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Sorry if I'm rude but I'm right
You didn't.
__________________
Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.



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Breaker Morant (Bruce Beresford, 1980)



My favorite australian flick
__________________
''Haters are my favourite. I've built an empire with the bricks they've thrown at me... Keep On Hating''
- CM Punk
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2022 Mofo Fantasy Football Champ
Sling Blade
+
Mean Girls

Gravity
+ REWATCH
National Treasure
- REWATCH
Bob Le Flambeur

Night of the Living Dead

Mission Impossible

Inglorious Basterds

The Gold Rush
+
Pickpocket







Quite the round of films this time! My last two watches at my apartment were Sling Blade and Mean Girls. Sling Blade was a movie that was very well acted by Billy Bob Thornton and I can see why it made the nineties list as it was a very powerful movie. I'm still wondering how the ending will hold up for me on repeat watches but it certainly was a very bold movie.

I had held off for a long time with Mean Girls for the actual fear that I would hate it, which would be a shame with Rachel McAdams in it, but it's actually now one of my favorite roles that she plays. As far as Teen Comedy movies go, this one is actually up there with some of the other good ones. I have to give a lot of credit to Tina Fey.

I wanted the first film I saw in my house to be an experience, so I. Went ahead with a blu Ray watch of Gravity. It was absolutely stunning on the TV to watch at night with no light but the movie itself on. It's a film I see myself continuing to call out as a favorite.

It had been awhile since I rewatched an adventure film from my collection, so I went with National Treasure. It's an entertaining flick of mine that has been in my 100 and although it's probably fallen off as that much of a favorite, I still find it quite good. Cage, Bartha, and Diane Kruger make the movie fun for me.

Bob Le Flambeour was a watch for the seventh Hall of Fame and it was my first Melville experience. It was an alright film. I really liked the subject matter and wish the film would have been more tense as it was near the end.

Night of the Living Dead was one that was on my radar for a long time, and seeing it that high up on the sixties list made it a priority for me. I like how it leans on suspense instead of trying to be a complete horror film. Suspense horrors always hold more weight for me then a usual horror, so it worked really well. It was about flesh eating zombies but yet the story wasn't too far fetched and stayed within boundaries.

I felt another action kick and went with Mission Impossible. I could have picked a better film though. Certainly not terrible, but I expected more from De Palma. I think I prefer MI3 over this even, which I saw on its own and have in my collection.

To Sean's dismay I didn't exactly love Inglorious Basterds for the reasons that I've stated in the 7th Hall of Fame. Not that it was a bad movie, but I certainly felt like its potential could have been higher.

The surprise of the group was The Gold Rush. Being my third Chaplin and seeing his two most popular first, I wasn't sure where this would fall. I absolutely loved it. I can see this being a top 100 movie in the future and it has vaulted to being my favorite 1920s film that I've seen. I loved the story, the comedy was really charming and funny and the love story came together really well for me.

Pickpocket was my second Bresson and he is 0 for 2 for me. There's something that I can quite pinpoint that makes me feel disconnect from his films. But at least I can say I tried.



Bright light. Bright light. Uh oh.

Disco and Atomic War (Jaak Kilmi, 2009)
+
Dancing Co-Ed (S. Sylvan Simon, 1939)
+
Histoire(s) du cinéma: Toutes les histoires (Jean-Luc Godard, 1988)
+
Histoire(s) du cinéma: Une histoire seule (Jean-Luc Godard, 1989)
+

Well, it is one of Godard’s altered images from The Lady from Shanghai found during Une histoire seule, but don’t ask me why it’s there or what it’s supposed to convey to the viewer.
Histoire(s) du cinéma: Seul le cinéma (Jean-Luc Godard, 1997)

Histoire(s) du cinéma: Fatale beauté (Jean-Luc Godard, 1997)
-
SuicideGirls: Relaunch (Mike Marshall, 2015)

Murder on the Orient Express (Sidney Lumet, 1974)
+

Inspector Hercule Poirot (Albert Finney) finds a murdered man aboard a snowbound train, and when he questions the passengers, they all seem to have motives.
The Bishop’s Wife (Henry Koster, 1947)
-
Stromboli (Roberto Rossellini, 1950)
+
Fear (Roberto Rossellini, 1954)
-
Journey to Italy (Roberto Rossellini, 1954)


An unhappily-married English couple (Ingrid Bergman & George Sanders) vacation in Naples – he spends his time with another woman and she visits the sights, which seem to speak directly to her.
The Girl of the Golden West (Robert Z. Leonard, 1938)

Elena and Her Men aka Paris Does Strange Things (Jean Renoir, 1956)

From the Mixed-Up Files of Mrs. Basil E. Frankweiler aka The Hideaways (Fielder Cook, 1973)

I Don't Want to Sleep Alone (Tsai Ming-liang, 2007)
+ (ending is the best part)

Recovering from being beaten up, homeless Lee Kang-sheng sits by a pool and finds a friend on his back.
Europa ‘51 (Roberto Rossellini, 1952)
+
Autumn Sonata (Ingmar Bergman, 1978)

Rage in Heaven (W.S. Van Dyke, 1941)
+
Nickelodeon (Peter Bogdanovich, 1976)


In the 1910s, script girl Tatum O’Neal, stunt man/actor Burt Reynolds and film director Ryan O’Neal make some fairly-decent early flicks in spite of themselves.
__________________
It's what you learn after you know it all that counts. - John Wooden
My IMDb page



Miss Vicky's Loyal and Willing Slave


Blood Work (2002, d. Clint Eastwood)

Copycat (1995, d. Jon Amiel)
-

Blue Steel (1989, d. Kathryn Bigelow)
+


Jennifer Eight (1992, d. Bruce Robinson)
+

Freeway (1996, d. Matthew Bright)

Misery * (1990, d. Rob Reiner)
+

It Follows (2014, d. David Robert Mitchell)


Singin' in the Rain * (1952, d. Stanley Donen, Gene Kelly)

Restless Natives * (1985, d. Michael Hoffman)
+

Bone Collector (1999, d. Phillip Noyce)
+


* denotes a repeat viewing



Bright light. Bright light. Uh oh.

Dark Places (Gilles Paquet-Brenner, 2015)
+
The Parson and the Outlaw (Oliver Drake, 1957)

The Law vs. Billy the Kid (William Castle, 1954)

Anatomy of a Murder (Otto Preminger, 1959)


The opening titles, along with Duke Ellington’s jazz score, sets the mood for this courtroom drama which is as much about the evidence presented as it is about the silent tensions between a married couple when a husband kills a man who allegedly raped his wife.
Pony Express (Jerry Hopper, 1953)
+
Tig Notaro: Boyish Girl Interrupted (Tig Notaro & Jay Karas, 2015)
+
The Day He Arrives (Hong Sang-soo, 2011)

The American Friend (Wim Wenders, 1977)
-

Tom Ripley (Dennis Hopper) has succeeded again in a series of murders, but what about his German “friend”, Bruno Ganz?
The Last Run (Richard Fleischer, 1971)
+
Saratoga Trunk (Sam Wood, 1945)
-
When the Redskins Rode (Lew Landers, 1951)
-
Monkey Kingdom (Mark Linfield & Alastair Fothergill, 2015)
-

A mother macaque monkey looks after her babies in the wilds of Sri Lanka, but it can be a tough life since their family is in the lower social strata of their community.
Aloha (Cameron Crowe, 2015)
+
Million Dollar Arm (Chris Gillespie, 2014)
+
Texas Terror (R.N. Bradbury, 1935)

Scream (Wes Craven, 1996)


If you answer the phone, be very good at your scary movie trivia, and most important of all, carry a loaded .44 Magnum.
Ant-Man (Peyton Reed, 2015)

Sayonara CP (Kazuo Hara, 1972)

Avengers: Age of Ultron (Joss Whedon, 2015)

The Wizard of Speed and Time (Mike Jittlov, 1979)


Some people can accomplish a lot in three minutes.



Miss Vicky's Loyal and Willing Slave
Ant-Man (Peyton Reed, 2015)

Avengers: Age of Ultron (Joss Whedon, 2015)
Always pleased to see you enjoying some Marvel Mark. Would you be able to separate these two and choose which you preferred or where they much of a muchness?




Sorry if I'm rude but I'm right
No shorts again, even though I always watch some interesting ones.

WARNING! Some kinky/perverted stuff below!



Wow! So beautiful!

The Killing of a Chinese Bookie (1976) -
- pretty cool 70's crime flick. For some reason I didn't love it as much as other Cassavetes films. I seem disconnected from this kind of films from the 70's. Chinatown is prime example, although I liked Cassavetes' work better.
鉄男 [Tetsuo: The Iron Man] (1989) -
- if Begotten I wrote about in my previous post is black metal cinema, then Tetsuo is industrial cinema. Pretty crazy at that. The drilling penis scene made me laugh out loud and the overall quality of audiovisual brilliance made me fall in love with that flick!
Blazing Saddles (1974) -
- this one's pretty close to four stars. I found it funny and I laughed a lot. For a person like me, at least. However, something stopped me from granting it four star rating. "Hold it! Next man makes a move, the nig**r gets it!"

And now films I watched during my two pinku nights. It is sort of a answer to MovieGal's objection I don't watch enough kinky stuff and name myself The King of Kinkiness in vain:


Ran Makami, the star of Beautiful Teacher in Torture Hell. There's a full version of this pic on the Internet. Such a hard time Im having trying to find SFW pics for these pinku flicks.

ロリータ・バイブ責め [Lolita Vibrator Torture] (1987) -
- not for pu$$ies! The movie sometimes crosses the line of degrading porn (of course, Japanese can't show genitals, but the scenes are strong anyway) but managed to keep me interested mainly due to Sato's trademark atmosphere that really pays off here if you decide to let the movie suck you in. Ultimately, it's a story about a murderer, but the title doesn't lie neither.
団鬼六美教師地獄責め [Beautiful Teacher in Torture Hell] (1985) -
- just like Flower and Snake it shows some hardcore woman training/bondage/enema etc. stuff, but this one is way more serious and whereas Flower and Snake's approach almost made the film a comedy, this one is more of a drama. The easiest description would be rape and revenge flick, but without revenge, which is of course a little bit surprising considering the protagonist (a very attractive woman BTW) is a kendo master, so it would be an easy turn of events to make her make all these people pay for terrible things they've done to her. That's not the case. And it makes the movie sad. If you enjoy scenes of hardcore BDSM, you should be pleased, too, as this flick has a lot of them. The protagonist, as I mentioned, is beautiful and that also helps to enjoy this film.


She's listening to the cactus while meditating! The metaphysical cactus!

女虐 [Splatter: Naked Blood] (1996) -
- Hisayasu Sato started in the 80's and by the 90's he was already one of the most important pinku eiga filmmakers in Japan. This flick, however, is not a pink film, but a body horror splatter kind of flick. The most interesting thing is the whole cactus stuff. Metaphysical cactus made me raise the rating by half a star.
馬と女と犬 [Horse and Woman and Dog] (1990) -
- a very controversial Sato flick as it contains scenes of zoophilia and it's easy to deduce what animals are the 'stars' here. The action takes place on an island that seems to be all under the dominance (literally) of a lady that I like to call Lady de Sade. She basically uses everyone she wants to and does some severe punishments, too. The movie sounds terrible, but it has artsy feel and a little twist in it. Worth it if you like kinky stuff.


Some riveting cinematography in The Boxer's Omen.

魔 [The Boxer's Omen] (1983) -
- a break from both sex-centered cinema and Japan! This time it's a Chinese Shaw Brothers flick. Great cinematography and colors plus a lot of weird/mindf*ck/simply dumb scenes. The black magic rituals are extremely stupid, but cheesily enjoyable to watch. Also some cheaply made animal toys are used (spiders, bats) and some fights (both martial arts - not too many and magical fights - monk vs. black magic wizard). Overall pretty enjoyable, but I prefer wuxia and martial arts Shaw Brothers flicks more!
Baberellas (2003) -
- still taking a break from Japan, but not from sex! This is some seriously bad trash cinema and its genre should be t*tsploitation. The four protagonist girls spend more time bare-breasted than in bras (I found two of them fairly attractive) in this film and they have to stop an evil space queen from sucking all sexual energy from Earth, or maybe she wants to find a sexual nexus. Who cares about plot when you have decently attractive ladies flashing their jugs every time it's possible. There's even a scene with a cameraman being asked to smear some lotion on my favourite girl's knockers. Fairly titillating, especially if you're bored with hardcore porn and are already dozens of minutes into a movie that uses every innuendo and occasion to make you think about sex. Some pretty stupid twists here, like SPOILER ALTHOUGH I BELIEVE PLOT IS IRREVELANT IN A FLICK LIKE THIS the evil queen installed vibrating orgasm-inducing devices between the legs of every girl and then turned it on, so the girls had extreme pleasure and couldn't cross her plans. The twist is one of the girls (what is being said earlier) has her G spot on her left nipple, so evil queen's plan doesn't work on her. Later on they also use a starship to fly into a giant butt and then inside some tentacles looking like giant penises are trying to destroy the ship. Then at one point a guy suggests they all show their melons (no apparent reason) and they of course do. I can't even remember how it ends, but I for sure remember these hooters. *looks up breast synonyms on the Internet >> bazookas? Seriously? Hahaha.


Lesbians = a win!

バックが大好き! [I Love It From Behind!] (1981) -
- back to Japan! Don't be too excited about the title if you're straight and fairly 'normal' xD. The title indeed concerns male butts! There's a sex marathon scene, an incest (Japanese cinema can't live without siblings incest scene, right?) lesbian action and a girl who retaliates on all men and inserts a dildo up their bums. All's pretty mild, light and not too serious. A little bit like Japanese sexy comedy.
セックスハンター 性狩人 [Sex Hunter] (1980) -
- a little bit like Beautiful Teacher in Torture Hell with a hot forced (kinda) lesbian scene and then all sorts of BDSM things like Coca Cola enema etc. (BEST COCA COLA AD EVER). There's again incest, training of a girl in order for her to become a sex addicted nymphomaniac, even a wheelchair guy enjoying more sex that many healthy men in other flicks, but yeah... the colors are nice and at one point kinda Suspirian even.


Ashes and Snow.

ハードフォーカス 盗聴<ぬすみぎき> [Survey Map of a Paradise Lost] (1988) -
- AIDS/computer alienation residual plot and a lot of sex scenes (again bondage, even some low voltage electrocuting). Pretty enjoyable Sato flick, but at this point the low variety of these I watched (although there's a greater variety of pinku films out there, I happened to watch some similar flicks) started to make me afraid I might get bored of these, so I decided to take a break from these.
Ashes and Snow (2005) -
- a moving photography. A meditation. The cinematography uses sepia and slow-mo footage and looks very artificial, so you need to get to used to it, but once you do, there's a very good contemplative flick. Fishburne doing some nice commentary, too.


That moment when you want to laugh, but can't.

Ilsa, Harem Keeper of the Oil Sheiks (1976) -
- inferior to the Nazi one! An okay sleaze anyways...
The ABCs of Death (2012) -
- a pleasant surprise! I was expecting a real disaster and whereas the first three segments were indeed a disaster, the movie starts to pick up from there and gets better. Some segments are very good and some only mediocre, but it's not as atrocious as many people point it out to be. I think they don't get the surreal kind of f*cked up sense of humour many of these shorts have. I can't say I'm a fan of farting Japanese high school girls (take away the farting and I can concur), but the short was so bad it was kinda hilariously good in its own way. The short about a pedophile has great music, the fox-lady one is really wicked and the last one is just beyond words. The Bruno Forzani & Hélène Cattet segment is of course the best, but I loved the 'fapping contest' one, too. All in all, an alright black comedy horror anthology. A lot of fresh and good ideas here and I like it more than this awfully cliched and mediocre The Conjuring.


DAT reference, tho. There's more homages like these in Holy Blood.

Mad Max: Fury Road (2015) -
- great action cinema! Perhaps one of the best pure action flicks I've ever seen. It's a blockbuster, but still has some B-movie feels and feels genuine. Not that much CGI was used. The action sequences are NOT tiresome (I was afraid they'd be) and it looks pretty good at times. It could use some longer shots as the montage is kinda chaotic at times, but it's not a biggie.
Santa sangre [Holy Blood] (1989) -
- the most beautiful Jodorovsky film. I cried at the end! It's surreal, but I believe you can actually interpret it. There's a lot of stuff going on and some Fellinian feels to it, too. I guess it's time for me to give Fellini his third chance!
My Winnipeg (2007) -
- Maddin's homage to his home town Winnipeg. Any Canadians here? It's an experimental essay film shot mostly in black'n'white with some staged recreations of events from the past and constant off commentary. Feels very nostalgic and incredibly atmospheric. It only looses its mood when a couple of times a color footage is introduced and Maddin starts talking about hockey hall and gets angry it's getting demolished. It's apparently very personal for him. I watched almost all of his shorts, but still have a lot of full-length flicks to check out. I'm loving his works!



Miss Vicky's Loyal and Willing Slave


Kiss the Girls (1997, d. Gary Fleder)
-

To Live and Die in LA* (1985, d. William Friedkin)

Knight Moves (1992, d. Carl Shenkel)
-


Identity (2003, d. James Mangold)
+

Hell Comes to Frogtown (1988, d. Donald G. Jackson & R.J. Kizer)

Burying the Ex (2014, d. Joe Dante)
-

Taking Lives (2004, d. D.J. Caruso)
-


Shanghai Noon* (2000, d. Tom Dey)

Mean Season, The (1985, d. Phillip Borsos)
+

Trainwreck (2015, d. Judd Apatow)


* denotes a repeat viewing




The Wizard of Speed and Time (Mike Jittlov, 1979)


Some people can accomplish a lot in three minutes.
Brilliant
__________________
Yeah, there's no body mutilation in it



August, 2015 movies watched-

Letter from an Unknown Woman (1948)
One of the most moving stories of unfulfilled love I have seen.

The Asphalt Jungle (1950)
+ Terrific all around noir.

The Big Heat (1953)
+ Another great noir; I just may get into these.

Winchester '73 (1950)
+ A Promising start but then very average for me the rest of the way.

Let Us Prey (2014)
Well made and watchable, but a forgettable horror flick.

Scandal (1950)
One of the weaker Kurosawa movies I've seen so far, but still pretty good with nice performances.

Blue is the Warmest Color (2013)
Great acting and a natural feel makes this a pretty moving film.

The Human Centipede 3 (2015)
It's pretty bad, but I did get some enjoyment out of it.

The Shawshank Redemption (1994) Repeat viewing
+ Just such a wonderfully executed and moving story.

Mon Oncle (1958)
+ Amusing and charming, but not my type of comedy.

Grotesque (2009)
Top flight disturbing extreme film that'll be trash for most people.

The Chaser (2008)
+ Very good Korean serial killer thriller.

The Bad Seed (1956)
I love evil kid movies. This is the oldest, and one of the best, that I have seen.

The Poker House
Not great, but it's the kind of strong real life story that I like.

The Celebration (1998)
+ Powerful story done very well.

Bob Le Flambeur (1956)
+ This is a very goof movie but Melville films just don't seem to excite me.

Begotten (1991)
It is unique, but it still sucks.

Over the Edge (1979)
- Ok, but I wasn't crazy about the direction it went in.

Aftermath (1994)
I didn't feel anything, but this is a very well done extreme/horror short film.

You Can't Take It With You (1938)
Nice movie with good qualities, but I was never truly engaged.

Take Shelter (2011) Repeat viewing
+ Emotionally powerful and very well done.

Still Alice (2014)
- I don't think anything special is done with this movie, but it is a naturally moving story.

Killer Joe (2011) Repeat viewing
One of my favorite sleazefests.

Blood Diamond (2006)
- Veny nice action/adventure set during an African Civil War.

Bedevilled (2010)
+ This is a very good, disturbing Korean flick that is hurt by going in a horror direction.

Good Morning (1959)
- Solid Ozu film that I thought lacked the emotion of others that I've seen of his.

Roman Holiday (1953)
Nice movie with Peck and Hepburn, but I was hoping for more.

The Business (2005)
+ British gangster film that strongly appeals to my taste.

Spoorloos (1988)
Extremely effective and methodical Dutch thriller.

Kiss Me Deadly (1955)
+ Another terrific noir.

August viewings-30
Total 2015 viewings-316



Bright light. Bright light. Uh oh.

The D Train (Jarrad Paul & Andrew Mogel, 2015)
+
When the Game Stands Tall (Thomas Carter, 2014)

Butter on the Latch (Josephine Decker, 2014)

Deliverance (John Boorman, 1972)


After a traumatic experience during their weekend canoe trip, four Atlanta businessmen continue down river to try to make it to their cars and home, but things go from bad to worse.
A Huey P. Newton Story (Spike Lee, 2001)

No Tell Motel (Brett Donowho, 2012)
+
Self/Less (Tarsem Singh, 2015)
-
Something for Everyone (Harold Prince, 1970)


Black comedy set in postwar Austria, where the wealthy daughter (Heidilinde Weis) of an untitled family romances amoral Michael York who soon becomes the footman of a penniless but titled family who possess but can’t pay the upkeep on a castle. Through a series of the butler’s machinations, the two families are drawn together
Against the Tide (George Roy, 2013)
+
Magic Mike XXL (Gregory Jacobs, 2015)
+
Southpaw (Antoine Fuqua, 2015)
+
Trainwreck (Judd Apatow, 2015)


An unlikely romance starts when magazine writer Amy Schumer, who loves sex but fears commitment, does research for a story about successful sports doctor Bill Hader, who seems too good to be true.
Jack & Diane (Bradley Rust Gray, 2012)

Lovesick (Luke Matheny, 2015)
-
Wagon Team (George Archainbaud, 1952)

Terminator Genisys (Alan Taylor, 2015)
+
Pops (Arnold Schwarzeneggar), the kindest, gentlest Terminator-type creation yet, was sent back to protect Sarah Connor in this installment which both explains and negates most of the series, but for an irrelevant sequel, it’s entertaining, if a bit overlong.
Thou Wast Mild and Lovely (Josephine Decker, 2014)

I Walk the Line (John Frankenheimer, 1970)
-
Histoire(s) du cinéma: Une vague nouvelle (Jean-Luc Godard, 1998)
+
Histoire(s) du cinéma: La monnaie de l'absolu (Jean-Luc Godard, 1998)


The best episode thus far, where Godard’s heartfelt yet simplistic political viewpoint is matched by a more-poetic use of imagery and a concentration on what was happening in Europe during WWII.



Bright light. Bright light. Uh oh.

Histoire(s) du cinéma: Le contrôle de l'univers (Jean-Luc Godard, 1998)
+
Histoire(s) du cinéma: Les signes parmi nous (Jean-Luc Godard, 1998)
+
The Lord of the Rings (Ralph Bakshi, 1978)
+
An Enemy Of the People (George Schaefer, 1978)
-

Scientist Steve McQueen’s research has uncovered that a town’s healing spa waters have been poisoned by runoff from a local mill, but his mayor brother Charles Durning argues that the info should be suppressed to save the town’s economy.
In Caliente (Lloyd Bacon, 1935)
+
I’ll See You in My Dreams (Brett Haley, 2015)

Sombrero (Norman Foster, 1953)

The Battle of Britain (Frank Capra & Anthony Veiller, 1943)


When the Nazis’ original plans for conquering Britain proved too costly, they instigated a saturation bombing campaign and eventually fire bombed London, killing tens of thousands, but they never crushed the British Spirit.
Cookie’s Fortune (Robert Altman, 1999)

Can-Can (Walter Lang, 1960)

Family Business (Sidney Lumet, 1989)

Beslan: Three Days in September (Joe Halderman, 2006)


In 2004, Chechen rebels occupy a school in Beslan, Russia, and take over a thousand citizens hostage, mostly children, hundreds of whom would soon die.
The Blue Angel (Edward Dmytryk, 1959)
+
Gary Owen: I Agree with Myself (Leslie Small, 2015)

'Neath the Arizona Skies (Harry Fraser, 1934)

Gangs of Wasseypur (Anurag Kashyap, 2012)


A violent revenge plan to restore a criminal patriarch’s honor passes from generation to generation and can happen anywhere at any time.
Make Me a Star (William Beaudine, 1932)

Tooken (John Asher, 2015)

What Price Hollywood? (George Cukor, 1932)
+
Requiem for the Dead: American Spring 2014 (Shari Cookson & Nick Doob, 2015)


Every Spring in the United States, 8.000 people – 32,000 a year – are killed by gun violence. This documentary highlignts dozens of incidents but concentrates on eight, using 911 calls, xocial media and newspaper/TV accounts to tell the victims’ stories.



Porco Rosso/Kurenai no buta (Hayao Miyazaki, 1992)


Mad Max: Fury Road (George Miller, 2015) (Rewatch)
+

Darren Hayes: Too Close For Comfort (2006)


Mon oncle (Jacques Tati, 1958)


The Mask (Charles Russell, 1994) (Rewatch)
+







Bright light. Bright light. Uh oh.

Oliver Twist (Frank Lloyd, 1922)

Tommy and the Cool Mule (Andrew Stevens, 2009)
-
Sheena (John Guillermin, 1984)

Electra Glide in Blue (James William Guercio, 1973)
-

Motorcycle cop Robert Blake celebrates his promotion to detective in Arizona; his beat – the roads throughout Monument Valley.
Theodora Goes Wild (Richard Boleslawski, 1936)
+
I Walked with a Zombie (Jacques Tourneur, 1943)
+
The Pursuit of Happiness (Robert Mulligan, 1971)
+
Tale of Tales (Matteo Garrone, 2015)


In a fairy tale involving three kingdoms, Queen Selma Hayek must eat the heart of a sea monster which her husband killed in order to give birth to a child.
Ray (Taylor Hackford, 2004)

Journey to the West (Tsai Ming-liang, 2014)

Cape Breton Island (James A. FitzPatrick, 1948)

My Cousin Rachel (Henry Koster, 1952)


Young Englishman Richard Burton vows revenge on Rachel (Olivia de Havilland), the widow of his wealthy cousin, because he believes from some correspondence that she murdered him. All the money was left to the young man by his cousin, and the death was attributed to a brain tumor, but the man is still suspicious of Rachel until she comes to England and he falls in love with her. But what were Rachel’s intentions in coming to England?
The Hills of Utah (Iohn English, 1951)
+
A Page of Madness (Teinosuke Kinugasa, 1926)

7 Chinese Brothers (Bob Byington, 2015)
+
Whore (Ken Russell, 1991)
+

Theresa Russell talks about streetwalking in Los Angeles and how she became a prostitute and tried to improve her life.
Rhapsody (Charles Vidor, 1954)

Homicidal (William Castle, 1961)

Sports Slants #13 (No Director Listed, 1932)

Minions (Pierre Coffin & Kyle Balda, 2015)
+

Stuart has a disagreement with a dog and then decides to make friends with what he mistakes for another minion.



Rep for Electra Glide in Blue, which I've only seen twice but liked a lot, and Whore or The Real Pretty Woman, as Ken liked to think of it.
__________________
5-time MoFo Award winner.



I remember seeing Sheena at the movies when I was 13. I loved Tanya Roberts and I remember her spending a good deal of time topless. It was good, I liked it.




Haven't had much time to really watch many feature films with the start of uni. Here's pretty much all I've been able to watch.


Best scene in classic Russian comedy, The Diamond Arm

Feature films:
The Belier Family ["La famille Bélier"] (Lartigau, 2014)-

The Diamond Arm [Brilliantovaya ruka] (Gayday, 1969)-
++
Gentlemen of Fortune [Dzhentlmeny udachi] (Seryj (1971)-
-



Sea Devil- Great imagery and acting, but awful editing

Short films:
Ashes (Weerasethakul, 2012)-
-
[DOCUMENTARY] We Will Forget (Harkawik, 2012)-

[DOCUMENTARY] Offline Dating (Abrahams, 2015)-
-
The Wizard of Speed and Time (Jittlov, 1979)-

Dotty (Andrews & O'Gorman, 2012)-
--
Sea Devil (Marcial & Potter, 2015)-

Rew Day (Dimitrov, 2012)-