Star Trek Beyond (2016)
I don't remember what rating I gave the previous Trek film that featured Benedict Cumberbatch as the villain, but I know I liked it. But this one is loads better. There is plenty of space adventure and action but like any good Trek movie, it retains its focus on the core characters and their relationships/friendships and manages to incorporate new friends and a badass villain, particularly Krall, played by the super Idris Elba. As this version of our Trek heroes is set in an alternate timeline, it has freed the filmmakers up to not feel they have to copy or repeat previous incarnations of stories, but each new film has dovetailed somewhat with things that happened in the same numbered "Classic Trek" films, i.e. Khan being in
Star Trek Into Darkness. This time, something disastrous happens fairly early on in the film that also happened in
Star Trek III: The Search For Spock. And that is the
WARNING: spoilers below
destruction of the Enterprise
destruction of the Enterprise
, which is necessary for the rest of the film to play out, which deals with the crew stranded on Krall's planet, all of the stars paired off, with only Scotty (Simon Pegg) teamed up with a new character, Jaylah, delightfully played by Sofia Boutella, who has a super technology that helps our crew out immensely.
Unfortunately, the late Anton Yelchin who plays Chekov, probably gets the least amount of screen time of the crew. During the final credits , there is a dedication for him, and for the late Leonard Nimoy. I loved this installment and have already heard there will a fourth film. I look forward to it.
Calendar Girls (2003)
Delightful, based-on-a-true-story film about a group of middle-aged British women in Yorkshire who belong to a women's institute and are largely bored by the monthly themes of things to learn about. Julie Walters plays Annie and her husband has cancer. While waiting at the hospital with her best friend Chris (Helen Mirren), they are miffed by the bad furniture, particularly one couch, in the waiting room in the cancer ward. Chris's teenage son leaves his skin magazine where Chris finds it, and she also sees a pin-up calendar in a garage, all of which gives her the idea for the local ladies of the women's institute to pose nude for a calendar to raise money for the hospital waiting room furniture in Annie's husband's name. Of course the nudity is very tasteful, with their, ahem, parts covered up with various things like pastry trays and flowers. The whole thing becomes a huge success but is not without problems, some with husbands, some with the women's institute in general, some with the trappings that come along with fame. But this movie is all done with a gentle, loving hand and leaves you with a good feeling.