Tremors 3: Back to Perfection (Brent Maddock, 2001)
Both Kevin Bacon and Fred Ward are gone now, and the whole concept is getting stretched very thin. PG-rating doesn't help either.
Pumpkinhead (Stan Winston, 1988)
The original almost resembles Americana at first, but then Lance Hendrickson basically sells his soul to the Devil by having a backwoods witch call forth Pumpkinhead to exact revenge. He soon sees the error of his ways.
Child’s Play 2 (John Lafia, 1990)
Probably up to the original with the highpoint being the finale in the Good Guys' doll factory.
Child’s Play 3 (Jack Bender, 1991)
Serviceable but weakish sequel tries to replicate the last one's finale, only this time in a carnival ride called The Devil's Lair.
Bride of Chucky (Ronny Yu, 1998)
Part 4 improves by having Jennifer Tilly along playing the ex-lover of the killer trapped inside Chucky. She later also gets trapped in a doll and the bizarre sex and violence escalates capped off by the inevitable conclusion.
28 Days Later… (Danny Boyle, 2002)
+ Inspired opening of a desolate London gives way to something resembling a zombie movie and the usual appearance of the military. Still, better than most.
Friday the 13th (Sean S. Cunningham, 1980)
Friday the 13th Part 2 (Steve Miner, 1981)
Friday the 13th Part III (Steve Miner, 1982)
Friday the 13th: The Final Chapter (Joseph Zito, 1984)
The plots are almost the same in all the first four films. The killer gradually changes in each though, from Jason's unseen mother to Jason running around in a gunny sack hood to wearing his trademark hockey mask. The suspense probably increases each film but it's never all that good.
Horsemen (Jonas Åkerlund, 2009)
Dennis Quaid in another
SE7EN wannabe with killers taking their cue from the Bible's story of the Four Horseman of the Apocalypse. Elaborate buildup to a big letdown.
The Moth Diaries (Mary Harron, 2011)
Attractive female cast in a blah story about a new student at a private school who seems to have an unhealthy and perhaps unhuman control over some others. Tries to be subtle but ends up dull.
After Dusk They Come aka The Forgotten Ones (Jorg Ihle, 2009)
+ Relatively incompetent story about shipwreck victims being terrorized on an island by cannibalistic creatures who often look and sound like those in
Predator, only much cheaper-looking.
75 Movies
80 Points