Oscar that this film probably would have won had it not been for a technicality (reusing a small amount of old work for one scene I believe) would have been for Best Original Score, the music in this film goes fantastically well with the film and really does build up a dark and uncomfortable feeling for a lot of scenes. The way the music is used finds the perfect balance so it can be used in such a way that it is not overpowering but really helps build up tension as some great scenes come to a boil.

I really feel that no complaints can be made towards the film’s pacing and length either, something I was surprised to see some people saw as in issue. Although two and a half hours in length, it has the great quality of keeping the viewer engaged with a fantastic blend of visually stunning and powerful emotional scenes with more quick paced dialogue filled scenes. In this sense it reminded me of Boogie Nights, Anderson’s film that is almost equal in length and it too seems so full of energy, never losing my attention. Comparing the film to No Country for Old Men once again, both films were adapted from novels, and whilst I have no idea what either of them are like when compared with the two films I really do feel that Paul Thomas Anderson’s screenplay is superior to the Coen Brothers despite losing to it in that Oscar category, the dialogue for some of the scenes are masterful, particularly those of Daniel Plainview. The final scene where we see him launch a torrent of insults towards Eli Sunday before screaming the film’s famous ‘Milkshake’ lines is a mini masterpiece in itself, certainly one of the most enjoyable, exhilarating and memorable endings I have can recall.

RATING: 4.5

[Gabrielle947]

There Will Be Blood is a great film.I can only agree with your review and as for the length, the film is about oil business which I believe many people don't know about so I believe that this also should keep the viewers interested.

As for review itself,I like that it's simple and clear,you said the most important things yet you didn't spoil anything and you gave your exact opinion.Little more work in style and it would be perfect.I will definitely read others.

[Daniel M]

Mulholland Drive
(2001, Dir. David Lynch)

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Following on from my viewing of There Will Be Blood I decided to watch another one of the highest rated films of the 21st century, David Lynch's Mulholland Drive.

This film was actually my first ever viewing of David Lynch, a director who has received a lot of praise for his controversial films that have become famous over the years, garnering great 'cult status'. I had also heard a lot specifically about Mulholland Drive, a film that is constantly referred to whenever someone brings up a discussion surrounding mysterious and confusing films. Unlike There Will Be Blood which gives us a linear story in an epic way, this film is almost the opposite with the narrative structure and rules that come with a film torn apart to create a dreamlike product that although at times is confusing, is fascinating and rewarding.

The great thing about a film like this is that it is almost impossible to give someone an idea of what the film is about without really spoiling it, and even then you’re not spoiling the films dreamlike style leaves any type of interpretation completely up to the individual viewer.

The film focuses on the lives of two young women named Betty and Rita, following a car crash in which Rita loses her memory and forgets her own identity, the two forge a bond as the pair attempt to get to the bottom of an incredibly strange mystery involving a blue box and key, a mysterious cowboy, a film director and a night club called Silencio.

So if the meaning of the film require such great thought and discussion after watching the film, how can I rate such a viewing so high considering it is my first ever viewing from the director? The film works on a number of levels that work together to give such an enjoyable experience. The film works as a suspenseful thriller, because of the surreal dreamlike world we never know what is around the corner, with characters like the monster behind Twinkie’s and a cowboy that appears out of nowhere it is difficult not be at least slightly spooked out by the eerie and unpredictable atmosphere created. Lynch’s attention to detail makes the mystery even more enthralling, constantly engaging the viewer and forcing you to keep your eyes attached to the screen in the fear of missing something that might be of significance to solving the mystery.

Sometimes when watching a film you can tell by your initial reaction and immediate thoughts that follow the viewing that you have seen a great film, which is exactly how I felt. Although I was confused and wanted answers I was mesmerised by what I had seen and really could not stop thinking about it.

I won’t discuss my personal interpretation of the film in my review; I’d rather discuss that elsewhere without spoiling the viewer who will benefit from watching without any ideas heading into it. However I will say that my interpretation I think follows the general theory behind what actually happens during Mulholland Drive, however like many critics have said I think it is important not to focus to much on analysing the meaning, although you will no doubt want to gather some type of meaning for what you have seen, Lynch has deliberately left the film ambiguous with no official or confirmed meaning, you should appreciate the film for what it is and I believe that is quite possibly a masterpiece in filmmaking.

RATING: 4

[The Rodent]

Mulholland Drive is one I've been meaning to do myself. I really need to get a copy forst though, been years since I Saw it.

[cricket]

I haven't seen either of the last two, but I definitely need to. Great reviews!

[Daniel M]

Blue Velvet

(1986, David Lynch)

http://imageshack.us/a/img855/6461/bv1q.jpg http://imageshack.us/a/img822/9623/bv2jr.jpg



My second viewing of a David Lynch film following the extremely impressive Mulholland Drive, if there is one word I would choose to describe the two films I would simply choose ‘weird’. That is not meant as an insult though and although both films are strange and unusual; they are entirely different in style and unique in their own ways. Mulholland Drive was weird in a fascinating, mysterious and intriguing way that made us question the dreamlike world we were watching and attempt to get to the bottom of it. Whilst Blue Velvet is also a mysterious film where the characters dig deeper in to a world filled with a dark sinister side where everything is not what is seems, I would use the word ‘weird’ best to describe the bizarre characters that inhabit the world and fill it with their violent and sick actions.

This film is a crime film like no other, with the sinister underworld discovered leaving a lasting impact on the viewer due to its disturbing and psychopathic violence. It is impossible to talk about the film’s darkness without specifically talking about the film’s main villain, Frank, a man in charge of a criminal organisation that share their violent fantasies with each other. Dennis Hopper’s character is one of the scariest and most disturbing characters that I can remember, constantly inhaling drugs from a canister attached to a face mask that only further enhances his appearance as a character who we truly despise. The first scene that we see him in is particularly disturbing but brilliant as we see the young and innocent character Jeffrey Beaumont face the harsh realisation that the town in which he lives in is not as pleasant as it seems.

The opening scenes themselves are brilliant as we see a lovely little garden with a nice picket fence and red roses, the ‘Blue Velvet’ song that is heard throughout itself is soft and calming and when we see Dorothy Vallens (Frank’s victim) sing it we see her through the eyes of young Jeffrey who becomes sexually involved with the woman who he sees as a beautiful and unfortunate victim that he wants to protect.

Kyle MacLachlan is very good in his role as Jeffrey; he is young and naïve and genuinely looks lost and innocent. He finds himself sickened that such people as Frank exist in the world and wants to become the hero for an older woman who he shares a secret relationship with after initially only going to her apartment to further his investigation in to a cut off ear he comes across at the start of the film.

The film is often labelled as ‘noir’ due to its dark themes and visual style. The use of little light in scenes adds to the mystery and suspense and in other scenes we see tints of more vibrant colours such as blue to give a great contrasting edge to the look of the film. The use of music as mentioned before is brilliant; we know we are viewing a dark world so the soft and calming sound of songs such as ‘Blue Velvet’ seem even more disturbing and eerie. Stanley Kubrick famously used songs to give an ironic touch to dark scenes in films such as Dr. Strangelove and A Clockwork Orange and I was reminded of his work when Frank is sent into a psychopathic rage, kisses and beats up Jeffrey to the tune of ‘In Dreams’ as a woman dances to the tune in the background of the violent attack.

After watching both Mulholland Drive and Blue Velvet I can definitely say that the two films have been two of the strangest yet greatest viewing experiences I can recall in recent times, both will certainly not be easily forgotten and I would definitely label them must watch films as I would now label David Lynch a must watch director, a man whose films that I have never seen anything like before.

RATING: 5

[The Rodent]

First time I saw Blue Velvet was when I was about 11 at a mate's house during a sleepover... it was on telly and we watched it after everyone had gone to bed and we had a midnight feast thing like kids do.

Seen it a number of times since though, great movie. Hopper's Frank Booth made my list of top villains too. Nice review.

[Daniel M]

First time I saw Blue Velvet was when I was about 11 at a mate's house during a sleepover... it was on telly and we watched it after everyone had gone to bed and we had a midnight feast thing like kids do.

Seen it a number of times since though, great movie. Hopper's Frank Booth made my list of top villains too. Nice review.

Haha, sounds great :p But yeh this really is Hopper's film, he's a complete monster and personifies everything that is evil and sick inside people, the whole mask thing just adds another element to his creepiness.

[nebbit]

Nice review :yup: I saw this at the theatre when it came out :yup: love it :yup: and is "Weird" ;D

[cricket]

Another great review of a great movie. Writing reviews like this is definitely a talent. I know because I don't have it.

[Powderfinger]

There Will Be Blood

[CENTER][B](2007, Dir. Paul Thomas Anderson)

http://imageshack.us/a/img163/9070/twbb.jpg http://imageshack.us/a/img831/4205/twbb2.jpg



http://www.imdb.com/title/tt0118760/

http://ia.media-imdb.com/images/M/MV5BMTYyODU1ODgzMV5BMl5BanBnXkFtZTcwNjc2NzMyMQ@@._V1._SY317_CR5,0,214,317_.jpg

You should watch this.

[Daniel M]

http://www.imdb.com/title/tt0118760/

http://ia.media-imdb.com/images/M/MV5BMTYyODU1ODgzMV5BMl5BanBnXkFtZTcwNjc2NzMyMQ@@._V1._SY317_CR5,0,214,317_.jpg

You should watch this.

Thanks, I've seen In the Name of the Father which I thought was very good but it was quite a while ago now and I can not remember much of it apart from it was good, will probably get round to watch this and some other DDL films eventually.

[Daniel M]

The Killing
(1956, Stanley Kubrick)

http://imageshack.us/a/img69/7807/killing1.jpg http://imageshack.us/a/img51/9577/killing2.jpg

I have always been fascinated by film-noir yet I have seen very little of them, so when MGM decided to show one each day in a 'film-noir week' I looked forward to finally increase my noir viewings, the first film for this was the great Stanley Kubrick's The Killing.

Because this was one of Kubrick's first ever films I was all the more excited to finally watch this as a big fan of his more well known works such as 2001: A Space Odyssey and Dr. Strangelove. The thing I love about Kubrick is the fact the his films are almost indistinguishable in terms of plot and had I seen this 50s' crime thriller without knowing the director I would of been surprised to find out that it was Kubrick.

The film follows the plan of Johnny Clay who comes up with a seemingly flawless set of actions that would allow him and his friends to pull off a major heist at a racetrack. Quentin Tarantino has cited this film as an inspiration for Reservoir Dogs which is similar in the fact is is centred around a heist and shares a similar ending, you can also see the influence on his most famous film Pulp Fiction in terms of the intelligent and fluid narrative structure.

In terms of the film's style it has everything you could want from a crime thriller and its structure allows it to run smoothly and keep your interest as the plan carefully unfolds, the camera techniques used are great as well as the dark shadows and colours that we now associate with dark and mysterious crime films.

What keeps the crime aspect most interesting though is the characters who each have their own individual roles in the plan. Sterling Hayden as Johnny Clay, the man behind the heist gives a great performance in his role and would later become the memorable star of Kubrick's Dr. Strangelove. The film has a number of interesting characters though that keep the film constantly interesting, one of my favourite performances was Elisha Cook Jr. as George Peatty, a man who is being cheated on by his wife and is looked down by others as an idiot.

When the heist actually takes place Kubrick does a great job of turning up the intensity of the film and ensuring that each shot is done correctly to match the seemingly immaculate plan of Johnny. Without spoiling too much of the ending, I enjoyed Kubrick's choice to end on an ironic note. Given what has gone before with the heist being planned with such extreme precision up to the point that there is even a plan for what to do if any of the members died it is ironic how things eventually turn out.

Kubrick combines memorable characters, great visuals, a structure that sees the film paced greatly at a rather short length of 85 minutes, humour and a little bit of violence to give us a thoroughly enjoyable noir, a fantastic effort for a man only 28 years old, it is not surprising to see that such a director would go on to be remembered as one of the greatest of all time. Next up for me is Kubrick's Killer's Kiss.

RATING: 3.5

[Tyler1]

Of all the Kubrick films, I consider The Killing to be the worst; an average noir at best. I think you would find Killer's Kiss a better film.

[Daniel M]

Of all the Kubrick films, I consider The Killing to be the worst; an average noir at best. I think you would find Killer's Kiss a better film.

Interesting seeing as most people seem to prefer The Killing, I'll post up my review of Killer's Kiss when I see it and tell you what I think. I've also got Sweet Smell of Success and The Night of the Hunter recorded and ready to watch, I've only really heard great stuff about both :)

edit: Just remembered that The Night of the Hunter is your avatar as well so I'm guessing you like it :P

[HitchFan97]

Glad to see you're enjoying Lynch. For me, Blue Velvet is the ultimate conflict of good vs. evil in cinema; externally between Jeffrey Beaumont and Frank Booth, but also internally as Jeffrey discovers an underworld which opens him up to the dark recesses of his own mind. You've already seen Lynch's best films, but I'd recommend watching Wild at Heart next- there's never a dull moment and it's a brilliant self parody. You can't go wrong with Twin Peaks either.

[Daniel M]

True Romance
(1993, Tony Scott)


http://imageshack.us/a/img404/5134/tr1oo.jpg http://imageshack.us/a/img202/1329/tr2mw.jpg


The first thing I did after my ‘Tarantino XX’ Blu-Ray set arrived was watch True Romance, the only film included that I had not previously seen, along with Death Proof which I shall be watching soon.

What is interesting about its inclusion in the set is the fact that it is the only film included that is not directed by Quentin Tarantino. It is well known that Tarantino wrote two screenplays based on romantic duos: True Romance and Natural Born Killers. He sold the latter (which I have not seen) to Oliver Stone however that is not included in the set due to his dislike towards Stone’s take on the script which is criticised for removing much of the satirical elements of Tarantino’s original story. With True Romance, Tarantino’s attitude is different with the director approving of Tony Scott’s take on the film with much of the original screenplay intact, something which is clearly evident throughout the film and something that makes it as good as it is.

With the screenplay so good I honestly believe that with Tarantino also behind this camera then this film may now viewed at the same level of his most famous film – Pulp Fiction. The film has all the elements of a typical Tarantino film with the same fast-paced and enjoyable formula that we expect from the director, the film is filled with fantastic and memorable references, pop culture references and references to plenty of other films – the Vietnam and Oscar awards conversation where Tarantino pays homage to some of his personal favourite films such as The Good, the Bad and the Ugly and Rio Bravo.

The biggest film inspiration evident is Terrence Malick’s classic Badlands, a clear influence on both of Tarantino’s romantic screenplays. This inspiration is portrayed clearly in the film with the same charming yet haunting sounds of Carl Orff that were used in Badlands used in Hans Zimmer’s score, with the voiceover from the film’s female protagonist Alabama sounding almost identical to that of Sissy Spacek’s character Holly in Badlands.

The film has perhaps one of my favourite casts of all time with a fantastic ensemble of great actors including a few that would later go on to appear in the films of Tarantino such as Samuel L. Jackson, Brad Pitt and Christopher Walken. Two of my favourites were Dennis Hopper who portrays a ‘good guy’ in contrast to the last film of his that I saw, Blue Velvet, and James Gandolfini as a member of the criminal gang chasing Clarence and Alabama who have run off with their cocaine, watching his performance it is easy to see how he would later become the star of my all time favourite TV show, The Sopranos.

Dennis Hopper and Christopher Walken create perhaps the film’s greatest scene, possibly one of the greatest scenes of all time. Hopper plays the role of Clifford Worley, the father of the on the run Clarence who attempts to protect his son from the ruthless Sicilian mafia member Vincenzo Coccotti with the other members on looking. Then there’s another favourite scene of mine, perhaps the most violent of the entire film where we see James Gandolfini’s character Virgil confront Patricia Arquette’s character Alabama. I actually had to ask my step-dad about an hour in, “have we seen Gary Oldman yet?” wondering whether I had missed him, I was correct in my suspicions as he told me (having previously seen then film and highly recommending it) he was the pimp Drexl.

To put it simply, True Romance is two hours of pure popcorn fun, its explosive, fast-paced, filled with memorable dialogue, unique and brilliantly portrayed characters, pop culture and film references, plenty of violence and of course a romantic centre with two characters who we come to love. True Romance has everything you could want from a film and much more. I would say it is definitely one of Tarantino’s best films despite him not actually directing it, and I would say that it made for one of the most enjoyable viewing experiences that I can remember.

RATING: 4

[Gabrielle947]

True Romance is a wonderful movie and,although I don't find "Sicilian" scene so special,Alabama's and Gandolfini's confrontation was very well made.Love that scene.
Also,I wouldn't agree that it would be better if Tarantino directed it.Maybe it would,maybe it wouldn't,but I love it as it is now and I don't like such speculations. :)
Natural Born Killers is decent,you should see it only because of the impact it had on young couples.I haven't seen this film in ages but I can remember it being cruel and a bit weird.
I've never seen Badlands (I always thought it's a western,actually :D) but I'm adding it to my watchlist now,looks promising. :)

[Daniel M]

True Romance is a wonderful movie and,although I don't find "Sicilian" scene so special,Alabama's and Gandolfini's confrontation was very well made.Love that scene.
Also,I wouldn't agree that it would be better if Tarantino directed it.Maybe it would,maybe it wouldn't,but I love it as it is now and I don't like such speculations. :)
Natural Born Killers is decent,you should see it only because of the impact it had on young couples.I haven't seen this film in ages but I can remember it being cruel and a bit weird.
I've never seen Badlands (I always thought it's a western,actually :D) but I'm adding it to my watchlist now,looks promising. :)

Thanks. Badlands isn't as fast-paced and entertaining as True Romance but a more creepier and visually stunning film.

[mastermetal777]

Considering how you feel about David Lynch's movies, is it safe to assume you enjoyed his TV series Twin Peaks as well, Daniel? Because that's one of my favorite TV shows ever and it has that same weird, unsettling atmosphere that his films often carried.

[cricket]

I love True Romance and that was a fantastic review-I agree with everything you said!!!

As far as the 2 films you mentioned-

I have yet to see Badlands, but I need to.

I did not care for Natural Born Killers, and it's the type of film I normally love.

[Daniel M]

I love True Romance and that was a fantastic review-I agree with everything you said!!!

As far as the 2 films you mentioned-

I have yet to see Badlands, but I need to.

I did not care for Natural Born Killers, and it's the type of film I normally love.

Thanks.

With NBK I haven't seen it either but I've heard quite a few criticise it from removing the original point of Tarantino's script that was the satrical and media-mocking side of things where as Oliver Stone changes it so it's just all glorified killing, I'll have to see.

[JayDee]

I also just watched True Romance for the first time fairly recently. Agree that it was a great film. :yup: Oh and great review as well. As you say the cast is phenomenal. Though I can't believe you didn't give Patricia Arquette much of a mention. From the first second she appeared on screen I just fell madly in love with that character.


We really are on very different paths just now Daniel! :D You're visiting all these critically acclaimed, all time classic films. And I'm having a Jean Claude Van Damme season!!! :laugh:

[Daniel M]

I also just watched True Romance for the first time fairly recently. Agree that it was a great film. :yup: Oh and great review as well. As you say the cast is phenomenal. Though I can't believe you didn't give Patricia Arquette much of a mention. From the first second she appeared on screen I just fell madly in love with that character.


We really are on very different paths just now Daniel! :D You're visiting all these critically acclaimed, all time classic films. And I'm having a Jean Claude Van Damme season!!! :laugh:

Yeh I barely talked about the main two characters and focussed mainly on the ensemble cast that when I think about it had hardly little time on screen (Pitt, Oldman, Gandolfini, Hopper, Oldman etc.). But yeh Patricia Arquette really was a great choice for the character, and like you said the romantic side of worked well with them, it seems Tony Scott fell in love with those two as well as he decided to alter Tarantino's script and not kill Slater's character.

And yeh completely different paths, I don't think I've ever watched a full JCVD film so I can't really comment much on that side of the reviews - actually if you count Kung Fu Panda 2 then I have seen a full film of his! :p

[JayDee]

I'll perhaps give True Romance a rewatch at some point in the near future so I can do a proper in-depth review. Show you how it's done. :p


And yeh completely different paths, I don't think I've ever watched a full JCVD film

:eek: Aww that's so sad. :( Your life is incomplete without some Van Damme exposure! :D

I can't believe you've never seen a JCVD film. I thought it would be impossible to do that unless you actively avoid them. Though I think you're a bit younger than me so perhaps that explains it a little. Just when I was growing up Van Damme flicks always seemed to be on TV; it was impossible to miss his films, particularly the likes of Bloodsport. So did you never go through the phase most boys do of exploring the CVs of Stallone, Arnie, Van Damme etc?

If action films perhaps aren't your thing, but for some reason you were desperate to see a Van Damme flick I'd recommend JCVD, which I just reviewed last time out. See Van Damme go arthouse! No seriously. :D

[honeykid]

With NBK I haven't seen it either but I've heard quite a few criticise it from removing the original point of Tarantino's script that was the satrical and media-mocking side of things where as Oliver Stone changes it so it's just all glorified killing, I'll have to see.
I honestly can't see how anyone who's seen the film could say that. My main, possibly only, criticism of the film is that Stone hits you over the head with that message, along with a couple of others, throughout the entire film so blatantly that it takes me out of the film.

I still love it, though. HK 100 film. :cool:

[Daniel M]

I'll perhaps give True Romance a rewatch at some point in the near future so I can do a proper in-depth review. Show you how it's done. :p



:eek: Aww that's so sad. :( Your life is incomplete without some Van Damme exposure! :D

I can't believe you've never seen a JCVD film. I thought it would be impossible to do that unless you actively avoid them. Though I think you're a bit younger than me so perhaps that explains it a little. Just when I was growing up Van Damme flicks always seemed to be on TV; it was impossible to miss his films, particularly the likes of Bloodsport. So did you never go through the phase most boys do of exploring the CVs of Stallone, Arnie, Van Damme etc?

If action films perhaps aren't your thing, but for some reason you were desperate to see a Van Damme flick I'd recommend JCVD, which I just reviewed last time out. See Van Damme go arthouse! No seriously. :D

I'm not sure how old you are, I'm 17 and I've only really started watching films properly in the last year or two. I've never really watched any of those action films though and that includes things like Rocky, Rambo etc. I've seen bits and bobs on TV now and again but never actually sat down and watched any, I'll definitely have to some time have an action film spree.

I honestly can't see how anyone who's seen the film could say that. My main, possibly only, criticism of the film is that Stone hits you over the head with that message, along with a couple of others, throughout the entire film so blatantly that it takes me out of the film.

I still love it, though. HK 100 film. :cool:

I can't really comment because I haven't seen the film, I've only really read bits and bobs of critics comments, definitely going to give it a try and see what it's like though, I reckon that I'll actually like it :p

[Daniel M]

Lars and the Real Girl
(2007, Craig Gillespie)


http://imageshack.us/a/img685/5046/lars1n.jpg http://imageshack.us/a/img405/6463/lars2.jpg


When I first discovered this film I was extremely interested to see just how well you can make a film that is 106 minutes long and focuses around a young man who strikes up a relationship with an internet sex doll that he orders. This film is a film like no other I have seen before, original and unique, a small miracle in that it is so successful in making us fall in love with Lars and like his town neighbours feel sympathy and understanding towards him and his complicated situation that we on the surface would normally be perceived as weird and simply wrong.

Nancy Oliver’s original screenplay is brave and unique, and whilst at times is implausible it is always charming and never offends the viewer. The screenplay was rightly nominated for an Oscar but what really makes the idea work so successfully is the performance of Ryan Gosling, a small miracle in itself from one of the my favourite actors of this century so far. You have to question what another actor would have done in the same role, would he have been able to hold everything together and create a character that really captures the audience heart as well as Gosling who really grows on us throughout. We know that he is delusional and can not be persuaded against the existence of Bianca, but we have hope that he can overcome his problems and realise what he has in front of him, people willing to accept him and help him.

The world of Lars, although implausible is always acceptable, because of its true human message. We get an insight into Lars’ life and why he is so reclusive and socially awkward, taking a particular dislike to people touching him hence wearing an unusual number of layers of clothing. We learn that his mother died giving birth to him, he carries around a small baby blanket come scarf to remind him of his mother, he is caring and is never violent or raises his voice yet is oblivious to the kind actions of those around him such as his brother and sister-in-law, and an attractive young work colleague Margo.

But it is not just Lars that makes the film so enjoyable, it is the community as a whole, essential to the film as although uneasy at first, come to accept Lars and his condition, welcoming and supporting his new doll partner Bianca. The performances all round are really strong and believable, applying hope and warmth to a difficult situation. Emily Mortimer as Lars’ sister-in-law is particularly kind and encouraging to Lars, even before he orders his doll yet he fails to recognise that the love and support she is giving him, explaining to his doctor that he feels she is rude as she does not understand that people do not like to be hugged. In one of the film’s most heartfelt moments she attempts to explain to Lars just how important he is when he tells her that people do not care about him,

“That is just not true! God! Every person in this town bends over backward to make Bianca feel at home. Why do you think she has so many places to go and so much to do? Huh? Huh? Because of you! Because - all these people - love you! We push her wheelchair. We drive her to work. We drive her home. We wash her. We dress her. We get her up, and put her to bed. We carry her. And she is not petite, Lars. Bianca is a big, big girl! None of this is easy - for any of us - but we do it... Oh! We do it for you! So don't you dare tell me how we don't care.”

The acceptance of Bianca is so real and charming that we ourselves come to love her, we see her teaching in a school and even getting her hair cut, I think you will be excused if you were looking for her actress at the end credits. Despite this love for Bianca that is developed, we feel even better when Lars begins to mature and confront the reality of his situation, beginning by asking his brother how he knew when he was a man. I won’t spoil the film’s ending but we feel a sense of happiness that Lars is able to triumph and finally accept the caring world he lives in and the effort made by those around him.

One of the most charming and popular films I can remember in recent times, I said before that Gosling’s performance was a small miracle in itself, the same comment can be applied to the film as a whole. The film is an American production, set in an American town and shot in the Canadian province of Ontario yet it has an independent feel that makes us admire it even more. The town that is created and its inhabitants is a delightful and warm little place, even the cold outdoors, snowy environment and bare trees help create a feeling of inner warmth and at times I felt like we were watching a low-budget Scandinavian film because of the settings and names of the characters.

It is always a breath of fresh air to see a film like this, wholly original, full of charm and warmth, and very engaging with its real human message that is set in a loveable and friendly world, people who criticise the film for is implausibility really are missing the point entirely, watching this film was a joy, how can anyone watch this and not fall in love with Lars and his community?

RATING: 4

[JayDee]

http://i101.photobucket.com/albums/m73/SCARguild/emotes/jaw-dropping.gif Do we have any lawyers on the board? I'd like to sue for plagiarism!

Daniel just wrote this in his Lars and the Real Girl review -

the cold outdoors, snowy environment and bare trees help create a feeling of inner warmth and at times I felt like we were watching a low-budget Scandinavian film because of the settings and names of the characters.

while on May 17th, 2011 I wrote this in my Lars review -

The setting for the movie helps a great deal. It's hard to imagine this film working in a sunny LA setting. Instead it is set in a very grey world, giving the film an almost Scandanavian tone.


J'accuse!!! :p

But seriously great review of a film I just adore. I think I had it somewhere in the 40s/50s on my top 100 list

[Daniel M]

http://i101.photobucket.com/albums/m73/SCARguild/emotes/jaw-dropping.gif Do we have any lawyers on the board? I'd like to sue for plagiarism!

Daniel just wrote this in his Lars and the Real Girl review -



while on May 17th, 2011 I wrote this in my Lars review -



J'accuse!!! :p

But seriously great review of a film I just adore. I think I had it somewhere in the 40s/50s on my top 100 list

Haha man I knew you'd pick up on that but I was honestly thinking that when I was watching the film, honestly though I mean Lars Lindstrom - can you get a more stereotypical Scandinavian name?

[The Rodent]

Lol! You guys.

I've done it too.
In my reviews I give a short overview of the story (similar to something that you'd find on the back of a DVD box so I don't give away any spoilers) before I get on to writing the actual review and giving my thoughts.

I've notived a couple of story overviews I've written have a similar wording to Wiki... even though I wrote my overview off the top of my head it has similar stuff to other overviews.

Maybe it's just an unconcious thing, I've used Wiki in the past to look up films and maybe a few sentences or sentence layouts have stayed in the unconcious part... who knows.

[JayDee]

I'm not sure how old you are, I'm 17 and I've only really started watching films properly in the last year or two. I've never really watched any of those action films though and that includes things like Rocky, Rambo etc.


:facepalm: You're killing me kid!!! :D I can't believe you've never seen a Rocky or Rambo film either, especially Rocky. Man you Welsh people are weird! :p

Anyway you have 8 years on me so maybe that's the difference. It's just that back when I was at school Van Damme films were amongst those that everyone seemed to watch, and then come into school the next day and talk about. Talking about the violent moments and doing dreadful Van Damme impersonations. But then that was practically the dark ages now when there was no freeview, Sky wasn't as common, you couldn't watch films online, you couldn't pick up cheap DVDs on ebay, hell DVDs weren't even invented yet!!! :D It was tougher to track down films so you usually watched what was on and there always seemed to be a good bit of Van Damme on

[cinemaafficionado]

Go Joe Calzaghe!

[Daniel M]

Note: This review is a film that I've actually reviewed before, in fact it was the second ever review that I posted on this site when I awarded it 4/4. I've watched the film numerous times since and I really have enjoyed it every time, for some reason I felt the urge to write a much improved and much longer article about the film. I hope you enjoy it. Contains mild plot spoilers.

---------------------

Now posted in new thread - http://www.movieforums.com/community/showthread.php?p=928974

[Gabrielle947]

Nice review,you are very observant and found lots of similarities with other films which didn't even think of.Despite what you mentioned,this film also has a reference to Fear And Loathing in Las Vegas (http://www.youtube.com/watch?v=K7Sjm8VW1Rs)
However,for me,Rango wasn't very special (I'm not keen on animation overall) but it is quite inventive and original.

[Daniel M]

Oldboy
(2003, Chan-wook Park)

http://imageshack.us/a/img28/8506/oldboyd.jpg


Oldboy follows the story of a man named Oh Dae-Su. We are introduced to him immediately when he speaks to his daughter over the phone on the night of her birthday; he then mysteriously disappears and is placed in a room for 15 years. In this small room he has nothing but a few objects to keep his life ticking over for the next 15 years, he has a television and a bed. It is through this television that he learns of the murder of his wife, with DNA evidence making him the prime suspect, with his daughter now adopted in Stockholm, Sweden. Whilst in this room Oh Dae-Su is given regular hair cuts and washes with people entering the room and attending to him once knocked out through gas that would fill the room as a small jingle played.

After 15 years he is released, it becomes clear immediately that his release is no coincidence and that he is to become a part in a well orchestrated game of cat and mouse where he must find his captor and discover the motive behind his 15 year confinement.

Upon his release, Oh Dae-Su meets a young chef named Mi-Do, instantly attracted the two begin a sexual relationship with each other, with Mi-Do agreeing to help her partner track down whoever is responsible for his kidnapping.

What follows is a film that feels like a combination of Memento and Kill Bill Vol. 1, the first half of the film is spent attempting to unravel the mystery through a series of clues but once the mystery is solved only further questions arise with the man responsible having bigger plans for Oh Dae-Su, provoking further questions and mysterious that remain unanswered until a powerful and shattering finale.

The film is filled with violence and scenes that many viewers may find disturbing, but do not let this put you off watching this wonderful film. Unlike other films where violence is simply added for stylistic shock value, the uncomfortable scenes are here for a reason in what for me was one of the most emotionally powerful films I had seen in a while. Take for example the film’s famous octopus scene where Oh Dae-Su orders a live octopus having just been released from captivity. This scene actually took four octopuses to complete, but that ensures that we see just exactly what we are meant to see, the live animal wriggling about as the consumer stuffs it all aggressively into his mouth. The purpose of this scene is not to shock us, Oh Dae-Su is a man who has just escaped captivity where he saw 15 years of his life wasted, in eating the octopus he is eating more than just your ordinary meal, he is consuming the living life out of a creature, just like his captor did to him.

There are other violent scenes as well, although all are as spectacular as they are fitting to the film and Oh Dae-Su’s revenge consumed character. In one scene we see Oh Dae-Su take on an entire hallway full of criminals waiting for him as he attempts to exit one building. In one of the greatest long takes in the history of cinema we see him take them all one and finally escape, this is no Jackie Chan style, fun and easy way out but it is instead a gritty and brutal battle for Oh Dae-Su who finds himself almost beaten to a pulp, only after fighting off the criminals, removing a knife from his back that he received during the fighting.

The hallway fight scene actually acts as a good symbol for the film as a whole, this is no straightforward revenge story where good overcomes evil, it is not as simple as that for Oh Dae-Su who will find himself battered and beaten just as much as those he faces off against. I won’t say much about how the film ends, but it is completely shattering and utterly brilliant.

RATING: 4

[Daniel M]

Paths of Glory
(1957, Stanley Kubrick)

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Paths of Glory was Stanley Kubrick’s fourth (including Fear and Desire) full feature film, released in 1957 when he was only twenty-nine years old, yet watching this film feels like your watching a work of art produced during the peak of a highly successful career of an experienced director, a moving and powerful masterpiece.

In the previous year Stanley Kubrick had released The Killing, which although was not a commercial success and is regarded as relatively weak when compared to his later work. However watching The Killing it is not surprising that the same director would go on to create a film such as Paths of Glory, although more of a raw product than his later films, The Killing was still quite well received by critics at the time, a decent noir that showed plenty of signs of talent and potential. What is more surprising though is the fact that Paths of Glory was created only a year after The Killing.

The craft and guild involved in the film are superb, with some of the best scenes ever constructed on display. Later war films contain many memorable scenes themselves; however the battle scenes in Paths of Glory are as good as any you will ever see with a fantastic scene in the first half when the attack on ant hill actually took place.

The story of the film follows the trial of three soldiers who are being charged with cowardice when facing the enemy. The troops were ordered to carry out the outrageous and impossible task of capturing the German ant hill; originally a captain is hesitant to carry out this order from those above but agrees to at the opportunity of a promotion.

Whilst only one third of the troops leave the trenches for the attack, only three are chosen for trial to attempt to make an example of their cowardice to discourage any future attempts of disobedience of orders. The trial scene in itself is expertly done, with Kirk Douglas as Col. Dax, a man who attempts to defend those wrongly on trial for their lives, delivering an emotional speech that ranks among the best ever given in the history of film. Douglas is fantastic throughout, with his good hearted and morally right intentions outlined at the films end when his motivations behind his defence of the troops on trial are questioned.

Kubrick’s anti-war film mocks the chain of command structure and structure put in place, focussing less on the war itself but more on those involved with it. Dr. Strangelove has long been one of my favourite Kubrick films and like Paths of Glory it also takes a critical stance against war, albeit in a more satirical manner.

Paths of Glory works mainly because of the characters we are shown, aside from the excellent Douglas we also has a great supporting cast, we no what the likely fate of the troops are yet their characters are none the less important. Then there are the men responsible from above such as the characters portrayed by Menjou and MacCready, men we grow to dislike due to their own interests as Kubrick looks at the human and moral side of war.

The film’s final scene is beautifully symbolic and fitting as we see the future Mrs. Kubrick sing a song in front of a bar full of haggling men, battling on despite the unfavourable odds against her.

RATING: rating_4_5

[Daniel M]

Persona
(1966, Ingmar Bergman)

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Prior to Persona I had never seen an Ingmar Bergman film, it had been something I had wanted to do for a while and I had placed Persona at the top of my watch list due to how highly regarded it is in the world of cinema.

Although I had never seen a Bergman film, I had a rough idea of who he was and what his films were like as an experimental, art house director. However I knew nothing about the specific content of his films, I had not heard a word about any of his films or their plots, so I was going in to Persona with an empty mind, ready to be pleasantly surprised.

First impressions for both a film and a director are very important, they can leave long lasting thoughts in your mind and you can immediately get a taste for things to come. Such examples of this include films such as Reservoir Dogs immediately gave me a taste for the stylistic, violent and fantastic dialogue filled Quentin Tarantino films and Mulholland Drive, one of the strangest and most confusing film experiences I have had that had be gripped from the opening 10 minutes and left me curious and eagerly anticipate the viewing of more of David Lynch’s work. Persona’s opening is definitely now the most memorable I have seen, I can not remember something as powerful and impacting as it. We see a bizarre array of ultra violent images such as an erect penis, a lamb being slaughtered, a tarantula and a nail going through a human hand, all these images flashing before our eyes along with a repeating image of a young boy with a deep stare, accompanied by haunting music in the background.

These opening scenes are very much a sign of things to come in terms of the atmosphere throughout the film, equally haunting and as memorable, a truly enthralling experience that really does bring out a mixture of emotions and feelings. The film is as minimalistic as it is artistic, we spend the film watching the lives of two women, one is a actress who has decided to be mute and the other is the nurse appointed with the task of taking care of her, as the two spend time with each other they begin to generate a bond with each other, raising questions over identity, who a person is and what the desire.

Once the film is over you will be long thinking about what you have just seen, less serious film watchers may be disappointed by a non linear and non spoon fed plot that come with the majority of popular films nowadays, but the fact that this film is not a linear story that presents you with a fully explained logical explanation is not important, films do not have to be. In an interview I recently watched with David Lynch (whose Mulholland Drive left me with a similar feeling of awe afterwards) he talked about how films should be used as a platform to convoy the result of something else, thoughts or a theme. Ingmar Bergman’s Wikipedia page says 'His major subjects were death, illness, faith, betrayal, and insanity.' And his presentation of such subjects in Persona is clearly evident as Bergman uses his experimental film as a means of showing us something more than just a story: images, themes, ideas and great meanings. Bergman is quick to remind us that what we are watching is just a film, towards the end we actually see a shot of him and his film crew turning their cameras and in another we see some film burning away.

To summarise what I have already said, watching Persona was a fantastic experience. It's memorable, haunting, unforgettable, enthralling and at times very disturbing, it is impossible to put a single word on the mixture of emotions and thoughts you'll have once you have seen it.

RATING: rating_4

[cricket]

I haven't seen Persona or Paths of Glory yet, but I will. Oldboy was very disappointing to me. But your reviews are consistently enjoyable.

[Daniel M]

Rosemary's Baby
(1968, Roman Polanski)

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Despite that fact that Chinatown has been one of my favourite films of all time from the moment I first watched it, it had previously been the only Roman Polanski film that I had seen. Although his noir detective mystery is widely regarded as his best film, Rosemary’s Baby (along with The Pianist) is also held in very high regard, and as a person who prefers a well constructed and intelligent psychological thriller over a modern slasher horror, I was extremely interested in watching Rosemary’s Baby.

The reason that Rosemary’s Baby works is because of Roman Polanksi’s approach to the genre. For the first half the film not much happens at all, when compared to what many expect from a horror. In fact almost the entire film takes place in one place, an apartment. There are very few scenes of violence either, for the majority of the film we are simply listening to the characters speak, this film is obsessed with details and this mean each character is extensively developed, we know everything about their lives, their feelings, and most importantly: their suspicions.

The characters, whose lives feel like part of ours, are aiding by fantastic performances all round. Mia Farrow is the star as Rosemary Woodhouse, a young woman who becomes pregnant but then grows increasingly paranoid over her and her baby’s safety following mysterious events and occurrences from those around her. Although I believe Mia Farrow gives the strongest performance, it was the performance of Ruth Gordon that saw the film gain Academy Award recognition, winning Best Actress in a Supporting Role, she is superb as an old woman who immediately befriends Rosemary after she moves into to her new apartment, although funny and friendly there is an awkward and dark feeling about her character from the moment we meet her.

Along with Ruth Gordon’s character there are a number of other subtle details that we are shown even at the beginning of the film that help build up an uneasy and disturbing atmosphere such as a suicide and even a wardrobe strangely positioned inside the new apartment. As the film progresses these small fears grow into even greater ones, with the potential threat of real danger becoming increasingly real, Rosemary is the character who feels these fears and even though she is alone and isolated in her concerns we feel a genuine connection to her as suspense is intelligently built up.

Although this film has supernatural elements, the fact that we do not see any type of real danger works in the films favour as through details we paint a dark and horrific image ourselves. The films ending is fitting and superb, although I will avoiding giving anything away about it in the review, the less you know then the better the film will be as you watch from start to finish and enjoy the suspense and horror built over two hours.

As a horror film, Rosemary’s Baby was received extremely successfully and as previously mentioned even managed to win an Academy Award. The film is said t have inspired and laid the foundations for many horrors and supernatural thrillers to follow but unfortunately none (at least that I have seen) have matched Polanksi’s level of horror created through a mature and organised structure, instead choosing to attempt to shock viewers with violent/scary images rather than allowing the element of fear build an image of such for the viewer.

RATING: rating_4

[cricket]

Great review of a great film

[nebbit]

Nice reviews Danny :yup: Thanks :)

[Daniel M]

Killing Them Softly
(2012, Andrew Dominik)

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Killing Them Softly is a film that due to its harsh and brutal criminal setting, won’t appeal to everyone. And it is a film that despite a delayed release, failed to pick up any Academy Award nominations, but do not let that put you off what is one of my favourite films of 2012.

The film is based on the 1974 novel ‘Cogan’s Trade’ by George V. Higgins, but it was decided that it should be set in 2008 America in order to integrate the story with the political and economic setting of the 2008 US Presidential election.

The film’s story is simple: a couple of small time criminals are hired by another criminal Johnny ‘Squirrel’ Amato (Vincent Curatola) to rob a card game ran by the infamous Markie Trattman (Ray Liotta). Amato explains that should everything go to plan then the trio would have nothing to worry about as the blame would fall upon Trattman due to a previous incident in which he organised a robbery on his own game. The story though is not really important, it is relatively straightforward, what is important is the criminal world that we have an insight of, a local economy and the people who inhabit it and their lives.

The two main characters whose lives we have possibly the biggest insight to are Jackie (Brad Pitt) and Mickey (James Gandolfini). Brad Pitt is superb as the hit man responsible for sorting out the crisis created, he delivers most of the film’s memorable dialogue that includes some final lines, but more important to the film are the conversations he shares with others in the middle passage. Approaching the situation from a neutral, unbiased and level headed perspective, he argues with the ‘Driver’ (Richard Jenkins), who meets with him to deal with the situation, over various issues surrounding the crisis, he knows that Markie Trattman is not responsible but he explains how he still must die. He acts as the man who delivers the grim, dismal and inevitable bad news, even death, to various characters, ultimately reinforcing the message that hope – despite political propaganda – is just that, that life will ultimately never get better for these people who are involved in a dark and depressing business.

Whilst Brad Pitt’s character acts as the man responsible for delivering death, he refuses to get close to any of the men he needs to kill, he does not want emotions to get involved and instead likes to kill them softly, from a distance. This is where James Gandolfini’s character comes in, a character that has limited screen time but makes a huge impact. There are only two scenes that I can actually recall with Mickey, a hit man called in to help out Jackie, he turns out to be far from the man that Jackie remembers him as, now a past his prime, alcohol loving and prostitute addicted old man, it quickly becomes apparent that he wont be committing no murder. These two scenes are filled with dialogue, I have actually heard some people criticise this and label his character and stories pointless, this however is far from true and these conversations act as a negative and pessimistic reminder of the dismal fate of men. Jackie, who refuses to get emotionally connected to any of his victims, finds himself listening to a man who represents to him someone who he could potentially become, Mickey is the only character who refuses to take orders from Jackie, and in a reversed role ironically ends up being the bearer of bad news to Jackie.

The rest of the supporting cast are as strong as they need to be, each one having their individual moments of interaction with Brad Pitt’s lead character. Another actor who stood out for me was Scoot McNairy as Frankie, the more intelligent half of the duo that robs the card game at the beginning of the film.

As well as containing great performances and dialogue, the film is also brilliantly directed from a stylistic point of view; with Dominik doing a great job of created a dark and gritty atmosphere to fit the run down criminal community. There are a number of fantastic and memorable scenes in the film; my favourite involves brilliant use of slow motion in a graphic and bloody drive by murder.

Being a massive fan of The Sopranos as well as numerous crime films such as Goodfellas, I was looking forward to watching this film. Although it has two actors from the former and shares noticeable elements with the latter, as a whole it felt like something much different, a unique film that works because off the world it creates and its in inhabits that represent to us the cynical and depressing side of the world, in that sense I would say a better comparison is to the Coen Brothers’ No Country for Old Men.

If I had to recommend to people one film from 2012 to see, I would avoid the bigger names and crow pleasing usual suspects, and go with Killing Them Softly. A unique film that has fantastic direction, a great screenplay and all round great performances, unfortunately it seems to have been met with a ‘love it or hate it’ reception, probably down to its cynical and pessimistic message. Soon I suspect I will watch The Assassination of Jesse James by the Coward Robert Ford, an earlier film from Dominik that is based in a genre that I love (Western), if it is as good as this – generally I have heard more positive thoughts on it - then I am sure I will love it.

RATING: rating_4_5

[cricket]

I don't go to the movies anymore so I've been looking forward to this coming out on DVD. Looking forward to it even more now!

[honeykid]

If you haven't already, please watch Chopper. It's a superb film and one of my all-time favourites.

[Daniel M]

If you haven't already, please watch Chopper. It's a superb film and one of my all-time favourites.

Nope I haven't, but I was planning on doing so after Assassination, cheers :up:

[cricket]

If you haven't already, please watch Chopper. It's a superb film and one of my all-time favourites.

I'll second that.

[Daniel M]

Django Unchained
(Quentin Tarantino, 2012)


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Throughout his career, Quentin Tarantino has always made clear his admiration for Spaghetti Westerns, citing The Good, the Bad and the Ugly as one of his all time favourite films and paying homage to the surrealistic and gritty style of the films through elements of his own such as in Kill Bill where he even uses some work belonging to the Italian composer Ennio Morricone who famously scored the films of Sergio Leone.

When Quentin Tarantino announced that he was to finally make a film set as a Spaghetti Western, as a big fan of his, I was as excited as anyone to see the end result. Despite being a Western, Tarantino actually sets his film in the south of America, giving us his own unique take on a slice of history as he did in Inglourious Basterds.

Setting the film in the south, during a time of slavery, allows Tarantino to set up a fantastic platform in which he can develop a fantastic array of characters in a classic revenge tale. Jamie Foxx stars as a freed slave, Django, who is attempting to rescue his wife Broomhilda (Kerry Washington), Christolph Waltz stars as his accomplice to make for an enjoyable and fun ‘buddy’ relationship, and Leonardo DiCaprio and Samuel L. Jackson star as the films villainous duo.

Fans of Tarantino will have known what to expect in this film, with a mixture of violence and humour apparent straight from the film’s opening scene. Following a classical Western style opening in which we hear the song from the original film Django, Waltz’ character, Dr. King Schultz comes to the rescue of Django in a violent confrontation with the Speck brothers. Waltz begins the film with a bang, he is a retired dentist turned bounty hunter who brings humour to the film despite being presented in numerous serious situations, unlike his Oscar winning performance in Inglourious Basterds, he instead plays the role of the hero in this film, a likeable character that acts as a ‘deus ex machina’, a character of convenience who comes along out of no where, perfect to solve all of Django’s problems.

Waltz is once again superb in a role certainly deserving of his Golden Globe win and Oscar nomination, this time he’s the good guy and arguably steals the show, that is not to take credit away from Jamie Foxx, his partner who puts in a fantastic performance, after watching the film you really can not imagine anybody else playing this role.

The film can be split into two distinct halves; the first is the development of the friendship between Django and Dr. Schultz, where the experienced Bounty Hunter works with his partner to hunt down various criminals such as the Brittle Brothers, as he trains the slave into a capable killer. This first halve is full of entertaining and enjoyable scenes in which we see a number of different great cameos such as Don Johnson, M.C. Gainey, and even Jonah Hill who is at the centre of a hilarious scene focussed on the early existence of the KKK.

Once the film introduces its two villains, the infamous plantation owner Calvin Candie and his black assistant, Stephen, I was left wondering how the remainder of the film would play out with over half the viewing time remaining, but once we get inside Candyland (Candie’s plantation) the film really gets going with some fantastic and suspenseful scenes that are pure Tarantino in the way that we get to see each of the main characters expressive themselves in a way that is fascinating and entertaining. Tarantino does a great job of making us well and truly despise the villains, Calvin Candie is a truly detestable man who our hatred towards is fuelled by two of the most violent scenes in the film in which we see black slaves brutally killed. Then there is Stephen, with Samuel L. Jackson giving possibly the most surprising role of the film, when I initially heard about this film I had imagined a small role for his character but closer to release it became apparent that he was to have a larger role. Always alongside his boss who he looks up to, Stephen is a manipulative and sinister character who we are not sure whether to laugh at or be afraid of.

What is perhaps surprising is how despite Tarantino exploiting this fantasy western world to fit in as much as he can in terms of trademarks, references, dialogue and humour, the film always stays pretty close to its central story which is one about love and Django’s journey to rescue his wife. This won’t please everyone, especially with how the final act is laid out and one criticism of the film that I have is the fact that the love story acts as a platform for Tarantino to develop other ideas for two thirds of the film, yet how the film comes together and ends relies heavily upon it which is surprising given relatively little development between Django and Broomhilda, although having read the original screenplay I can understand (often regrettably) why certain scenes were left out of the final cut.

If you are a fan of Quentin Tarantino then you will probably love this film, and even if you are not then you would be silly to miss it, although not as well crafted as other films in 2012, it is definitely the most entertaining film of the year that I have seen.

RATING: rating_4

[Daniel M]

Moonrise Kingdom
(Wes Anderson, 2012)


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Only nominated for one Oscar (original screenplay), Moonrise Kingdom might just be the most overlooked film of the year. Released in the first half of the year, the film unfortunately never really generated a serious Oscar push.

I am a fan of Wes Anderson, and in particular his film The Royal Tenenbaums which is a film that tends to divide opinions. There is no doubting that there is a mixture of positives and negatives in the film, in fact almost all Anderson’s films have faced criticism other a repetitive formula that whilst everything plays nicely and fits together well, results in a final piece that is missing something. Fortunately the story of Moonrise Kingdom allows for Anderson’s directorial ability to be utilised arguably better than any of his other films, with an innocent and loveable tale at the centre of it.

Like his other films, Moonrise Kingdom has a strange fantasy world which is inhabited by a bizarre array of strange characters. This world is a small island, with a scout camp on one side and a family home on the other. The story is simple, two characters from either side, a outcast scout Sam and an unhappy Suzy agree to meet up and run away together in a romantic teen love story.

With the film’s opening we are immediately reintroducing to the charming visual style that we associate with Anderson, detailed and odd sets, particularly laid out and brought to life with a fantastic palette of colours and great use of different objects, such as the scout camp. The whole island is a visual delight, with a warm feel generated that works well with the cute story.

Jared Gilman and Kara Hayward, the two newcomers who play the parts of Sam and Suzy, are wonderful to watch. Like other Anderson films we also get a strong supporting cast. I was in particular impressed by Edward Norton and Bruce Willis (appearances also from Frances McDormand and Harvey Keitel), both portraying scout masters who although do not take other the story, develop relationships with the film’s protagonist that help aid the film’s innocent story.

Wes Anderson’s style won’t be for everyone, but I would be surprised if you finished watching this film without a smile on your face. After films such as The Darjeeling Limited and The Life Aquatic with Steve Zissou, which were met with mixed critical receptions, I feel that in both this film and Fantastic Mr. Fox, Anderson has shown himself maturing as a filmmaker by applying his quirky style that blends a serious narrative with a comedic and fantasy like elements to two stories that are extremely watchable and enjoyable for audiences.

Although this film on the whole is possibly a more safe piece of work than some of Anderson’s other films, it means that in terms of quality this is probably the Anderson’s most perfect piece of work so far. One of the most delightful films of 2012, make sure that you do not miss it.



RATING: rating_3_5

[cricket]

Great reviews Daniel! I really look forward to seeing Django Unchained. I really don't think I'd like Moonrise Kingdom at all, but I may watch it just to make sure.

[nebbit]

I am seeing Django on Friday :yup:

I bought Moonrise Kingdom as a blind buy from Amazon :yup: waiting to get it in the mail http://i861.photobucket.com/albums/ab172/john974/ironman34/smiley_waiting.gif

[Daniel M]

Looper
(Rian Johnson, 2012)

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Looper is one of the most creative and original films of 2012, Rian Johnson’s ambitious film combines an intelligent futuristic Sci-Fi plot with a human story centred on its two main characters that are brilliantly portrayed by Joseph Gordon-Levitt and Bruce Willis.

With its Sci-Fi setting, Looper was always going to be a film met with mixed reaction from audiences, with a 2074 based time travelling story asking its viewers to go along with the premise in parts where everything might not make complete sense.

However plot difficulties never seemed to me a problem for my viewing thanks to Johnson’s fantastic screenplay, which had it not been for the genre of choice perhaps would have picked up an Oscar nomination. The story is based around ‘loopers’, men who are paid a fortune in gold to kill other men who are sent back to them from the future, what’s the catch? Loops are eventually closed, this means that the loopers are paid to kill their future selves; they are paid a huge sum of gold to do so and can live their life lavishly until the day comes that they need to be sent back in time.

Joseph Gordon-Levitt’s character is asked to close his loop, but allows his future self a moment of opportunity to escape, something he immediately regrets and brings with it a whole raft of consequences.

So how does this relationship between Gordon-Levitt and his future self, Bruce Willis, play out for the entire film? It’s not simply a game of hide and seek, or an action filled Sci-Fi film that it easily could have been, although it does have a good amount of interesting action scenes. Instead we are introduced to a third character who gives the film another dimension: the mysterious ‘Rainmaker’, a person who is responsible for much crime and pain in the future world.

I enjoyed all the performances in the film, before their paths split about halfway through, Gordon-Levitt and Willis get the opportunity to give us one of the finest scenes in the film where the two exchange heated conversation at a small diner as their differing personalities clash, both have their own personal motives for wanting to either kill, or let live the older Joe.

By the end of the film I was very pleased with the direction it took and how it intelligently came to an end, it kept me interested and I can honestly say I was unsure exactly what was going to happen at times. A Sci-Fi film that is intelligent and respectful, with a great screenplay and top performances to go with it, one of my favourite films of 2012.


RATING: rating_3_5

[Cobpyth]

Nice review! I liked it too, but I would rate it slightly lower than you. Something like 3.5+ or 4-

I thought the part at the house was a little bit weaker than the rest of the movie and although the ending was pretty clever in trying to make the time travel thing work, everything still seemed very paradoxal to me. A problem that I didn't have with Bruce Willis' best time travel movie (in my opinion), Twelve Monkeys.

Looper was still very enjoyable, though.

[Daniel M]

Nice review! I liked it too, but I would rate it slightly lower than you. Something like 3.5+ or 4-

I thought the part at the house was a little bit weaker than the rest of the movie and although the ending was pretty clever in trying to make the time travel thing work, everything still seemed very paradoxal to me. A problem that I didn't have with Bruce Willis' best time travel movie (in my opinion), Twelve Monkeys.

Looper was still very enjoyable, though.

If I was being stricter I'd probably give it a rating of 4, however relative to the rest of the films I've seen in 2012 I'd give it higher than most hence 4.5, I wanna give it a re watch later sometime this year again though.

And Twelve Monkeys looks really good, I love Brazil which is a Terry Gilliam Sci-Fi who also directs it and I love La Jeteé, the short film which Twelve Monkeys is based on. I'll definitely have to watch it sometime.

[JayDee]

Looper is definitely one I need to rewatch before cementing an opinion on it. I posted my review of it (review here (http://www.movieforums.com/community/showthread.php?p=848495)) immediately after viewing it at the cinema and my initial instinct was to give it a 4, but almost instantly I felt it should perhaps have been a bit lower and the film has rather soured in my mind since. Will need to give it a second watch and see what I make of it.

Oh and I definitely echo Cobpyth's view on Twelve Monkeys. Love that film, absolutely fantastic!

[Daniel M]

This was ignored in the couple of years old Moneyball thread, so hope you guys don't mind me reposting this here :)

Moneyball (Bennett Miller, 2011)


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It's about getting things down to one number. Using the stats the way we read them, we'll find value in players that no one else can see. People are overlooked for a variety of biased reasons and perceived flaws. Age, appearance, personality. Bill James and mathematics cut straight through that. Billy, of the 20,000 notable players for us to consider, I believe that there is a championship team of twenty-five people that we can afford, because everyone else in baseball undervalues them. I will start off by saying that Brad Pitt is definitely one of my favourite modern actors, he's not just a good looking decent talent, he is a fantastic actor who makes great choices in his films, with a good mixture of popular and less-popular, but great films, he's appeared in a very interesting bag of films since 2000 and as such as gained a lot of respect from me, apart from this I'm talking about Inglourious Bastards, The Tree of Life, Killing Them Softly, Burn After Reading, The Assassination of Jesse James by the Coward Robert Ford, The Curious Case of Benjamin Button, Babel, even Snatch. I haven't seen all of those films listed, but not many actors would have taken on such a variety of films and directors.

And speaking of great modern actors there's Philip Seymour Hoffman in a relatively small role as the team coach, Art Howe, his character doesn't have any 'spectacular' scenes but Hoffman offers a dislikeable character to contrast with the two we are cheering on, Brad Pitt and Jonah Hill, the latter proving he's not just some dumb comedy actor, excelling in this dramatic role. It doesn't look like Hill's great performance has gone unnoticed either, he recently appeared in the 2012 hit Django Unchained (albeit a comedic role) but perhaps even more impressively got the chance to work with Martin Scorsese in his upcoming film, The Wolf of Wall Street.

What makes Moneyball such a great film is pretty much a combination of what I have spoke about before, it's intelligent in the way the story is told in the fact that no baseball knowledge is required before hand, this is a film about humans and their lives, the choices they make, their jobs and responsibilities, we see a young economic graduate tell a number of ageing scouts that the job they've been doing for thirty years is wrong and we see the team coach being forced into decisions he would never make in his own mind with his job under pressure, even though he's not a likeable character, we can understand the struggle he faces.

Ultimately the film is a lot about the struggle and challenges people face in life, and as part of this we see flashbacks from Billy Beane's (Brad Pitt) earlier life as a baseball player turned scout, his personal life and history plays a part in his character, each character has their own reasoning and motives for the decisions they make, the conflicting of characters and policies makes the film even more rewarding when we watch the strategy work. Emotionally the film works out like many underdog films that we have watched time and time before, except we're not cheering the underdog team, but the underdog 'belief', an idea that triumphs down to perseverance, with hard choices having to be made on the way.

The film works because it's a true story, when the underdog battles and triumphs we feel joy, and also sorry for Billy Beane who whichever way you look at it has changed the face of a sport entirely (at least in the context of the film, but I believe in real life too), there is a scene towards the end that acts as a brilliant metaphor for the accomplishment of Beane, Brand (Hill) and 'Moneyball' as an idea, where we see a player unknowingly score a home run as he struggles to complete his run, Beane is pessimistic and understandably so, we feel a personal triumph for his character who I felt a great connection and affection for during the film.

RATING: 3.5

[nebbit]

Nice review :yup: I own this movie :)